Stockholm - Drawings

Framed sketch by Swedish artist Harriet Rosander de Tourtchaninoff (1912-1965), likely created in the 1940s. This artwork is a study of the female form, where Rosander de Tourtchanin...

A pair of Swedish watercolors from the late gustavian or early empire period painted in neoclassical or pompeian style. Period and probably original frames. The watercolors have been...

A fine watercolor of a Neapolitan fisherman playing on his lute by Gustav Wilhelm Palm (1810-1890). Signed and dated 1842. On the bottom center written "Piscatore di Napoli". Gustaf Wilhelm Palm (1810-1890) was a Swedish landscape painter and art professor. At 18 years in 1828 of age he attended the Royal Swedish Academy of Fine Arts. His early paintings were landscapes in the Romantic style that showed the influence of Carl Johan Fahlcrantz. After a trip to Norway in 1833, with Count Michael Gustaf Anckarsvärd, he came under the influence of Johan Christian Dahl and began to depict nature more realistically. This change came to fruition in his book of lithographs from 1837. That same year, he went to Berlin for treatment of an unspecified eye disease. Rather than returning home, he travelled throughout Germany and spent two years in Vienna. Then continuing his trip and finally arriving in Rome in 1840. That winter, he went to Venice, filling sketchbooks that he took back to Rome when he arrived there again in the summer of 1841. Altogether, he spent eleven years in Italy, becoming part of a local community of Swedish artists that dominated the Swedish art scene until the ascension of the Düsseldorf School. His best work is usually the paintings and drawings he did "en plein air" during his stay in Italy. In 1851, he toured through Spain and Paris on his way back to Sweden. The following year, he was named a member of the Royal Academy. In 1856, he married Eva Sandberg, the daughter of Professor Johan Gustaf Sandberg. Their daughter, Anna Palm...

Gustaf Wilhelm Palm (1810-1890) was a Swedish landscape painter and art professor. At 18 years in 1828 of age he attended the Royal Swedish Academy of Fine Arts. His early paintings were landscapes in the Romantic style that showed the influence of Carl Johan Fahlcrantz. After a trip to Norway in 1833, with Count Michael Gustaf Anckarsvärd, he came under the influence of Johan Christian Dahl and began to depict nature more realistically. This change came to fruition in his book of lithographs from 1837. That same year, he went to Berlin for treatment of an unspecified eye disease. Rather than returning home, he travelled throughout Germany and spent two years in Vienna. Then continuing his trip and finally arriving in Rome in 1840. That winter, he went to Venice, filling sketchbooks that he took back to Rome when he arrived there again in the summer of 1841. Altogether, he spent eleven years in Italy, becoming part of a local community of Swedish artists that dominated the Swedish art scene until the ascension of the Düsseldorf School. His best work is usually the paintings and drawings he did "en plein air" during his stay in Italy. In 1851, he toured through Spain and Paris on his way back to Sweden. The following year, he was named a member of the Royal Academy. In 1856, he married Eva Sandberg, the daughter of Professor Johan Gustaf Sandberg. Their daughter, Anna Palm...

A fine pencil drawing of a Neapolitan fisherman by Gustav Wilhelm Palm (1810-1890). Signed and dated "Rom 28 juni 1842" In the upper hand right corner numbered "No 25" On the bottom right hand side is written a description of the fishermans clothes and the colors of them. On the bottom center written " Napolitansk fiskare" Gustaf Wilhelm Palm (1810-1890) was a Swedish landscape painter and art professor. At 18 years in 1828 of age he attended the Royal Swedish Academy of Fine Arts. His early paintings were landscapes in the Romantic style that showed the influence of Carl Johan Fahlcrantz. After a trip to Norway in 1833, with Count Michael Gustaf Anckarsvärd, he came under the influence of Johan Christian Dahl and began to depict nature more realistically. This change came to fruition in his book of lithographs from 1837. That same year, he went to Berlin for treatment of an unspecified eye disease. Rather than returning home, he travelled throughout Germany and spent two years in Vienna. Then continuing his trip and finally arriving in Rome in 1840. That winter, he went to Venice, filling sketchbooks that he took back to Rome when he arrived there again in the summer of 1841. Altogether, he spent eleven years in Italy, becoming part of a local community of Swedish artists that dominated the Swedish art scene until the ascension of the Düsseldorf School. His best work is usually the paintings and drawings he did "en plein air" during his stay in Italy. In 1851, he toured through Spain and Paris on his way back to Sweden. The following year, he was named a member of the Royal Academy. In 1856, he married Eva Sandberg, the daughter of Professor Johan Gustaf Sandberg. Their daughter, Anna Palm...

