Switzerland - Art

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Édit...

This artwork is painted in the form of a classical school board with math equations. It is a part of the Science Art Collection by Anastasia Vasilyeva...

Anastasia Vasilyeva - Black white abstraction 015 (2020) Painting on high quality, acid free, high density paper. Conceptual minimalist abstract painting designed in calligraphic st...

In creating this vista, I've melded acrylics and oils to evoke the vastness of nature, stirring the soul with impressionistic brushstrokes and expressionistic vigor. This scene is a ...

Jean Cocteau - Christ - Original Handsigned and Handcolored Lithograph Signed in the plate Handsigned and dated in color pencil. Handcolored in pencil. Dimensions: 50.5 x 33 cm 1957 ...

PRODUCT DETAILS Ivan Kupala. Fortunetelling for wreaths, canvas print by Simon Kozhin. Bring your artwork to life with the texture and depth of a stretched canvas print. Your image ...

Oil on wood. "Scent of Spring: Immersion into the World of Spring Emotions" On this canvas, we immerse ourselves in the enchanting realm of spring. In the foreground, like the main...

ABOUT THE ARTWORK "My Main Enemy" presents a compelling narrative of self-reflection and inner turmoil. The canvas speaks volumes through the bold imagery of a woman holding her hea...

I am interested in portraits that reveal all the complexity and versatility of a person's spiritual appearance, when the inner content is revealed through the external. Painting a p...

Jean Jansem (1920-2013) Le couple au bouquet vert, 1974 Lithographie sur papier Arches Signée en bas à droite et justifiée en bas à gauche 69 x 51,5 cm ...

Salvador Dali - Bird on Tongue - Original Etching Dimensions: 38 x 28 cm Edition: 390 1967 On Rives Vellum References : Field 67-4 (p. 32-33) / Michler & Lopsinger 174 to 187.

Anastasia Vasilyeva - 17.04.2020 - We are LIVE! COVID-19 Documentary art. (2020) 17.04.2020 - Our life in quarantine has stabilized and adapted to new conditions. Many people contin...

Crafted with vibrant acrylics and textured oils, my painting captures the essence of a dreamy morning. Its impressionistic strokes breathe life into the serene dance of gondolas on w...

ABOUT THE ARTWORK "I Have the Horse. Am I a Knight?" weaves a narrative of self-inquiry and identity. The central figure, a woman astride a majestic horse, is painted with warm, ear...

Anastasia Vasilyeva - Black white abstraction 016 (2020) Painting on high quality, acid free, high density paper. Conceptual minimalist abstract painting designed in calligraphic st...

"Flowering branches in a white mug” is a painting that pays homage to the natural beauty of spring blossom. Painted with great precision and a keen eye for ...

In this fusion of acrylic and oil, I've unleashed a symphony of colors, capturing the vibrant essence of a sea harbor at dusk. The swirling expressionist strokes and delicate impress...

Anastasia Vasilyeva - 17.03.2020 - Birthday in quarantine. From COVID-19 Art. (2020) From COVID-19 Documentary. 17.03 is my Birthday, but this year I celebrate it in quarantine. The...

Anastasia Vasilyeva - Black white abstraction 012 (2019) Painting on high quality, acid free, high density paper. Conceptual minimalist abstract painting designed in calligraphic st...

Daisuke YOKOTA (*1983, Japan) Not titled yet, 2024 Archival Pigment Print Small 19 7/10 × 12 2/5 in / 50 × 31.42 cm Edition of 6 + 2 AP's Large 39 2/5...

Anastasia Vasilyeva - Black white abstraction 019 (2020) Painting on high quality, acid free, high density paper. Conceptual minimalist abstract painting designed in calligraphic st...

Anastasia Vasilyeva - Black white abstraction 006 (2019) Painting on high quality, acid free, high density paper. Conceptual minimalist abstract painting designed in calligraphic st...

Nobuyoshi ARAKI (*1940, Japan) 69YK #10, 2009 Gelatin silver print 50.8 x 60 cm (20 x 23 5/8 in.) Print only Nobuyoshi Araki (Tokyo, 1940) is a Tokyo-based photographer. Araki completed his studies at Chiba University’s Department of Photography, Painting and Engineering with a focus on the study of film and photography. His photographic project Satchin earned him the prestigious Taiyo Award in 1964, shortly after he had joined the advertising agency Dentsu, where he worked until 1972. At Dentsu he met his wife Yoko, to whom he paid homage in Sentimental Journey, a photographic record of their honeymoon published in 1971. Eros and thanatos (sex and death) has been a central theme in Araki’s work; an abiding fascination with female genitalia and women’s bodies in Japanese bondage...

