Switzerland - Landscape Paintings

Oil on cardboard sold with frame Total size with frame 55x59 cm

Work on canvas Golden wooden frame 74 x 53 x 4.5 cm

Work on paper Golden wood frame with glass window 21 x 28.5 x 1.5 cm

Illegible signature Work on wood golden wooden frame 51 x 41 x 4 cm

Work on cardboard White wooden frame 38.5 x 55.5 x 1.5 cm

Work on canvas Golden wooden frame 62.5 x 72 x 4 cm

Work on wood Golden wooden frame 50 x 42 x 2.5 cm

Work on canvas This work of art depicts with great precision and sensitivity an idyllic rural scene, probably in a village in Geneva. The artist has authentically captured the mor...

Artwork sold with frame (81.5 x 97.5 cm)

Work on cardboard

“Oceania Celebration” is an original abstract painting in blue colors that gives joy and a feeling of celebration. Water ...

Monogrammed JS Work on canvas Gilded carved wooden frame 45 x 35 x 4.5 cm

Barbara Robinson is a leading contemporary artist of the classical school. His paintings are figurative, although sometimes bordering on the abstract....

Work on canvas Golden wooden frame 68 x 89.5 x 2 cm The work depicts a picturesque street scene, showcasing an old building with undeniable charm. This painting captures a frozen mo...

Oil on wood with frame Total size with frame 66x85 cm

This striking work of art captures a bucolic scene imbued with serenity and nostalgia. The artist has masterfully used a palette of soft colours to depict an idyllic picture of pictu...

Work on wood Golden patina wooden frame 60 x 50 x 3,5 cm

Work on canvas Golden wooden frame 48 x 30 x 3 cm

Work on cardboard Dimension with frame :41 x 51 x 6 cm Alpine village This work presents a picturesque alpine village enveloped in the soft light of day. The chalets and Mazots add ...

Oil on canvas Grey wooden frame 93 x 70 x 6 cm

Work on wood Brown wooden frame 48.2 x 33.5 x 3.7 cm

In this piece, I've poured my heart into capturing the serene dialogue between sky and sea. The merging of acrylic and oil mediums allowed me to texture emotions, where expressionism...

Of Germanic descent, the painter Jean Krillé was born in 1923 in Switzerland. His father, writer and poet, oriented him towards art and culture. From the age of 16, he enrolled at th...

1 Technique The paintings are painted with a palette knife and a brush on canvas. 2 Topic He paints beautiful landscapes with great love. Puts all his experience and skills. U...

Mountain landscape in oil, spring, mountain, Switzerland, impressionist, horizontal "Margelkopf In April" (50 × 40 cm, oil on canvas) is a subtly emotional mountain landscape painte...

Oil on cardboard with frame. Total size with frame 58x78 cm Signed and dated, illegible signature by the gallery

Work on canvas Golden wooden frame 50.5 x 59 x 5.5 cm

Oil on canvas sold with frame Total size with frame 63x72 cm Alexandre ROCHAT is an artist born in France in 1895 and died in 1981. His works have be...

"(canvas handmade) In crafting this piece, I embraced the vibrancy of life, channeling my passion into every brushstroke. Using acrylics, oils, and oil pastels, I layered colors and ...

Signed and dates (19)46 Dimension with frame :46 x 38 x 3 cm This striking oil painting on canvas by Eugène Martin, dated December 31, 1946, depicts a ceremonial street scene in Gen...

Work on canvas Beige wooden frame with frame 52,5 x 60.5 x 4.5 cm This captivating painting features a serene scene on the shores of Lake Geneva. The painting depicts a harmonious bl...

Work on canvas Golden wooden frame 78.5 x 99.5 x 4 cm

Work on canvas This work, "Landscape with River", is a captivating painting that illustrates the tranquility of a harmonious river scene. The artist's mastery shines through the s...

After attending the Académie Loup in Lausanne and the Ecole des Beaux-Arts in Geneva, he traveled to France, Belgium and Italy. He moved to Le Locle, painted canvases inspired by the...

Work on canvas

Work on canvas

Work on canvas Golden wooden frame 51 x 58.5 x 4.5 cm

This original impasto painting was created on a high-quality canvas (30/40 cm) with a palette knife, using environmentally friendly oil colors with natural pigment. Color on compu...

