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Item Ships From: San Francisco
Wallscape I - abstract photograph of painterly details of blue toned surface
By Frank Schott
Located in San Francisco, CA
large format photography of muted color palimpsest from a series of photographic observances capturing urban textures and color palettes, painterly abstractions of beautifully decay...
Category

21st Century and Contemporary Contemporary San Francisco - Photography

Materials

Archival Paper, Photographic Paper, Archival Pigment

Zeppelin - monumental photograph of iconic pioneering airship (48” x 69”)
By Christian Stoll
Located in San Francisco, CA
large format monochromatic photograph Zeppelin by Christian Stoll 48 x 69 inches (122 x 175cm) edition of 7 signed 28 x 40 inches (71 x 102cm) edition of 25 signed archival fine ...
Category

21st Century and Contemporary Contemporary San Francisco - Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment

Passing Under ( 27 x 40" / 69 x 102cm )
By Erik Pawassar
Located in San Francisco, CA
Passing Under by Erik Pawassar 27 x 40 inches (69 x 102cm) edition of 25 signed 48 x 71 inches (122 x 180cm) edition of 7 signed archival fine art pigment print signed & numbered...
Category

21st Century and Contemporary Contemporary San Francisco - Photography

Materials

Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée

Seascape III - large format photograph of monochromatic blue horizon and sea
By Frank Schott
Located in San Francisco, CA
from a series of photographic works capturing the sea blue color palette of the ocean Seascape III by Frank Schott 48 x 64 inches / 122cm x 163cm signed edition of 7 30 x 40 inche...
Category

21st Century and Contemporary Contemporary San Francisco - Photography

Materials

Photographic Paper, Archival Pigment, Archival Ink, Archival Paper, Giclée

Letter H ( 48 x 71" / 122 x 188cm )
By Christian Stoll
Located in San Francisco, CA
LETTER H by Christian Stoll large scale conceptual photography playing with viewer's perspective incredible details in this body of work, a series of environmental stills playing w...
Category

21st Century and Contemporary Conceptual San Francisco - Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment

Blue Bird - large format photograph of iconic utility truck at night
By Erik Pawassar
Located in San Francisco, CA
Blue Bird by Erik Pawassar 48 x 65 inches (122 x 165cm) edition of 7 signed 30 x 40 inches (76 x 102cm) edition of 25 signed archival fine art pigment print signed & numbered by ...
Category

21st Century and Contemporary Contemporary San Francisco - Photography

Materials

Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée

Redwoods - large format nature observation panorama of green redwoods forest
By Erik Pawassar
Located in San Francisco, CA
Redwoods by Erik Pawassar 42 x 117 inches (107 x 298cm) signed edition of 7 48 x 135 inches (122 x 343cm) six panels of 48 x 22.5 inches signed edition of 7 31 x 88 inches (79 x 224cm) signed edition of 7 archival fine art pigment print signed & numbered by artist on label custom/larger sizes are available on request _________________________ Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...
Category

21st Century and Contemporary Contemporary San Francisco - Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Passing Under ( 48 x 71" / 122 x 180cm )
By Erik Pawassar
Located in San Francisco, CA
PASSING UNDER by Erik Pawassar 48 x 71 inches (122 x 180cm) edition of 7 signed 27 x 40 inches (69 x 102cm) edition of 25 signed archival fine art pigment print signed & numbered...
Category

21st Century and Contemporary Contemporary San Francisco - Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Persephone IV ( 40 x 31" / 102 x 79cm )
By Erik Pawassar
Located in San Francisco, CA
Persephone IV by Erik Pawassar 40 x 31 inches (102 x 79cm) edition of 25 signed 62 x 48 inches (157 x 122cm) edition of 7 signed archival fine art pigment print signed & numbere...
Category

21st Century and Contemporary Contemporary San Francisco - Photography

Materials

Archival Pigment, Photographic Paper, Archival Ink, Archival Paper, Giclée

Blue Bird - large format photograph of iconic utility vehicle at night
By Erik Pawassar
Located in San Francisco, CA
Blue Bird by Erik Pawassar 30 x 40 inches (76 x 102cm) edition of 25 signed 48 x 65 inches (122 x 165cm) edition of 7 signed archival fine art pigment print signed & numbered by artist on label custom/larger sizes are available on request _________________________ Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado, Raghubir Singh...
Category

21st Century and Contemporary Contemporary San Francisco - Photography

Materials

Archival Pigment, Photographic Paper, Archival Paper, Giclée

Autobahn - abstract birds eye view of freeway intersection traffic at night
By Frank Schott
Located in San Francisco, CA
birds eye overhead shot of abstract freeway intersection at night Autobahn by Frank Schott 30 x 30 inches / 76cm x 76cm signed edition of 25 42 x 42 inches / 107cm x 107cm signed ...
Category

21st Century and Contemporary Contemporary San Francisco - Photography

Materials

Archival Pigment, Photographic Paper, Archival Paper, Archival Ink, Giclée

Wheels ( 32 x 40" / 76 x 102cm )
By Frank Schott
Located in San Francisco, CA
Wheels by Frank Schott 32 x 40 inches / 76cm x 102cm edition of 25 signed 48 x 60 inches / 122cm x 152cm edition of 7 signed archival quality fine art pigment print limited art ed...
Category

21st Century and Contemporary Contemporary San Francisco - Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment

Turbine - monumental scale photograph of iconic aerospace location
By Christian Stoll
Located in San Francisco, CA
Turbine by Christian Stoll 48 x 57 inches (122 x 145cm) signed edition of 7 34 x 40 inches (86 x 102cm) signed edition of 25 archival fine art pigment print signed + numbered...
Category

21st Century and Contemporary Contemporary San Francisco - Photography

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée

Cones - large scale photograph of conceptual art in desert landscape
By Frank Schott
Located in San Francisco, CA
Cones ( 2000 ) by Frank Schott, from a series of conceptual photographic observances captured in the California desert 48 x 65 inches (122 x 165cm) signed edition of 7 30 x 40 inch...
Category

