Seattle

The Dead City Small Pendant is recognizable by our signature micarta shade, handmade from linen and resin. The lightweight shade produces a soft, ambient glow and visual interest li...

Vintage Artwork of Hunter Gaging Upon Waterfall Landscape. Possibly Watercolor on Paper. Signed in the Lower Corner D Cook as Pictured. Vintage Condition Consistent with Age as Pictu...

Vintage Artwork of Abstract Landscape Focussing on a Beached Boat. Possibly Watercolor on Paper. Unsigned Original. Vintage Condition Consistent with Age as Pictured. Dimensions. 20...

The Dead City Large Pendant is recognizable by our signature micarta shade, handmade from linen and resin. The lightweight shade produces a soft, ambient glow and visual interest li...

Gold Toned Frame. Titled and Signed on the Bottom. The Back of the Frame has Photograph Detailing the History of the Boat. Vintage Condition Consistent with Age as Pictured. Dimensi...

Possibly Watercolor on Paper. Signed JP Gaston and Stamped in Lower Corner as Pictured. Vintage Condition Consistent with Age as Pictured. Dimensions. 22 W ; 1/4 D ; 18 H

Pair of 3 Arm Candelabras. Beautiful Petina and Aging. Weighted in the Base. Vintage Condition Consistent with Age as Pictured. Dimensions. 7 W ; 4 D ; 9 H

Vintage Artwork of Abstract Landscape Focusing on a Mountain and Trees.Possibly Watercolor on Paper. Vintage Condition Consistent with Age as Pictured. Dimensions. 20 1/2 W ; 1/8 D ...

Possibly Watercolor or Pen on Paper. Unsigned Landscape Art of Mountains and waterfall. Vintage Condition Consistent with Age as Pictured Dimensio...

Possibly Pastel or Mixed Media Artwork.Matted with Brown Border. Vintage Condition Consistent with Age as Pictured. Dimensions. 16 W ; 20 H

Vintage Art Print of Abstract Sailing Boats. Possibly Watercolor on Paper.Signed JPGaston as Pictured. Dimensions. 15 W ; 1/8 D ; 23 H

Speckled Glass Beige and Brown Triangular Makers Mark on the Bottom. Groove’s on Handles. Stand Not Included. Dimensions. 11 Diameter; 2 D

Peaceful Sheep Herding Scene within Art Deco Frame.Possibly 30s with Vintage Hardware. Dimensions. 13 W ; 1 D ; 18 1/2 H

Vintage Abstract Figure Drawing on Paper with Plastic Covering Possibly Charcoal or Pastel Dimensions. 16 W ; 1/4 D ; 20 H

Vintage Terra Cotta Pot Curved Edges Swirl Motif Antique Style Dimensions. 9 W ; 9 D ; 5 1/2 H

Vintage Gold Plated Wooden Decor Platter Swirl Motif Dimensions. 12 D ; 12 D ; 4 H

*Scientists at Mount Sinai are working to identify and block COVID-19 while many are still at risk from the disease. We (the artist and gallery) will be donating 30% of all income fr...

*Scientists at Mount Sinai are working to identify and block COVID-19 while many are still at risk from the disease. We (the artist and gallery) will be donating 30% of all income fr...

*Scientists at Mount Sinai are working to identify and block COVID-19 while many are still at risk from the disease. We (the artist and gallery) will be donating 30% of all income from this work to Mount Sinai to support their efforts saving lives… Picadas creates photographs and video installations of places, situations and architecture that not only reveal their inner essence but also hint at dark unknown recesses. By partially stripping away the surface features of an image, the artist unearths visions that give rise to both a secret countenance and a psychic inner landscape. The artist explains, “In my photographs I examine and reveal the ways in which one can freeze both space and time by re-contextualizing different parts of reality and recombining them in new ways. The result is that both objects, and even situations, can be transformed into a kind of sculpture, providing us access to new knowledge about the nature of our reality.” The current works on view include photographs from Costas Picadas...

*Scientists at Mount Sinai are working to identify and block COVID-19 while many are still at risk from the disease. We (the artist and gallery) will be donating 30% of all income from this work to Mount Sinai to support their efforts saving lives… Picadas creates photographs and video installations of places, situations and architecture that not only reveal their inner essence but also hint at dark unknown recesses. By partially stripping away the surface features of an image, the artist unearths visions that give rise to both a secret countenance and a psychic inner landscape. The artist explains, “In my photographs I examine and reveal the ways in which one can freeze both space and time by re-contextualizing different parts of reality and recombining them in new ways. The result is that both objects, and even situations, can be transformed into a kind of sculpture, providing us access to new knowledge about the nature of our reality.” The current works on view include photographs from Costas Picadas...

*Scientists at Mount Sinai are working to identify and block COVID-19 while many are still at risk from the disease. We (the artist and gallery) will be donating 30% of all income from this work to Mount Sinai to support their efforts saving lives… Picadas creates photographs and video installations of places, situations and architecture that not only reveal their inner essence but also hint at dark unknown recesses. By partially stripping away the surface features of an image, the artist unearths visions that give rise to both a secret countenance and a psychic inner landscape. The artist explains, “In my photographs I examine and reveal the ways in which one can freeze both space and time by re-contextualizing different parts of reality and recombining them in new ways. The result is that both objects, and even situations, can be transformed into a kind of sculpture, providing us access to new knowledge about the nature of our reality.” The current works on view include photographs from Costas Picadas...

