Paris - Wall Decorations

An Exceptional and Important french Tapestry from Royal Aubusson Manufactury the Tapestry in France , 18th Century – After Jean-Baptiste Oudry No. 1570 Period: 18th century Conditio...

Dans le respect des traditions, cette magnifique tapisserie a été soumise à un nettoyage en profondeur, à la pose d'une doublure en lin cousue à la main, et à une vérification minuti...

Artist: Jean Lurçat Era: 20th century Style: Design 50s-60s Condition: Perfect condition Material: Wool Width: 94 cm Height: 130 cm Depth: 0.5 This tapestry has already been cleaned...

Artist: Jean Picart Le Doux Era: 20th century Style: Modern art Condition: Perfect condition Material: Wool Width: 129 cm Height: 156 cm Depth: 0.5 cm In keeping with tradition, thi...

No. 1589 - Medieval Tapestry 19th century - L135xH270 cm

Artist: Jean Lurçat Era: 20th century Style: 1950s-1960s design Condition: Perfect condition Material: Tapestry Width: 253 cm Height: 155 cm Depth: 0.5 cm In keeping with tradition,...

Artist: Jean Lux (20th Century) Era: 20th Century Style: Design 50s-60s Condition: Perfect condition Material: Wool Width: 215 cm Height: 170 cm Depth: 0.5 cm Located a stone's thro...

Artist: Jean Picart Le Doux Era: 20th century Style: Design 50s-60s Condition: Perfect condition Material: Wool - Hand made Width: 200 cm Height: 150 cm Depth: 0.5 cm Located a ston...

Very Important Modern Handwoven French Tapestry The Roosters by Jean Lurçat – Aubusson, Pinton Frères Workshop Period: 20th century Condition: Excellent Material: Wool Width: 300 c...

Very Important & Great Tapestry Historical & Biblical by Brusseles Manufactury in 1680th Period: 17th century Condition: Excellent Material: Wool & Silk Width: 375 cm Height: 325 c...

1107 - a very beautiful and historic 19th century tapestry woven at the Royal Aubusson factory.

*DELIVERY IS FREE TO YOUR DOOR* We carefully package your order. Our delivery team are a professional group who use the proper upholstery methods to avoid disappointment. Your purcha...

Artist: Pierre-georges Theron Era: 20th century Style: Design 50s-60s Condition: Perfect condition Material: Wool Width: 195 cm Height: 100 cm Depth: 0.5 cm Located a stone's throw ...

Beautiful antique crucifix cross in cloisonné arabesque and floral shaped enamel and gilt bronze by the Ferdinand Barbedienne foundry. Signed F. Barbedienne. France 19th century. Tr...

Wall decoration leopard black in handcrafted ceramic. Hand painted with black paint.  

Wall decoration leopard spotted in handcrafted ceramic. Hand painted with black paint.

17th Century Flanders Tapestry - The Rape Of The Sabine Women - 200lx185h - No. 1580 Period: 17th century Style: Rome and Antic Greece Condition: Good condition Material: Wool & Sil...

Console Table Abruz with up and down tops in 2 layers baked glass with irregular edges in gradient from deep dark blue to transparent with back in partial silvered finish. with iron ...

Wall decoration stellar aircraft engine with propeller with Jacobs aircraft engine. From Italy. Handcrafted chrome engine, exceptional art work on air...

This 17th-century Flemish tapestry, entitled "The Village Festival," depicts a lively scene of peasant life in a wooded landscape. Composition and Scene: In the center, in the fore...

Wall Decoration Seahorse Crystals with frame polished stainless steel. With swordfish artwork on plexiglass with Swarovski carved crystals inserts.

A wide oil on canvas op-art kinetic painting by artist Cesare Andrade, entitled "Puntigrama Bicromo", signed and dated, painted in Paris, France 1978. This wide and powerful paintin...

Located a stone's throw from the Eiffel Tower in Paris, we are a French family business specializing in the purchase, sale, expertise, cleaning, restoration and conservation of tapes...

A fine and large wool and silk French Tapestry from the historical Aubusson Manufacture decorated with greenery and foliage border. Oasis of greenery and peace- bucolic scene with se...

Wall Decoration Amazon Headdress traditional headdress of an aboriginal tribe from the Amazon made up of strands of natural straw, and dehydrated ca...

Pierre Sabatier Brutalist mural composed of 3 panels in steel and pure tin. The panel represents matter in transformation, as tin meets steel. France 1974 H. 247 cm, W. 267 cm, D. 4....

Period: 17th century Style: Rome and Antic Greece Condition: Perfect condition Material: Wool Width: 465 cm Height: 307 cm Depth: 1 cm In keeping with tradition, this magnificent ta...