21st Century and Contemporary Contemporary San Francisco - Photography

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée

Persephone II - large format photograph of a timeless environmental still
By Erik Pawassar
Located in San Francisco, CA
large scale original photograph capturing frozen palimpsest of a person's existence Persephone II by Erik Pawassar 60 x 48 inches (152 x 122cm) edition of 7 signed 40 x 32 inches...
Category

21st Century and Contemporary Contemporary San Francisco - Photography

Materials

Giclée, Archival Paper, Archival Pigment, Photographic Paper

Persephone I - muted still life of a timeless environmental interior vignette
By Erik Pawassar
Located in San Francisco, CA
Large scale original photograph from Erik Pawassar's body of works 'Persephone', a series of environmental still-life photographs of timeless palimpsest impressions 62 x 48 inches (157 x 122cm) signed edition of 7 40 x 31 inches (102 x 79cm) signed edition of 25 24 x 19 inches (61 x 48cm) signed edition of 25 archival fine art pigment print signed & numbered by artist on certificate label ____________________________ Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado, Raghubir Singh...
Category

21st Century and Contemporary Contemporary San Francisco - Photography

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée, Archival Ink

Burst II - large scale abstract photograph of caleidoscopic color explosion
By Christian Stoll
Located in San Francisco, CA
From Christian Stoll's body of works BURST (2015), an abstract exploration of high speed photographs capturing mesmerizing explosions of caleidoscopic color 48 x 72 inches (122 x 18...
Category

21st Century and Contemporary Contemporary San Francisco - Photography

Materials

Archival Paper, Photographic Paper, Archival Pigment

Persephone III - large format photograph of a timeless environmental still
By Erik Pawassar
Located in San Francisco, CA
large scale original photograph from the body of works 'Persephone', a series of environmental still-life photographs of timeless palimpsest impressions Persephone III by Erik Pawassar 40 x 31 inches (102 x 79cm) signed edition of 25 62 x 48 inches (157 x 122cm) signed edition of 7 archival fine art pigment print signed & numbered by artist on label custom/larger sizes are available on request ____________________________ Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...
Category

21st Century and Contemporary Contemporary San Francisco - Photography

Materials

Archival Pigment, Photographic Paper

Private Road With Clouds Signed POSTER PRINT
By Roman Loranc
Located in Carmel, CA
Signed by the artist 'Roman Loranc'. Mint Condition. Can be rolled for easy shipping.
Category

Early 2000s San Francisco - Photography

Materials

Offset

Rose Orchid Bromeliad
By Walter W. Nelson
Located in San Francisco, CA
Artist: Walter W. Nelson – American (1942- ) Title: Rose Orchid Bromeliad. From the Fleur portfolio Year: 1983 Medium: Dye transfer photograph Sight size: 16.5 x 11 inches. Sheet size: 21.25 x 16.5 inches Matted size: 26.75 x 21.25 inches Edition Size: 25 This one: 9/25 Signature: Reverse Condition: Very good Unframed In the 1980s, Walter Nelson...
Category

1980s Realist San Francisco - Photography

Materials

Dye Transfer

Red Sadhu, Rajasthan, India
Located in San Francisco, CA
This artwork titled "Red Sadhu, Rajasthan, India" 1998, is a photograph (Cibachrome) by American artist Lisa Kristine, b.1965. It is hand signed, titled and dated in pencil by the ar...
Category

Late 20th Century Photorealist San Francisco - Photography

Materials

Other Medium

Falling Cross, Poland
By Roman Loranc
Located in Carmel, CA
Hand printed by artist. Now retired. Mint Condition
Category

Early 20th Century San Francisco - Photography

Materials

Silver Gelatin

Janis, Female Head Down Lying On Sofa
Located in Carmel, CA
Hand printed by artist. Signed and dated Edition of 7/25 Matted on archival mat board.
Category

Early 2000s San Francisco - Photography

Materials

Silver Gelatin

Oil Peir (Pier)
Located in San Francisco, CA
This Photograph titled "Oil Peir (Pier)" c.1960, is a gelatin silver print by noted photographer Richard Stacks, 1930-2015. It has the stamp of the Baltimore Sunpapers and the name o...
Category

Mid-20th Century Photorealist San Francisco - Photography

Materials

Silver Gelatin

Breaking Waves, Big Sur Coastline Carmel - Sepia Toned
Located in Carmel, CA
Hand Printed and Sepia Toned By Artist Beautiful Dramatic Scene Available in other sizes
Category

2010s San Francisco - Photography

Materials

Silver Gelatin

Ansel Adams, Photographer
By Imogen Cunningham
Located in Carmel, CA
Rondal Partridge Silver Gelatin Estate Print Embossed Imogen Cunningham signature on mat, labeled on verso. Dry mounted outer dimensions 16x20"
Category

1950s San Francisco - Photography

Materials

Silver Gelatin

Mt. Mostag (Muztagh) and Wild camels
Located in San Francisco, CA
This artwork titled "Mt. Mostag (Muztagh) and Wild camels" China. c.1990, is a photograph by noted artist Keith Guo Ji Liang, b.1946. It is hand signed and titled in pencil on the ma...
Category

Late 20th Century Contemporary San Francisco - Photography

Materials

Other Medium

Tules, Sky, and Isosceles BOOK PRINT SET
By Roman Loranc
Located in Carmel, CA
Hand Printed Photograph by the artist Signed in pencil on recto Edition 30/75 Printed 2008 Comes with a limited edition hard bound slip case cover book 'Fractal Dreams' Signed, titl...
Category

21st Century and Contemporary San Francisco - Photography

Materials

Silver Gelatin

Sweet Pea Pincushion
By Walter W. Nelson
Located in San Francisco, CA
Artist: Walter W. Nelson – American (1942- ) Title: Sweet Pea & Pincushion. From the Fleur portfolio Year: 1983 Medium: Dye transfer photograph Sight size: 16.25 x 11 inches. Sheet size: 21.25 x 16.5 inches Matted size: 26.75 x 21.25 inches Edition Size: 25. This one: 8/25 Signature: Reverse Condition: Very good Unframed In the 1980s, Walter Nelson...
Category

