Spain Toys and Dolls

PRESENTING an EXTREMELY UNIQUE and RARE 19C British Tunbridgeware Hair Pin/Bobbin or Slide. This slide is unlike any of it’s kind we have seen before, it is a VERY RARE survivor. From circa 1860 – 80 and made in Tunbridge Wells, England. Made of walnut with gorgeous marquetry inlay on the entirety of the front with classic Tunbridgeware micro-mosaic all over the front. The rear is walnut. The marquetry inlay appears to be various different woods, namely, maple, walnut and satinwood. Would have been worn in a Lady’s hair bun with the micro-mosaic facing forward. This would have belonged to a VERY ELEGANT LADY in the mid to late 19th Century. Tunbridge ware is a form of decoratively inlaid woodwork, typically in the form of boxes, that is characteristic of Tonbridge and the spa town of Royal Tunbridge Wells in Kent in the 18th and 19th centuries. The decoration typically consists of a mosaic of many very small pieces of different coloured woods that form a pictorial vignette. Shaped rods and slivers of wood were first carefully glued together, then cut into many thin slices of identical pictorial veneer with a fine saw. Elaborately striped and feathered bandings for framing were pre-formed in a similar fashion. There is a collection of Tunbridge ware in the Tunbridge Wells Museum and Art Gallery in Tunbridge Wells. The famous makers of Tunbridge ware were in the Tunbridge Wells area of Kent; their most notable work was from circa 1830-1900. Early makers of Tunbridge ware, in Tunbridge Wells in the mid-18th century, were the Burrows family, and Fenner and Co. In the 19th century, around 1830, James Burrows invented a technique of creating mosaics from wooden tesserae. Henry Hollamby, apprenticed to the Burrows family, set up on his own in 1842 and became an important manufacturer of Tunbridge ware, employing about 40 people. Edmund Nye (1797–1863) and his father took over the Fenner company when William Fenner retired in 1840, after 30 years in partnership with him. Thomas Barton (1819–1903), previously apprenticed at the Wise factory, joined the Nyes in 1836, and worked as Nye’s designer; he took over the business in 1863 and continued there until his death. In Tonbridge (near to Tunbridge Wells), George Wise (1703–1779) is known to have had a business in 1746. It continued with his son Thomas, and Thomas’s nephew George (1779–1869), who took over in 1806. In its early years the company made articles such as workboxes and tea caddies with prints of popular views; later items had pictures created from mosaics. Their workshop in Tonbridge, Wise’s Tunbridge Ware Manufactory, was next to the Big Bridge over the Medway; the building was demolished in 1886 to widen the approach to the bridge. Tunbridge ware became popular with visitors to the spa town of Tunbridge Wells, who bought them as souvenirs and gifts. Articles included cribbage boards, paperweights, writing slopes, snuffboxes and glove boxes. At the Great Exhibition of 1851, Tunbridge ware by Edmund Nye, Robert Russell and Henry Hollamby was shown; Edmund Nye received a commendation from the judges for his work. He exhibited a table depicting a mosaic of a ship at sea; 110,800 tesserae were used in making the picture. The manufacturers of Tunbridge ware were cottage industries, and they were no more than nine in Tunbridge Wells and one in Tonbridge. The number declined in the 1880s; competent craftsmen were hard to find, and public tastes changed. After the death of Thomas Barton in 1903 the only surviving firm was Boyce, Brown and Kemp, which closed in 1927. Marquetry was an old technique which was continued by Nye and Barton to create images such as birds or butterflies. ‘Green Oak’ as caused by the fungus Chlorociboria aeruginascens. Stickware and half-square mosaic was invented by James Burrows in about 1830: a bunch of wooden sticks of different colours, each having triangular or diamond-shaped cross section, were tightly glued together; in the case of stickware, the resulting block was dried, then turned to form an article such as the base of a pincushion. For half-square mosaic, thin slices were taken from the composite block, and applied to a surface. Tesselated mosaic, was a development by James Burrows of half-square mosaic; it was adopted by George Wise and Edmund Nye. Minute tesserae were used to form a wide variety of geometric and pictorial designs. Many sorts of wood were used for the various colours; about 40 were in regular use. Only natural colors were used; green was provided by “green oak”, produced by the action of fungus on fallen oak. Designs for articles were often taken from designs of Berlin wool work.

