Rome - More Art

Capogrossi is the anastatic reprint edited by Edizioni del Cavallino in 1950, on the occasion of Capogrossi's first exhibition at the Galleria della Cometa in Rome. From the private collection of the Countess Anna Laetitia Pecci-Blunt. With an affectionate handwritten dedication to the Countess from the artist himself, dated 18 January 1953 and signed "Capogrossi". Introduction by Corrado Cagli (1910-1976). In-8º, text in Italian. pp. 7 + 7 b/w full-page ill., cm 24 x 0,3 x 18,5, 1950s. Reprint of the previous edition by De Luca Editor. Low-cut biding and visible signs of aging on the paper. Giuseppe Capogrossi (1900 - 1972) was a famous Italian painter, especially known for the foundation of the so-called Scuola Romana ("Roman School"), together with Corrado Cagli and Emanuele Cavalli...

Les Contes Drolatiques is an original modern rare book written by Honoré de Balzac (1799 – 1850) and illustrated by Gustave Doré (Strasbourg, 1832 – 23 January 1883) in 1861. Publis...

L'Asino, Art Magazine, Year 24, no. 29, 1915, is an original colorful illustrated Italian magazine with a satiric political scene. Published on Sunday 18 Luglio 1915, in 4 pages, do...

This is a lot of 2 Autographs by Dino Grandi to the Countess A.L. Pecci- Blunt, composed of: Autograph Letter Signed. London, March 13th, 1937, XV. In Italian. One page, single-sided, on letterhead paper "Italian Embassy-4, Grosnevor Square, 1". Including original envelope. Autograph Greeting Letter Signed. Two pages, single-sided. On letterhead paper "Il Ministero degli Affari esteri". From the Italian Embassy of London and from the Monistero degli Affari Esteri, the Italian diplomat, Dino Grandi writes these greeting and thank-you letters to the Countess and Patron of arts, Anna Laetitia Pecci-Blunt. These are hard times, during the Fascist period, as the Countess Pecci-Blunt writes in an autograph note attached "Epoca del ventennio", and how Dino Grandi refers. Dino Grandi (Mordano, 1895 - Bologna, 1988) Dino Grandi was an Italian politician and diplomat, who went down in history for the presentation of the homonymous agenda to the Grand Council of Fascism on 25 July 1943 which led to the dismissal of Benito Mussolini. He was foreign minister, minister of Grace and Justice and ambassador to London of the Kingdom of Italy.During the second post war, he was a regular consultant to the US authorities, in particular to the ambassador in Rome, Clare Boothe Luce...

Mosaic on cement panel, realized by Massimo Campigli in 1947. Unique piece, with certificate of authenticity on photograph by the artist's son Nicola Campigli on photo. Bibliograph...

In-folio Oblong Dimensions : 29x39 cm. Paris Atelier Crommelynck 1968 Edition of 200 copies including 12 original out-of-text etchings (7 etchings, 4 etchings and acquatint and 1 e...

Got mit uns is an original modern rare book illustrated by Renato Guttuso (Bagheria, 1911 – Rome, 1987) in 1947. Original Edition. 715 numbered copies. Published by La Margherita,...

Arabic Calligraphy of praying is a precious manuscript reporting Islamic Sacred Verses in an ancient calligraphy style. One page, one-sided, in Ara...

Gargantua is an original modern rare book by François Rabelais illustrated for the first time by Gustave Doré (Strasbourg, 1832 – 23 January 1883) in 1854...

Cy Twombly Exhibition Leaflet - Galleria La Tartaruga 1958 is a very rare and precious exhibition leaflet of Cy Twombly. Ivory colored cardboard. ...

Le Dur Désir de Durer is an original Modern Rare book and written by Paul Éluard (Saint-Denis, 1895 – Charenton-le-Pont, 1952) and illustrated by Marc Chagall (Lëzna, 1887 – Saint-Pa...

Deluxe edition of only 23 copies including 40 original etchings by L. Marcoussis, including the title and a portrait of Apollinaire. One of the 20 copies on vélin d'Arches numbered i...

Mythologies is an original Rare Book engraved by André Masson (Balagny, Oise, 1896 - Paris, 1987) in 1946. Original Edition. Published by Editions de la Revue Fontaine, Paris. Fo...