1980s Realist San Francisco - Photography

Materials

Dye Transfer

Daffodile
Located in San Francisco, CA
This Photograph titled "Daffodile" c.1960, is a gelatin silver print by noted photographer Richard Stacks, 1930-2015. It has the stamp of the Baltimore Sunpapers and the name of the ...
Category

Mid-20th Century Photorealist San Francisco - Photography

Materials

Silver Gelatin

Spring Aspen Lavender Stone, Colorado
By Christopher Burkett
Located in Carmel, CA
Hand printed by the artist on Cibachrome paper. Signed in pencil. Numbered. Framed in traditional off white metal & high grade plexiglass.
Category

21st Century and Contemporary San Francisco - Photography

Materials

C Print

Children Playing at the Park
Located in San Francisco, CA
This Photograph "Children Playing at the Park" c.1960, is a gelatin silver print by noted photographer Richard Stacks, 1930-2015. It has the stamp of the Baltimore Sunpapers and the ...
Category

Mid-20th Century Photorealist San Francisco - Photography

Materials

Silver Gelatin

Workmen on Top of Tunnel at Shape Up Basin
Located in San Francisco, CA
This Photograph titled "Workmen on Top of Tunnel at Shape Up Basin" c.1960, is a gelatin silver print by noted photographer Richard Stacks, 1930-2015. It has the stamp of the Baltimo...
Category

Mid-20th Century Photorealist San Francisco - Photography

Materials

Silver Gelatin

Death Valley Mountains
Located in Carmel, CA
Hand printed by the artist. Signed in pencil lower right. Loose Print
Category

Late 20th Century San Francisco - Photography

Materials

Platinum

Early 20th C. Hand Tinted Interior Scene Photographs by Wallace Nutting c.1910
By Wallace Nutting
Located in San Francisco, CA
Pair of Early 20th Century Hand Tinted Interior Scene Photographs by Wallace Nutting C.1910 Antique photographs - highly detailed - hand colored Signed by Nutting One photo measur...
Category

Early 20th Century San Francisco - Photography

Materials

Photographic Paper

Variation on Weston
By Jack Welpott
Located in San Francisco, CA
Artist: Jack Welpott – American (1923-2007) Title: Variation on Weston Year: 1963 Medium: Gelatin silver print Size: 7.5 x 9.6 inches Mounted size: 13 x 16.25 inches Signature: Initialed and dated in pencil on the mount; signed, titled and dated in ink, his copyright credit stamp on mount verso Edition: unknown. Condition: Very good This exceptional gelatin silver print is by the noted American photographer Jack Welpott (1923-2007) The artwork is initialed and dated in pencil on the mount; signed, titled and dated in ink, his copyright credit stamp on mount verso It is in good condition aside from some uneven toning and a few creases/scuffs on mount. Please see pictures. It is mounted but not framed. Jack Welpott’s photographs are in the permanent collections of the Getty Museum, Museum of Modern Art, New York; Whitney Museum, New York; International Museum of Photography at the George Eastman House, Rochester, New York; Center for Creative Photography, University of Arizona, Tucson; University of New Mexico, Albuquerque; the San Francisco Museum of Modern Art; Bibliotheque Nationale, Paris and the Australian National Gallery among others. Born in Kansas City, Kansas, Jack Welpott (1923-2007) was educated at primary and secondary schools in Missouri, Illinois, and Indiana. He learned about photography as a boy by watching his uncle in the darkroom, and began taking pictures by the time he was twelve. After high school he enrolled in college, but was drafted into the U.S. Army Air Force in 1943. He served in the South Pacific as a radio intercept operator until 1946. In 1949, he earned his BS in Economics from the University of Indiana, Bloomington on the G.I. Bill. He then studied photography under Henry Homes Smith, painting under Leon Golub and Harry Engle, and design with George Rickey receiving his MS in Visual Communication in 1955. Welpott then completed his MFA in photography and painting in 1959, getting to know classmates Jerry Uelsmann and Van Deren Coke in the process. During these years, he also became acquainted with Harry Callahan, Aaron Siskind, and Minor White. Upon graduation, Welpott was hired by John Gutmann to teach photography in the Art Department at San Francisco State College, now San Francisco State University, where he made extensive contributions to the field of photographic education over the next thirty-three years. In the early 1960s there were few photography courses or graduate programs offered so Welpott pioneered individual courses and a graduate program, and taught one of the first history of photography courses at the college level. Don Worth joined the faculty in 1962, adding color photography to the program, long before color photography was widely accepted as an art medium. Welpott was a beloved instructor and was deeply dedicated to the success of his students. His educational goal was to determine the needs of the student, provide constructive criticism, and most importantly, help them develop their own vision. A number of his students have had successful photographic careers including Judy Dater, Leland Rice, John Spence Weir, Michael Bishop, Harvey Himelfarb, and Catherine Wagner. He was a pillar in San Francisco’s photographic community for years, along with Ansel Adams, Ruth Bernard...
Category

1960s Modern San Francisco - Photography

Materials

Silver Gelatin

La Bonna Violetta, Venice
Located in San Francisco, CA
This artwork titled "La Bonna Violetta, Venice" 1983, Is a photographic print on paper by noted photographer Lydia Clarke Heston, 1923-2018. It is hand signed, titled, dated and insc...
Category

Late 20th Century Photorealist San Francisco - Photography

Materials

Other Medium

Bald Man Dan
Located in Carmel, CA
Hand printed Platinum Photograph. Tom Millea was well known for his printing. He loved Death Valley and even made a portfolio of it. This is a loose print.
Category