Anastasia Vasilyeva - Black white abstraction 022 (2020) Painting on high quality, acid free, high density paper. Conceptual minimalist abstract painting designed in calligraphic st...

Artist draw her inspiration from interaction with underwater world while scuba diving. This tropical reef was created under influence of underwater creature - clam tridacna. Сlam’s ...

ABOUT THE ARTWORK "Shelter Me" is an evocative portrayal of the human need for protection and emotional safety. The central figure, with her eyes closed in a serene, almost meditati...

"Welcome to the world of my art! I present to you a unique painting titled "Enchanting Cow Muzzle in Approach," a Funny oil painting with a farm animal that brings the canvas to life...

This artwork was made in the Colorfield concept with the character elements - the formulas on the painting are from mathematical game theory. In game theory, the battle of the sexes...

ABOUT THE ARTWORK "Ecstasy of Saint Teresa" is an evocative piece that captures the transcendental moment of spiritual rapture. The central figure, poised in a state of divine surren...

ABOUT THE ARTWORK "I Want to Go Home" is a compelling canvas that speaks to the universal longing for belonging and origin. The subject, a figure cradling a bird, exudes a quiet year...

Daisuke YOKOTA (*1983, Japan) Not titled yet, 2024 Archival Pigment Print Comes with a signed artist label Small 13 1/10 × 19 7/10 in / 33.24 × 50 cm E...

MILES ALDRIDGE (*1964, Great Britain) Venus Smiles #5 2011 Chromogenic print Large: 101.5 × 152.5 cm (40 x 60 in.) Edition of 6, plus 2 AP's; 3/6 Medium: 67.5 × 101.5 cm (26 5/8 ...

A new painting from the Scientific Art series by artist Anastasia Vasilyeva. It's an abstract work in purple and mauve tones of deep color. Mathematical formulas and drawn lines complete the composition and give it dynamism. The painting is made on a large cotton canvas of gallery quality with a wide stretcher and does not require additional framing: 100x120x4cm. The weight of the painting is 5 kg. Complete your space with the original work of a famous abstract...

Original Lithograph by Jean Cocteau Title: Europe's Agriculture Signed in the stone/printed signature Dimensions: 33 x 46 cm Luxury impression from the portfolio published by Sciaky....

Lithograph after Georges Braque. Signed in the plate Edition of 150 Dimensions: 76 x 117 cm Bibliography: « Les Métamorphoses de Braque» of Heger de Loewenfeld and Raphaël de Cuttoli , Editions FAC, Paris, 1989. In 1961 Georges Braque decided with his laidary friend Heger de Loewenfeld to pick up certain of his works to in order to create artworks, this beautiful litograph is one of them. Héméra in the Mythology: In Greek mythology Hemera was the personification of day and one of the Greek primordial deities. She is the goddess of the daytime and, according to Hesiod, the daughter of Erebus and Nyx (the goddess of night). Hemera is remarked upon in Cicero's De Natura Deorum, where it is logically determined that Dies (Hemera) must be a god, if Uranus is a god. The poet Bacchylides states that Nyx and Chronos are the parents, but Hyginus in his preface to the Fabulae mentions Chaos as the mother/father and Nyx as her sister. She was the female counterpart of her brother and consort, Aether (Light), but neither of them figured actively in myth or cult. Hyginus lists their children as Uranus, Gaia, and Thalassa (the primordial sea goddess), while Hesiod only lists Thalassa as their child. The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote...

Wassily Kandinsky (after) - Small World - Lithograph Conditions: excellent 32 x 24 cm 1952 From the art review XXe siècle, San Lazzaro Unsigned and unumber...

This intimate work conveys the charm of the old Italian town of Ventimiglia, located on the coast of Liguria, where the artist vacationed and painted in the summer of 2025. The focus...

Anastasia Vasilyeva - 06.03.2020 - Could we prevent COVID-19 spread? From COVID-19 (2020) March 6th: we continue to receive instructions on how to prevent the spread of virus. We no...

Anastasia Vasilyeva - 09.03.2020 - The disease is mild. From COVID-19 Documentary (2020) The 9th of March: About Corona in Switzerland. The texts on the painting in English and Germ...

The painting "Pearl Sunset in Menton" was painted in France during the artist Anna Shesterikova's trip to Menton. This is a poetic reflection of nature at the moment of its dying bea...

