Spain - Tables

Rectangular table top. Marble and hard stones. Rectangular board made with a technique inspired by Ancient Rome very similar to marquetry, which uses marbles and other hard stones i...

'Murakami' Dining Table designed by Studio Obstacles in collaboration with Spanish artist Yoyo Balagué. Dimensions: W.250 x L.121 x H.74 cm W.98.43 x L.47.64 x H.29.13 in Wood fini...

Dining Table. Made with elm and marble top in eight pieces. Marble: Carrare blanc viené. Very decorative. 19th Century, France. Very good vintage condition. Known as the “Citizen Kin...

Solid cherry wood and glass bar cart with removable tray, bottle rack on the lower level and brass wheels and finishes. Original polyurethane varnish in good condition. Design: Cesar...

Happy hour trolley by Alfredo Häberli Black or withe trolley. Chromed iron structure. Heat-shaped ABS+PMMA plastic trays, available painted with polyur...

Doge Large Dining Table designed by Carlo Scarpa. Manufactured by Cassina (Italy) ULTRARATIONAL EMBLEM A sculptural structure that has become an emblem of Italian design, a trademar...

20th century pair of Spanish nightstands with two carved drawer and iron hardware and crest in the low part of the drawers. Beautiful tables that you can use like a nightstands or si...

Multi-color explorer # 02 table Design by Jaime Hayon, 2019 Manufactured by BD Barcelona. Lacquered fibreglass body. Solid turned wooden legs and lacquered. Painted glass tabl...

Table designed by Franco Albini in 1950. Relaunched in 2008. Manufactured by Cassina in Italy. This table, with its minimal lines and an extremely light look, underscores the extens...

Table model La Rotonda designed by Mario Bellini in 1976. Manufactured by Cassina, Italy. A table with timeless design by Mario Bellini, who morphs the ...

DEVON Green Marble Coffee Table Contemporary Design Spain by Joaquín Moll Meddel The Devon coffee table is a piece of furniture that perfectly blends style and functionality in a ...

Dining Table in Solid Wood with Geometric Silhouette and Sculptural Presence This handmade dining table blends minimalist geometry with a grounded, architectural stance. Its structu...

Leda low table designed by Dali manufactured by BD. Legs are in a cast varnish brass. Tabletop in brushed and varnished brass. Carrara marble egg on top. Measures: 51 x 190 x 61 H....

Beautiful early 20th-century round side table featuring an ornate marquetry top with floral and geometric inlay work. The circular top displays a refined combination of light and dar...

Marquetry Marble Console by L.A. Studio, Italy Striking console designed by L.A. Studio Interiorismo, featuring a rectangular top in marquetry composed of different types of marble ...

A rare Spanish console table, in hand-carved and bleached wood, with a top in wood imitating marble, hoof-shaped legs, which at the top end in two carved heads that act as a base for...

Beautiful Spanish Castilian style side table featuring a single drawer and intricate carved panels, dating from the early to mid-20th century. The front and sides display geometric a...

Pesce side table, fish model, designed by gaetano pesce, developed by corsi factory Fish it is a celebration of gaetano pesce’s boundless creativity,...

Table model La Rotonda designed by Mario Bellini in 1976. Manufactured by Cassina, Italy. A table with timeless design by Mario Bellini, who morphs the ...

The Minus Side Table is a minimalist style side table made of treated Marquina marble. This side table is composed of a circular marble top, supported...

One of a kind and exquisite table clearly embodies the spirit of high-end French design from the 1970s and 1980s, characteristic of Jean-Claude Mahey. Its precise geometry and lacquer finish evoke an aesthetic that fuses Art Deco, reinterpreted with modern glamour. The octagonal shape of the tabletop is particularly striking. This formal choice breaks with rectangular or circular tradition, providing dynamism and sophistication. The golden brass lines, which divide the surface into triangular planes, reinforce the compositional structure and allude to a sense of almost architectural order. These golden lines function not only as decorative accents but also as visual guides that direct the eye toward the center, generating visual balance. Jean Claude Mahey often used this contrast between polished lacquer and shiny metals to highlight geometric shapes. The ivory or cream lacquer finish provides a polished surface, typical of Mahey's style, which amplifies the sense of luxury and modernity. This type of finish is often associated with Hollywood-inspired interior design and the refined opulence of the mid-20th century. The square-sectioned, also lacquered base presents itself as a solid, geometric volume, generating an elegant tension between the visual mass of the base and the lightness of the tabletop. The gilded metal profiles that frame the edges of the base reinforce the idea of ​​geometric luxury and add stylistic continuity with the design of the tabletop. The table is extendable. Its basic shape is square, but the two extensions (which fold in half) are hidden within the base and fit into rails that are concealed beneath the tabletop. Overall, this table is a paradigmatic example of Jean Claude Mahey's style: refined, geometric, glamorous, and deeply linked to an artistic vision of furniture as functional sculpture. Jean-Claude Mahey (Mayenne, France, 1944–) Jean-Claude Mahey is a French designer famous for his burlwood furniture...