1980s San Francisco - Photography

Materials

Platinum

Untitled, Two Nudes
By Michael Andreas Russ
Located in San Francisco, CA
This photograph "Untitled, Two Nudes" 1973 is an original gelatin silver print by famous German photographer and artist Michael Andreas Russ, born 1945. It is signed and dated in the back by the artist. The photograph size is 8.15 x 10.5 inches, framed is 15.15 x 16.75 inches. It is framed in a wooden maple color frame. It is in very excellent condition. About Michael Andreas Russ. Michael Andreas Russ (born January 1945 in Berlin) is an German/American photographer, photo designer and film director. Russ' career as a photographer began in New York in the late 1960s where he photographed his fellow acting students. Self-taught, he eventually moved to his own studio off Union Square, Manhattan and connected with the local underground art scene. Photograph by Russ was published on the cover of “Art Direction Magazine of Visual Communication” with a Gertrude Stein quotation: “The composition in which we live makes the art which we see and hear” In his early years Russ focused on men's fashion magazines and erotic sequential photographic scenes for Playboy Press books. He eventually experimented with distinctive photographic techniques, turning 35mm black and white film into chemically toned, masked, solarized and hand colored, one of a kind silver gelatin prints. These 'TinTones' as Russ would call them eventually became the trademark of his work. They were published in popular fashion and lifestyle magazines and brought him international recognition in the art world. His work was published in major fashion, lifestyle and avant-garde magazines, GUNNARS, Mode International, Mode Avant Guarde, PHOTO Magazine, Zoom (photography magazine), as well as German Playboy (magazine), Photo Reporter and cover art to IL Magazine. He also contributed sequential 'sujets de chambre' to Vogue magazine His erotic postcard edition "The Compagnie" became part of the permanent collection of the Musée des arts décoratifs de Paris, an annex to the Louvre museum. Selected Exhibitions. 1980: Musee des Arts Decoratifs (Louvre Annex, Paris). "Postcard edition The Compagnie" 1983: China Club...
Category

Late 20th Century Other Art Style San Francisco - Photography

Materials

Silver Gelatin

Untitled (Stacked Cups)
By Jed Devine
Located in San Francisco, CA
Artist: Jed Devine American (1944- ) Title: Untitled (Stacked Cups) Date: 1987 Medium: Platinum-palladium print on Japanese rice paper Image size: 9.5 x 7.5 inches (9.25 x 7.25 inches within mat) Sheet size: 12 x 9 inches Framed size: 20.25 x 16.25 inches Signature: signed lower right in pencil Edition: unknown This sublime photograph is by Jed Devine. It is signed in the lower right in pencil. There is a gallery label from the Fraenkel Gallery in San Francisco on the reverse of the framed work. It is framed in a simple metal frame. The photograph, mat and frame are in very good condition. Jed Devine was born in Mount Kisco, New York, in 1944 and raised in Pleasantville, a Westchester County suburb. Devine cites Walter Hahn, his junior high school art teacher, as having an instrumental role in his art career decision: “I don’t know how it happened that a serious artist like Walter Hahn was teaching art at Pleasantville Junior High, but I was most fortunate to have him as a mentor and I’ve always been grateful to him.” In 1967, Jed Devine graduated cum laude from Yale University with a BA in fine arts and began his career as a painter. In 1972, he returned to Yale to study design and photography and was awarded an MFA degree. He joined the Purchase College faculty in 1977. During his tenure at Purchase, several of his students went on to receive recognition as photographers, among them Adam Baer, Gregory Crewdson, Regina DeLuise, Andrea Modica, Deborah Mesa-Pelly, and Roger Newton. Jed Devine’s photography is represented in many major museum, corporate, university, and private collections, including the Metropolitan Museum of Art, New York; Victoria and Albert Museum; London; the International Center of Photography, New York; the San Francisco Museum of Art; the Art Institute of Chicago; the Museum of Fine Arts, Houston; and the Museum of Modern Art, New York. Originally trained as a painter, Devine began taking photographs in 1972 and became fascinated by the effects of light on objects and surfaces, and the sensuality that was possible with the platinum-palladium process. This sensuality is on full display in Devine’s only book, Friendship, a collaboration with the writer Jim Dinsmore, whose 64 images “form an extended sequence that moves from innocence to decay and return. The images emphasize the beauty and primacy of light while capturing the visual drama and irony of the Maine landscape.” Devine also has a long-standing relationship with New York City, which is most evident in his portfolio of panoramic photographs celebrating New York bridges...
Category

1980s Realist San Francisco - Photography

Materials

Paper, Platinum

Vilnius, Lithuania
Located in Carmel, CA
Hand printed silver gelatin photograph dry mounted on board. Mat with a texture. Signed in pencil lower right.
Category

1980s San Francisco - Photography

Materials

Silver Gelatin

Untitled, Woman with Flowers
By Michael Andreas Russ
Located in San Francisco, CA
This photograph "Untitled, Woman with Flowers" c.1980 is an original gelatin silver print by famous German photographer and artist Michael Andreas Russ, born 1945. The photograph siz...
Category

Late 20th Century Other Art Style San Francisco - Photography

Materials

Silver Gelatin

Stonehenge, Inner Trilithon Through Circle Stones
By Paul Caponigro
Located in Carmel, CA
Hand printed by Paul. Mint Condition. Framed in high grade plexiglass and metal frame. Signed in pencil.
Category

1970s San Francisco - Photography

Materials

Silver Gelatin

Washington Square with Trade Center Towers II
Located in San Francisco, CA
Artist: Wolf von dem Bussche American (born Germany) 1934-2014 Title: Washington Square with Trade Center Towers II Year: 1976 Medium: Gelatin Sil...
Category

1970s Impressionist San Francisco - Photography

Materials

Silver Gelatin

Sigrid
By Michael Andreas Russ
Located in San Francisco, CA
This photograph titled "Sigrid" 1978 is an original gelatin silver print by famous German photographer and artist Michael Andreas Russ, born 1945. It is signed, dated and titled in t...
Category

Late 20th Century Other Art Style San Francisco - Photography

Materials

Silver Gelatin

Waipio Valley, Hawaii
By Geir Jordahl
Located in San Francisco, CA
Artist: Geir Jordahl – American (1957- ) Title: Waipio Valley, Hawaii Year: 1987 Medium: Silver Gelatin photograph using infrared film Sight size: 8.25 x ...
Category

1980s Realist San Francisco - Photography

Materials

Silver Gelatin

Cloud Over Arizona
Located in Carmel, CA
A very cool landscape of the abstract kind. Beautiful printed silver gelatin - wish it was easy to photograph but with the reflection...
Category