Book in perfect conditions, with spine restored and illustrations by André Domin. Edition of 485 copies including illustrations by André Domin. Cover worn, partially missing and res...

Hand signed and numbered. Edition of 35 prints. With an embossing stamp on the lower left margin. Excellent conditions. Antonio Corpora (Tunis, 1909 - Rome, 2004) was an Italian art...

Abrechnung Folgt! is an original modern rare book illustrated by George Grosz (Berlin, 1823 - 1959, Berlin) in 1923. Original First Edition. Published by Malik Verlag, Berlin. Format: In 4°. The book includes 61 pages with 57 full page reproductions of drawings. Good conditions. George Grosz (Berlin, 1823 - 1959, Berlin). By the war’s end in 1918, Grosz had developed an unmistakable graphic style that combined a highly expressive use of line with ferocious social caricature. Out of his wartime experiences and his observations of chaotic postwar Germany grew a series of drawings savagely attacking militarism, war profiteering, the gulf between rich and poor, social decadence, and Nazism. In drawing collections such as The Face of the Ruling Class (1921) and Ecce Homo (1922), Grosz depicts fat Junkers, greedy capitalists, smug bourgeoisie, drinkers, and lechers—as well as hollow-faced factory labourers, the poor, and the unemployed. At this time Grosz belonged to the Berlin Dada art movement, having befriended the German Dadaist brothers Wieland Herzfelde and John Heartfield...

Image dimensions: 33 x 49 cm Hand-signed and numbered. Edition of 40 prints. In very good condition, except two light stains on lower left margin. Antonio Corpora (Tunis, 1909 - R...

Rare volume with twenty lithographs by Robert Delaunay protected by tissue paper. The book itself is protected by tissue paper. Text by Joseph Delteil; illustrations by the French p...

Edition of 250 copies including 46 original lithographs by Antoni Clavé. One of the 205 copies numbered from 46 to 250, on vélin de Rives. Includes original jacket and slipcase on ca...

Edition of 175 specimens (plus 29 out of commerce) of this important book by Dalì, published by Editions Surréalistes in 1930 and one of the first books to...

Ertè - Exhibition Poster is a vintage offset and screen print realized in 1971. The artwork was realized in the occasion of the artist's exhibition held in Galleria Marino in Rome. ...

La Tentation de St. Antoine is an original modern rare book illustrated by Odilon Redon (Bordeaux, 1840 - Paris, France) and written by various authors...

La Maison Tellier is an original modern rare book illustrated by Edgar Degas (Paris, 1834 – Paris, 1917) and written by Henri-René-Albert-Guy de Maupassant (Tourville-sur-Arques, 185...

Wonderful contemporary abstract signed painting Series of 4 canvas assembled to form a single painting signed Kozo Inoue dated 1974 This painting, never before on the market, comes f...

Important abstract painting by the great modern Japanese artist Depicts in the purest abstract-minimalist style an irregular rectangular geometric shape. The black and white chromati...

Important polychrome mosaic realized by Afro in 1955 and based on his eponymous mixed media work of the same year now exhibited in MET NY. Signed lower right. Ref. M. Calvesi, Afro ...

Das Neue Gesicht der Herrschenden Klasse is an original modern rare book illustrated by George Grosz (Berlin, 1823 - 1959, Berlin) in 1930. Original First Edition. Published by Malik, Berlin. Format: in 4°. The book includes 126 pages with 60 full page reproductions of drawings. Mint conditions. George Grosz (Berlin, 1823 - 1959, Berlin). By the war’s end in 1918, Grosz had developed an unmistakable graphic style that combined a highly expressive use of line with ferocious social caricature. Out of his wartime experiences and his observations of chaotic postwar Germany grew a series of drawings savagely attacking militarism, war profiteering, the gulf between rich and poor, social decadence, and Nazism. In drawing collections such as The Face of the Ruling Class (1921) and Ecce Homo (1922), Grosz depicts fat Junkers, greedy capitalists, smug bourgeoisie, drinkers, and lechers—as well as hollow-faced factory labourers, the poor, and the unemployed. At this time Grosz belonged to the Berlin Dada art movement, having befriended the German Dadaist brothers Wieland Herzfelde and John Heartfield...

"Il Selvaggio, no.9 - 1935", "Annual supporter subscription - Una Copia 40 Cent - Fortnightly Newspaper of arts and science", including original woodcuts by the artist Mino Maccari....