A stunning rectangular shape coffee table designed by Milanese Studio Superego. Made in plexiglas of ten centimeters thickness and surface inlaid decorated with agates. Brass finials...

New gilded iron console table with metal top. Galvanized metal rod shelving with epoxy powder coating.

Planner Group drop-leaf dining table designed in 1950s by Paul McCobb for Winchendon, USA. Solid maple wood with two leaves that can be used interchangeably. Signed.

Amia Natural Stone Coffee Table Black Slate Contemporary Design in Stock Meddel The Amia Coffee Table is an exquisite piece crafted from natural black slate, offering a striking and ...

Table designed by Charlotte Perriand, circa 1950. Wood, metal frame legs. Provenance: Cansado, Mauritania (Africa). In good original condition, with minor wear consistent with age and use, preserving a beautiful patina. Charlotte Perriand (1903-1999) she was born in Paris in 1903 and attended the E´cole de l'Union centrale des Arts de´coratifs from 1920-1925. Charlotte Perriand designed furniture made of anodized aluminium and chromium-plated steel, showing it at the 1927 "Salon d'Automne" in Paris. After meeting Le Corbusier, Charlotte Perriand worked with him and Pierre Jeanneret until 1937. The revolutionary tubular steel furnishings and system furniture designed by the three were presented as "E´quipement de l'habitation" (home equipment) at the 1929 "Salon d'Automne," where they were widely acclaimed. In 1930 the Union Des Artistes Modernes (UAM) was founded in Paris, a group that viewed itself as a countermovement challenging such establishment organizations as the "Salon d'Automne" and also advocated Art Deco and Modernism. From 1931 Charlotte Perriand showed her own work solo there. In 1937 Charlotte Perriand and Pierre Jeanneret collaborated on designing a mountain chalet of sheet aluminum, which they showed at the "Exposition Internationale des Arts et Techniques dans la Vie Moderne" and later they came up with plans for prefab houses...

2001 Side Tables By RAMÓN ÚBEDA & OTTO CANALDA 2001 H.45 Ø 45 x 25 cm Ø 17,7 x 9,8” 2001 H.35 Ø 65 x 35 cm Ø 25,6 x 13,7” Top in tempered ultra-clear glass with a mirrored fin...

Table designed by Angelo Mangiarotti Castore is a glass and marble table by Italian architect, sculptor and designer Angelo Mangiarotti. Designed in 1975 for Sorgente dei Mobili, the distinct design is now presented by Karakter, available as a 130cm dining table. The round glass top rests on a heavy marble pillar, and visually, Mangiarotti would have it seem that only a small marble bowl...

Coffee table Spain, 1935/37 DIMENSIONS: Table: 1900x451xh.420mm; Table with egg: 1900x451xh.610mm Legs in a cast varnish brass. Table top in brushed and varnished brass. Carrara marble egg on top. Taken from “Femme à tête de roses" (1935)” 1935 (Woman with a head of roses). It was sufficient for this sculpture to be made as a three dimensional piece, remaining faithful to every detail in Dalí’s painting. During the 1930s in Paris, Salvador Dalí surrounded himself with a circle of friends involved in the application of art to varied disciplines, above and beyond the study of pure pictorial art. Jean-Michel Frank, a furniture maker and decorator of recognized prestige in the Paris of those years, was on very good terms with Dalí and together they worked on several ideas. The Bracelli lamp which we present here is a classic design after Jean-Michel’s manner of designing and working, adopted by Dalí for his house at Portlligat. Amongst Dalí ’s specific furnishing projects, and constituting another for his curriculum vitae as a designer, may be counted the garden furnishings for his Portlligat house, the complete architecture of the Night Club (garotte-shaped) for the Hotel Presidente in Acapulco (1957) and another project for a bar in California in the ‘forties. As shown by the small selection now produced and included in this catalogue, Dalí ’s work was not restricted to the traditional furnishing elements, but included tap fittings, handles, door-pulls, printed fabrics and objets of indeterminate use. In the 1990s a group of experts, led by Oscar Tusquets, set themselves the task of turning the furniture Dalí had drawn for Jean-Michel Frank into reality. Amongst these items were the Leda chair...