Flemish Tapestry, 17th Century, The Refusal of Vashti and the Elevation of Esther Period: 17th century Condition: Excellent antique condition Material: Wool & Silk Width: 370 cm Hei...

A deux pas de la Tour Eiffel Nous sommes une entreprise familiale spécialisée dans l'achat, la vente et la location de voitures. expertise de tapisseries, tapis, kilims et textiles a...

Jean Lurçat, Aubusson Tapestry, Tabard Workshop - Zodiac Usa - No. 1595 Artist: Jean Lurçat, Zodiaque Usa Period: 20th century Style: Design 50's and 60's Condition: Perfect conditio...

Artist: Jean Lurçat Period: 20th century Style: 50's and 60's design Condition: Perfect condition - Hand woven Material: Wool Width: 365cm Height: 185cm In keeping with tradition, t...

Roger Capron (1922-2006) Unusual ceramic with birds decor set of 7 plates (diameter 18 cm). As wall decoration or dessert plates. Signed Capron Vallauris on back. Manufactured, circa...

No. 1616 - 20th Century Tapestry from the Bruxella In Brabanti Manufactory - Georges Chaudoir Workshop, Greeting Card by Jean Milo. - W122 x H160 cm This magnificent tapestry has un...

Jacques Pouchain (1927-2015) French painter and ceramicist. Dish with a stylized owl 1960's. Signed "Atelier Dieulefit" & JP on back. Diameter 22 cm.

Claude GOZLAN (1930-2006) AUBUSSON tapestry "The Palace of Chimeras" from the PINTON workshop Signed and justified 1/6 lower right. Also signed, titled a...

An authentic and unique kinetic painting thin and subtle gouache on wood panel, Abstract Geometric, Op-Art, Kinetic composition of orange and blue shades through thin complex archite...

Rare and Very Fine 19th Century Aubusson Tapestry - Signed - The Lady with the Unicorn - 1m74Hx1m95L - N° 1364 My personal opinion on this tapestry: Normally I do not share my perso...

Artist: Patrice Allard Period: 20th century Style: Art Deco Condition: Perfect condition Material: Wool Width: 80 cm Height: 80 cm Depth: 2 cm Patrice Allard — Kinetic Tapestry, Sch...

1028 - Beautiful late 19th century French tapestry in style of the Aubusson tapestries, with a beautiful design of town, woven with old mechanical Jaquar manufacturing, with wool.

Jean Lurçat, Balance - Aubusson Tapestry Atelier P. Legourieux - 88x116 - No. 1573 Artist: Jean Lurçat Period: 20th century Style: Design 50's and 60's Condition: Perfect condition ...

This is a Japanese curtain which was made in Japan around 1960s. It is called Noren. This noren has a family crest (kamon) in the middle. This type of Kamon is called Maruni Sasa Rindo. This noren is with cotton and starts losing a color because of sun but it is in good condition for its age. The color is beautiful. Noren: Noren are fabric dividers hung in doorways, across windows, on walls or between rooms. They take many shapes and sizes and are made using a multitude of different colors, patterns and materials. Traditional noren are hand-woven using natural fabrics like linen and cotton and often dyed with natural dyes like Japanese indigo. Maruni sasa rindo: "Maru ni Sasa Rindo" is a Japanese family crest...

1030 - Beautiful French Jaquar ( Gobelin )style tapestry, with nice romantic design and beautiful colors, mechanical Jaquar fabric with wool woven.

Temple coffee table, by Tristan Auer, is made in Light oak degraded with ink and covered with a glossy varnish. Dimensions : 31,4" x 22,44" x 18,5" A "Certificate of Authenticity" is provided by the gallery and the artist. Tristan Auer is an interior architect and a designer, set designer, and artistic director of the luxury division of interior architecture firm Wilson Associates. He grew up in Aix-en-Provence and graduated from ESAG-Penninghen. After his studies, he joined the team of Christian Liaigre and Philippe Starck before he opened his interior design firm in Paris in 2002. Tristan Auer generally works for private clients, shops, hotels, and palaces. He renovated the Mosquito Cotton House and the Hotel de Crillon...

Georges Jouve (1910-1964) Decorative Ceramic plate "Snail form or free form " 1950's Signed JOUVE on back (engraved) New Oak frame Ceramic Measures : 25 cm x 25 cm. (Framed 41 x 41 cm)

Located a stone's throw from the Eiffel Tower in Paris, we are a French family business specializing in the purchase, sale, expertise, cleaning, restoration and conservation of tapes...