Antique Wind-Up Double Decker open air bus by the Ferdinand Strauss Toy Company, New York; circa 1925; is quite a large and substantial toy resembling ver...

Kay Bojesen articulating and jointed teak monkey. Bought from the original owner who had it in the early 1960s. Nice color and patina the cords are loosely sold AS/IS.

Bought in the south of France this set of antique doll carriages are an enchanting collection with wooden handles, original paint, and working wh...

Kobe Toys are very mysterious and not much is known about them. They were created and hand made, strictly for tourists and foreigners (never exported) during ...

Hardcover, 620 pages, 41.1 x 30 cm (16.2 x 11.8 in.) in clamshell box. With portfolio of 5 cel setups, 37.6 x 30 cm (14.8 x 11.8 in.) and 30 x 36.3 cm (11.8 x 14.3 in.), and 64-page facsimile of 'The Sorcerer's Apprentice' storyboard from Fantasia, 30 x 37 cm (11.8 x 14.6 in.). This Taschen Collector’s edition presents the first volume of one of the most expansive illustrated publications on Disney animation. In it, some 1,500 images as well as top essays by eminent Disney experts take us to the beating heart of the studio’s “Golden Age of Animation,” tracing Disney’s complete animation journey from the silent film era, through his first full-length feature Snow White and the Seven Dwarfs (1937) and the pioneering artistic experiment Fantasia (1940), right up to his last masterpieces Winnie the Pooh and the Honey Tree (1966) and The Jungle Book (1967). The book brings focus to each of the major animated features made during Walt’s lifetime, including Pinocchio, Fantasia, Dumbo, Bambi, Cinderella, Peter Pan, Lady and the Tramp, and 101 Dalmatians, without forgetting the experimental short films of the Silly Symphonies series, underappreciated episodic musical films such as Make Mine Music and Melody Time, and many unfinished projects, such as proposed sequels to Fantasia or a homage to Davy Crockett by painter Thomas Hart Benton. With extensive research conducted through the collections of the Walt Disney Company, as well as private collections, editor Daniel Kothenschulte curates some of the most precious concept paintings and storyboards to reveal just how these animation masterpieces came to life. These original artworks are accompanied by cel setups of famous film scenes, rare pictures from Disney photographers, and fascinating excerpts from story conferences between Walt and his staff. Throughout, contributions from leading Disney specialists detail the evolution of each film and honour the outstanding animators and designers who influenced the style of the studio, among them Albert Hurter, Gustaf Tenggren, Kay Nielsen, Carl Barks, Mary Blair, Sylvia Holland, Tyrus Wong...

Toy Noah’s Arks for children to play with were very popular in the late 19th and early 20th century, and Germany was very prolific in their production. This particular ark is all ori...

A very rare 19th century cast iron equine hitching post in the form of a jock-ey. The jockey is classically dressed in the 19th century riding attire, com-prising of a black riding hat, red jacket and cream jodhpurs. The jockey is poised on a moulded blue plinth...

Vintage General Electric Blue White Mickey Mouse Walt Disney 1970's Portable Record Player Turntable in Carrying Case (B). Circa Late 20th Century. Measurements: 6" H x 13.5" W...

Fantastic folky oversized 19th century mustard over copper Lightning rod ball on a professional iron stand. The base is a plank of original work that the...

Hermes Hermy The Horse small plush toy 100% authentic. The outside is 100% acrylic, while the inside is 100% polyester, as shown on the label. The hors...

Offered is an absolutely stunning toy castle, it is a beautiful example of early 20th century trench folk art, German handmade craft. The architectural detailing in the crenellated t...