Work on canvas Golden wooden frame 101 x 177 x 3.5 cm

Work on wood Brown wooden frame 16.5 x 19 x 1.6 cm

Work on canvas

Painter and teacher, displayed lithograph. He was born in La Chaux-de-Fonds in 1892, he died in Geneva in 1983. Work on canvas Gilded wood frame 33,5 x 38,5 x 4 cm

Work on canvas mounted on cardboard Brown wooden frame 41.5 x 54.5 x 4 cm

Work on wood

Work on wood

Work on paper

Work on canvas

Swiss painter. Lithography and woodcut. Mural Lithograph numbered 54/80 Work on paper with frame, Total size with frame is 68x53 cm

Work on canvas Molded frame in plaster and gilded wood 70 x 61 x 4 cm This captivating work, painted with undeniable mastery, presents a lively urban scene seen from above. The pain...

JIM SHAW (B. 1952) Stocks Painting signed and dated 'J Shaw 2007' (on the overlap) oil on canvas mounted on wooden board 82 x 121.5 cm. (32 ¼ x 47.7.8 in.) Executed in 2006. PROVENANCE Metro Pictures, New York Famous as a collector of American junk, including a trove of thrift store paintings once sought by art collector Charles Saatchi, Jim Shaw draws on his vast stores of pop cultural artifacts in his work. The My Mirage (1986–91) project comprises nearly 170 drawings, silkscreens, photographs, sculptures, films, and paintings based on a Shaw stand-in called Billy, who grows from childhood to psychosis to born-again Christianity. Billy exists amid a 1960s and ’70s visual overload of pulp novels, comic books, records, and psychedelic posters. The artist’s Oism project, initiated in the late 1990s, explores his fictional religion through media including video installations (recalling both Busby Berkeley musicals and 1980s aerobics videos) and found paintings in the “Oist style.” Shaw’s richly layered practice takes liberally from both art history (Art Brut, Vincent van Gogh, Salvador Dalí, Rene Magritte, Max Ernst) and America’s vernacular of coffeemakers and zombie films. 1952 born in Midland, MI, US Lives and works in Los Angeles, CA, US 1974 BFA, University of Michigan at Ann Arbor, MI, US 1978 MFA, California Institute of the Arts, CA, US One-person exhibitions: 2017 (Forthcoming) The Wig Museum, Marciano Art Foundation, Los Angeles, CA, US Massimo De Carlo, Milan, IT 2016 Rather Fear God, Praz-Delavallade, Paris, FR Rather Fear God, Praz-Delavallade & Vedovi, Brussels, BE 2015-2016 The End Is Here, New Museum, New York, NY, US Simon Lee Gallery, London, UK Entertaining Doubts, Mass MOCA - Museum of Contemporary Art, North Adams, MA, US 2014-2015 Jim Shaw. Oeuvres choisies : dessins – peintures – sculptures – vidéo, Galerie Guy Bärtschi, Geneva, CH 2014 The Hidden World. Jim Shaw / Didactic Art Collection, Centre Dürrenmatt, Neuchâtel, CH I Only Wanted You To Love Me, Metro Pictures, New York, NY, US 2013-2014 The Hidden World. Jim Shaw / Didactic Art Collection, Chalet Society, Paris, FR Simon Lee Gallery, Hong Kong, CN 2013 Blum & Poe, Los Angeles, CA, US Peter Saul, Jim Shaw: Drawings, Mary Boone Gallery, New York, NY, US Simon Lee Gallery, London, UK 2012-2013 The Rinse Cycle, Baltic Centre for Contemporary Art, Gateshead, UK 2012 Dreams, BFAS, Geneva, CH (in collaboration with Metro Pictures, New York) Metro Pictures, New York, NY, US 2011 Thrilling Stories from the Book of "O", Praz-Delavallade, Paris, FR Cakes, Men in Pain, White Rectangles, Devil in the Details, Patrick Painter Inc., Santa Monica, CA, US 2010 Left Behind, CAPC - Musée d’Art Contemporain de Bordeaux, Bordeaux, FR Bernier/Eliades, Athens, GR 2009 Wet Dreams, Erotic Dream Drawings by Jim Shaw, Praz-Delavallade (space II), Paris, FR The Whole: A Study in Oist Integrated Movement, Simon Lee Gallery, London, UK 2008 Extraordinary Rendition, Patrick Painter Inc., Santa Monica, CA, US Jim Shaw: New Arrivals, Metro Pictures, New York, NY, US 2007 Dr. Goldfoot and His Bikini Bombs, Metro Pictures, New York, NY, US 2012: Montezuma’s Revenge, Praz-Delavallade, Berlin, DE The Hole, Praz-Delavallade, Paris, FR The Donner Party, PS1 Contemporary