"Il Selvaggio, no.10- 1935", "Annual supporter subscription - Una Copia 40 Cent - Fortnightly Newspaper of arts and science", inclugind original woodcuts by the artist Mino Maccari....

"Il Selvaggio, no.21-22- 1924", "Annual supporter subscription - Fortnightly Newspaper of arts and science", including original woodcut prints by the artist Mino Maccari. 8 pages. ...

Ann Eliza Reed is an original modern rare book illustrated by Oskar Kokoschka (Pöchlarn, 1886 – Montreux, 1980) in 1952. Original Edition. Published by Maximilian Geselschaft, Hamb...

"Il Selvaggio, no.4-5- 1935", "Annual supporter subscription - Una Copia 40 Cent - Fortnightly Newspaper of arts and science", including original woodcuts by the artist Mino Maccari...

Papiers II is an original contemporary artwork realized in the XX Century. Original collage on watermarked paper. Excellent conditions. Beautiful collage on paper depicting dif...

Letter addressed to Mino Maccari. Fagnano, 14 May 1933. "The promise of Ansaldo". During his pre journalistic period, the wannabe novelist Benedetti used to use the stage name of Ar...

Denuded by Future from Beyond Eros V is an original black and white photograph realized by Nikhil Bhandari (Rajasthan,1969). Hand-signed both on the lower of the artwork and rear an...

Ade Witboi is an original modern rare book with illustrations by George Grosz (Berlin, 1823 - 1959, Berlin), published in 1955. Original First Edition. Published by Arani, Berlin Grunewald. Format: in 4°. The book includes XXII pages with 47 fullpage black and white drawings and 4 colored pages. Mint conditions. George Grosz (Berlin, 1823 - 1959, Berlin). By the war’s end in 1918, Grosz had developed an unmistakable graphic style that combined a highly expressive use of line with ferocious social caricature. Out of his wartime experiences and his observations of chaotic postwar Germany grew a series of drawings savagely attacking militarism, war profiteering, the gulf between rich and poor, social decadence, and Nazism. In drawing collections such as The Face of the Ruling Class (1921) and Ecce Homo (1922), Grosz depicts fat Junkers, greedy capitalists, smug bourgeoisie, drinkers, and lechers—as well as hollow-faced factory labourers, the poor, and the unemployed. At this time Grosz belonged to the Berlin Dada art movement, having befriended the German Dadaist brothers Wieland Herzfelde and John Heartfield...

La Psychlogie du peuple americain is a typewritten text of an oral speech. Likely a transcription of an history conference hold by Bernard Faÿ. With pencil autograph notes to the Cou...

Autograph Happy New Year Card Signed and Dated by Alberto Lattuada to Maria De Matteis. Milan, December 30th 1941. 9.2 x 14 cm. In 24°. In Italian. Excelle...

Gesänge Gegen Bar is an original modern rare book written by Günther Schwenn (Berlin, 1903 - Geneva, 1991) and engraved by George Grosz (Berlin, 1823 - 1959, Berlin) in 1931. Publis...

L'Asino, Art Magazine, Year 24, no. 43, 1915 is an original colorful illustrated Italian magazine with a satiric political scene. Published on Sunday 24 October 1915, in 4 pages, do...

Bronze on a marble base It bears Mayo's signature. Trademark Fondart - Lagana Napoli. “Of the first sculpture, a group of highly vigorous original artistry, all that remains is Ada...

Die Elixiere des Teufels is an original modern rare book written by Hoffman E.T.A. (24 January 1776 – 25 June 1822) and illustrated by Hugo Steiner-Prag (Prague, 1880 - New York, 194...

Candid oder der optimismus is an original modern rare book written by Voltaire and illustrated by Max Unold (Memmingen, 1885 - Munich, 1964) in 1913. Original Edition. 800 Numbere...

Equipoised contempt from "Beyond Eros - IV"is an original black and white photograph realized by Nikhil Bhandari (Rajasthan,1969). Hand-signed both on the lower right and rear, titl...

