Santa Fe

Art is and has always been at the very center of my life. In creating I find communication and connection with others that surpasses any barrier or boundary. Through imagery, I can c...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew up ...

Patty deGrandpre’s “Sitting on the Seawall with Sand in Your Suit (Devereux Beach)” is a contemporary 31 x 40 x 1 inch digital inkjet print on aluminum representing the coastline of ...

Cody works almost entirely with infrared film, using a range of different cameras, from a 4x5, a 6x17 panoramic, to a pinhole. The analog captures are then scanned and output as blac...

Ghost Ranch Encantado 9 x 10" image size watercolor, unframed. Shrink-wrapped on poster board. Total size 19 x 19" matted. I document the essence of the landscape everyday. I am in...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consume like spices, foods, coffee, wine, etc. This process creates an intimacy with my material. The laborious un-twining of the threads is an act of rewinding time. A going back to 'origin'. The threads become the lines I draw with. I embed these threads into beeswax-coated MDF panels to create varying experiences of landscape. The viewer, as I am, is either experiencing it up close or from a distance; zoomed in or zoomed out. Katey Berry...

Martha Mans lavender gray white blue green yellow peach brown orange framed in brown frame The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began. Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete. My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas. “New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “ Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor Society, Pennsylvania Watercolor Society, Rocky Mountain Watercolor Society, Pikes Peak Watercolor Society, Montana Watercolor Society and the Adirondacks National and the San Diego Watercolor Society to name a few. She has been awarded signature membership into the American Watercolor Society and the National Watercolor Society. Over her career as an artist she has had the privilege of being able to work with many painting groups and institutions: Instructor of painting at the Jade Fong Watercolor Workshops in Carmel, California Instructor at La Romita School of Art in Umbria, Italy Instructor at Montfacon in Limoux, France Charles Russell Art Auction in Great Falls, Montana, 10 years National Arts Club in New York Salmagundi Club in New York National Academy of Design in New York American Watercolor Society, New York, Signature Member National Watercolor Society, California, Signature Member National Arts Club, New York
 Pennsylvania Watercolor Society Western Federation of Watercolor Florida Watercolor Society, convention show juror and instructor Baltimore Watercolor Society Las Posada Painting Group, annual workshop, Green Valley, Arizona Rocky Mountain National Art Exhibition Adirondacks Watercolor Exhibition San Diego Watercolor Society New Mexico Watercolor Society Pikes Peak Watercolor Society Tokyu Gallery Exhibitions, Tokyo, Japan William and Mary College, Williamsburg, VA Summer children’s Art Program Ranchland’s Artist’s Gathering, Nature Conservancy’s Medano/Zapata Ranch, San Luis Valley, Colorado Sheridan College/Spear-O-Wigwam Sheridan Wyoming, Artist’s Gathering Brinton Museum, Big Horn Wyoming, Sheridan College show and small works show Palmer Land Trust, Colorado Springs, CO, First Place Art and Purchase award two years. Ghost Ranch Art Workshops Director, Abiquiu, New Mexico Arts For The Parks annual Exhibition and Traveling Show Taos New Mexico Art...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consume like spices, foods, coffee, wine, etc. This process creates an intimacy with my material. The laborious un-twining of the threads is an act of rewinding time. A going back to 'origin'. The threads become the lines I draw with. I embed these threads into beeswax-coated MDF panels to create varying experiences of landscape. The viewer, as I am, is either experiencing it up close or from a distance; zoomed in or zoomed out. Katey Berry...