Art Center, Long Island, NY, US Galleria Massimo de Carlo, Milan, IT Distorted Faces & Portraits 1978-2007, Blondeau Fine Art Services, Geneva, CH 2006 My Mirage 1986-1991, Skarstedt Gallery, New York, NY, US 2006-2007 DO (I was in my Japenese gallery/museum in Japan...), Patrick Painter Inc., Santa Monica, CA, US Left Behind #8, 9, 10, Patrick Painter Inc., Santa Monica, CA, US 2006 Vise Head, Patrick Painter Inc., Santa Monica, CA, US Bernier/Eliades, Athens, GR Emily Tsingou Gallery, London, UK Vise Head, Patrick Painter Inc., Santa Monica, CA, US 2005 The Inky Depths/The Woman in the Wilderness, Metro Pictures, New York, NY, US Art & Public, Geneva, CH Praz-Delavallade, Paris, FR The Dream That Was No More A Dream, Patrick Painter Inc., Santa Monica, CA, US 2004 O, Kunsthaus Glarus, Glarus, CH Emily Tsingou Gallery, London, UK 2003 Kill Your Darlings, Patrick Painter Inc., Santa Monica, CA, US Kill Your Darlings, Bernier/Eliades, Athens, GR O, Le Magasin, Grenoble, FR Drawings, Metro Pictures, New York, NY, US Drawings, Studies, O-ism, Art & Public, Geneva, CH 2002 The Rite of the 360° Degree, Praz-Delavallade, Paris, FR The Goodman Image File and Study, Swiss Institute, New York, NY, US Oist Thrift Store Paintings, Metro Pictures, New York, NY, US Galleria Massimo De Carlo, Milan, IT 2001 The Artist’s World, Logan Galleries, CCAC Institute, San Francisco, CA, US Dreamt of Drawings, Emily Tsingou Gallery, London, UK Metro Pictures, New York, NY, US Praz-Delavallade, Paris, FR Galleria Massimo de Carlo, Milan, IT 2000 Thrift Store Paintings, ICA, London, UK Patrick Painter Inc., Santa Monica, CA, US Everything Must Go (curated by Sue Spaid), MAMCO, Geneva, CH; travels to The Contemporary Arts Center, Cincinnati, OH, US Johnen + Schottle, Köln, DE 1999 Metro Pictures, New York, NY, US Praz-Delavallade, Paris, FR Everything Must Go, Casino Luxembourg - Forum d'Art Contemporain, Luxembourg, LU (traveling retrospective) 1998 Drawings (curated by Peter Weiermair), Rupertinum - Musée d’art moderne et contemporain, Salzburg, AT Eccentric Drawing (curated by Peter Weiermair), Frankfurter Kunstverein, Frankfurt, DE 1997 The Deep, Tokyo, JP Bookbeat, Detroit, IL, US Rosamund Felsen Gallery, Santa Monica, CA, US Praz-Delavallade, Paris, FR 1996 Massimo de Carlo, Milan, IT The Sleep of Reason, Metro Pictures, New York, NY, US Dreams, Cabinet Gallery, London, UK 1995 I Dreamed I Was Performing in an Alternative Space in My Maidenform Bra, Rosamund Felsen Gallery, Santa Monica, CA, US Dreams, Galerie Andreas Brändström, Stockholm, SE What Exactly is a Dream and What Exactly is a Joke..., Donna Beam Fine Art Gallery, University of Nevada, Las Vegas, NV, US 1994 Dreams That Money Can Buy, Rena Bransten Gallery, San Francisco, CA, US 1993 Dreams That Money Can Buy, Metro Pictures, New York, NY, US Dreams That Money Can Buy, Linda Cathcart Gallery, Santa Monica, CA, US 1992 Life and Death, Texas Gallery, Houston, TX, US Metro Pictures, New York, NY, US Horror A Vacui (with Benjamin Weissman), Linda Cathcart Gallery, Santa Monica, CA, US Galleria Massimo de Carlo, Milan, IT 1991 Thrift Store Paintings, Metro Pictures, New York, NY, US New Works from My Mirage, Linda Cathcart Gallery, Santa Monica, CA, US 1990 My Mirage, Linda Cathcart Gallery, Santa Monica, CA, US My Mirage, Matrix Gallery, University Art Museum, University of California, Berkeley, CA; travels to St Louis Museum of Art, St Louis, MO; Feature Inc., New York, NY, US Thrift Store Paintings, Brand Library, Glendale, CA, US 1989 Dennis Anderson Gallery, Los Angeles, CA, US 1986 The Nuclear Family, EZTV, Los Angeles, CA, US 1981 Life and Death, Zero Zero Club, Los Angeles, CA, US Group exhibitions: 2017 I Love L.A., Praz-Delavallade, Los Angeles, CA, US 2016 Realisms, The State Hermitage Museum, St. Petersburg, RU Un autre monde (((Dans notre monde))), Galerie du Jour Agnès B., Maison de la poésie, Centre Wallonie-Bruxelles, Paris, FR Collection(s) et nouveaux ensembles monographiques, Mamco, Geneva, CH