Switzerland - Interior Drawings and Watercolors
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Item Ships From: Switzerland
Small decorative sailboat
Located in Genève, GE
Work on watercolor paper
Golden wooden frame with glass pane
48 x 57 x 2.7 cm
Category
1940s Switzerland - Interior Drawings and Watercolors
Materials
Watercolor
Molière
s imaginary patient
Located in Genève, GE
Work on watercolor paper
Golden wooden frame with glass pane
67.5 x 74 x 4.5 cm
Category
Early 20th Century Switzerland - Interior Drawings and Watercolors
Materials
Pastel
The magic pencil graphic (Ref. 10-2019)
Located in Zofingen, AG
Today Leonid Tomilin's drawings are the result of more than 35 years of experimentation with technique and material (paper, graphite pencil).
Alexander Glezer, director general of ...
Category
2010s Abstract Geometric Switzerland - Interior Drawings and Watercolors
Materials
Archival Paper, Pencil, Graphite
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About the artist:
Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making.
Artist Statement:
My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Artist CV:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING
Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY
Coordinator, Interior Design Program, Florence, Italy campus
1992-present
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NYFA Fellowship in Painting 2018
Invitational Award for Outstanding Contemporary Talent,
University of Bridgeport, CT 2000
Purchase Prize, “11th National Juried Exhibition”
College of Notre Dame of Maryland, Baltimore 1999
First Prize, “Women in the Visual Arts ‘95”
Erector Square Gallery, New Haven, CT 1995
Joseph A. Cain Memorial Purchase Award for Sculpture
Del Mar College, Corpus Christi, TX 1994
Honorable Mention, “National Juried Exhibition”
University of Bridgeport, CT 1993
Individual Artists Fellowship in Sculpture
Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
MEMBERSHIP Royal British Society of Sculptors
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“Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY
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