1990s San Francisco - Photography

Materials

Silver Gelatin

Scale, Venice, italy
By Jeffrey Becom
Located in San Francisco, CA
This photograph titled "Scale, Venice Italy" 1981 is a colors cibachrome photograph by noted American photographer Jeffey Becom, b.1953. It is hand signed and numbered 7/25 on the ma...
Category

Late 20th Century American Realist San Francisco - Photography

Materials

Other Medium

Winters Portfolio 1970-1980 - My First Portfolio (24 Photographs)
Located in Carmel, CA
A rare complete portfolio with 24 hand printed silver gelatin photographs. They are dry mounted to the archival mat. Photographs are in mint condition. The portfolio box does have so...
Category

1970s San Francisco - Photography

Materials

Silver Gelatin

Untitled, Gothic Style Woman
By Michael Andreas Russ
Located in San Francisco, CA
This photograph "Untitled, Gothic Style Woman " c.1980 is an original gelatin silver print by famous German photographer and artist Michael Andreas Russ, born 1945. The photograph si...
Category

Late 20th Century Other Art Style San Francisco - Photography

Materials

Silver Gelatin

Victoria, Nude Girl in Straw Hat on Deck, Big Sur
Located in Carmel, CA
Hand printed photograph by artist. Signed in pencil on recto & verso. Edition 1/15
Category

2010s San Francisco - Photography

Materials

Silver Gelatin

Bull s Skull
By Michael Andreas Russ
Located in San Francisco, CA
This photograph "Bull's Skull" c.1980 is an original gelatin silver print by famous German photographer and artist Michael Andreas Russ, born 1945. The photograph size is 10 x 6.5 inches. It is in excellent condition. About Michael Andreas Russ. Michael Andreas Russ (born January 1945 in Berlin) is an German/American photographer, photo designer and film director. Russ' career as a photographer began in New York in the late 1960s where he photographed his fellow acting students. Self-taught, he eventually moved to his own studio off Union Square, Manhattan and connected with the local underground art scene. Photograph by Russ was published on the cover of “Art Direction Magazine of Visual Communication” with a Gertrude Stein quotation: “The composition in which we live makes the art which we see and hear” In his early years Russ focused on men's fashion magazines and erotic sequential photographic scenes for Playboy Press books. He eventually experimented with distinctive photographic techniques, turning 35mm black and white film into chemically toned, masked, solarized and hand colored, one of a kind silver gelatin prints. These 'TinTones' as Russ would call them eventually became the trademark of his work. They were published in popular fashion and lifestyle magazines and brought him international recognition in the art world. His work was published in major fashion, lifestyle and avant-garde magazines, GUNNARS, Mode International, Mode Avant Guarde, PHOTO Magazine, Zoom (photography magazine), as well as German Playboy (magazine), Photo Reporter and cover art to IL Magazine. He also contributed sequential 'sujets de chambre' to Vogue magazine His erotic postcard edition "The Compagnie" became part of the permanent collection of the Musée des arts décoratifs de Paris, an annex to the Louvre museum. Selected Exhibitions. 1980: Musee des Arts Decoratifs (Louvre Annex, Paris). "Postcard edition The Compagnie" 1983: China Club...
Category

