Stockholm - Sculptures

Sculpture representing the goddess Diana by Danish sculptor Jens Jacob Bregno (1877–1946), executed in plaster around 1920. This is a highly unusual model by the artist, and possibly...

A finely sculpted dark bronzed wall relief plaster sculpture of Virgin Mary by Arvid Knöppel, signed and dated 1921. An unusual subject of his...

A sculpture inspired by the lancellotti version and created following a meticulous handcrafted process, backed by the notarised certificate that accompanies the piece by Skel Art in a limited edition. Original by Miron in 455 b...

An Art Deco bronze relief in the style Swedish Graze by an unknown artist inspired by Carl Milles modern classicism. The concept of Swedish Grace was introduced by the English archi...

Sculpture of a walking tiger in dark patinated bronze by Johan Axel Wetterlund (1858-1927), signed J. A. Wetterlund, mounted on a black-painted wooden base. This finely modelled bro...

Terracotta Sculpture by Swedish artist Evert Lindfors (1927-2016), made in the 1970s. Evert moved to France in the 1940s where he studied at the École des Beaux-Arts in Paris. He worked from the mid-1950s as a painter in Lacoste in Provence, France. Towards the end of the 1960s, he switched to terracotta sculpture. He met his friend Torsten Renqvist...

A wall-mounted Art Nouveau relief by the Swedish sculptor Johannes Collin, signed “JC 96”, represents one of his earliest known works. Executed in plaster, the oval composition features a stylistically mussel shaped base from which emerges the finely modelled face of a young woman with long flowing hair. Her eyes are closed, conveying a sense of calm introspection and timeless beauty. The softly curved forms and delicate modelling create a serene harmony between natural rhythm and sculptural precision. The work is mounted on a later black-painted wooden plaque (26 × 33 cm), while the sculpture itself measures 21 × 18.5 cm. It is an unusually early piece by the artist, displaying craftsmanship and sensitivity. Born in Stockholm in 1873, Johannes Collin trained as a sculptor during the final years of the 19th century, a period marked by the transition from academic historicism to the organic, nature-inspired forms of Art Nouveau (Jugendstil). His early works, such as this 1896 relief, already reveal a refined awareness of contour, proportion, and the poetic interplay between human expression and natural form. Collin studied at the Royal Swedish Academy of Fine Arts (Kungliga Akademien för de fria konsterna) in Stockholm, where he was influenced by sculptors such as John Börjeson and Christian Eriksson. Over the following decades, he developed a personal style that combined naturalistic modelling with decorative rhythm and symbolic depth. He participated in exhibitions at the Konstakademien in Stockholm, in shows organized by the Swedish Artists’ Association (Svenska konstnärernas förening), and at the Baltic Exhibition in Malmö (1914)—one of the era’s major showcases of Scandinavian art and design. Throughout his career, Collin produced portraits, allegorical figures, and architectural sculpture in plaster, bronze, marble, and terracotta. His works are represented in several Swedish collections, including the Nationalmuseum in Stockholm and the Göteborgs konstmuseum, as well as in regional museums and private collections. About Art Nouveau / Jugend Art Nouveau, known in Sweden and Germany as Jugendstil, was an international artistic movement (c. 1890–1910) that sought to unite the arts under the guiding principle of nature’s harmony. Characterized by flowing lines, floral motifs, and organic rhythms, it aimed to dissolve the boundaries between fine and decorative art, bringing art into everyday life. In sculpture, this often meant a focus on the human body, sensual form, and the beauty of natural curves. Within this aesthetic, Collin’s relief of a woman’s face emerging from a mussel-shaped base carries both mythological and symbolic resonance. The motif recalls the classical image of Venus rising from the sea...

For sale: A captivating terracotta sculpture from the esteemed Swedish artist Evert Lindfors (1927-2016), crafted in the 1970s. A connoisseur of fine arts, Lindfors honed his craft at the prestigious École des Beaux-Arts in Paris during the 1940s. Best known for his vibrant paintings, he established his studio in the picturesque Provence region of Lacoste, France, in the mid-1950s. In a daring pivot late in the 1960s, Lindfors embraced the medium of terracotta sculpture. His path crossed with Torsten...

This female torso represents the young woman's strength and vulnerability. It´s was conceived in the 70ths and is signed with the artists initials on a thumbprint. Gunnar Knut Nilsson, born 1904 in Karlskrona, died 1995 in Versailles in France, was a Swedish sculptor. Gunnar Nilsson studied watercolor painting and modeling at the Technical Vocational School in Karlskrona in 1918-19 and on his own in addition to working as a clerk at Finspångs Metallwerk. His debut exhibition was in Finspång in 1927. With the help of a local fundraiser, and after the encouragement of Carl Eldh, he traveled to Paris in 1928 to study sculpture for, among others, Charles Despiau and Paul Niclausse. In Paris he socialized with Bror Hjorth, whose former studio he also rented, Carl Frisendahl and Alberto Giacometti. He came to belong to "Le groupe des Neuf'' with Paul Cornet...

Femme Fleur / Woman Flower Femme Fleur is a powerful depiction of love in its awakening, cast in bronze with a black patina in an edition of only 8 (this edition: 3/8) by the prestigious Fonderie de Coubertin. Conceived in 1980. Signed “Gudmar” with foundry stamp “FdC.” Certificate of authenticity issued by the sculptor’s family estate. After three decades of exploring classical features and poses with a distinct modern look, Gudmar Olovson...

Teuvo Kotilainen was born in 1925 in Rääkylä and died 2010 in Tampere. He was a finnish sculptor inspired by Jussi Mäntynen and his lynxs and he performed se...