Aubusson tapestry of 19th century Aubusson, N° 1236 Thanks to our Restoration-Conservation workshop and also Our know-how, we are pleased to present to you works of art in fabric such as Tapestry, Carpets and Textiles...

This exquisite 20th century tapestry in polychrome wools designed by René Perrot and woven at Atelier Rivière des Borderies in Aubusson captures the serene beauty of two exotic birds...

Philippe Hecquet, Birds of the Sun - Tapestry Manufacture Aubusson - L200xh150 - No. 1477 Located a stone's throw from the Eiffel Tower in Paris, we are a French family business spe...

Wall decoration Art replica neon light light wall decoration mirror made with mirrored led lights with glass and Plexiglas creating an infinity mi...

"Derrière le Miroir" is a French art magazine created in 1946 and published by the Maeght Gallery until 1982. "Derrière le Miroir Miro Sculptur...

Roger Capron (1922-2006) Roger Capron studied at Art appliqués of Paris from 1938 to 1943 before teaching drawing in the same establishment from 1945. In 1946, he settled in Vallaur...

Artist: After Joan Miró Period: 20th century Style: Modern art Condition: Perfect condition Material: Wool Length: 56 cm Width: 40 cm Depth: 0.5 cm In keeping with tradition, this m...

1077 - 18th century tapestry from the Aubusson Manufacture. Representation The Capture Of Birds Perfect state of conservation.

"Sub-Marine" modern tapestry of the 20th century realised by Robert Debieve, in perfect condition of conservation. Negotiable price and free delivery. Dimension: 157 cm x 113 cm.

This is a paper fan with bamboo which was made in Japan around 1990s. In the middle, there is a logo (Family crest) which is called Kamon in Japanese. This kamon is called Odamokko. The Odamokko is a traditional Japanese family crest...

This magnificent modern tapestry from the Aubusson Manufacture, having benefited from a deep cleaning and a careful verification and doubled by experts in our artisanal Workshop. It ...

"Beautiful Flanders Tapestry - represents Penelope 17th century Depicts Penelope recognizing Odysseus on the shores of Ithaca. Close to the Eiffel Tower, We are a family business sp...

Rape of the Sabine Women, Flanders Tapestry, Late 16th Century - L4m22xh2m35 - No. 1473 Manufacture Des Flandres Epoque: 16th century Style: Haute époque-Renaissance-Louis XIII Condi...