Late 20th Century Other Art Style San Francisco - Photography

Materials

Silver Gelatin

Vulcan Arunel, Costa Rica
By Stuart Klipper
Located in San Francisco, CA
Artist: Stuart Klipper (American, 1941- ) Title: Vulcan Arunel, Costa Rica Year: 1989 Medium: C Print (Chromogenic print) Size: 12 x 38 inches image, 16 x 44 inches sheet, 18 x 45 inches matted. Unframed Signature: Signed, titled, dated, artist’s stamp on reverse Condition: Very good This photograph depicts the landmark volcano Vulcan Arunal in Costa Rica. It is a chromogenic print, also called a C-print on Kodak paper. It was done in 1989 when Klipper visited Costa Rica. He said this about the photographs that came from that experience: “- In the Rain Forest: The Specifications of Life, photographs made deep inside the rain forest preserves of Costa Rica; these forests are essential to planetary health and threatened everywhere; I wanted to ‘swim’ in the densest soup of DNA anywhere. [1989]” The photograph is in very good condition. The mat is in very good condition. Stuart Klipper was born in the Bronx in 1941. He then lived in Stockholm, Sweden, moved to Minneapolis in 1970 and currently resides there. He has made six visits to Antarctica to photograph, and has also worked in Greenland, Iceland, Svalbard, Alaska and Lapland (in the area irradiated by the Chernobyl disaster). Other major forays have taken him across Northern Australia; the deserts of Israel and Sinai; the tropical rain forests of Costa Rica, Patagonia and Tierra del Fuego; and Sri Lanka and Pakistan. He has logged many thousands of miles at sea, photographing on all of the Earth's oceans... and seas. For over 30 years, he has made photographs in all 50 states, distilling and crystallizing the defining characteristics of American regions. Other undertakings include extensively photographing the First World War cemeteries and memorials of the Western Front, major physics and astronomy research installations throughout the U.S. and the Anasazi ruins of the Southwest. His photographs have been exhibited in, and collected by, major museums in the U.S. and overseas; foremost, the Museum of Modern Art, the San Francisco Museum of Modern Art, the Art Institute of Chicago, the Minneapolis Institute of Arts, the Walker Art Center, The Jewish Museum, the Israel Museum, the Victoria and Albert Museum, the Kunsthalle Bonn and the Moderna Museet. He has been the recipient of several major grants, including two each from the Guggenheim Foundation and the Bush Foundation, and three each from the McKnight Foundation and the Minnesota State Arts Board. He is a recipient of the U.S. Navy's Antarctic Service Medal. He was also visiting professor, Art Department, Colorado College, 1978 to 2008. Solo exhibitions • Disparate Geographies, Schmidt Dean Gallery in Philadelphia, 1998. • Sixteen polar photographs, Arktis -Antarktis, the Kunsthalle des Deutschesrepublic, Bonn, Germany. 1998 • Cardinal Points, at the University of Iowa Museum of Art. (Photographs from polar regions: Antarctica and Greenland, the tropical rain forests, the desert regions of Israel and the Sinai, the agricultural Great Plains)-- an exhibition catalogue was published. 1998 • At Sea Near the Poles, at the Spencer Gallery, Wickford, R.I. 1999 • Antarctica 99/00, Yancey Richardson Gallery, NYC, 2000 • Selected Antarctic Work, Berler Gallery, Washington D.C., 2001 (Also shown in Denver and Christchurch, N.Z. • Selected American photographs, The Center for American Places, Harrisonburg, Va., 2001 • Photographs from the Arctic and Antarctica, Smith-Dean Gallery, Phila., PA, 2001 • Wyoming, Univ. of Wyoming Museum Art, Minneapolis Institute of Art, 2001/02 • In the Australian Outback, Gallery 360, Minneapolis, 2002 • The United States, Candace Perich Gallery, Katonah, NY, 2002 • Rock art, bush fire, termite mounds and other aspects of the outback of the Top End of Australia, Gallery 360, Mpls.,2002 • Portraits about Pakistan, 1987, Icebox Gallery, Mpls., 2002 • Antarctic 1: Views Along Antarctica’s First Highway, Center for Land Use Interpretation, Los Angeles, 2002 • The Louisiana Purchase, Groveland Gallery, Minneapolis & Olson-Larsen Gallery, Des Moines, 2003 • Selected photographs, Medtronics Corp. corporate headquarters, Minneapolis, 2006 • Antarctica, Electrolift Artworks, Minneapolis, Minn. 2006 (+ other venues) • 20 Years of photographing Louisiana, The Ogden Museum, New Orleans, 2008 • Antarctic Photographs, City Museum of Charleston, S.C., 2009 • Local Places – Remote Terrains, Olson Larsen Gallery, Des Moines, Iowa, 2009 • The Dead Sea Region, Israel, The Basilica of St. Mary, Minneapolis, 2010 Group exhibitions • Photography of New York City, Minneapolis Institute of Art. 1998 • Sea Change, The Center for Creative Photography, Univ. of Arizona, Tucson. (An eponymous book was published in conjunction with the exhibition and is in national distribution), 1998/99 • American farms and farming, Candace Perish Gallery, Katonah, NY. (Traveled to Washington D. C.), 1998/99 • Views from the Edge of the World, Marlborough Gallery, NYC. 1999 • Claiming Title: Australian Aboriginal Artists and the Land, St, Olaf & Carleton Colleges, Northfield, Minn., 1999 • The Infinite and the Intimate; Waterscapes of Stuart Klipper and Frank Gohlke, Dorsky Gallery, N.Y.C. 1999 • An Eclectic Focus: Photographs from the Vernon Collection ( + catalogue), Santa Barbara Museum of Art, 1999 • Aqua, Gallerie Thierry Marlat, Paris, France 1999 • Restructuring the Prairie, Grinnell College, 1999 • The Mural as Muse, Deutsches Bank Gallery, NYC, 2000 • earth sky, Jackson Fine Art, Atlanta, GA, 2000 • Western Panoramas, Huntington Museum, Sta. Barbara, CA, 2001 • I Love New York (W. T. C benefit), NYC, 2001 • Melodrama, inaugural show, ARTIUM, Vitoria, Spain, 2002 • Contemporary Desert Photography...
Category

1980s Naturalistic San Francisco - Photography

Materials

C Print

Richard Blair Photograph "Daily News - Chinatown" San Francisco c.1974
By Richard Blair
Located in San Francisco, CA
Richard Blair Photograph "Daily News - Chinatown" San Francisco c.1974 Fine black and white photograph by noted American photographer Richard Blair. Richard Blair has been in a phot...
Category

Mid-20th Century Photorealist San Francisco - Photography

Materials

Photographic Paper

Pine Forest
Located in Carmel, CA
Hand printed by artist. Part of a limited edition book and print set (Winter) Framed in a gorgeous wood frame with high quality plexiglass.
Category

Early 2000s San Francisco - Photography

Materials

Silver Gelatin

The Cliffs, Sorrento
By Karl Struss
Located in San Francisco, CA
This photograph titled "The Cliffs, Sorrento" created 1912 in a black and white photogravure by American photographer Karl Struss, 1886-1981. The photogravure size is 6.20 x 8.20 inc...
Category

Early 20th Century American Realist San Francisco - Photography

Materials

Photogravure

Prehistoric Rain Forest, Oregon
By Geir Jordahl
Located in San Francisco, CA
Artist: Geir Jordahl – American (1957- ) Title: Prehistoric Rain Forest, Oregon Year: 1988 Medium: Silver Gelatin photograph using infrared film Sight size: 8 x 19.75 inches. Framed size: 16.25 x 26.25 inches Signature: Signed on the mount Edition: 50. This one: 2/50. (Fewer than 50 were actually printed) Condition: Very good Frame: Framed in original metal frame. Frame in fair condition This photograph depicts a lush area in Oregon with many ferns and trees as well as a painted dinosaur head...
Category

1980s Realist San Francisco - Photography

Materials

Silver Gelatin

Open Courtyard. Old Arch Laneway Europe Lithuania
By Roman Loranc
Located in Carmel, CA
HAND PRINTED BY ARTIST. Silver Gelatin, Signed in pencil. Limited edition 1/50 (probably not 50 made)
Category

