Paris - Pitchers

Thermos Guapa in solid brass in chrome plated finish. Partially covered with genuine leather. Maintains 1 liter liquid’s temperature for up to 12 hours. Al...

Superb René Lalique Art Deco carafe created for Cusener. Handle in bronze scale iron oxidised decorations of foliage and berries. Signed "René Lalique pour Cusenier". Excellent co...

Edition : 500 ex. Maker : Madoura Catalog : [Ramié 288, p. 150] In the bright light of Vallauris, Picasso is inspired by Suzanne Ramié's Madoura wor...

Ceramic, 1956 Edition : 500 Publisher : Edition Picasso Catalog : [Ramié 368] White terracotta, oxidized kerosene decoration, white enamel Inscriptions and stamps under the base:...

Art Deco jug by Louis Süe(1875-1968) & André Mare (1887-1932) for Gallia - Christofle. Silverplated with plant motifs in low-relief. Stamped underneath "...

This is an antique pitcher for tea ceremony made in Japan around 1920s (Taisho era). And made with Copper. This pitcher has a signature on the bottom, written Kinyoudou. This kind ...

Edition : 191/500 Catalog : [Ramié 611] Turned pitcher White earthenware, engobe decoration and partial underglaze enamel using a brush Edition Picasso Madoura stamp Plein feu An e...

Pichet en céramique émaillée rouge par Olivier Gagnère, années 1990. Réalisation Atelier Picault à Vallauris. De forme élancée avec anse latérale, signature en creux M O G Vallauris....

Beautiful St-Hubert decanter by the Lalique Maison. Stopper with decorations of oak tree leaf. Signed Lalique France. In very good condition. Secure shipping. The Lalique Maison was created by René Lalique who was one of the greatest artists of his time, whether as a jeweler or master glassmaker. He marked the Art Nouveau and Art Deco periods with his unique style. Lalique is recognized as one of the most important jewelry designers and glass maker of the French Art Nouveau period, creating innovative pieces for Samuel Bing's new store in Paris, Maison de l'Art Nouveau. He began exhibiting his work under his own name as early as 1894, notably at the Salon des artistes français, 1897 and 1898. The great glassmaker Émile Gallé discovered him at the first one and praised him highly. His Stand at the 1900 Universal Exhibition in Paris was a great success. While keeping sources of inspiration from the Art Nouveau woman, fauna and flora - including the peacock, various insects and sometimes a fantastic bestiary - he innovated by using materials barely used for jewelry at the time: glass, enamel, leather, Horn, mother of pearl, often preferring semi-precious stones to precious stones. The introduction of volume in jewelry is facilitated by his knowledge in modeling. He designed his models, having them made by a team of chisellers, sculptors and enamellers that he carefully recruited. Many women from the nobility, the bourgeoisie and the entertainment world began to wear his extraordinary jewelry, such as the Marquise Arconati-Visconti, the Countess of Béarn, Madame Waldeck-Rousseau, and Sarah Bernhardt, for whom he created a stage costume in 1902 for the revival of the play Théodora at the Sarah-Bernhardt Theater. Lalique was the only modern artist whose client and friend Calouste Gulbenkian became. Gulbenkian acquired the famous Pectoral à la libellule (circa 1897-1898), a masterpiece much admired at the 1900 World's Fair, which he lent to the tragedienne Sarah Bernhardt. After the end of the First World War, Lalique's colorful and fantastic jewelry were no longer in fashion. The creator sensed this and decided to convert to the Art Deco style through glassware in 1920. Thus, the neo-classical and geometric Art Deco replaces Art Nouveau. According to Olivier Mauny, former CEO of Lalique, his creations paved the way for an industrialization of art objects, because one of the best ways to include luxury and aesthetics in everyday life is to make everyday objects. He will create many objects such as vases, cups, candlesticks, perfume bottles, radiator caps for the Citroën 5CV (1925), decorations for the restaurant cars of the Côte d'Azur Pullman Express (1929), decorations for the dining room of the first class of the Normandie liner...

Edition : 100/300 Maker : Madoura Catalog : [Ramié 244] In the bright light of Vallauris, Picasso was inspired by Suzanne Ramié's Madoura workshop. The Spanish artist redefined the ...

Beautiful Daum France carafe. Handle in glass paste of green and yellow hues and decorations of foliage and berries. Body in Daum Crystal. Signed Daum Fr...

Suzanne Ramié (1905-1974), Glazed ceramic pitcher Stamped "MADOURA PLEIN FEU" Height: 24.5 cm Base diameter 7.5 cm

Jacques Innocenti White and black glazed ceramic pitcher Vallauris, France circa 1970 H. 23 cm, W. 21 cm, D. 17 cm

Ceramic pitcher by Robert Picault. France 20th century. Signed.

This expressive bronze pitcher was created by French sculptor Max Bré around 1970. Its organic silhouette is enhanced by a raw, textured surface and a bold, sculptural handle that co...