Marilyn's Last Will is an original conceptual artwork realized in 1980 by Sergio Barletta (Bologna, 20 November 1934). Original collage (a colored t-shit and a newspaper clipping) on paper. The artwork is gluen on cardboard. Signature, titled and dated on plate Mint conditions (a fold on the lower left margin and yellowing of paper). Sergio Barletta (Bologna, 20 November 1934). He made his debut at a very young age for the Saturday insert of the Gazzetta del Popolo Fuorisacco, and in the same years he collaborated with various magazines as an illustrator. In 1968 he created the comic strip Mr. Manager for Rinascita, but following the magazine's refusal to publish it as it was too politicized, the strip landed on the magazines Ca Balà and Eureka, to which he also contributed with self-contained tables. Subsequently he collaborates as a satirical cartoonist with Italian and European magazines. For his irreverent and merciless style he has been compared to Jules Feiffer...

Alte Deutsche Schwanke is an original modern rare book illustrated by Max Unold (Memmingen, 1885 - Munich, 1964) in 1914. Original First Edition. Limited edition of 800 numbered cop...

Certificate of Admission to the Universal Exhibition in Paris, 1900 is an original document on paper. Rare documentation of one of the most impor...

L'Asino, Art Magazine, Year 14, no. 51, 1915is an original colorful illustrated Italian magazine with a satiric political scene. Published on Sunday 19 Dicember 1915, in 4 pages, do...

1001 Afternoons in New York is an original modern rare book written by Ben Hecht (New York,1894 – New York, 1964) and illustrated by George Grosz (Berlin, 18...

Abstract Composition is an original artwork realized by Antonio Marasco in the 1970s. Mixed colored collage on paper Hand signed on the lower right. Includes a wooden frame: 48 x ...

Über alles die Liebe is an original modern rare book illustrated by George Grosz (Berlin, 1823 - 1959, Berlin) in 1930. Original First Edition. Published by Bruno Cassirer, Berlin. Format: in 4°. The book includes 119 pages with Sixty full page reproductions of drawings. Mint conditions. George Grosz (Berlin, 1823 - 1959, Berlin). By the war’s end in 1918, Grosz had developed an unmistakable graphic style that combined a highly expressive use of line with ferocious social caricature. Out of his wartime experiences and his observations of chaotic postwar Germany grew a series of drawings savagely attacking militarism, war profiteering, the gulf between rich and poor, social decadence, and Nazism. In drawing collections such as The Face of the Ruling Class (1921) and Ecce Homo (1922), Grosz depicts fat Junkers, greedy capitalists, smug bourgeoisie, drinkers, and lechers—as well as hollow-faced factory labourers, the poor, and the unemployed. At this time Grosz belonged to the Berlin Dada art movement, having befriended the German Dadaist brothers Wieland Herzfelde and John Heartfield...

Original Magazine. Florence, (Printers: Tip. A. Vallecchi), Jan 1913-May 1915, 4°, (h. I: 350x250 mm: aa, II-III 370x270mm) 16 pp. per issue (8 in y. III) numbered progressively by year. Complete collection (unbound) of the 69 issues of the famous fortnightly review (weekly in 1915) edited by Papini and Soffici. Lacerba was an Italian literary review (fortnightly at first, then weekly) started by Giovanni Papini and Ardengo Soffici in 1913 In Florence. The title is taken from a 14th Century poem, Lacerba, by Cecco d’Ascoli, as well as the line, “Quinonsicantaal mondodellerane” (“Here we don’t sing to the world of frogs”), used as a slogan printed below the masthead. Many of the most famous futurists contributed to thereview,so that it became the principal vehicle for futurist ideas and graphics between 1913 and 1914. “The intensity of its presence, its luck and the range of its coverage, its polemical tone as well as the richness and scattershot breadth of its subject matter, its language and themes, and its articles and pictures, place it among Europe’s leading avant-garde publications alongside France’s Les Soirées de Paris, Germany’s Der Sturm and Blaue Reiter almanac...

G. Ferrari, Matta. Entretiens Morphologiques. Notebook N°1, 1936-1944 , First Edition, Sistan, London 1987. In this book, there is an original lithograph by Matta, hand-signed and n...

Game Lover is a contemporary artwork realized by Matteo Basilé in 2008 Mixed colored lithograph Hand-signed on the lower right, Numbered on the lower left. Edition of 221/260 Thi...

"Il Selvaggio, no.7-8- 1935", "Annual supporter subscription - Una Copia 40 Cent - Fortnightly Newspaper of arts and science", including original woodcut prints by the artist Mino M...

