Stockholm - Landscape Paintings

Olof Arborelius (1842–1915) From Luntmakargatan, Stockholm oil on paper mounted on board signed with monogram “OA” unframed 24 × 30 cm (9.4 × 11.8 in) frame 35 × 41 cm (13.8 × 16.1...

In the foreground, a rustic wooden fence and a stand of evergreens emerge from soft, pristine drifts, their dark green needles and the artist’s characteristic ultramarine shadows con...

This striking coastal landscape by Bertel Bertel-Nordström captures the solemn beauty of a moonlit night along the Nordic shoreline. The composition is dominated by a dramatic interp...

This remarkable double-sided devotional painting on copper showcases exceptional craftsmanship and deep spiritual reverence. On the recto, a finely rendered portrait of Saint Bernade...

Gustaf Theodor Wallén (1860–1948) Swedish  Afternoon Mood, c. 1886-1887 oil on canvas signed G.T.Wallén unframed 100 x 150 cm (39 ⅜ x 59 in) framed 130 x 180 cm (51 ⅛ x 70 ⅞ in) ...

Louis Sparre 1863–1964 Moonlight in Autumn, Gotland (Månsken Höst, Gotland) 1920 executed in 1920 oil on canvas laid board unframed: 20.5 × 28.5 cm (8.07 × 11.22 in) framed: 32 × 4...

Sunset (1925) depicts a serene lake in Värmland at the close of day, suffused with the golden light of dusk. In this composition, Werner captures one of his signature motifs: a broad...

Bruno Wiklund (1937-2011) Sweden Stormig natt (Stormy Night) (1978) medium: pastel signed and dated unframed 52 × 41.5 cm (approx. 20.5 × 16.3 in) framed 59 × 48 cm (approx. 23.2 ×...

This oil on canvas by Anton Genberg, signed and dated 1894, portrays a Scandinavian summer landscape bathed in gentle light. The composition features lush green meadows in the foregr...

Fritz Lindström was a Swedish painter celebrated for his evocative landscapes and sensitive portraiture. After studying at the progressive Konstnärsförbundet School in Stockholm unde...

Sunset at Kullen near Mölle in the very south of Sweden. Between two steep cliffs, a narrow stony beach unfolds, offering a tranquil vantage point over a still sea toward Denmark. T...

This rare 1790 oil painting depicts a village landscape in the Old Masters genre tradition. The composition shows peasants gathered near a cottage su...

A Southern Coastal Landscape by Charles Bisschops This oil on canvas, signed L. Ch. Bisschops, depicts a southern coastal scene with a beach bordered by trees. Across the bay, mounta...

This stunning winter landscape by Mauritz Lindström captures the serene yet striking beauty of a snow-laden scene illuminated by the warm glow of twilight. The interplay between the soft, colorful hues of the evening sky and the intricate, frost-covered branches creates an almost three-dimensional effect, drawing the viewer into the composition. The detailed rendering of the snow and the trees evokes a profound sense of coldness, making the atmosphere almost palpable. Measuring an impressive 101 x 152 cm (39 3/4 x 59 7/8 in) with the frame, this large-scale work is a testament to Lindström's mastery of light and texture. Arvid Mauritz Lindström...

An expansive twilight landscape unfolds before you: a dark spruce forest opens into a quiet forest meadow, the silence punctuated only by the fading light. In the distance, the Bavar...

Bathed in luminous Mediterranean light, Wisteria in Italy captures a dreamlike hillside scene glimpsed through a curtain of violet-blue wisteria blooms. The composition reveals Faith...

The view from Månberget at sunset, as captured by Gottfrid Kallstenius in this 1912 oil painting, displays a warm golden light over Djupsundet, framed by the silhouette of a gnarled ...

Oscar Lycke was a Swedish artist from Sundsvall. He is best known for his impressive colourful landscape paintings in a national romantic and realism styl...

Oskar Lycke was a Swedish painter from Sundsvall whose work captured the quiet poetry of northern landscapes around the turn of the 20th century. Although largely self-taught, he was...

signed lower right oil on canvas unframed 37 × 50 cm (14.6 × 19.7 in) framed 51.5 × 63 cm (20.3 × 24.8 in) This painting depicts Kastellholmen as seen from Skeppsholmen, rendered un...