*Scientists at Mount Sinai are working to identify and block COVID-19 while many are still at risk from the disease. We (the artist and gallery) will be donating 30% of all income from this work to Mount Sinai to support their efforts saving lives… Picadas creates photographs and video installations of places, situations and architecture that not only reveal their inner essence but also hint at dark unknown recesses. By partially stripping away the surface features of an image, the artist unearths visions that give rise to both a secret countenance and a psychic inner landscape. The artist explains, “In my photographs I examine and reveal the ways in which one can freeze both space and time by re-contextualizing different parts of reality and recombining them in new ways. The result is that both objects, and even situations, can be transformed into a kind of sculpture, providing us access to new knowledge about the nature of our reality.” The current works on view include photographs from Costas Picadas...

*Scientists at Mount Sinai are working to identify and block COVID-19 while many are still at risk from the disease. We (the artist and gallery) will be donating 30% of all income fr...

*Scientists at Mount Sinai are working to identify and block COVID-19 while many are still at risk from the disease. We (the artist and gallery) will be donating 30% of all income fr...

*Scientists at Mount Sinai are working to identify and block COVID-19 while many are still at risk from the disease. We (the artist and gallery) will be donating 30% of all income fr...

Vintage abstract painting on canvas. This Work is in Abstract Style with a Hidden Alien Image. There is a Wear as Pictured. Dimensions. 59...

Vintage biomorphic clay signed sculpture by Washington Artist Ruth Pumphrey. circa 1970s. Dimensions. 7 W; 7 D; 14 H.

Vintage Biomorphic clay signed sculpture by Washington Artist Ruth Humphrey, circa 1970s Dimensions. 8 1/2 W ; 4 1/2 D ; 17 1/4 H.

Vintage biomorphic clay signed sculpture by Washington Artist Ruth. circa 1970s. Dimensions. 14 W ; 9 D ; 15 H.

Vintage Mid-Century Modern Impressionist painting. Dimensions. 16 W; 1/2 D; 20 H.

Vintage framed painting Dimensions. 24 W ; 2 3/4 D , 21 H.

In Case of Need, Original Contemporary Surrealist Painting, 2014 18" x 11.25" x 1.625" (HxWxD) Gouache on Wood Panel Hand-signed. by the artist. A conceptual surrealist painting in a muted color scheme, this work makes the viewer think about the juxtaposition of subject matter present in attempt to piece together a logical narrative that appears to be out of reach. Two hands poke out from beneath an undulating sandy landscape. One rests upon the ground's surface, the other sticks straight up, delicately holding a baby bottle...

Archival pigment print under a 1" thick diamond acrylic block. Dimensions: 9 15 in x 15 in. Depth: 1 in. Space in between each panel: 1.5 in. Total dimensions: 48 x 48 in. Wit...

Archival pigment print under a 1" thick diamond acrylic block. Dimensions: 9 15 in x 15 in. Depth: 1 in. Space in between each panel: 1.5 in. Total dimensions: 48 x 48 in. With ...

Medium: Archival pigment print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Signed by the artist. Edition of 5. Artist and photographer Paul-Émile Rioux lives in Mo...

Maru small pendant by Ladies & Gentlemen Studio Dimensions: 10" globe Materials: copper, brass, maple, glass, clear acrylic Finishes: brass, copper All our lamps can be wired ...

Maru medium pendant by Ladies & Gentlemen Studio Dimensions: 10" globe Materials: copper, brass, maple, glass, clear acrylic Finishes: brass, copper All our lamps can be wired...

Set of 3 Aura Cluster by Ladies & Gentlemen Studio. Dimensions: 10" x 3" x 15" (10" Aura). 15" x 3" x 18" (15" Aura). Materials: copper, brass, wire and cord. Finishes: blackened steel, brass and copper. All our lamps can be wired according to each country. If sold to the USA it will be wired for the USA for instance. Socket/lamp: E26/E27; Bulbs: G25/ G125 recommended Watt/volt: max 60w; line voltage to 300v Ladies & Gentlemen Studio is a multi-faceted design studio based in Brooklyn's Red Hook neighborhood. Our aesthetic and design philosophy embraces complementary opposites with an unexpected balance of warm minimalism...

Brass spun cluster 5 pieces light by Ladies & Gentlemen Studio. Dimensions: 6-1/4" diameter shades; 8" high shades. Materials: copper, brass, wire, cord. Finishes: brass, blackene...

Myrna pendant light by Ladies & Gentlemen Studio Dimensions: 37” x 24”, 6” globe (medium) Materials: steel, glass Shade Options - Perforated smoke, pe...

Set of 2 Aura Cluster by Ladies & Gentlemen Studio. Dimensions: 10" x 3" x 15" (10" Aura). 15" x 3" x 18" (15" Aura). Materials: Copper, brass, wire, cord. Finishes: Blackened steel, brass, copper. All our lamps can be wired according to each country. If sold to the USA it will be wired for the USA for instance. Socket/lamp: E26/E27; Bulbs: G25/ G125 recommended watt/volt: max 60w; line voltage to 300v Ladies & Gentlemen Studio is a multi-faceted design studio based in Brooklyn's Red Hook neighborhood. Our aesthetic and design philosophy embraces complementary opposites with an unexpected balance of warm minimalism...

Matte black spun pendant light by Ladies & Gentlemen Studio Dimensions: 6-1/4" diameter shade; 6- 3/4" high; 5” canopy Materials: Copper, brass, wire, cord Finishes: brass, matte ...

Matte black spun sconce light by Ladies & Gentlemen Studio Dimensions: 6-1/4" diameter shade; 4-3/8" deep Materials: Copper, brass Finishes: brass, matte black, frosted glass A...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a ...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Renaissance project in 2016. Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever. “Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell There are 18 pieces in the RENAISSANCE collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Golden thread and black velvet make up this beautiful length of handwork. Great for upholstering would be beautiful covering a wall in a small space. Measures: 30 feet.