Martha Mans lavender gray white blue green yellow peach brown orange framed in brown frame The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began. Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete. My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas. “New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “ Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor Society, Pennsylvania Watercolor Society, Rocky Mountain Watercolor Society, Pikes Peak Watercolor Society, Montana Watercolor Society and the Adirondacks National and the San Diego Watercolor Society to name a few. She has been awarded signature membership into the American Watercolor Society and the National Watercolor Society. Over her career as an artist she has had the privilege of being able to work with many painting groups and institutions: Instructor of painting at the Jade Fong Watercolor Workshops in Carmel, California Instructor at La Romita School of Art in Umbria, Italy Instructor at Montfacon in Limoux, France Charles Russell Art Auction in Great Falls, Montana, 10 years National Arts Club in New York Salmagundi Club in New York National Academy of Design in New York American Watercolor Society, New York, Signature Member National Watercolor Society, California, Signature Member National Arts Club, New York
 Pennsylvania Watercolor Society Western Federation of Watercolor Florida Watercolor Society, convention show juror and instructor Baltimore Watercolor Society Las Posada Painting Group, annual workshop, Green Valley, Arizona Rocky Mountain National Art Exhibition Adirondacks Watercolor Exhibition San Diego Watercolor Society New Mexico Watercolor Society Pikes Peak Watercolor Society Tokyu Gallery Exhibitions, Tokyo, Japan William and Mary College, Williamsburg, VA Summer children’s Art Program Ranchland’s Artist’s Gathering, Nature Conservancy’s Medano/Zapata Ranch, San Luis Valley, Colorado Sheridan College/Spear-O-Wigwam Sheridan Wyoming, Artist’s Gathering Brinton Museum, Big Horn Wyoming, Sheridan College show and small works show Palmer Land Trust, Colorado Springs, CO, First Place Art and Purchase award two years. Ghost Ranch Art Workshops Director, Abiquiu, New Mexico Arts For The Parks annual Exhibition and Traveling Show Taos New Mexico Art...

acrylic, mixed media on canvas In his current body of work, Tim uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textu...

Vesuvius 19.5 x 15 x 14" hand fabricated steel with patina, 4 inch tall powder coated steel base, shown in picture There are two sides to any circle: the inside and the outside. In ...

digitally manipulated image printed and adhered to canvas, framed I document the essence of the landscape everyday. I am interested in those untouched view...

Painting has always been a part of my life. Over the course of many years I explored various styles of painting. I found that the more I let go and gave into simply the act of pain...

Painting has always been a part of my life. Over the course of many years I explored various styles of painting. I found that the more I let go and gave into simply the act of pain...

digitally manipulated image printed and adhered to canvas, framed I document the essence of the landscape everyday. I am interested in those untouched views of our landscape - the b...

acrylic, mixed media on panel blue green teal white black can hang verically or horizontally In his current body of work, Tim uses large gestural drawings to create energetic abs...

This unframed, signed, limited edition pigment print by world renown artist Ricardo Mazal exists in an edition of 30. The image is printed at full bleed to the edge of the paper. Bo...

Early 20th Century 3-Panel Chinese minority wedding bed cover, Miao People A rare and early example of a brocade-woven Miao wedding bed cover from ...

Cropped and deconstructed images of a Kauai beachfront, palm trees and a pair of roosters are represented on 14 x 11 inch Yupo translucent paper in Patty deGrandpre’s contemporary abstract mixed media print titled “Two Roosters Running Amok on Poipu Beach”. This one of kind piece pays homage to this notorious Kauai beach and the roosters and chickens that have become so familiar to the Hawaiian Islands. DeGrandpre thoughtfully combines and layers block printing ink and digital inkjet in hues of blue, orange, yellow, red, and gray. A screen of clouds provides both contrast and texture within the distinct fields of vivid color and the pair of red roosters to create this graphic interpretation of a tropical Hawaiian landscape...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

Martha Mans 11 x 11 image and 19 x 19 matted The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. ...

acrylic, sumi ink on canvas, framed in maple Thomas Slate uses large gestural drawings to create energetic abstractions. The layered process of his piece...