We are pleased to present this painting by Ernst Lundström, dedicated to the esteemed sculptor Per Hasselberg. The dedication on the front of the painting makes this piece particular...

Workshop / Circle of Philips Wouwerman (1619-1668) Landscape with Gentleman on Horseback and Peasant Woman Receiving Alms oil on oak panel 12.40 x 14.17 inches (31.5 x 36 cm) wit...

Anton Genberg’s coastal painting captures a tranquil harbor scene along Sweden’s west coast. In this 1923 oil painting, a cluster of weathered boathouses stands by the water’s edge, ...

Justus Lundegård grew up in the Swedish village Hörby. He started his art studies at the Royal Swedish Academy of Fine Arts 1880–84 and later in Munich and Paris where he switched to an Impressionist style. In this painting, we can see his later talent for painting white light...

Elias Erdtman (Sweden, 1863–1945) Moonlit Reflections, Heyst-sur-Mer oil on canvas laid on board signed E. Erdman och daterad -84 unframed: 29 x 18.5 cm (11.4 x 7.3 inches) framed:...

Carl Skånberg (1850-1883) Sweden A Barbizon Garden (1879) oil on wood panel signed C. Skånberg, dated 1879 (lower front) unframed: 19 × 24 cm (7.5 × 9.4 inches) framed: 40 × 45 cm ...

This painting by Bernhard Oscarsson (1894-1977) is a captivating visual narrative of Stockholm's serene beauty. Oscarsson, a student of Caleb Althin's painting school and the Royal S...

This enchanting watercolor, measuring a mere 4.5 x 8 cm, offers a glimpse into the beauty of a serene autumn landscape overlooking Lake Möckeln, nestled between the municipalities of Degerfors and Karlskoga in the province of Värmland, Sweden. In this picturesque scene, the horizon reveals the serene outline of the distant shoreline, adorned with several small islands. The tranquil waters mirror the reflection of the trees on the land, creating a harmonious and captivating play of colors. In the foreground, a solitary birch tree stands tall, adding depth and perspective to this miniature watercolor. The level of precision achieved within this tiny format is truly remarkable, showcasing Fanny Hjelm...

We are pleased to present this exquisite piece by Swedish artist Wilhelm Dahlbom, entitled "Moonlight, Idö, 1912". This work captures the serene reflection of moonlight on water, the...

Oscar Jansson, Arvika, Sweden Sunburst, 1906 (Swedish original title: Solbrytning) oil on canvas signed and dated OSCAR JANSON 1906 unframed: 99.5 x 120 cm (39 1/4 x 47 1/4 inches...

Gustaf Theodor Wallén (1860–1948) Swedish  Afternoon Mood, c. 1886-1887 oil on canvas signed G.T.Wallén unframed 100 x 150 cm (39 ⅜ x 59 in) framed 130 x 180 cm (51 ⅛ x 70 ⅞ in) ...

Artist Unknown, Second Quarter Nineteenth Century Ruins of the Theatre at Taormina, Sicily oil on board, partially arched top unframed: 26 x 36.5 cm (10 1/4 x 14 3/8 in) framed: 31...

A dramatic breakthrough of sunlight illuminates the waters of Vaxholm Bay (Vaxholmsfjärden) in this 1932 oil painting by Swedish artist Oskar Bergman. The composition captures the et...

In this luminous canal scene, painted during his stay in Venice in the early 1880s, Wilhelm von Gegerfelt captures the vivid atmosphere and dazzling light of the city with remarkable...

This small Flemish painting, measuring only 24.5 x 18.5 cm and executed on a copper plate, depicts Saint Nicholas of Tolentino. Created in the 17th century, the artist remains unknow...

Carl Frederik Aagaard, Sunset over Dyrehaven. Signed C.F. Aagaard. Oil on canvas laid on card box panel. 22×32 cm without frame. A tergo written:...

