Santa Fe - Figurative Drawings and Watercolors
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Item Ships From: Santa Fe
15th C. Tibetan Tsakali: "High Lama Presenting a Ceremonial Scarf"
Located in SANTA FE, NM
15th C. Tibetan Tsakali
"High Lama Presenting a Ceremonial Scarf"
MIneral pigne
6 1/4 x 4 (16 x 13 3/4 frame) inches
Category
15th Century and Earlier Santa Fe - Figurative Drawings and Watercolors
Materials
Gouache, Handmade Paper
Antique Horse "Heads, Hooves, Rump 1838" Wouterus Verschuur (Dutch, 1812-1874)
Located in SANTA FE, NM
Antique Horse Study
"Heads, Hooves and Rump, 1838"
Wouterus Verschuur (Dutch, 1812-1874)
Pencil on paper
Signed and Dated "W Verschuuur 1838"
10 x 6 1/2 (17 1/2 x 14 frame) inches
In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action.
He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens.
Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae.
His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle* in Paris.
The Verschuur horse revels in its physicality, like a quintessential Baroque horse...
Category
1830s Romantic Santa Fe - Figurative Drawings and Watercolors
Materials
Paper, Pencil
Antique Horse Study; Legs and Rumps, 1838" Wouterus Verschuur (Dutch, 1812-1874)
Located in SANTA FE, NM
Antique Horse Study
"Legs and Rumps, 1838"
Wouterus Verschuur l (Dutch, 1812-1874)
Pencil on paper
Signed and Dated "W Verschuur 1838"
10 x 6 1/2 (17 1/2 x 14 frame) inches
In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action.
He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens.
Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae.
His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle in Paris.
The Verschuur horse revels in its physicality, like a quintessential Baroque horse...
Category
1830s Romantic Santa Fe - Figurative Drawings and Watercolors
Materials
Paper, Pencil
Drawing of Putti with Anchor by Jean-Jacques le Barbier l
Ainé (1738-1826)
By Jean Jacques Francois Le Barbier
Located in SANTA FE, NM
Drawing of Putti with Anchor
Jean-Jacques le Barbier l'Ainé (1738-1826)
Black pencil on paper
Signed and dated lower left "...1822. 12 years l waiting"
Considering that the anchor ...
Category
1820s Academic Santa Fe - Figurative Drawings and Watercolors
Materials
Paper, Pencil
Drawing of Putti in the Clouds by Jean-Jacques le Barbier l
Ainé (1738-1826)
By Jean Jacques Francois Le Barbier
Located in SANTA FE, NM
Drawing of Putti in the Clouds
Jean-Jacques le Barbier l'Ainé (France, 1738-1826)
Black pencil on paper
Signed and dated lower left "Le Barbier L'ainé 1816"
10 1/4 x 12 1/4 inches ...
Category
1810s Academic Santa Fe - Figurative Drawings and Watercolors
Materials
Paper, Pencil
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"Self Portrait Conte Sketch" rare Ben Fenske work on paper - academic study
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A colorful self-portrait from Ben Fenske, staring at the viewer straight-on. Hues of red dominate.
Unframed.
Ben Fenske (b. 1978) although a native of Minnesota, and has been worki...
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H 25.5 in W 19 in
Fernand de Launay (1855-1904) Portrait of a child, 1890, original drawing
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French School 19th Century, A Muskeeter, original pencil drawing
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French school 19th Century
A Muskeeter
Pencil on paper
26.5 x 17 cm
Bears a signature "F. Roybet" in the lower right
In quite good condition, bears some visible foxings,
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Even if the style, execution and of course subject are those of Ferdinand Roybet...
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"Self Portrait Sketch" Early conte crayon drawing, head of Ben Fenske, unframed
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An early work on paper, by American Impressionist painter, Ben Fenske. It's rare to see a drawing like this from Fenske, especially of a self portrait. Fenske uses classical draftin...
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Schooner beached on the moors at sunset, Nothe Fort in the distance, Dorset.
Located in Middletown, NY
Watercolor on cream wove paper mounted to light weight card stock, 3 3/4 x 5 1/2 inches (94 x 138 mm), the full sheet. In good condition with minor uniform toning.
Sophia Beale was...
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Costume drawings for ‘Ambassadeur de Siam’ and ‘La Sultana Reine’
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Joseph-Marie Vien (1716-1809)
‘Ambassadeur de Siam’ and ‘La Sultana Reine’
Both titled lower centre, the drawing of the ambassador inscribed with colours intended for the prints, e...
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H 9.26 in W 6.89 in D 1.19 in
Academic Study for the Head of an Apostle or Saint
Located in Firenze, IT
Study for the Head of an Apostle or Saint
Artist: Enrico Reffo (1831-1917)
Medium: Charcoal and white chalk on colored paper
Dimensions: [To be specified]
Date: Late 19th - Early 20...