Physical: Sex and the Body in the 1980s, LACMA, Los Angeles, CA, US A History: Contemporary Art from the Centre Pompidou, Haus der Kunst, Munich, DE DO IT, Hab Galerie, Nantes, FR (organised by Frac des Pays de la Loire) On verra bien, Galerie du Jour Agnès B., Paris, FR Nothing Compares to You (works from the collection of Martin & Rebecca Eisenberg), Riverview School, Cape Cod, MA, US 2015-2016 Drawing. The Bottom Line, S.M.A.K., Ghent, BE 2015 Free Admission, Praz-Delavallade, Paris, FR Better Than De Kooning, Villa Merkel, Esslingen am Neckar, DE Collecting Lines - Drawings from the Ringier Collection, Villa Flora, Winterthur, CH Magnificent Obsessions: The Artist as Collector, Barbican Centre, London, UK The Making of Personal Theory: Mysticism and Metaphysics in the Work of Sara Kathryn Arledge, Charles Irvin, and Jim Shaw, Armory Center for the Arts, Pasadena, CA, US Dominos, CIRCUIT, Lausanne, CH 2014-2015 What Nerve! Alternative Figures in American Art from 1960 to the Present (curated by Dan Nadel), RISD Museum, Providence, RI, US do it (homage), Utah Museum of Contemporary Art, Salt Lake City, UT, US; travels to Michaelis School of Fine Art, Capte Town, ZA; Garage Center for Contemporary Art, Moscow, RU Selections from The Permanent Collection, MOCA, Los Angeles, CA, US Onetorino: Shit and Die (organized by M. Cattelan, M. Ben Salah & M. Papini), Palazzo Cavour, Turin, IT (by invitation of Artissima) 2014 The Century of The Bed (curated by Vienna 2014), Galerie Steinek, Wien, AT As I Run And Run, Happiness Comes Closer (curated by Jérôme Sans), Emerige, Paris, FR The Crime Was Almost Perfect (curated by Cristina Ricupero), Witte de With, Rotterdam, NL Nothing Twice, Tadeusz Kantor Centre - Cricoteka, Krakow, PL Hearsay: Artists Reveal Urban Legends (curated by Wendy Sherman), California State University Fullerton Grand Central Art Center, Santa Ana, CA, US Grey Flags (curated by Timothée Chaillou), BackSlash Gallery, Paris, FR VEILS (curated by J. Dahl & A. Papademetropoulos), The Underground Museum, Los Angeles, CA, US The Crime Was Almost Perfect (curated by Cristina Ricupero), PAC - Padiglione d’Arte Contemporanea, Milan, IT My Little Boat of Sorrow, Rosamund Felsen Gallery, Santa Monica, CA, US 2013-2014 Donation Florence et Daniel Guerlain, MNAM - Centre Georges Pompidou, Paris, FR 2013 Oeuvres de la collection Philippe Cohen (curated by Ami Barak), Passage de Retz, Paris, FR The Universal Addressability of Dumb Things (curated by Mark Leckey), The Bluecoat, London, UK XXXL Painting (organized by the Museum Boijmans van Beuningen), Submarine Wharf, Rotterdam, NL Nuage, Musée Réattu, Arles, FR I'm Dreaming About A Reality, Galerie Chantal Crousel, Paris, FR Il Palazzo Enciclopedico / The Encyclopedic Palace (curated by Massimiliano Gioni) in The 55th Venice Biennale, The Arsenale, Venezia, IT More Young Americans (curated by Susanne Van Hagen), L'Enclos des Bernardins, Hôtel de Miramion, Paris, FR Coulisses, Frac Aquitaine, Bordeaux, FR Untitled. Works on Paper, Galerie Sophie Scheidecker, Paris, FR do it, Manchester Art Gallery, Manchester, UK 2012-2013 Faking It: Manipulated Photography Before Photoshop, Metropolitan Museum of Art, New York, NY, US LOST (in LA) (curated by Marc-Olivier Wahler, presented by FLAX), Los Angeles Municipal Art Gallery at Barnsdall Park, Los Angeles, CA, US 2012 Artists Merchandising Art (organized by René Luckhardt & Judith Rohrmoser), Wonderloch Kellerland, Berlin, DE / Los Angeles, CA, US Poule! (curated by Michel Blancsubé), Fundación/Colección Jumex, Ecatepec, MX Dogma (curated by Gianni Jetzer), Metro Pictures, New York, NY, US Panegyric, Forde, Geneva, CH For The Martian Chronicles, L&M Arts, Venice, CA, US 2011-2012 Destroy All Monsters: 1973-1976, Prism Gallery, Los Angeles, CA, US Incongru. Quand l'art fait rire, Musée cantonnal des Beaux-Arts de Lausanne, Lausanne, CH 2011 Interchange, Exchange LA, Los Angeles, CA, US All of the above (carte blanche à John Armleder...

