San Diego - Chaise Longues

Chaise longue 111 Wink by Toshiyuki Kita For Cassina, Italy 1980s. Wonderful chaise longue designed by Toshiyuki Kita for the prestigious Italian manufacture ...

Frank Gehry pair of easy Edges chair and ottoman. Easy Edges, Inc. Canada/USA, 1972. Laminated cardboard, masonite. Chair: 29¼ H × 23¼ W × 39 D in, ottoman: 14¾ H × 17¾ W × 30 D in (...

Distinctive steel chaise longue, finished as forged iron and adorned in brass detail. Sold with newly-made tie-on upholstered cushion in antique hand-loomed French thistle and natural canvas. All...

A handsome chocolate brown channeled Italian leather chaise longue from the 1970's. The sloping contoured wavy curved frame sits in harmony with...

FK 87 - 'Grasshopper' easy chair/chaise longue in cognac leather and chrome-plated steel. Designed in 1965. Designed by Preben Fabricius & Jørgen Kastholm, made by Lange Production.

Leather chaise lounge Baisity by Antonio Citterio for B&B Italy, 1982. Elegant chaise lounge featuring a leather upholstered steel-frame and backrest, a black leather cushion and a leather mattress...

A true Swedish design classic, the ‘Kroken’ lounge chair was designed by Christer Blomquist for IKEA in the 1970s. Featuring a sleek, curved metal frame with a suspended seat, it off...

A gorgeous set of six original classic low-back 'bucket' versions of the Model FK-6725 deep blue leather 'Bird' chairs, also commonly referred to as the 'Tulip' chair and originally ...

Fabricius and Kastholm FK87 "Grasshopper" for Alfred Kill, Denmark, 1960's This is a classic “Grasshopper” lounge chair, model FK87, designed by Preben Fabricius and Jørgen Kastholm...

Postmodern chaise longue Wave model designed by Giovanni Offredi for Saporiti. A timeless piece, characterized by a steel structure and a minimalist aesthetic in perfect postmodern style. The chair cushion...

Russian designer Maxim Scherbakov‘s new exhibition at Rome’s Contemporary Cluster gallery, he pushes that idea to the extreme: What if design could be all about emotion, and little else? His barely functional pieces, and his general conceit, feel uncomfortable at first — we’re not sure we want to live in a world where design is purely an aesthetic indulgence — but in an era when furniture is increasingly difficult to distinguish from art, it does feel in some ways like we already are. And the ornate backdrop of the gallery’s home, the 14th-century Palazzo Brancaccio, serves as a potent reminder that it’s possible we always have. Maxim Scherbakov, who works under the studio name Supaform, says that he developed the new collection “as a result of a careful visual search for the frontiers of comfort,” seeking to celebrate “beauty for no reason,” he says. His floor lamp has no bulb, his coffee table is too bumpy to hold a glass upright, and his desk has trick drawers and a gap in the middle where its writing surface should be. Yet his various seating elements look no less functional than, say, Rick Owens’s, and Scherbakov has a compelling raison d’etre: Also a longtime painter, he pulled all of the works directly from his canvases, making them a literal elision of the two-dimensional realm and the three. If he can celebrate fantasy and feeling in one of them, he wondered, then why not the other? This wooden sofa is a part of the 'Hidden Entourage...

A rare lounge chair by British designer Tom Dixon for Space Design. A delicate braided rope has been systematically woven across its iron frame, a method Dixon employed in various ea...