Spain - Antiquities

Amazing and beautiful Chinese cloisonné opium pipe, enamelled with loto flowers, character marks to the base, 28cm high Astonishing opium pipe with mot...

A massive pottery pair of horses standing on all fours and striding with its right hoof forward. Extended snout ends in parted lips showing teeth beneath in a braying attitude. Low relief bridle on face and well defined eyes. Raised mane down back of the neck A fantastic example of the Wei dynasty horses. Large, exquisite walking Ferghana horses with great attention paid to anatomical detail were the choice of the wealthy. The horse was second only in importance to the dragon. It was supposed to possess magical powers which the early Chinese were eager to explore. It would be the horse that would carry the deceased to the next life and it would be the amount of horses that an individual owned that would guarantee his ongoing status in the hereafter. Thermoluminescence certificate from Madrid Labs included. In southern China, people turned to Daoism, and mingqi, as well as above-ground sculptures, became ever more infused with animal iconography and energized with dynamic lines. The north of China was eventually united by nomadic Tuoba invaders who founded the Northern Wei dynasty...

Exquisite carved and framed jadeite bi disc (璧). A bi disc is a circular (flat) jade disc with a hole in the center, used in ancient China. In this case, it is composed of eight piec...

Chinese black lacquerd tea table with gilt highlights, circa 1930's. Needs restauration in left side, but the design and style is precious because it reunites black lacquered with a...

Impressive handmade large and powerfully cast Japanese tripod bronze censer of the 19th century, made during the Meiji period and with mythical animals...

Uzbekistan, Tajikistan: a rare, old ‘bridal crown’ made of silver, gilded in parts, with turquoise coloured ornamental stones, glass, coral, and many pend...

Elegant and beautiful Dressing Table or it could be suitable for a jewellery box , Meiji Period ( 1868 - 1912 ). Executed with black lacquer, holding a bronze hand mirror ( ekagami) Configured with five smooth-running drawers of different Size. Two are equipped with slender "hirute"-shaped bail handles and three with decorative pull-rings. The front-and backside featuring oval grips for easy transport. Surmounted by a mirror frame in a shape reminiscent of a Shintô shrine torii-gate- a twin-posted framework with a triangular crossbar flared in upswept Chinese-style gable ( Karahafu) endings. Resting of the frame is the Japanese traditional handheld mirror with auspicious embossed design of wisteria ( fuji) and lovely patina. Inscription on the right. Considering its age the set is in a very good condition with some traces of usage and wear conform age. Dimensions: Dressing stand...

This stunning pair of antique pharmacy cabinets was imported from China in the 20th century, boasting the original export wax seal. Crafted in...

Beautiful honey color with archaistic carvings of dragons across the apron Amazing A Chinese crescent-shaped table known as a YUEYAZHUO, made of Huanghuali wood, a hardwood highly va...

Meiji period pair of Japanese Bronze Vases Finely Cast with High Relief decoration figures of a 3 clawed Dragon and 2 striped tigers and bamboo on the...

One of a kind Thousand-Faced Fan with Box, Bamboo and Gouache, Late 19th Century - China Type: Thousand-Faced Fan Materials: Paper, gouache, bone chinoiserie wood Period: 1890s ...

One of a kind and rarely seen ethnic necklace made of silver-plated metal, from Thailand. Recently framed in a large frame with floating glass. This is a piece that presents the esse...

Technical data Materials: Porcelain tray, wooden legs Period: Qing Dynasty Country of origin: China Good condition for its age and use, with some flaws in the wooden structure Overall dimensions: 70 x 95 x 80 cm Porcelain dimensions: 70 x 58 cm Exquisite Fitzhugh pattern porcelain plate or tray, inlaid in a cabinet that highlights its oval profile and raised on four slightly curved square legs. The term "Fitzhugh" refers to a type of Chinese export porcelain produced primarily between 1780 and 1840, featuring blue and white designs. It originated with three members of two generations of the Fitzhugh family. Members of this family held important positions as ship captains and even as directors in the British East India Company. Within this company, high-ranking officials were allowed to engage in private trade. Between 1704 and the 1790s, porcelain pieces bearing this pattern were shipped to England. The design usually includes a central medallion, although it is occasionally replaced by a coat of arms or monogram. The medallion is surrounded by four groupings of flowers representing the four seasons—peony for spring; lotus for summer; chrysanthemum for autumn; and prunus for winter—and symbols that typically represent the four virtues of the Chinese scholar: music, painting, logical thinking, and calligraphy. The design is framed with a decorative border that may be a lattice and spearhead pattern, sometimes known by the term "Nanking," or a more elaborate border featuring butterflies, honeycomb shapes, and floral ornamentation. The definition of the Fitzhugh porcelain...

An Amazing sculpture made in bronze, in the Showa Era, in Japan. It represents a horse in a singular posture, with its front legs open, as if it were crouching or bowing. A moment o...

19th Hand Carved Oriental Seated Buddha in Wood with hollow in back

1950s pair of African ethnic bracelets.

1950s African silver bracelet.