This small painting by Oscar Törnå captures the poetic serenity of a Swedish winter evening in the late 19th century. Set along a frozen stream near a village, the composition presen...

A Golden Dawn on the Maas In this refined marine painting, Arthur Joseph Meadows captures a tranquil sunrise on the river Maas just below the historic city of Dordrecht (“Dort”). The...

Monogrammed lower left: Johan Philip Korn (1728 - 1796), was a Swedish painter. A beautiful landscape, with a backwater in which carefree ducks swim, hunters and their dogs in passion, in the background you can see a city with a bell tower. Old masters have been depicting animals in their paintings since the Renaissance. In those days, hunting scenes were popular - there is always a share of emotional participation in them. Here it is necessary to understand that in previous centuries people looked at hunting as a means of obtaining food, therefore naturalism dominates in the painting of the old masters. Old oil painting on wooden panel, in a non-original frame of the 19th century. Size app.: 49 x 64 cm (roughly 19.3 x 25.2 in) and nice golden gesso frame ca 65.5 x 81.5 cm (roughly 25.8 x 32.1 in). Very Good condition, age wear, cracks on a wooden board, minor losses, retouches, cleared and conserved. Please study good resolution images for overall cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 6.4 kg is going to measure some 10 kg volume weight packed for shipment. Johan Philip Korn first began his career as a decorative painter. He was a student of artist Johan Sevenbom (1721-1784). After further studies he changed to landscape painting in the Rococo style of French artist François Boucher (1703–1770) and often after Dutch copper engravings. In 1759, Korn became master of the Stockholm...

This intimate plein air study by Olof Arborelius captures the quiet beauty of a sunlit forest edge reflected in still water. The confident, spontaneous brushwork and delicate handlin...

Fritz Lindström (1874–1962) Mountain Landscape (Pyrenees), 1928 oil on panel unframed 15.5 × 24 cm (6.1 × 9.4 in) framed: 26 × 34 cm (10.2 × 13.4 in) signed on the reverse Frame by...

This atmospheric landscape from 1910 offers a rare glimpse into a lesser-known side of Sam Uhrdin’s work. Painted before his formal art education, the canvas reveals an emerging arti...

Winter Landscape with Red Cottage by Otto Lindberg 1930 This oil on canvas, signed and dated “Otto Lindberg 1930”, captures a serene winter scene in Sweden. A low winter sun filters ...

This captivating painting by the Swedish-Danish artist Axel Lind offers a serene and introspective view from the artist's studio on Lidingö, Stockholm. The c...

This charming British oil painting by David Charles Jenkins (1867-1916) captures a serene countryside landscape bathed in the gentle glow of sunset. The composition leads the eye alo...

In this atmospheric landscape at sunset, Fredrik Lagerström captures a fleeting twilight moment with vivid intensity. The sky is aglow with brilliant gold and amber hues, which are m...

Introducing "Northern Serenity" by renowned Swedish artist Per Julius (born 1951). This captivating painting captures a serene landscape from the northern r...

Alfred Wahlberg was a distinguished Swedish landscape painter whose career spanned Germany, France, and Sweden. During his early years, he resided in D...

This exquisite painting, titled "Rocky Path With Figures" is a captivating example of Thomas Barker of Bath's talent. Despite its small size, measuring only 13 x 11 cm, this piece sh...

This evocative orientalist oil painting captures the vibrant atmosphere of a North African marketplace in the early 1900s. The painting depicts a street with a perspective toward a t...

Introducing "Scandinavian Winter Landscape, 1907" a mesmerizing painting by the artist Arthur Percy Carlsson, later known as Arthur C:son Percy (1886-1976). Born in Vickleby, Öland, Percy's artistic journey was one defined by unwavering determination and exceptional talent. This landscape painting presents a winter landscape, likely set during the early spring season. The canvas portrays a vast, snow-filled meadow, blanketed in pristine white. Above, the sky comes alive in a captivating pointillist style, with hues of blue, turquoise, and yellow forming delicate, scattered dots, while small clouds grace the horizon. The scene unfolds with an enchanting backdrop of a distant forest, its trees adorned with a touch of winter's charm. Between the enchanting forest and the expansive meadow, a few humble houses...