Martha Mans 10 x 10 image size and 21 x 21 matted and framed The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began. Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete. My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas. “New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “ Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor Society, Pennsylvania Watercolor Society, Rocky Mountain Watercolor Society, Pikes Peak Watercolor Society, Montana Watercolor Society and the Adirondacks National and the San Diego Watercolor Society to name a few. She has been awarded signature membership into the American Watercolor Society and the National Watercolor Society. Over her career as an artist she has had the privilege of being able to work with many painting groups and institutions: Instructor of painting at the Jade Fong Watercolor Workshops in Carmel, California Instructor at La Romita School of Art in Umbria, Italy Instructor at Montfacon in Limoux, France Charles Russell Art Auction in Great Falls, Montana, 10 years National Arts Club in New York Salmagundi Club in New York National Academy of Design in New York American Watercolor Society, New York, Signature Member National Watercolor Society, California, Signature Member National Arts Club, New York
 Pennsylvania Watercolor Society Western Federation of Watercolor Florida Watercolor Society, convention show juror and instructor Baltimore Watercolor Society Las Posada Painting Group, annual workshop, Green Valley, Arizona Rocky Mountain National Art Exhibition Adirondacks Watercolor Exhibition San Diego Watercolor Society New Mexico Watercolor Society Pikes Peak Watercolor Society Tokyu Gallery Exhibitions, Tokyo, Japan William and Mary College, Williamsburg, VA Summer children’s Art Program Ranchland’s Artist’s Gathering, Nature Conservancy’s Medano/Zapata Ranch, San Luis Valley, Colorado Sheridan College/Spear-O-Wigwam Sheridan Wyoming, Artist’s Gathering Brinton Museum, Big Horn Wyoming, Sheridan College show and small works show Palmer Land Trust, Colorado Springs, CO, First Place Art and Purchase award two years. Ghost Ranch Art Workshops Director, Abiquiu, New Mexico Arts For The Parks annual Exhibition and Traveling Show Taos New Mexico Art...

acrylic, ink, mixed media on panel In his current body of work, Tim uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich t...

acrylic, sumi ink on canvas black white red blue Thomas Slate uses large gestural drawings to create energetic abstractions. The layered process of his p...

Painting has always been a part of my life. Over the course of many years I explored various styles of painting. I found that the more I let go and gave into simply the act of pain...

Painting has always been a part of my life. Over the course of many years I explored various styles of painting. I found that the more I let go and gave into simply the act of pain...

Painting has always been a part of my life. Over the course of many years I explored various styles of painting. I found that the more I let go and gave into simply the act of pain...

Cropped and deconstructed images of clouds, palm trees, an abandoned Hawaiian hotel facade, a car, an Aloha Airlines vintage trademark, a beach chair and a vintage photo of the two ladies in skirts are represented on 14 x 11 inch Awagami Bamboo Japanese paper in Patty deGrandpre’s contemporary abstract monoprint titled “Vintage Hawaii and Some Lady Legs...

Hand Built and glazed ceramic. Free standing, two pieces (sphere and stand). My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused ...

Cropped and double exposed images of ski lift chairs, mountain terrain, pine trees and a rustic wood walkway are represented on 12 x 12 inch Red River photo p...

Hand Built and glazed ceramic. Free standing, two pieces (sphere and stand). My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused ...

acrylic, mixed media on canvas Tim uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich t...

Deconstructed and cropped images of a picnic table, a lawn chair, flowers, and a pineapple upside cake are represented in Patty deGrandpre’s 12 x 12 inch contemporary mixed media monoprint titled “Picnic”. Hues of vivid red, yellow, blue, and black both contrast and compliment in this dynamic abstracted pictorial. Embracing both experimental printmaking and creative photography, applications of block printing ink and digital inkjet are skillfully multi layered onto Red River photo...

Hand fabricated bronze with patina. Sealed with lacquer and wax. Large pyramid- 20"h x 8 x 8 x 4" base, small pyramid 18"h x 7 x 7 x 4" base 2 separate pyramids. Total size together ...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

Martha Mans 7 x 7 image size and 16 x 16 matted and shrink-wrapped The painting process has been an evolving experience for me from the time I was very young and first started paint...