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Louis Charles Auguste Couder (1789-1873) Portrait of a young man, signed pastel
By Louis Charles Auguste Couder
Located in Paris, FR
Louis Charles Auguste Couder (1789-1873)
Portrait of a young man
signed on the right border
Pastel on paper
28.5 x 21 cm
In good condition
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Augu...
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Study for Alyssa II
By Stephen Bauman
Located in Sag Harbor, NY
A charcoal portrait drawing of a young woman.
"The emotional intensity found in Bauman’s figurative work is astounding. A hallmark of Bauman’s character portraits is that, somehow,...
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Portrait Sketch
By Ben Fenske
Located in Sag Harbor, NY
A portrait of a male head, in profile by BenFenske. The artist uses a variety of colors to convey a naturalist impression.
Artist Bio
Ben Fenske (b. 1978) although a native of Minn...
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21st Century and Contemporary Academic Santa Fe - Figurative Drawings and Watercolors
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Academic Study after Raphael’s “Portrait of Bindo Altoviti”, Tuscan School.
Located in Firenze, IT
Academic Study after Raphael’s “Portrait of Bindo Altoviti”, Tuscan School, 38 × 52 cm
Mid-19th century
Pencil on paper
Academic drawing inspired by Raphael’s Portrait of Bindo Alto...
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$274
H 20.48 in W 14.97 in
Theodore Blake Wirgman (1848-1925) Portrait of Ernest Albert Waterlow, drawing
By Theodore Blake Wirgman
Located in Paris, FR
Theodore Blake Wirgman (1848-1925)
Portrait of Sir Ernest Albert Waterlow RA, (1850-1919)
pen and black ink on paper,
inscribed with the name of the sitter on the verso of the sheet, now not visible under the framing
15 x 12 cm
In a modern frame 34.5 x 30 cm
Theodore Blake Wirgman (29 April 1848 – 16 January 1925) was an English painter and etcher who moved to London, studied at the Royal Academy schools, became a painter of history and genre subjects, and worked as a portrait artist for The Graphic. A number of these portraits are held at the National Portrait Gallery. Theodore Blake Wirgman was born in Belgium and died in London.
He worked from a studio at 24 Dawson Place, Notting Hill, London, and joined The Arts Club in 1892.
Wirgman was part of a group of avant-garde young artists who emulated Edward Burne-Jones and Simeon Solomon...
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1880s Academic Santa Fe - Figurative Drawings and Watercolors
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Ink
Previously Available Items
Antique Dog Painting: "A Seated Bulldog" Wouterus Verschuur (Dutch, 1812-1874)
Located in SANTA FE, NM
A Seated Bulldog
Wouterus Verschuur (Dutch, 1812-1874)
Circa 1855
Oil on wood panel.
Signed on the back
9 3/8 x 7 3/8 (15 1/2 x 13 1/2 frame) inches.
The artist shows his complete g...
Category
1850s Romantic Santa Fe - Figurative Drawings and Watercolors
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Oil, Wood Panel
Old Masters Sanguine Drawing of Putti and a Lion, 18th century
Located in SANTA FE, NM
Old Masters Sanguine Drawing of Putti and a Lion
18th century
4 3/4 x 3 1/4 (8 5/8 x 7 1/4 frame) inches
An utterly charming depiction in sanguine of 5 putti and a lion on a leash. Excellent details and condition. The innermost frame is period and probably original to the piece with the addition of a later frame added for style.
Though the lion, known as the Marzocco, was the symbol of of a free Republic of Florence, it also carried many biblical meanings as well.
As such, That a lion denotes the good of celestial love and the derivative truth, in its power, and also that in the opposite sense it denotes the evil of the love of self in its power, is evident from passages in the Word where a lion is mentioned. That it denotes the good of celestial love is evident in John:--
"Behold the lion that is of the tribe of Judah, the root of David, hath conquered to open the book, and to loose the seven seals thereof (Rev. 5:5);"
Here the Lord is called a lion from the omnipotence belonging to His Divine love and the Divine truth thence derived. In other passages in the Word, Jehovah or the Lord is compared to a lion, as in Hosea:--
"They shall go after Jehovah; He shall roar like a lion; for Be shall roar, and the sons shall come with honor from the sea (Hosea 11:10)."
Even more interesting still is the association with Cherubs (or perhaps Putti as they are closely related)...
In Isaiah:--
"Thus said Jehovah unto me, Like as when the lion roareth, and the young lion over his prey, if a fulness of shepherds come running upon him, he is not dismayed at their voice, and is not afflicted by their tumult; so shall Jehovah Zebaoth come down to fight upon Mount Zion...
Category
Early 18th Century Old Masters Santa Fe - Figurative Drawings and Watercolors
Materials
Paper, Chalk, Ink
H 7.13 in W 8.63 in D 1.5 in