21st Century and Contemporary San Francisco - Photography

Materials

Silver Gelatin

Betataken, Anasazi Places, New Mexico
By Stuart Klipper
Located in San Francisco, CA
Artist: Stuart Klipper (American, 1941-) Title: Betataken, Anasazi Places Year: 1980 Medium: C Print (Chromogenic print) Size: 12 x 38 inches image, 16 x 44 inches sheet, 18 x 45 inches matted, 20 x 45 framed Signature: Signed, titled, dated on the mat and on reverse Condition: Very good This photograph depicts the Anasazi settlement of Betataken in New Mexico. It is a chromogenic print, also called a C-print on Kodak paper. It is from Klipper’s series called Anasazi Places done in 1980 under the auspices of the National Endowment for the Humanities. The photograph is in very good condition. The mat is in very good condition. The bronze metal frame and Plexiglas are in fair to good condition with some small scratches. Stuart Klipper was born in the Bronx in 1941. He then lived in Stockholm, Sweden, moved to Minneapolis in 1970 and currently resides there. He has made six visits to Antarctica to photograph, and has also worked in Greenland, Iceland, Svalbard, Alaska and Lapland (in the area irradiated by the Chernobyl disaster). Other major forays have taken him across Northern Australia; the deserts of Israel and Sinai; the tropical rain forests of Costa Rica, Patagonia and Tierra del Fuego; and Sri Lanka and Pakistan. He has logged many thousands of miles at sea, photographing on all of the Earth's oceans... and seas. For over 30 years, he has made photographs in all 50 states, distilling and crystallizing the defining characteristics of American regions. Other undertakings include extensively photographing the First World War cemeteries and memorials of the Western Front, major physics and astronomy research installations throughout the U.S. and the Anasazi ruins of the Southwest. His photographs have been exhibited in, and collected by, major museums in the U.S. and overseas; foremost, the Museum of Modern Art, the San Francisco Museum of Modern Art, the Art Institute of Chicago, the Minneapolis Institute of Arts, the Walker Art Center, The Jewish Museum, the Israel Museum, the Victoria and Albert Museum, the Kunsthalle Bonn and the Moderna Museet. He has been the recipient of several major grants, including two each from the Guggenheim Foundation and the Bush Foundation, and three each from the McKnight Foundation and the Minnesota State Arts Board. He is a recipient of the U.S. Navy's Antarctic Service Medal. He was also visiting professor, Art Department, Colorado College, 1978 to 2008. Solo exhibitions • Disparate Geographies, Schmidt Dean Gallery in Philadelphia, 1998. • Sixteen polar photographs, Arktis -Antarktis, the Kunsthalle des Deutschesrepublic, Bonn, Germany. 1998 • Cardinal Points, at the University of Iowa Museum of Art. (Photographs from polar regions: Antarctica and Greenland, the tropical rain forests, the desert regions of Israel and the Sinai, the agricultural Great Plains)-- an exhibition catalogue was published. 1998 • At Sea Near the Poles, at the Spencer Gallery, Wickford, R.I. 1999 • Antarctica 99/00, Yancey Richardson Gallery, NYC, 2000 • Selected Antarctic Work, Berler Gallery, Washington D.C., 2001 (Also shown in Denver and Christchurch, N.Z. • Selected American photographs, The Center for American Places, Harrisonburg, Va., 2001 • Photographs from the Arctic and Antarctica, Smith-Dean Gallery, Phila., PA, 2001 • Wyoming, Univ. of Wyoming Museum Art, Minneapolis Institute of Art, 2001/02 • In the Australian Outback, Gallery 360, Minneapolis, 2002 • The United States, Candace Perich Gallery, Katonah, NY, 2002 • Rock art, bush fire, termite mounds and other aspects of the outback of the Top End of Australia, Gallery 360, Mpls.,2002 • Portraits about Pakistan, 1987, Icebox Gallery, Mpls., 2002 • Antarctic 1: Views Along Antarctica’s First Highway, Center for Land Use Interpretation, Los Angeles, 2002 • The Louisiana Purchase, Groveland Gallery, Minneapolis & Olson-Larsen Gallery, Des Moines, 2003 • Selected photographs, Medtronics Corp. corporate headquarters, Minneapolis, 2006 • Antarctica, Electrolift Artworks, Minneapolis, Minn. 2006 (+ other venues) • 20 Years of photographing Louisiana, The Ogden Museum, New Orleans, 2008 • Antarctic Photographs, City Museum of Charleston, S.C., 2009 • Local Places – Remote Terrains, Olson Larsen Gallery, Des Moines, Iowa, 2009 • The Dead Sea Region, Israel, The Basilica of St. Mary, Minneapolis, 2010 Group exhibitions • Photography of New York City, Minneapolis Institute of Art. 1998 • Sea Change, The Center for Creative Photography, Univ. of Arizona, Tucson. (An eponymous book was published in conjunction with the exhibition and is in national distribution), 1998/99 • American farms and farming, Candace Perish Gallery, Katonah, NY. (Traveled to Washington D. C.), 1998/99 • Views from the Edge of the World, Marlborough Gallery, NYC. 1999 • Claiming Title: Australian Aboriginal Artists and the Land, St, Olaf & Carleton Colleges, Northfield, Minn., 1999 • The Infinite and the Intimate; Waterscapes of Stuart Klipper and Frank Gohlke, Dorsky Gallery, N.Y.C. 1999 • An Eclectic Focus: Photographs from the Vernon Collection ( + catalogue), Santa Barbara Museum of Art, 1999 • Aqua, Gallerie Thierry Marlat, Paris, France 1999 • Restructuring the Prairie, Grinnell College, 1999 • The Mural as Muse, Deutsches Bank Gallery, NYC, 2000 • earth sky, Jackson Fine Art, Atlanta, GA, 2000 • Western Panoramas, Huntington Museum, Sta. Barbara, CA, 2001 • I Love New York (W. T. C benefit), NYC, 2001 • Melodrama, inaugural show, ARTIUM, Vitoria, Spain, 2002 • Contemporary Desert Photography...
Category