Exceptional limited edition 1/2 tapestry "Pelops" with certificate from a private collection, 1964. Ateliers Pinton brothers in Felletin, under the supervision of Pierre Baudouin 2ex + 1EA Editor Aram Iynedjian. The tapestry will be sold with its certificate of authenticity from the gallery. From the 15th century, the name of Pinton was associated with the Aubusson tapestry. Since then, over the generations, the Pinton family has largely contributed to the development of this fabulous cultural heritage until the creation in the 19th century, of the Felletin factory, in the department of Creuse. Even today, in these workshops, the craftsmen execute the same correct gestures with the same attention to detail and thus extend the chain of the history of the tapestry of tradition but also contemporary. The hand of specialists, the eye of designers and dyers and the taste of the most demanding clientele find their meaning in the fabric of the carpets. The excellence of French know-how, a living heritage society and custodian of Aubusson's cultural heritage, has always collaborated with great artists. The works of Charles Le Brun, Charles Lapicque, Pablo Picasso, Jean-Michel Othoniel, and many other big names in the world of painting, architecture, design, fell into the looms and know-how ancestral of this unique Creuse creator. Editor Aram Iynedjian Aram Iynedjian, Lausanne gallery owner and editor of tapestries from Braque, Estève and Lapicque, the latter meets Pierre Baudouin, the most famous of the cardboard painters of the time. The one who translated the works of Le Corbusier, Calder or Picasso into tapestry then collaborates with Charles Lapicque and they will develop a work of great richness. Lapicque came to realize these two summits which are "Pélops" and "Diane et Actéon". I realize that you should never try to describe a work of art Let’s look at it. Let us admire the science of composition, linear purity, technical perfection, the beauty of color, the truth of the drama. Let us see, if we can, the implacable presence of genius. "We will now understand that after having based a painting on the love of tapestry, it was relatively easy, and very tempting, to build a tapestry faithful to my painting," explained the artist in the exhibition catalog. of the Galerie Verrière in 1970. It was not until 1961 that he began to produce cardboards both for the tapestry of the Lisse in Aubusson, but also at the Mobilier National, with the help of Pierre Baudouin Charles Lapicque (1898-1988) Born in 1898 in Theizé (Rhône) in a family practicing both the arts and the sciences, Charles Lapicque is no exception to the rule: gifted for music and drawing, he graduated from the École Centrale in 1921, works as engineer until 1928 before integrating in 1931 a laboratory at the Faculty of Sciences of Paris, where he carried out research on the perception of colors, crowned by the title of Doctor of Physical Sciences in 1938. He thus studies the reactions of the eye in front of an intense light source, at the origin of the formation of starry images which he will use in his works, and defines a theory of the staggering of colors in space which overturns the rules of the Renaissance: "I had shown that the Classic rule, that of Vinci, advocating placing the blues in the distance, the reds, oranges and yellows in the foreground, is a nonsense; it makes more sense, more favorable to do the opposite. "(In Red and blue in the arts, 1936) It was around 1920 that Charles Lapicque began to paint in Brittany where he spent every summer since his childhood, first on the motif and then in a workshop that his stepfather Jean Perrin, Nobel Prize in Physics, had him build in 1927 ; he then definitively adopted the work of memory, in accordance with the art of music which he deeply loved and the Bergsonian philosophy of knowledge: "It is up to us to give reality an appearance that it has no itself, a form, a figure (...). " His youthful production immediately reveals a great originality, oscillating between figuration and abstraction which sometimes intertwine: alongside synthetic paintings by their simplified drawing and their flat colors, he designs an Homage to Palestrina (1925), composed of a grid derived from Cubism, entirely abstract, relayed by a Christ with Thorns (1939), according to a principle that he will develop after 1939, in line with his optical discoveries. In fact, during the war years, an almost abstract period began, that of the tight blue framework, applied to backgrounds ranging from yellow to red and revealing a more or less identifiable world (Jeanne d'Arc crossing the Loire, 1940; Rencontres series, 1940-1945). Exhibited in 1929 by the gallery owner Jeanne Bucher, Lapicque abandoned his scientific career in 1943 to devote himself entirely to painting. He continued his work which resulted in 1946-1953 in white-frame structures; their much softer lines lead him to the system of either black or white interlacing which encloses areas of pure color, most often in solid color. With The Battle of Waterloo in 1949, Lapicque still uses optics - zooming in on a given area - to depict spaces with multiple perspectives and decomposed times. This new interest in the liveliness of color developed in the following period, which can be described as flamboyant or Baroque (1954-1963): illustrated in particular by the series of Breton lagoons and twilight or nocturnal views of Venice in the light. Stars, which the artist himself describes as “daring sweets”, it begins with the Raoul Dufy Prize of the Venice Biennale, awarded in 1953 to the artist who took the opportunity to give free rein to his passion for the Serenissima until July 1956. Another point in common with his elder brother is the expression of movement. Begun in 1949 in The Battle of Waterloo then in 1952 with Dimanche aux regates, it became an obsession from 1964, in the exploration of new themes, such as the different shots of tennis players captured on the fly (1965), the mythological scenes and sea storms. These dizzying years precede the artist's last period: as he comes of age, he discovers serenity, revealed by a painting now with acrylic paint, much more peaceful from 1974, which even borders on a childish naivety at the end. of his life. All of his work includes an astonishing diversity of themes, also nourished by his travels (Rome in 1957, Greece in 1964, Holland in 1974 ...), with a predilection for the sea, rocks, sailboats, music, tennis, horses, wild beasts, but also for history and mythology, as evidenced by knights, kings and ancient gods. It also deploys, in total creative freedom, a wide variety of styles and orientations. Having been one of the pioneers of non-figurative art, thus paving the way for artists like Manessier, Bazaine, Vieira da Silva, De Staël, etc. Owners of the new non-figurative Paris School of the Postwar period, Charles Lapicque then returned to figuration, in a "new interpretation" of appearance, even if he continued to rub shoulders with abstraction at times. "Drawing runs after color and color after drawing. " Heir to the Fauves, Charles Lapicque plays like them on pure colors, whose dissonances, associated with a totally free design and an overloaded composition in a multiple space, make him a precursor of the New Figuration in all its forms: the Narrative Figuration born in France in the early 1960s, represented in particular by Gérard Fromanger, Erró, Bernard Rancillac and Gérard Guyomard; Free Figuration born in the early 1980s, marked by Robert Combas, Hervé and Richard Di Rosa, Louis Jammes and François Boisrond, and which, in turn, influenced the American Bad Painting of a Jean-Michel Basquiat or a Keith Haring, deliberately neglected and Expressionist; Lapicque's “Classic subjects” were able to feed Cultivated Painting, which also appeared in the early 1980s with Jean-Michel Alberola, Patrice Giorda and Gérard Garouste...

An abstract relief painting, black center, different shades of orange, pink, red, purple around, with a green surrounding line, post-modern, abstract, forme-libre, oil on wooden pann...