Spain Bedroom Sets

Valet in the style of Jacques Adnet. Spain 1960's Valet bamboo, wood and brown leather folding valet with brass accents. This outstanding valet or coat stand is entirely made by hand...

Reproduction of a student room in the Maison du Brésil, a set of a wardrobe-room divider, a bed, a desk, the Maison du Bresil stool and a wall-hung bookcase and blackboard. Set desig...

Reproduction of a student room in the Maison du Brésil, a set of a wardrobe-room divider, a bed, a desk, the Maison du Bresil stool and a wall-hung bookcase and blackboard. Set desig...

Reproduction of a student room in the Maison du Brésil, a set of a wardrobe-room divider, a bed, a desk, the Maison du Bresil stool and a wall-hung bookcase and blackboard. Set desig...

This bed was privately commissioned by a collector about 40 years ago representing a rare opportunity to purchase a vintage, hand-crafted bed made to the highest standards in the Renaissance-architectural-style , figurative and armorial carving. • This bed typifies the expensive and lavishly carved beds that articulated the power and position of the head of the household and were the most expensive pieces of furniture in the home. They were the centrepiece of the Bedroom, the most opulent of a series of rooms designed to showcase the status and wealth of the owner and the height of fashion in palaces, castles and important private homes in the late-18th century. • Period beds with front pedestals containing open architectural niches to display figurative carvings are exceptionally rare. The infamous Elizabethan Great Bed of Ware in the Victoria & Albert Museum in London has similar niches although it does not retain its figurative carvings. . • This bed has been beautifully made, from finely grained oak and the figuring forms part of the aesthetic, with attention to detail throughout, unusually the back is wainscot panelled...

Center Empire bed plated in mahogany feather, France, XIXth century of a so-called boat model, the heads with everted ends, entirely decorated with friezes and gilt bronze frames wi...

Vintage 1970s Spanish woven wicker headboard with 6 decorated yellow tiles and upholstered in patterned fabric.

Stunning case in men's toilette leather, Art Deco, France, circa 1930, brand new. In cognac color extraordinary leather Set composed of blown glass cans, leather boxes, scissors, ...

1980s pair of Spanish bamboo and wicker bedside tables.

1980s pair of French bamboo and leather bed headboards.

1970s pair of Spanish cane and lazed wicker bedside tables.

Jug set with basin made in silver in its color. The basin has the usual curve to place it in the neck (notch), and a profile throughout the piece of fine smooth moldings (drawing scrolls in the piece) following the curves and peaks that are drawn in the outline of the same and they extend towards the bottom, which remains smooth. The jug has an oval base with slight curves and a body divided into two areas (wider in its lower half, thin in the upper) with a series of "segments" curved; the peak shows a simple architectural decoration and smooth areas; the handle a curve with volutes and a contracurva vegetable (drawing both a spice of "S" inverted); the cover follows the lines of the body and is topped with a vegetable form. The contrast marks of the pieces place the manufacture of the same in Madrid (punches of Villa and Court with the number 68), giving the date of 1768. The silversmith seems to have been Juan de San Fauri, who works towards mideighteenth century in Madrid. With Philip V many French influences arrived at the silver, along with some Italian influences, both from the hand of artisans of these origins and from pieces. It continues with a scarce marking in the works except in the important centers, like Madrid, and the civil typologies acquired great importance. As in the rest of the country, Baroque, Rococo and Neoclassical trends coexisted in the Court, although, being the center that set the tone for the rest, the first moves away soon, introduces the Rococo before 1740 or on that date, and the Neoclassicism towards 1770 (imposing gradually since 1780). The curved forms of the basin are reminiscent of the so-called "contours" that were characteristic of eighteenth-century Rococo silverware and very frequent, especially in plates and trays. However, especially in the case of the jug, it is possible to speak of a certain relationship with Neoclassical models. As for the jug, it follows the most common prototype since the arrival of the Bourbons, characterized by its European influence and the great difference it shows with the type known as "jug de pico". Compare this game with the Francisco García vinajera (inventory 03487) of the Cerralbo Museum in Madrid or with the copy of Medina-Sidonia (code 59906, Catalog of the Andalusian Furniture...