A fine pencil drawing study of a Roman peasant leaning against a wagon weel and smoking a pipe by Gustav Wilhelm Palm (1810-1890). Signed with monogram and dated 1842. On the bottom of the drawing written "Campagnoli de Roma" Gustaf Wilhelm Palm (1810-1890) was a Swedish landscape painter and art professor. At 18 years in 1828 of age he attended the Royal Swedish Academy of Fine Arts. His early paintings were landscapes in the Romantic style that showed the influence of Carl Johan Fahlcrantz. After a trip to Norway in 1833, with Count Michael Gustaf Anckarsvärd, he came under the influence of Johan Christian Dahl and began to depict nature more realistically. This change came to fruition in his book of lithographs from 1837. That same year, he went to Berlin for treatment of an unspecified eye disease. Rather than returning home, he travelled throughout Germany and spent two years in Vienna. Then continuing his trip and finally arriving in Rome in 1840. That winter, he went to Venice, filling sketchbooks that he took back to Rome when he arrived there again in the summer of 1841. Altogether, he spent eleven years in Italy, becoming part of a local community of Swedish artists that dominated the Swedish art scene until the ascension of the Düsseldorf School. His best work is usually the paintings and drawings he did "en plein air" during his stay in Italy. In 1851, he toured through Spain and Paris on his way back to Sweden. The following year, he was named a member of the Royal Academy. In 1856, he married Eva Sandberg, the daughter of Professor Johan Gustaf Sandberg. Their daughter, Anna Palm...

Ruins of a monastery courtyard. Signed and dated H. C. S. 1865. Harald Conrad Stilling (1815-1891) Watercolor on paper. Stilling was a Danish architect who was active in Copenhagen and made travels to Italy, Greece, and the Orient. Stilling became a member of the Royal Danish Academy of Fine Art in 1858. He became a renowned watercolor artist and preferably painted architectural views from Italy. He studied under Gustav Friedrich Hetsch (1788-1864) both privately and at the Royal Danish Academy of Fine Art. In 1841 he received the C. F. Hansen Medal. He won the Academy's small silver in 1839, its large silver medal in 1840, its small gold medal in 1843, and its large gold medal...

Academic Studie of a nude male made in 1881 by the Swedish Artist Carl Kjellin (1862-1939). Pencil on paper. Signed: Carl Kjellin and dated: 1881. The ar...

Portrait drawing of Emperor Napoleon after Auguste Boucher Desnoyer's engraving after Francois Gerard (1770-1837). Dated 1834 and inscribed "Den första...

A watercolor landscape from Tivoli, Italy, by Peter Birman (1758-1844), Switzerland. Signed and dated 1786. In its original frame with original gilding.

A resting lion, ink drawing from the early 19th century and signed Giles? a Roma. Period giltwood frame.

Water color by Gösta Adrian-Nilsson also called GAN. Signed and dated 1952. This watercolor called “Gasmask” was exhibited at Liljevalchs art exhibition in 1958, cat no 322. It belonged to the artist by 1958 and was later given to his close friend artist and silversmith Wiven Nilsson (1907-1974). Gösta Adrian-Nilsson usually referred to as GAN, was a Swedish artist and writer. He is regarded as a pioneer of the Swedish modernist art movement. GAN debuted as an artist 1907 with an exhibition at the Art Museum of the University of Lund. After studies at Zahrtmann's School in Copenhagen, he traveled year 1914 to Berlin to study modernism. Through the writer Herwarth Walden's gallery Der Sturm he came in contact with the contemporary art movements. Both Wassily Kandinsky and Franz Marc were of huge importance when he began developing a semi-abstract style with deep, vibrant colors, an own style of expressive cubism. He was fascinated by modern technology and masculine strength, which was reflected in his artistic works. Year 1916 he moved to Stockholm, where his modernistic art and propaganda for the new art caused much attention. Around year 1919 his art was developing into pure abstract art. Around year 1920 he made several collages in the dadaist style. Between the years 1920 and 1925 he lived in Paris and there he came in contact with Alexander Archipenko and Fernand Léger. Léger's influence can partly be seen in his rendering of mechanical human figures such as sportsmen, seamen and soldiers. GAN produced geometric abstract works around the end of 1920s. During the 1930s he developed his own personal relationship to surrealism and took part in exhibitions like Kubisme-Surrealisme in Copenhagen in the year 1935. His later works approached romanticism, inspired by the landscape painter Marcus Larson...