Spain - Tables

Circular tabletop in marbles and hard stones. Inspired by Italian models of the XVI-XVII centuries. In the centre of the board, surrounded by a garland of flowers, has been placed a pearl necklace with a bow. Around this element, four vases with birds perched on interspersed branches and, more towards the outside, a band with vegetal scrolls are presented. They frame this area with simplified scrolls and one with others more worked and interspersed with avenerated forms and heraldic shields, and posed birds. The fleur-de-lis on the edge clearly shows the influence of Gobelino's works on this board. The French workshop was created with the aim of making this type of inlay for the court of this country, and is the heir of the native centre of the "hard stone work": the Florence of Piero de Medici and Lorenzo the Magnificent, who wanted to revive a Roman technique called mosaic "opus sectile". It is also necessary to mention the Royal Workshop of Naples and the one created by Carlos III in the Real Sitio of El Buen Retiro in Madrid, which closed at the beginning of the 19th century. After 1600 the primacy of decoration that appeared in the fifteenth century is clear, and elements such as birds, butterflies and pearl necklaces were added over time. The present example inherits all this tradition: compare with the table realized by Francesco Ghinghi in the Real Laboratory Delle Piedre Dure of Naples (number of catalog O00511) and the board (O00466) of towards half-full of century XVIII, both in the Museum of the Prado from Madrid, those preserved in the Museo Opificio delle Pietre Dure in Florence (especially works such as the panel made as a model for a table by Jacopo LIgozzi...

Coffee table designed by Elmar Berkovich, circa 1930. Manufactured by Metz and Co. (Netherlands). Tubular legs, wood shelve and thick glass top. In go...

Add warmth and sophistication to your environment with the Manon Bench and Manon Console. These hand-braided pieces join the Manon Column and extend the Manon Family. Introduce organ...

Bonheur du jour: Small French Napoleon III lady's secretary cabinet of 19th century. It is made in walnut and mahogany with burr maple inlays and guilt bronze decoration. 2 small dra...

Vivid Blue Round Table by Coco Flip Dimensions: D 100 x H 32 / 36 / 40 / 42 cm Materials: Mild steel, powder-coated with zinc undercoat. Weight: 34 k...

Pesce side table, fish model, designed by gaetano pesce, developed by corsi factory Fish it is a celebration of gaetano pesce’s boundless creativity,...

Rectangular Italian pietra dura technique handmade classical mosaic 12-seat dining tabletop with blue lapis lazuli, green malachite, turquoise and othe...

20th root Oak dining room table with carved edges.

BAO Side Travertine Marble Design Table by Meddel Spain Joaquín Moll In Stock This travertine marble design side table is a regular piece, with a simple and very functional design. I...

MICA Coffee Table Travertine Negro Marquina Marble Crystal Spain In Stock The Mica coffee table is the work of designer Joaquín Moll for...

Rare red enameled lava tile low table by Robert and Jean Cloutier dating from the 1950s. This mid-century Lava Tile Coffee Table by the Cloutier Brothers...

Vintage walnut top and white pedestal legs dining room table.   

Brutalist style coffee table with a stylized base and a large double centered vine wood trunk top. Made in Brazil in the 1960s.

Stunning dining set by Leomardo Fiori in teak wood and metal, pro ISA Italy 1950, composed by Measures: 1 table: 140 x 75 cm H 73 cm 6 chairs: 42 x 48 x 84 cm.

Table by Dada est. manufactured in Barcelona, 2021. Oak table Measures: 85 cm D x 160 cm W x 30 cm H Production delay: 8-9 weeks There is the possibility of making it i...

A delightful wooden side table with inlay and trompe-l'oeil bookend decoration on the lower drawer, in the Napoleon III style. The tabletop features an excellent inlay figure with f...

Mid-century modern writing desk of walnut wood with a rich, dark finish. Made in Italy, circa 1960s. The desk has been partially restored and has a rectangular tabletop made of a dif...

Side Table Monkey by Jaime Hayon 2015 Dimensions 60 x 59 x h.40 cm 23,6 x 23,2 x 15,7 inch The grey and white options are apt for indoor and outdoor use while the black finish is a...

Muria Black Marquina Marble Dining Table Contemporary by Meddel Spain in Stock The Muria dining table is a masterpiece of modern luxury, c...

"Boomerang" desk, large top in varnished walnut covered with a thick glass. Two chrome plated steel columns. Italy c. 1970 Measure: Width top: 77 cm.

BOX Italian Travertine Marble Dining Table Architectural Design by Joaquín Moll BOX travertine marble dining table is a bold, architectural statement piece designed by Joaquín Moll f...

RIBER Bateig Limestone Marble Coffee Table Luxury Modern Glass & Stone Design Riber bateig limestone coffee table is a contemporary and highly refined centre table designed by Joaquí...

PULSE Italian Travertine Marble Coffee Table Luxury Bespoke Design New Furniture Roman travertine marble coffee table pulse is a refined and contemporary centre table designed by Joa...