Circular tabletop in marbles and hard stones. Inspired by Italian models of the XVI-XVII centuries. In the centre of the board, surrounded by a garland of flowers, has been placed a pearl necklace with a bow. Around this element, four vases with birds perched on interspersed branches and, more towards the outside, a band with vegetal scrolls are presented. They frame this area with simplified scrolls and one with others more worked and interspersed with avenerated forms and heraldic shields, and posed birds. The fleur-de-lis on the edge clearly shows the influence of Gobelino's works on this board. The French workshop was created with the aim of making this type of inlay for the court of this country, and is the heir of the native centre of the "hard stone work": the Florence of Piero de Medici and Lorenzo the Magnificent, who wanted to revive a Roman technique called mosaic "opus sectile". It is also necessary to mention the Royal Workshop of Naples and the one created by Carlos III in the Real Sitio of El Buen Retiro in Madrid, which closed at the beginning of the 19th century. After 1600 the primacy of decoration that appeared in the fifteenth century is clear, and elements such as birds, butterflies and pearl necklaces were added over time. The present example inherits all this tradition: compare with the table realized by Francesco Ghinghi in the Real Laboratory Delle Piedre Dure of Naples (number of catalog O00511) and the board (O00466) of towards half-full of century XVIII, both in the Museum of the Prado from Madrid, those preserved in the Museo Opificio delle Pietre Dure in Florence (especially works such as the panel made as a model for a table by Jacopo LIgozzi...

Mid-Century Modern Table designed by Charlotte Perriand in 1952-1956. Relaunched in 2014. Manufactured by Cassina in Italy. Included as one of the tables en forme libre created between 1938 and 1939, the final design was developed in 1952 for the students’ rooms of the Maison du Mexique...

Table designed by Bodil Kjær in 1959. We are proud to present our first design from a Danish designer. In this case, Danish architect, professor, and designer, Bodil Kjær. The iconic desk, designed in 1959, was the first of its kind with its pure and simplistic design, almost floating mid-air. Bodil Kjærs’ design has been called ‘The most beautiful desk in the world’ – or, the ‘James Bond desk...

Rectangular Italian pietra dura technique handmade classical mosaic 12-seat dining tabletop with blue lapis lazuli, green malachite, turquoise and othe...

Freestanding desk, model EP 401, with veneered oak frame and table top. Front with six drawers with aluminum handles, back with three open compartments, legs with aluminum shoes. Man...

Set of two side tables model '2001' designed by Ramon Úbeda and Otto Canalda. Manufactured by Bd (Spain). The 2001 side tables are made from an ultra-clear glass and a Pyrex tube mirrored...

This is one of five exclusive pieces. Two-drawer mirrored glass and brass writing desk Beautiful and elegant design Perfect finished. Overall dimensions: 127 cm W x 51 cm D x 8...

Vivid Blue Round Table by Coco Flip Dimensions: D 100 x H 32 / 36 / 40 / 42 cm Materials: Mild steel, powder-coated with zinc undercoat. Weight: 34 k...

Small, fully removable console in dark stained mahogany with glass on top. French polish. Italy 1950 Dimensions cm 84,5 x 27 x 89 – 84 glass shelf/73 middle shelf/30 bottom shelf i...

Low table designed by Jaime Hayon manufactured in Barcelona by BD. MDF base and legs in turned solid alder wood, lacquered in yellow. Measures: 50 x 150 x H 35 cm.

Patio or garden dining room table in wrought iron The price it´s only for the legs Estructure measurements: Depth 27.5 in Width 47.24 in Height 29.52 in.

RARE Dining Table Oxid Slate Natural Stone Iron Contemporary Design In Stock Unique dining table limited edition to a single piece. The structure of this dining table in natura...

Sagra Travertine Marble & Slate Coffee Table Contemporary Design Luxury Furniture – A Luxury Statement Piece. The Sagra Coffee Table by Meddel is a sophisticated blend of natural el...

Rustic coffee table. A 1970s Spanish washed wood farmhouse low table with bottom shelf.

Pesce side table, fish model, designed by gaetano pesce, developed by corsi factory Fish it is a celebration of gaetano pesce’s boundless creativity,...

Balma Dining Table Natural Stone Black Slate Contemporary Design in Stock Spain The Balma dining table in black slate is a masterpiece of natural stone design. Its design is original from the 80's, designed by Joaquín Moll, an expert in natural stone design. Its structure consists of two bases that complement each other, being straight on the outside and curved on the inside. The structures, one with a concave shape and the other with a convex shape, are an unbeatable visual game and its hollow structure makes the marble lighter...