This captivating winter landscape was painted in early 20th century, signed lower left "W.L. Palmer", attributed to American Impressionist Walter Launt Palmer (1854–1932). Trained in...

The present painting, Autumn mood in the garden by the female artist Elisabeth Warling (1858–1915) is a fine example of her impressionistic works. Signed "Elisabeth Warling" and with...

The small yet stirring painting "Landscape With Mill at Sunset" showcases the remarkable talent of Swedish painter Mauritz Lindström. He was a resp...

This painting depicts a pastoral scene that is attributed to the artist Jan Frans Soolmaker, an artist known for his Italianate landscapes and scenes that often feature equestrian and Arcadian elements. The painting is not signed but is attributed to Soolmaker, relating it to a known signed work by the artist that was sold at Sotheby’s London in 1999. The scene is suffused with the warm glow of a setting or rising sun, casting a soft light that is characteristic of Soolmaker’s landscapes. It shows a shepherd guiding a group of cattle across a shallow stream, with the animals taking center stage in the composition. The animals are rendered with careful attention to their forms and the play of light on their bodies, which is a hallmark of Soolmaker's work. The landscape is composed of a rocky terrain with trees and shrubbery, creating a sense of depth and natural beauty that invites the viewer to explore the scene further. The background suggests a vast, open landscape with distant mountains, which adds to the Italianate feel of the painting. The sky is dramatic, with clouds catching the light of the sun, contributing to the overall serene yet dynamic atmosphere of the work. The provenance of the painting is notable, having been in the possession of significant historical figures such as Swedish Prince Fredrik Adolf, and later The collection of Pär Ulmgren, The collection of Gösta Stenman, and Engineer and politician Gustaf Henry Hansson. Potential buyers have the option of choosing between a newly made gold frame or an older brown frame, which allows for personalization in how the work is presented. Soolmaker’s work is often compared to that of Dutch painter Nicolaes Berchem, whose style he emulated. Soolmaker's landscapes reflect a similar sensitivity to light and composition, making his works sought after for their beauty and historical significance. Despite the smaller body of work left by Soolmaker, due to his short career, his paintings are valued for their craftsmanship and the legacy of the artist’s brief but impactful contribution to the Dutch Italianate landscape genre. Information: Jan Frans Soolmaker (Flanders 1635‑1685) Shepherd with Sheep...

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...

A vibrant painting depicting an avenue lined with poplar trees in fall colors, prominently featuring a very large, centrally placed yellow poplar. Possibly an American poplar. The artist, Agda Holst, has employed a diverse palette of colors to the poplars, creating a dynamic and colorful composition. This oil on panel is signed and dated by Holst in 1948. The work exemplifies her use of color and form, characteristics that defined her artistic practice throughout her career. Agda Holst was a Swedish modernist painter known for her precise study of form, stylized compositions, and ability to merge structured geometry with expressive color. Her works, often still lifes, portraits, and figure studies, reflect a balance between naturalistic representation and modernist influences such as Cubism and New Objectivity. Holst's artistic journey began in 1907 at the Académie Colarossi in Paris, where she studied under Christian Krohg. Seeking further refinement, she moved to Munich between 1910 and 1911, studying with Julius Exter, known for his teachings in portrait and genre painting. In 1911–1912, she returned to Paris to study under Kees van Dongen, whose bold use of color and strong contrasts left a lasting impression on her work. The early 1920s marked another period of study in Paris, this time under André Lhote, who instilled in her a structured approach to composition and geometric clarity. Holst’s first public exhibition took place in 1916, when she displayed paintings in a bookstore...

This exceptional mid-19th century pastoral oil painting, after Eugene Verboeckhoven's celebrated composition "Passing the Brook," depicts a serene rural scene where cows and sheep cr...

This atmospheric winter painting depicts a solitary wooden building, likely a small workshop or riverside shed, situated beside a partially frozen waterway. Snow blankets the ground ...

This luminous landscape painting by Oscar Lycke captures the rolling hills and deep forests of northern Sweden, likely from the Sundsvall region. The foreground is dominated by lush ...