Pair of Travertine Consoles. Made from a single block of stone, featuring a sculptural and contemporary design through the use of semi-circular arches. These consoles have been meti...

Action Office desk, model 64 902, designed by George Nelson & Robert Propst for Herman Miller from the 1960s. Base made of chrome-plated aluminum with white plastic protectors. Locka...

Franco Albini & Franca Helg. Dining table model no. TL22. Manufactured by Poggi, Italy, 1958. Mahogany. Measurements: 180.3 cm x 104.1 cm x 73 H cm. 70.98 in x 40.98 in x 28.74 in. Literature: Giuliana Gramigna, Repertorio 1950/1980, Milan, 1985, p. 123. Franco Albini, was born in 1905 and died in 1977. He spent his childhood and part of his youth in Robbiate in Brianza, where he was born. Albini, as an adolescent moved with his family to Milan. Here he enrolled in the Faculty of Architecture of the Polytechnic and graduated in 1929. He started his professional activity in the studio of Gio Ponti and Emilio Lancia, with whom he collaborated for three years. At the 1929 International Exhibition in Barcelona (where Gio Ponti curated the Italian pavilion and Mies van der Rohe realized that of Germany) and in Paris where, as Franca Helg recounted, he had the opportunity to visit the studio by Le Corbusier. In those three years, the works he carried out are admittedly of the twentieth century imprint. It is the meeting with Edoardo Persico that marked a clear turning point towards rationalism and the approach to the group of editors of "Casabella". The partly ironic and partly very harsh comments of the Neapolitan critic to a series of drawings, made by Albini for the design of some office furniture, caused him a great disturbance. “I spent days of real anguish - Albini recalls - I had to answer all the questions. I also had a fever, a large and long fever. " The meted provoked Albini to openen a professional studio in via Panizza with Renato Camus and Giancarlo Palanti. The group of architects began to deal with public housing by participating in the competition for the Baracca district in San Siro in 1932 and then building the IFACP neighborhoods: Fabio Filzi (1936/38), Gabriele D'Annunzio and Ettore Ponti (1939). During this period, Albini also worked on his first villa (Pestarini), which Giuseppe Pagano, architect and critic of the time, presented as follows: “This coherence, which the superficial rhetoric of fashionable jugglers calls intransigence, and which is instead the basis of understood between the fantasy of art and the reality of the craft, in Franco Albini, it is so rooted that it transforms theory into a moral attitude ". But it is above all in the context of the exhibitions that the Milanese master experienced his compromise between that "rigor and poetic fantasy" of which Pagano speaks, coining the elements that became a recurring theme in his . The opening in 1933 of the new Triennale headquarters in Milan, in the Palazzo dell'Arte, was an important opportunity to express the strong innovative character of rationalist thinking, a gym in which to freely experiment with new materials and new solutions, but above all a "method". "Cultivated as a communication laboratory, the art of setting up was for the rationalists of the first generation what the perspective had been for the architects of humanism: the field open to a hypothesis of space that needed profound reflections before landing the concreteness of the construction site ". Together with Giancarlo Palanti, Albini on the occasion of the V Triennale di Milano set up the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and with the coordination of G. Pagano), for which he also designed the 'furniture. At the following Triennale of 1936, Persico dided, together with a group of young designers gathered by Pagano in the previous edition of 1933, Franco Albini took care of the preparations of the home exhibition. The setting up of Stanza per un uomo, at that same Triennale, allows us to understand the acute and ironic approach of Albini, as a man and as a designer: "Celebrating the beauty of mechanics was the imperative to which, for example, the surprising displays by Franco Albini who managed, in the subtle way of a refined and rarefied style, to sublimate their practical content in the metaphysics of daring still lifes: flying objects which marked in the void refined frames and metal intricacies the nodes of a fantastic cartography where industry finally became art free from purpose ". That same year Albini and Romano designed the exhibition of the Ancient Italian Goldsmithery: vertical uprights, simple linear rods, designed the space. A theme, of the "flagpole", seemed to be the center of the evolution of production and the creative process. The concept is reworked over time, with the technique of decomposition and recomposition typical of Albinian design: in the preparation of the Scipione Exhibition and contemporary drawings (1941) the tapered flagpoles, on which the paintings and display cases were hung, are supported by a grid of steel cables; in the Vanzetti stand (1942) they take the V-shape; in the Olivetti shop in Paris (1956) the polished mahogany uprights support the shelves for the display of typewriters and calculators. The flagpole is found, however, also in other areas. In the apartments he designed, it is used as a pivot on which the paintings can be suspended and rotated to allow different points of view, but at the same time as an element capable of dividing the spaces. The Veliero bookcase...

Heritage & Webb 'Subeybaja' adjustable table in natural oak for Santa & Cole Founded in 1985 in Barcelona, Santa & Cole produces iconic pieces by such luminaries as llmari Tapiova...

Sculptural Cyan Anodized Aluminum Side Table / Plinth by Antoni Pallejà Studio This striking cyan side table or plinth is crafted from anodized aluminum blocks, produced by assembli...