Francesco Albani Circle Italian Mythological Painting This important oil painting on wood depicts a subject that is very rare in the iconography of ancient mythological paintings: the birth of Erittonio. Erichthonius who succeeded Amphictyon becoming the fourth mythological king of Athens and married the naiad Praxithea who made him the father of Pandion. The extremely high quality of this very rare painting suggests that it was painted by an artist who frequented Francesco Albani's studio. The period, the mythological subject, the harmony of the colours and, above all, the sublime quality of the flesh tones all point in this direction. This artwork, never before on the market, comes from an important Italian private collection Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. ERYTHTONIOS (᾿Ερυχϑόνιος, Erychthonios) Born of Hephaestus' love for Athena, from the breast of Ghe, who was impregnated by the god; welcomed by Athena, who placed him in a basket together with one or two snakes, entrusting him to the care of Cecrops' three daughters. Against the goddess's wishes, they opened the chest, from which emerged, according to different versions of the myth, either the child wrapped in snakes or a snake, which, in some versions, killed the girls, while in others, they threw themselves from the Acropolis in fear. Erittonio, in the form of a snake, is welcomed by Athena into her temple and curls up under the goddess's shield. Alongside this myth, of Ionian origin, are others due to the doubling of the figures of E. and Erechtheus The scene of the birth appears in figurative tradition: in a Melian terracotta relief from the early 5th century, Ghe, half-emerging, holds out the baby Erittonio. to Athena, who welcomes him in the presence of Cecrops; the same scene appears on various painted vases, such as a red-figure kölix by the Painter of Kodros, from Tarquinia, in the Berlin Museums, dating from around 440 BC, where Hephaestus also appears alongside Cecrops. A modest red-figure vase from Camiro, in the British Museum, depicts the moment when the fleeing Cecropids discover the cista, from which the infant Erittonio. emerges between two snakes, greeting Athena. The moment when the chest was opened was depicted by Phidias on the xiii and xiv S metopes of the Parthenon, where Cecrops and Pandrosus appear in the first and Erisichthon and Aglaurus with the chest uncovered in the second. A kölix in the style of the Brygos Painter in Frankfurt, on the other hand, depicts the large snake E. chasing the fleeing Cecropids towards their father's palace. Luciano (De dom., 27) recalls a painting depicting the scene of the birth and the representation of the myth in pantomime on the theatre (De salt., 39). Bibliography: Engelmann, in Roscher, cc. 1303-1308, s. v. Erichthonios; P. Jacobstahl, Die Melischen Reliefs, Berlin 1931, pp. 96-98, plate 75 a; W. Züchner, in Jahrbuch, LXV-LXVI, 1950-51, p. 200 ff., figs. 34-35; J. D. Beazley, Red-fig., p. 720; G. Becatti, Problemi fidiaci, Florence 1951, p. 22. Questo Francesco Albani (Bologna, August 17, 1578 – Bologna, October 4, 1660) was an Italian painter. Albani was born in Bologna, Papal States, in 1578. His father was a silk merchant who intended his son to go into his own trade. By the age of twelve, however, he had become an apprentice to the competent mannerist painter Denis Calvaert, in whose studio he met Guido Reni. He soon followed Reni to the so-called "Academy" run by Annibale, Agostino, and Ludovico Carracci. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi...

Yellow Brush is a beautiful hand-made flat ceramic dish realized by the Russian artist, Anastasia Kurakina in 2019. Signed and dated by the artist on the back. This is a ceramic d...

Provenance: Walt Disney Productions This is an original painting on celluloid, actually used in the Walt Disney Production of Ferdinand The Bull. F...

Salomé is an original modern rare book, a versione of Oscar Wilde's Salomé illustrated by Alastair (1887 – 1969) in 1922. Published by Crès Editeur, Paris. Original edition. Format: in 8°. 89 pages with 9 full page engravings in two colors. Mint conditions. Alastair (1887 – 1969). Hans Henning Otto Harry Baron von Voigt (1887 – 1969), best known by his nickname Alastair, was a German artist, composer, dancer, mime, poet, singer and translator. He is best known as an illustrator, under the nom de plume "Alastair". His career as an artist was launched in 1914, when John Lane...

Edition of 115 copies with additional proofs including a suite of 6 original printed in color lithographs by Marie Laurencin, numbered and signed by the artist. One of 90 copies on H...