In this painting, an oil landscape unveils the magnificence of the sunset and the beauty of nature. The main focus is on the expansive sky, stretching across a significant portion of...

Anastasia Vasilyeva - Black white abstraction 021 (2020) Painting on high quality, acid free, high density paper. Conceptual minimalist abstract painting designed in calligraphic st...

Oil on canvas. Gold. "Female Aesthetics in Chrome and Gold" The figure of a woman in this oil painting is turned away from us, creating an aura of mystery and intrigue. The nude fo...

Jean Jansem (1920-2013) Mère et enfant, 1986, état noir Lithographie sur papier Arches Signée en bas à droite et justifiée en bas à gauche 67,5 x 51 cm / 76 x 54 cm Très rare exemplaire D'une édition à 30 exemplaires sur Arches de l'état noir. Bibliographie: Imprimeur: Mourlot, Paris Editeur: Galerie Matignon, Paris Bibliographie: Jansem Lithographe, 1984-1993, Flora Jansem, Paris, n. 50, reproduit p. 56, référencé p. 109. "Ma première lithographie date de 1954. Elle représente un enfant en haillons portant deux seaux d'eau, d'après un croquis rapporté de Cordoue lors de mon voyage en Espagne en 1952. Je l'exécutai sur pierre, au pinceau et à l'encre lithographique. Je fus déçu du résultat et n'en tirai qu'un essai et une épreuve. Quatre ans plus tard, je réalisai une dizaine de nouvelles lithographies, toujours sur pierre, la plupart en noir. Au lieu d'employer l'encre et le crayon...

Anastasia Vasilyeva - 29.02.2020 - A nightmare. From COVID-19 Documentary art. (2020) A few days ago, the virus appeared in Italy and has already come to Switzerland. All major even...

Anastasia Vasilyeva - Black white abstraction 018 (2020) Painting on high quality, acid free, high density paper. Conceptual minimalist abstract painting designed in calligraphic st...

Anastasia Vasilyeva - Black white abstraction 013 (2019) Painting on high quality, acid free, high density paper. Conceptual minimalist abstract painting designed in calligraphic st...

Anastasia Vasilyeva - Mountains 002 (2020) Abstract landscape, painting in black, grey, white colors. Artwork represents Alps in winter, covered with snow and mist above it. Paintin...

Anastasia Vasilyeva - 09.03.2020 - Virus is spreading in Italy. From COVID-19. (2020) The 9th of March: The virus is spreading in Italy and a week later the country lost 366 people....

Anastasia Vasilyeva - Black white abstraction 020 (2020) Painting on high quality, acid free, high density paper. Conceptual minimalist abstract painting designed in calligraphic st...

Oil on canvas In "Sunny Emotions: A Bouquet of Wildflowers in the Sunlight" we see a beautiful bouquet consisting of wildflowers, bathed in the sunlight. The painting conveys an a...

DAIDO MORIYAMA (*1938, Japan) "How to Create a Beautiful Picture 6: Tights in Shimotakaido" 1987(2021 Silver gelatin print, printed later Sheet 60 x 50.8 cm (23 5/8 x 20 in.) not par...

This artwork is a part of the COVID-19 Documentary art (2020). Paintings on high quality, acid-free, high-density paper 360g/m2. All COVID paintings a...

The Ballet, Frontispiece for the book “Daphnis and Chloe” Lithograph in colors, 1969. Unsigned and unnumbered, as issued from an edition of 10,000. Printed ...