Contemplative reclined female nude hand carved in redwood. Nouveau or classic style with exceptional details and skill.

12 x 12" oil, gold leaf on panel Pauline Ziegen’s earliest landscape paintings were painted outdoors in Kansas where vast stretches of prairie lead to distant horizons. Representing...

FRANCES PARKER Clay Pearls 88”h x 8”dia (diptych) glazed ceramic $ 12,500. Hand Built and glazed ceramic. Free standing, safe for outdoors. My inter...

Hand Built and glazed ceramic. Free standing, safe for outdoors. Diptych. My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused on c...

18 x 26" image size watercolor, unframed. Shrink-wrapped on poster board. I document the essence of the landscape everyday. I am interested in those untouched views of our landscape...

This unframed, signed, limited edition pigment print by world renown artist Robert Kelly exists in an edition of 25. Paper size is 36"h x 82"w with an image size of 20"h x 66"w. Rob...

acrylic on canvas blue green white

yellow gray white sienna 3 panels- 24 x 6" each encaustic, mixed media sides are wood veneer Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has su...

13x22" image size monotype, unframed. Shrink-wrapped on poster board, paper size total 22x30". I document the essence of the landscape everyday. I am interested in those untouched v...

13x22" image size monotype, unframed. Shrink-wrapped on poster board, paper size total 22x30". I document the essence of the landscape everyday. I am interested in those untouched v...

Patty deGrandpre’s “Scorched (with Adirondack chair) ” is an 11 x 8.875 inch unique inkjet monoprint represented on 16.5 x 11 inch Awagami Bamboo paper embracing both digital printma...

mixed media on panel In his current body of work, Tim uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured surfac...

Patty deGrandpre’s “Delivered to the Wrong House” is a 14.5 x 11 inch mixed media unique print represented on 20 x 16 inch Awagami Bamboo paper embracing both traditional printmaking...

Ghost Ranch Encantado 22 x 22" image size watercolor, unframed. Shrink-wrapped on poster board. I document the essence of the landscape everyday. I am interested in those untouched...

oil on panel MARTHA MANS A master realist painter, she was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Student’s League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor Society, Pennsylvania Watercolor Society, Rocky Mountain Watercolor Society, Pikes Peak Watercolor...

Blue Abstract About the Artist: Julie Schumer, a native of Los Angeles, California, and born in 1954, lives and paints in Santa Fe, New Mexico. She discovered her love of abstract ...

Red Hills Near Abiquiu 22 x 30" image size watercolor, 32 x 40" framed in a whitewash profile with museum quality glass red green blue yellow I document the...

acrylic, mixed media on panel In his current body of work, Tim uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textur...

one wall disc sits about 4.5 inches from the wall powder coated steel includes wall mount bracket that can be secured with lock for public installation can b...

Martha Mans 7 x 7 image size and 16 x 16 matted and shrink-wrapped The painting process has been an evolving experience for me from the time I was very young and first started paint...

Patty deGrandpre’s “Kauai, Tranquility” is an 8 x 8 inch unique digital abstract inkjet print represented on 12 x 12 inch Red River UltraPro photo paper and is part of her “Pieces and Pictures” series. Lavender, olive green, light turquoise blue and grey are the choice colors in this playful print depicting the coastline and landscape of Kauai, Hawaii’s Garden...

Patty deGrandpre’s “Are We There Yet? (Southwest)” is a 5.5 x 14.5 inch unique abstract inkjet print represented on 11 x 16.5 inch Awagami Bamboo Japanese paper embracing both the art of digital printmaking, minimalism, and creative photography. Four vividly distinct images depicting the United States Southwest become the focal point of this refined abstract landscape including a mesa in orange, a leafless desert tree...

This unframed, signed, limited edition pigment print by world renown artist Robert Kelly exists in an edition of 40. Paper size is 30"h x 24"w with an image size of 17"h x 14"w. Rob...