Painter and designer. Painting and ink drawing. Engraving and sculpture. From 1981–86 he studied Art History, East Asian Art History and German Literature History at the University of Zurich. In 1983-1984 in Berlin and Cologne. In 1986 return to Bern and start of artistic activity. In 1990 married to Monika Escher, three children. 1991-1995 as assistant to Professor Peter Jenny for artistic design at the architecture department of ETH Zurich; 1994–95 painting technique course at ETH Zurich and in the advanced class of the design school Bern and Biel, Bern. From 1996 Haag, along with Kotscha Reist and other artists, organized several exhibition projects for the Kiosk art space in the Lorraine district of Bern. 1999–2001 Senior Lecturer in Art History at the F + F School of Art and Media Design, Zurich, 2004 at the Langenthal Lyceum and at the University of the Arts Bern. 1996–98 member of the board of directors of the Society of Swiss Painters, Sculptors and Architects GSMBA; since 2006 on the board of directors of the Bernische Kunstgesellschaft. Several grants and subsidies. Filip Haag's work is characterized by a consistent change in various production techniques, both classical and experimental. Nevertheless, there is a homogeneous body of work. The concept of metamorphosis serves as the main theme. Haag deals with the research of aggregate states and documents the characteristics of temporality and spatiality, form and matter. The idea of ​​such a liquid assembly is aptly expressed in his five-minute computer animation INK’N GO (2002). Even in the early phase of 1986–89, which was characterized by figurative painting, Haag experimented with light-sensitive photo papers and chemicals. In the INJECTIONS group of works (1992–2007) he processes the results of photochemical processes and prints them out as an inkjet. This process of reflection and deliberate selection of an excerpt, sometimes only the size of a postage stamp, which extends over a long period of time, also determines other groups of works such as RECYCLING (since 1992–93), NIEDERSCHLÄGE (since 1999) and his ink works. The latter, such as RAMADIEN (1997) or SABALIS (2004), are the result of pyrotechnic processes in which Haag mixes Indian ink with easily flammable liquids and then ignites them on paper or glass. The DUETTE & DUELLE (since 2004) are also part of this, but are further processed in a painterly way. The INSECTIONS group, which appeared in 1992–96 and again since 2004 (MIFULO, 2005), is about finger painting that is close to Tachismus. With these works and his time-consuming, detailed drawings and prints, Haag creates a counterpart to the work in accelerated production technology. Since 2004, he has been producing more and more oil paintings that are reminiscent of the Informel from the 1950s, such as KROWOTA (2005) or QAKINZ (2008). The bronze sculptures he has made since 2003, such as NARALIS (2006-08), are also to be understood as a consistent continuation of the exploration of the subject of metamorphosis. They are based on the formations of wax poured into Lake Thun...

Work on canvas

Work on canvas : 70 x 100 cm With frame : 91.5 x 121.5 x 4.5 cm This impressionist work of art captures a peaceful river landscape with striking precision. The suspended fishing nets...

Work on paper Dimension with the master key 24.5 x 38.5 x 0.3 cm illegible signature

This captivating work depicts a rural mountain landscape with a timeless allure. Using a palette of earthy, nuanced colours, the artist succeeds in creating an atmosphere that is bot...

Work on canvas Silver wooden frame 54.5 x 66.5 x 5 cm

This work of art stands out for its breathtaking rendering, which accurately and sensitively captures the peaceful beauty of a forest path leading to a calm stretch of water. The mas...

Of Germanic descent, the painter Jean Krillé was born in 1923 in Switzerland. His father, writer and poet, oriented him towards art and culture. From the age of 16, he enrolled at th...

Work on canvas Beige wooden frame 63 x 85.5 x 6.5 cm

Oil on paper mounted on panel Wooden frame 67.5 x 82.5 x 4 cm