Table designed by Angelo Mangiarotti Castore is a glass and marble table by Italian architect, sculptor and designer Angelo Mangiarotti. Designed in 1975 for Sorgente dei Mobili, the distinct design is now presented by Karakter, available as a 130cm dining table. The round glass top rests on a heavy marble pillar, and visually, Mangiarotti would have it seem that only a small marble bowl...

MYA Travertine Marble Console Table Made in Spain Contemporary Design In Stock Beautiful Italian natural travertine marble console table, a design by Joaquín Moll and 100% Made in Sp...

ECCO Marble Crystal Design Console Table Oxid Slate Meddel Spain Joaquín Moll The ECCO console table, designed by Spanish artist Joaquín Moll, is a contemporary style piece of furniture made of natural slate stone and glass. The glass is the main support of this modern console table made of natural stone. The design of the ECCO console table is a clear example of Joaquín Moll's mastery in designing and combining materials such as natural stone and glass. The console consists of an oxide slate surface, as well as a side to the floor also in oxide slate, forming an "L", which is part of the stability of the structure. Underneath, the main pedestal that holds the structure to the floor is a sheet of glass that flies completely on one side, and is attached to the stone in a linear way in the side parts and the counter part. In this way the console acquires a stable and balanced form, which is maintained in the space providing a visual lightness improper of natural stone. A piece of furniture with fine and sophisticated lines that is perfect as a counter for a versatile space. It can be a perfect counter bar furniture for a bold corner of the house and in which to spend time with friends and family. It is a perfect counter height, to enjoy both standing around it, or with some elegant stools to go with it. The design of the ECCO natural stone console table...

Columns Dining Table with Calacatta Italian Marble Base & Crystal Top Made Spain Add a touch of luxury and sophistication to your dining room with our exclusive Calacatta marble base dining table with glass top. This elegant dining table features two stunning columns of Italian Calacatta marble, a material internationally renowned for its exceptional beauty and high aesthetic value. Calacatta marble is distinguished by its pure white color, embellished with a magnificent veining of grays and golds, which is quarried from prestigious Italian quarries. Above the marble columns is a 15 mm thick glass top with rounded corners and a refined bottle-colored edge. This combination of materials offers a perfect balance between the solidity of the marble and the visual lightness of the glass, creating a piece that stands out for both its functionality and its design. The marble columns are perfectly proportioned in relation to the dimensions of the table, providing a solid and stable base. Its simple yet sophisticated design makes this table ideal for the most select interiors, bringing an air of luxury and exclusivity to any space. Main features are the high quality Italian Calacatta marble of white color with gray and gold veining. The top has a 15 mm glass top with rounded corners and a bottle-colored edge. This Calacatta marble dining table...

Table designed by Bodil Kjær in 1959. We are proud to present our first design from a Danish designer. In this case, Danish architect, professor, and designer, Bodil Kjær. The iconic desk, designed in 1959, was the first of its kind with its pure and simplistic design, almost floating mid-air. Bodil Kjærs’ design has been called ‘The most beautiful desk in the world’ – or, the ‘James Bond desk...

Console table designed by Aldo Bakker in 2017. Tranquil and seductive, Aldo Bakker’s Console Table floats exquisitely between sculpture and furniture. It depicts the simplest con...

Multicolor explorer #01 table Design by Jaime Hayon, 2019 Manufactured by BD Barcelona. Lacquered fibreglass body. Solid turned wooden legs and lacquered. Painted glass table ...

Table designed by Paul McCobb in 1952. The foundation of the Cache series, part of Paul McCobb’s extensive Planner series, is a beautifully simplistic and easy table with slim an...

Side table designed by Franco Albini in 1953. Relaunched in 2008. Manufactured by Cassina in Italy. Dubbed Cicognino, or “little stork”, this iconic design, is clean-cut and refi...

Table designed by Le Corbusier in 1958. Relaunched in 2010. Manufactured by Cassina in Italy. Organic and yet rational, this table was designed by Le Corbusier in 1958. Its disti...

Table model La Rotonda designed by Mario Bellini in 1976. Manufactured by Cassina, Italy. A table with timeless design by Mario Bellini, who morphs the ...