1980s Naturalistic San Francisco - Photography

Materials

C Print

Ross Ice Shelf, Near Willy Field, Antarctica
By Stuart Klipper
Located in San Francisco, CA
Artist: Stuart Klipper (American, 1941-) Title: Ross Ice Shelf, Near ‘Willy’ Field Year: 1989 Medium: C Print (Chromogenic print) Size: 12 x 38 inches image, 16 x 44 inches sheet, 18 x 45 inches matted. Unframed Signature: Signed, titled, dated, artist’s stamp on reverse Condition: Very good This photograph depicts the Ross Ice Shelf near ‘Willy Field.’. It is a chromogenic print, also called a C-print on Kodak paper. Klipper traveled to Antarctica in 1989 under the aegis of the National Science Foundation. Some of his photographs from this trip were later included in a New York MoMA exhibit titled “Projects 26 – Stuart Klipper On Antarctica 1989.” The three-foot-wide color panoramas in this exhibition were selected from the series On Antarctica, which comprised more than 1,000 pictures made in 1989. In the exhibition brochure, curator Peter Galassi writes that the artist’s panoramas present “a landscape that is ravishing in its barren beauty, in its inhospitable grandeur, and in the delicacy of its ever-changing hues. The photographs seem to fuse the epic swoon of romanticism with the impersonal rigor of science.” The photograph is in very good condition. The mat is in very good condition. Unframed. Stuart Klipper was born in the Bronx in 1941. He then lived in Stockholm, Sweden, moved to Minneapolis in 1970 and currently resides there. He has made six visits to Antarctica to photograph, and has also worked in Greenland, Iceland, Svalbard, Alaska and Lapland (in the area irradiated by the Chernobyl disaster). Other major forays have taken him across Northern Australia; the deserts of Israel and Sinai; the tropical rain forests of Costa Rica, Patagonia and Tierra del Fuego; and Sri Lanka and Pakistan. He has logged many thousands of miles at sea, photographing on all of the Earth's oceans... and seas. For over 30 years, he has made photographs in all 50 states, distilling and crystallizing the defining characteristics of American regions. Other undertakings include extensively photographing the First World War cemeteries and memorials of the Western Front, major physics and astronomy research installations throughout the U.S. and the Anasazi ruins of the Southwest. His photographs have been exhibited in, and collected by, major museums in the U.S. and overseas; foremost, the Museum of Modern Art, the San Francisco Museum of Modern Art, the Art Institute of Chicago, the Minneapolis Institute of Arts, the Walker Art Center, The Jewish Museum, the Israel Museum, the Victoria and Albert Museum, the Kunsthalle Bonn and the Moderna Museet. He has been the recipient of several major grants, including two each from the Guggenheim Foundation and the Bush Foundation, and three each from the McKnight Foundation and the Minnesota State Arts Board. He is a recipient of the U.S. Navy's Antarctic Service Medal. He was also visiting professor, Art Department, Colorado College, 1978 to 2008. Solo exhibitions • Disparate Geographies, Schmidt Dean Gallery in Philadelphia, 1998. • Sixteen polar photographs, Arktis -Antarktis, the Kunsthalle des Deutschesrepublic, Bonn, Germany. 1998 • Cardinal Points, at the University of Iowa Museum of Art. (Photographs from polar regions: Antarctica and Greenland, the tropical rain forests, the desert regions of Israel and the Sinai, the agricultural Great Plains)-- an exhibition catalogue was published. 1998 • At Sea Near the Poles, at the Spencer Gallery, Wickford, R.I. 1999 • Antarctica 99/00, Yancey Richardson Gallery, NYC, 2000 • Selected Antarctic Work, Berler Gallery, Washington D.C., 2001 (Also shown in Denver and Christchurch, N.Z. • Selected American photographs, The Center for American Places, Harrisonburg, Va., 2001 • Photographs from the Arctic and Antarctica, Smith-Dean Gallery, Phila., PA, 2001 • Wyoming, Univ. of Wyoming Museum Art, Minneapolis Institute of Art, 2001/02 • In the Australian Outback, Gallery 360, Minneapolis, 2002 • The United States, Candace Perich Gallery, Katonah, NY, 2002 • Rock art, bush fire, termite mounds and other aspects of the outback of the Top End of Australia, Gallery 360, Mpls.,2002 • Portraits about Pakistan, 1987, Icebox Gallery, Mpls., 2002 • Antarctic 1: Views Along Antarctica’s First Highway, Center for Land Use Interpretation, Los Angeles, 2002 • The Louisiana Purchase, Groveland Gallery, Minneapolis & Olson-Larsen Gallery, Des Moines, 2003 • Selected photographs, Medtronics Corp. corporate headquarters, Minneapolis, 2006 • Antarctica, Electrolift Artworks, Minneapolis, Minn. 2006 (+ other venues) • 20 Years of photographing Louisiana, The Ogden Museum, New Orleans, 2008 • Antarctic Photographs, City Museum of Charleston, S.C., 2009 • Local Places – Remote Terrains, Olson Larsen Gallery, Des Moines, Iowa, 2009 • The Dead Sea Region, Israel, The Basilica of St. Mary, Minneapolis, 2010 Group exhibitions • Photography of New York City, Minneapolis Institute of Art. 1998 • Sea Change, The Center for Creative Photography, Univ. of Arizona, Tucson. (An eponymous book was published in conjunction with the exhibition and is in national distribution), 1998/99 • American farms and farming, Candace Perish Gallery, Katonah, NY. (Traveled to Washington D. C.), 1998/99 • Views from the Edge of the World, Marlborough Gallery, NYC. 1999 • Claiming Title: Australian Aboriginal Artists and the Land, St, Olaf & Carleton Colleges, Northfield, Minn., 1999 • The Infinite and the Intimate; Waterscapes of Stuart Klipper and Frank Gohlke, Dorsky Gallery, N.Y.C. 1999 • An Eclectic Focus: Photographs from the Vernon Collection ( + catalogue), Santa Barbara Museum of Art, 1999 • Aqua, Gallerie Thierry Marlat, Paris, France 1999 • Restructuring the Prairie, Grinnell College, 1999 • The Mural as Muse, Deutsches Bank Gallery, NYC, 2000 • earth sky, Jackson Fine Art, Atlanta, GA, 2000 • Western Panoramas, Huntington Museum, Sta. Barbara, CA, 2001 • I Love New York (W. T. C benefit), NYC, 2001 • Melodrama, inaugural show, ARTIUM, Vitoria, Spain, 2002 • Contemporary Desert Photography...
Category

1980s Realist San Francisco - Photography

Materials

C Print

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