André Derain - Ovid's Heroides Original Etching Edition of 134 Dimensions: 32 x 25 cm Ovide [Marcel Prevost], Héroïdes, Paris, Société des Cent-une, 1938 Andre Derain was born in 1880 in Chatou, an artist colony outside Paris. In 1898, he enrolled in the Academie Carriere in Paris where he met Matisse. He attended art school and in 1900, set up a studio with Maurice deVlaminck. After his military service from 1900-1904, Derain exhibited his work at the Salon des Independants and then at the Salon d'Automne with Matisse, Vlaminck and others, thus creating the movement of Fauvism.He worked with Henri Matisse in 1905 at Collioure, and participated in the 1905 Salon d’Automne with Matisse, Vlaminck, and Braque, the exhibition in which this group was labeled as Fauves, or Wild Beasts. Along with Vlaminck, Derain was one of the first artists to collect the tribal art of Africa which was influential to many of the artists of the early 20th century. In 1906, Derain met Picasso and his dealer, who purchased Derain's entire studio, creating newfound financial success. During this time, he was hired for the illustrations for works by Guillaume Apollinaire and Andre Breton. After World War I, his friend's Cubism movement affected his art, along with influence from Classicism and African Art. Derain stayed in Paris during most of the Occupation, where he was esteemed by the Nazis because of his artistic integrity. Hitler's Foreign Minister commissioned him to paint a family portrait, but he politely refused. His popularity began to decline after the war because of disagreement over new artistic movements. He later lost most of his eyesight due to illness, which may have been the reason he was hit by a truck in 1954, dying from shock at the age of 74. Derain’s Fauve paintings are typically bright with intense color. Influenced by the work of Cézanne as well as the early Cubist paintings of Picasso and Braque’s, Derain’s style changed and by 1912, the paintings became more traditional and structured. For the remainder of his career, he continued to investigate different compositional methods including the perspective of Cézanne and the pointillism of Seurat. He also designed ballet sets and made a number of sculptures. At the turn of the century, Andre Derain exhibited at the radical Fauve Salon d’Automne (1905) and was one of the founding members of the Fauvist movement together with his life-long friends Matisse and Vlaminck. The works he produced in this period, often under the guidance of Matisse, have been counted among the masterpieces of Fauvism. From around 1918, Derain turned his back on the avant-garde and had begun to explore some of the more traditional genres of Western art, including landscapes. His main source of inspiration once the Fauves group had dispersed was found in the Louvre, where he admired the early Renaissance works in particular. Talking of his frequent visits there, he once said, ‘That seemed to me then, the true, pure absolute painting.’ His work evolved through many styles and, most significantly, turned back to the past, particularly after 1922 when Lenin had publicly pronounced his disdain for abstract art. Derain built up an immense and fascinating collection of paintings, sculpture and objets d’art throughout his life which aided his experimentation and was reflected in his work between 1930 and 1945. During these years, his painting technique displayed the most avenues of invention, using a repertoire of primitivist motifs. His eclectic collection was constantly changing. In 1930 he sold his African collection in exchange for bronzes of antiquity and the Renaissance which indicated a real change of interest in the objects, as did his later pursuit of Greek ceramic painting and his enthusiasm for grand cycles of literary and antique themes...

100 % original art underwater painting by Olga Nikitina *Title: Ocean Creature Spanish Dancer, nudibranch *Size: 20 by 24 inches *Materials: oil, stretched canvas, palette knife *Shipping: gallery standards packaging with tracking number Bright abstract seascape painting will be a good addition to your original oil painting collection. Original art is painted on stretched canvas. The sides are painted. READY TO HANG. Ocean artwork is signed both sides - in front and at the back by OlgaNikitinArt. Please note that the colors in the picture may vary, depending your monitor settings. Impasto technique with using a palette knife gives an incredible deep texture and makes the artwork alive. Abstract sea life...

Impressive emotional abstract painting with numbers. The concept of the multilayers technique makes a color deep effect. The artist plays with dark and light to structure the paintin...

Today Leonid Tomilin's drawings are the result of more than 35 years of experimentation with technique and material (paper, graphite pencil). Alexander Glezer, director general of ...

A poster belonging to Erik Nitsche's second series for General Dynamics, promoting its nuclear research. Founded 1952, General Dynamics hired Nitsche as Art Director – a Swiss (1908 – 1998) educated at the Collège Classique in his birth town Lausanne and at the Kunstgewerbeschule in Munich. 1934 he emigrated to the United States and became an incredibly versatile graphic designer whose work became exemplary modernist. General Dynamics for its part focused on – amongst others – aerodynamics, aerospace, electronics and nuclear power. So here the company had a problem: Only a few years after Hiroshima and Nagasaki it wasn’t exactly the simplest thing to explore nuclear energy and not to be suspected of developing weapons of mass destruction. The International Conference on the Peaceful Uses of Atomic Energy 1955 in Geneva was a great opportunity to be seen as a provider of peaceful technology. The guys in charge chose Erik Nitsche to communicate this message. He created four poster series. Atoms for Peace was the first consisting of eleven posters. The second was made for the Conference 1958; these posters are titled Exploring the Universe and represent different aspects of technological research. The third series promoted General Dynamics’ departments. The last series of six smaller posters...

Science Art Collection by Anastasia Vasilyeva. This abstract painting is part of the limited-edition 2022 summer series. The painting is filled wit...