English 1950s mahogany writing table with drawers and legs with bronze lions claws. Dimensions open table: 74 x 165 x 66cm.

The four cabriolet legs have been joined in their inferior part with a square shelf of concave edges and they have been decorated with vegetal elements in golden bronze, like the wai...

18th Century Spanish Rustic Table with Two Drawers and Original Iron Pulls

Handmade Round Wicker Side Table with Leather Border

Italian coffee table with magazine rack shelf from 1960's. Hardwood with glass top.

DESCRIPTION: Indiana Hickory Table, Circa 1920, USA Woven Hickory Table Top on central wooden base with decorative details. Unique piece. CONDITION: Good condition. Wear consistent w...

Sculptural Brutalist coffee table and chairs set has been handmade from solid pine slabs by Mobichalet in Belgium in the 1950s, Made from soldi...

One of a kind and very refined French Napoleon III console table in rosewood and marble. Tall, slender, and lightweight piece with a wavy silhouette. Beneath the marble top, three sm...

Italian Pietra Dura round tabletop with Florentine mosaic inlay decorations executed using blue lapis lazuli, turquoise and other semiprecious stones...

DESCRIPTION: Serge Castella Slate Coffee Table, circa 2023, Spain Very decorative piece made with oak and slate. Customers can choose from: - Size, materials and colors. CONDITION: ...

Beautiful pair of white flying tables designed by Pierre Guariche for Steiner, 1955 Pierre Guariche (1925-1995) is a legendary French designer from the 2...

18th Century Spanish side table with drawer and iron joining legs.

Early 20th century walnut console table with slab top on a frieze with two drawer fronts decorated with carved and incised floral motifs with additional decoration and two original i...

Classical 1990s handcrafted Pietra Dura mosaic inlay round white marble table top representing the Venetian symbol, the Lion of St Mark, using semipre...

“IKB” model coffee table designed by the French artist Yves Klein (1928-1962). Table composed of a box made of perplex with a glass top lid inside which Klein blue pigments are distr...

Explorer Table Model 100 designed by Jaime Hayon for BD Barcelona creates an elegant beauty where it is placed. Spanish artist-designer Jaime Hayon is ...

Large solid mahogany coffee table with superb mahogany veneer for the top, mahogany for the legs and hammered copper for the bottom. Label: “Aurora” model 611 Belgium, Izegem circa...

This imposing natural stone table is a unique piece that stands out for its rustic aesthetic and sturdy construction. Hand-carved from a single piece of stone, it features a thick, c...

Spectacular 1990s Spanish Pietra Dura inlay mosaic 12-seater dining table top, handmade with semiprecious lapis lazuli and other gemstones including green malachite, turquoise, coral...

Early 20th century Spanish rustic off-white painted pine farm kitchen table or occasional table. Charming pinewood Spanish farmhouse or kitchen tabl...

Large flat desk in mahogany veneer and light beech, 4 drawers in front, removable legs and top, waxed finishing. Design and manufacture by A.G. Barcelona Spain, Barcelona circa 1970

Mugello dining table designed in 1987 by Lodovico Acerbis and Giotto Stoppino for Acerbis International, Italy. Lacquered iron structure with aluminum legs sheathed with leather cove...

Large square coffee table, solid mahogany structure and thick plywood, completely covered with parchment (original patina) except the stands, three doors on the sides and one flap door on top for storage. Polished brass hardware. Design: Pere Cosp...

Art Deco cubist coffee table, solid wood and birdseye maple venner, solid mahogany with mahogany veneer base, French polish. Sides and top decorated with engraved mirrors Italy c. 1930.

Gorgeous walnut wood coffee table designed by Spanish furniture designer Jaume Tresserra in 1987, also produced around that time. Made of light walnut wood with darker marquetry.

Table designed by Marc Berthier in 1990 Manufactured by Magis About the designer: Marc Berthier’s career spans over 55 years in the international design industry. He played a ...

Art deco side table with four curved ebonized beech stands and two walnut veneer trays, French polish. France, circa 1930 Diameter of the top: 55 cm.

19th Napoleon III console marquetry game table with folding and rotating tabletop with inlaid foliage decoration of acanthus leaves, griffins, mascarons and snakes, ebonized legs and...

The rounded and streamlined Explorer Dining Tables shift modern matter into space. Designed in 2021 as a continuation of the playful Explorer collection, Jaime Hayon’s Explorer...

Jumbo coffee table designed by Gae Aulenti (Italy, 1927-1972) for Knoll. Made in Marquina marble. Gae Aulenti (1927-2012) was one of the few Italian women to rise to prominence in a...

Small Art Deco cubist and double sided desk, solid oak and oak plywood, French polish. Three drawers and a shelve under the top, nickel plated steel tube and handles. In the style of...

Marble dining table designed by Warren Platner for Knoll, USA, 1966. Calacatta marble top and polished nickel steel base.