South Korea - Bowls and Baskets

Bowl from the late Ming dynasty cargo. An identical piece is included on page 136 of the Bin Thuan catalog titled 'The Age of Discovery: Asian Ceramics Found...

The "twin fish" dishes, emblematic of fertility and marital joy, are also recognized as one of the Eight Buddhist symbols. These dishes were prominently produced by the Longquan kiln...

The heavily potted dish is molded in the central roundel below the fluted cavetto and the everted rim with lipped edge, and is covered overall with a glaze of sea-green color, except for the unglazed ring on the base. The wood stand is not included with the item. Period: Ming Dynasty (1368~1644) Region: Longquan, China Medium: Celadon Type: Dish Provenance : Acquired in late 1990s from Hongkong Reference : 1) Christies NEW YORK 22–23 MAR 2018 - Fine Chinese Ceramics and Works of Art - Lot 722 2) Sotheby's Paris 11 December 2020 - Arts d'Asie - Lot 8 (Price realised : 4,032 EUR / Type : Closely related) 3) Christies LONDON 21–28 MAY 2020 - The Art of China - Lot 31 (Price realised : 5,250 GBP / Type : Closely related) * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

Painted with yellow, brown and green glazes against the straw-glazed ground, the cavettos with a broad brown-glazed band, the exteriors green-glazed. Period : Qing Dynasty, Yongzhen...

A boat with two figures standing on it, seemingly engaged in fishing with a net. Below the boat, on the shore, there are two more figures involved in a different activity, possibly c...

This Annamese ceramic plate features a central floral motif rendered in underglaze blue, complemented by delicate green-painted leaves—an innovative characteristic of Annamese ceramics of the time. The rim is adorned with swirling cloud patterns and additional stylized floral designs. The use of green overpainting, a distinctive element in Annamese ceramics, parallels similar examples documented in The Age of Discovery: Asian Ceramics Found Along the Maritime Silk Road, particularly on pages 59, 64, and 66 of the Annamese ship catalog. Such pieces were widely traded along the Maritime Silk Road, showcasing the rich cultural exchange between Vietnam and other regions. Year/Period : 15th century Region : North Vietnam, Vietnam Type : Dish Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship 1) Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 2) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

Tea set decorated with beautiful floral(Saucer) and oriental pattern(Tea Bowl) Period : Qing Dynasty, Yongzheng Period Production Date : C 1725 Made in : Jingdezhen Destination : Ne...

This fine piece of porcelain, a plate from the Qing Dynasty, is a testament to the enduring craftsmanship of Jingdezhen, the porcelain capital of China. It presents a classic blue an...

Penciled and washed in blue with an European scene of figures, one leading a cow, on pontoons and small islands in a broad river, a city on the opposite back, the blue-washed rim wit...

Two Bowls from the Ming dynasty cargo. A piece identical pattern is included on page 119 of the title 'The Age of Discovery: Asian Ceramics Found Along the Maritime Silk Road'. Peri...

The dish features underglaze cobalt blue decoration, showcasing the Chinese character "shou" (symbolizing long life) at the center. Surrounding the center are bands with a stylized S...

The ceramic portrays a tranquil scene set against a backdrop typical of the Shan Shui tradition, which emphasizes the symbiotic relationship between humans and nature. In the center ...

At the center, it features five elegant cranes depicted against a pond setting, each portrayed in varying postures. The background harmoniously incorporates lotus flowers and other aquatic plants. Cranes in East Asian culture symbolize purity, longevity, and loyalty, and their depiction here enhances the themes of peace and harmony. The outer rim of the plate is encircled by a continuous lattice border, within which are alternately placed floral and geometric patterns, delicately executed. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Size : 20cm (Diameter) x 3.5cm (Height) Condition : Excellent Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 2) Qing Dynasty Export Blue and White(淸代外销靑花瓷) - Vung Tau Cargo Catalogue / Guangxi Fine Art Publishing House 3) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vung Tau Cargo Porcelain...

Stoneware decorated with Persian-style colors and patterns, and it is highly likely that this Annamese pottery intended for export was produced to meet Middle Eastern demand. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Stoneware Dish Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : Double checked with reference to the original catalogue Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...