Franco Albini & Franca Helg. Dining table model no. TL22. Manufactured by Poggi, Italy, 1958. Mahogany. Measurements: 180.3 cm x 104.1 cm x 73 H cm. 70.98 in x 40.98 in x 28.74 in. Literature: Giuliana Gramigna, Repertorio 1950/1980, Milan, 1985, p. 123. Franco Albini, was born in 1905 and died in 1977. He spent his childhood and part of his youth in Robbiate in Brianza, where he was born. Albini, as an adolescent moved with his family to Milan. Here he enrolled in the Faculty of Architecture of the Polytechnic and graduated in 1929. He started his professional activity in the studio of Gio Ponti and Emilio Lancia, with whom he collaborated for three years. At the 1929 International Exhibition in Barcelona (where Gio Ponti curated the Italian pavilion and Mies van der Rohe realized that of Germany) and in Paris where, as Franca Helg recounted, he had the opportunity to visit the studio by Le Corbusier. In those three years, the works he carried out are admittedly of the twentieth century imprint. It is the meeting with Edoardo Persico that marked a clear turning point towards rationalism and the approach to the group of editors of "Casabella". The partly ironic and partly very harsh comments of the Neapolitan critic to a series of drawings, made by Albini for the design of some office furniture, caused him a great disturbance. “I spent days of real anguish - Albini recalls - I had to answer all the questions. I also had a fever, a large and long fever. " The meted provoked Albini to openen a professional studio in via Panizza with Renato Camus and Giancarlo Palanti. The group of architects began to deal with public housing by participating in the competition for the Baracca district in San Siro in 1932 and then building the IFACP neighborhoods: Fabio Filzi (1936/38), Gabriele D'Annunzio and Ettore Ponti (1939). During this period, Albini also worked on his first villa (Pestarini), which Giuseppe Pagano, architect and critic of the time, presented as follows: “This coherence, which the superficial rhetoric of fashionable jugglers calls intransigence, and which is instead the basis of understood between the fantasy of art and the reality of the craft, in Franco Albini, it is so rooted that it transforms theory into a moral attitude ". But it is above all in the context of the exhibitions that the Milanese master experienced his compromise between that "rigor and poetic fantasy" of which Pagano speaks, coining the elements that became a recurring theme in his . The opening in 1933 of the new Triennale headquarters in Milan, in the Palazzo dell'Arte, was an important opportunity to express the strong innovative character of rationalist thinking, a gym in which to freely experiment with new materials and new solutions, but above all a "method". "Cultivated as a communication laboratory, the art of setting up was for the rationalists of the first generation what the perspective had been for the architects of humanism: the field open to a hypothesis of space that needed profound reflections before landing the concreteness of the construction site ". Together with Giancarlo Palanti, Albini on the occasion of the V Triennale di Milano set up the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and with the coordination of G. Pagano), for which he also designed the 'furniture. At the following Triennale of 1936, Persico dided, together with a group of young designers gathered by Pagano in the previous edition of 1933, Franco Albini took care of the preparations of the home exhibition. The setting up of Stanza per un uomo, at that same Triennale, allows us to understand the acute and ironic approach of Albini, as a man and as a designer: "Celebrating the beauty of mechanics was the imperative to which, for example, the surprising displays by Franco Albini who managed, in the subtle way of a refined and rarefied style, to sublimate their practical content in the metaphysics of daring still lifes: flying objects which marked in the void refined frames and metal intricacies the nodes of a fantastic cartography where industry finally became art free from purpose ". That same year Albini and Romano designed the exhibition of the Ancient Italian Goldsmithery: vertical uprights, simple linear rods, designed the space. A theme, of the "flagpole", seemed to be the center of the evolution of production and the creative process. The concept is reworked over time, with the technique of decomposition and recomposition typical of Albinian design: in the preparation of the Scipione Exhibition and contemporary drawings (1941) the tapered flagpoles, on which the paintings and display cases were hung, are supported by a grid of steel cables; in the Vanzetti stand (1942) they take the V-shape; in the Olivetti shop in Paris (1956) the polished mahogany uprights support the shelves for the display of typewriters and calculators. The flagpole is found, however, also in other areas. In the apartments he designed, it is used as a pivot on which the paintings can be suspended and rotated to allow different points of view, but at the same time as an element capable of dividing the spaces. The Veliero bookcase...

Add warmth and sophistication to your environment with the Manon Bench and Manon Console. These hand-braided pieces join the Manon Column and extend the Manon Family. Introduce organ...

Bonheur du jour: Small French Napoleon III lady's secretary cabinet of 19th century. It is made in walnut and mahogany with burr maple inlays and guilt bronze decoration. 2 small dra...

Coffee table designed by Elmar Berkovich, circa 1930. Manufactured by Metz and Co. (Netherlands). Tubular legs, wood shelve and thick glass top. In go...