Original zoomorphic pitcher ewer in the shape of a partridge. Beautiful item made of silver plate for the head of the partridge nicely chiseled showing the lovely texture of feathers and blown blue glass for the body part, with a handle on the back. Yellow-colored glass eyes. The Head of the partridge is mounted on a hinge forming a movable lid for the pitcher-ewer. This kind of pitcher ewer was mainly used to serve delicious alcohol or liquor with flavor and aroma, such as pear, and mirabelle plum, as it was during the "Belle Epoque" a very fashionable and refined custom. This colored blown glass was produced by the Portieux Crystal factory created in 1705, it has a written mark "Deposé" beneath the body of the ewer, french work from the late 19th century, probably from Napoleon III period. The history of this factory known as the "Portieux crystal factory" actually begins in Tonnoy in 1690. In 1698, Duke Leopold I of Lorraine granted letters patent to Sieur de la Pommeraye, owner of the premises, associated with François Magnien, holder of the know-how, the exclusivity of glass manufacturing and trade in his duchy. In 1898, the Grand Duchess of Vladimir, wife of the brother of Tsar Nicolas II, discovered the factory while on a cure in Contrexéville. She will become a frequent customer. in 1960, the company supplies many prestigious customers: Maxim's, Brasserie Lipp, Hôtel de Crillon, Le Bristol...

Superb Lalique France "Fréjus" carafe with twisted handle decorations. 2 available. In excellent condition. Signed Lalique France Dimensions in cm (H x W x D): 24 x 16 x 12.9 Se...

"Dreamlike" pitcher in mouth-blown glass by Ornamental By Lameice. Handcrafted without molds, it is made from borosilicate glass, known for its heat resistance and clarity. Part of t...

This is an antique pitcher for tea ceremony made in Japan around 1920s (Taisho era). And made with Copper. This kind of pitchers are called 'Mizusashi' in Japanese. A mizusashi is ...

Ceramic pichet by Robert Picault France 20th century Signed RP.

2 glazed ceramic pitchers one with a single handle , the other one with a double handle Each in the shape of a face . These pitchers as labelled are unique pieces Les Argonautes...

Pitcher Ondulated Leaves with all structure in forged stainless steel. Whit 24k gold plated details. Also available on request in Ondulated Leaves Bowl on Stand, or in Ondulated Lea...

Ceramic pitcher by Roger Francois 20th century Signed RF.

This is an antique pitcher for tea ceremony made in Japan around 1920s (Taisho era). And made with Copper. This kind of pitchers are called 'Mizusa...

Loetz Orpheus c.1904 PN 1027. Olympia ground with regularly wound light blue threads and/or light blue nippled prunts. This, likely Apéritif server, was made for Loetz's representat...

Roger Capron (1922-2006) Stylized ceramic pitcher "Rhum" designed by Roger Capron, Vallauris, France, 1950s.   

Roger Capron (1922-2006) Stylized ceramic bottle "Whisky" signed by Roger Capron, Vallauris, France, 1950s.   

Roger Capron (1922-2006) Stylized ceramic bottle "MARC" signed by Roger Capron, Vallauris, France, 1950s.   

Free-Form Pitcher in Ceramic, Vallauris, 1950s, in the style of Pol Chambost. Featuring wide, flared, and rolled edges. The exterior is a matte black "Bucchero" finish, while the int...

Blown glass pitcher tinted pink, made in the 1970s. The body features regular faceting on the lower section, adding geometric reflections to the material.

The "Model B" pitcher designed by Claude Dumas in 1955 is a quintessential example of mid-century ceramic design, embodying the era’s affinity for understated elegance and refined, m...

This stunning pitcher, inspired by the creations of the renowned Onnaing manufactory, is a true work of art in earthenware. Featuring an elegant and refined design, this pitcher stan...

Roger Capron (1922-2006) Stylized ceramic bottle "GIN" signed by Roger Capron, Vallauris, France, 1950 nice condition   

Pitcher Amy all in porcelain, hand-glazed and sculpted. Porcelain with a mineral finishing. Maximum 2 liters.  

Roger Capron (1922-2006) Stylized bottle "Gin" signed by Roger Capron, Vallauris, 1950s Nice shiny enamel.  

Roger Capron (1922-2006) Stylized ceramic bottle "WHISKY" signed by Roger Capron, Vallauris, France, 1950s. nice original condition   

Discover the charm of this exquisite set of three red glass bottles, each a stunning example of 1940s Bohemian craftsmanship. The tallest bottle stands at 15.5 cm with a diameter of ...

Pair of porcelain characters realized by Jacob Petit a famous French manufacturer located in Paris. The pair represents two anthropomorphic monkeys dressed in a fancy way reminding t...

Roger Capron (1922-2006) Unusual stylized ceramic bottle "Whisky" signed by Roger Capron, Vallauris, France, 1950s.  

Roger Capron (1922-2006) Shiny yellow with Stylized personnage bottle "Whisky" signed by Roger Capron, Vallauris, France, 1950s. Unusual color , Nice condition.

Elegant Art Deco pitcher shaped with melon-style ribs on a quatrefoil base designed by Christian Fjerdingstad who was a Danish sculptor born in 1891. When he came to France, he creat...

Roger Capron (1922-2006) Stylized ceramic bottle "GIN" signed by Roger Capron, Vallauris, France, 1950s. Unusual with this design, nice condition   

Ceramic bowl by Robert Picault France, 20th century.