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Italian Modern Green Beveled Mirror Inspired By Fontana Arte This lovely Fontana Arte style mirror has a decorative indented design around the pe...

Dating to the late 19th century, this American exterior door is a striking blend of utility and age-worn character. Once the first impression of a stately Victorian-era home, it feat...

A scarce antique Italian hand painted lacca povera tabletop cabinet. circa 1775 Northern Italy, 18th century, likely used in a wealthy merchant or noble's country villa as a vargueñ...

Early production, museum quality - collector grade, Barcelona chairs with Barcelona table by the German Company, Waldemar Stiegler, which produced th...

This lovely tulip ring has three gemstone flowers set with the big three gems: sapphires, rubies, and emeralds. Each flower is set at the center with a diamond. Tulip rings were popu...

The coffee table has a round polished table top. it is attached to the base with 4 curved wooden elements. The base has 4 small curved rectangular legs that elevate the table from th...

Presenting a gorgeous 19th century Irish country squires mahogany Hunt table. This table was made in the late 19th century circa 1880, and is made of solid mahogany and sits on 8 legs with padded hoof feet. 2 drop leafs on either side supported by swinging gate legs on either side when upwards. Beautiful interlocking detail to the side leafs and central section. Oval in shape …. it would comfortably seat 8 people. Made in Ireland. This is a ‘Hunt’ table and not to be confused with an Irish ‘Wake’ table. Whilst ‘Hunt Tables’ and ‘Wake Tables’ are similar in shape and design their original purposes could not be more different. Wake Tables were made and used by indigenous Irish people for 2 purposes: (1) As a full functional dining table and (2) the central section had to be of sufficient width and length to support a coffin for the purpose of ‘waking’ the deceased in their home. Wake Tables were almost always made of oak, as this was the most common wood found in Ireland and therefore available to the ordinary (and poor) Irish Folk. Sometimes they might also be made of elm or sycamore. Hunt Tables. however, we not made for the purposes of holding a coffin or ‘waking’ the dead. They were made for the ruling classes, nobility or gentry for the sole purpose of use on the day of the ‘hunt’. This would be the fox hunting season of Fall and Winter, where the participants in the ‘hunt’ would gather at the local manor house early in the morning and the snacks and refreshments would be displayed for eating and drinking on the ‘hunt’ table. Hunt Tables are almost always made of mahogany which was an expensive and exotic hardwood imported from Cuba and the West Indies. When not in use they would be put up against a wall with the leafs down and items would be displayed on top. This table is obviously a ‘hunt’ table because: (1) It is made of mahogany (2) the central section is not wide enough to safely hold at coffin at rest. We are of the firm opinion that this is in fact an Irish-made Hunt Table due top the legs and padded hoof feet which more closely resemble the feet one would find on an Irish Wake Table...

A charming petite pair of antique early 20th-Century French neoclassical style cast iron garden urns or planters with the original surface and patina. These beautiful jardinieres are...

Beautiful French Vallauris majolica oyster plate in lovely shades of speckled lilac, teal, and brown. Priced individually, 7 available. DIMEN...

78801 Vintage New Mexico Chimayo Rug, 01'08 x 03'03. This handwoven wool vintage Chimayó rug from the renowned Ortega’s Weaving Shop in New Mexico i...

Stunning 1950s multi-tiered "Mesa" coffee table after the iconic design by T.H. Robsjohn-Gibbings (c. 1952). This phenomenal piece is made from Walnut veneered wood forming a "pebble...

77769, vintage French Medieval tapestry, the Promenade tapestry. Drawing inspiration from a combination of Pieter van Aeist and French Medieval sty...

Pair of sconces from Murano outside of Venice, Italy. These sconces feature hand-blown blades of Murano glass alternating between a soft pink and a white hue. The glass is also alter...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 30 x 48 Frame Size: 41 x 59 Medium: Oil "Ranchers Reward" Dated 1975 Signed Low...

A stunning pair of very fine quality French Neo-Gothic gilt metal church reliquaries. circa 1860s Most impressive objets d’art, born in France in the second half of the 19th century, most likely Parisian gilded bronze and brass ormolu work, exceptionally executed sculptural form, the exquisitely detailed architectural cathedral shaped case having a removable pointed steeple roof with cross finial, opening to relic display case surrounded on all sides by original glazed glass panes, stepped base, rising on disc feet. Signed, stamped by maker / bronzier "BC" (unknown) model "5096" and other faint marks to lid interiors. Additional photos available upon request Dimensions: (approx) 14.75" High, 6.75" Wide, 6.75" Deep; 13.25 lbs total History: A reliquary (also referred to as a shrine, by the French term châsse or monstrance) is a container for important religious relics. The earliest reliquaries were essentially boxes, either simply box-shaped or based on an architectural design, taking the form of a model of a church with a pitched roof. These latter are known by the French term chasse, and typical examples from the 12th to 14th century have wooden frameworks with gilt-copper plaques nailed on, decorated in champlevé enamel. Limoges was the largest production centre; NB the English usage differs from that of the French châsse, which denotes large size rather than shape. Relics of the True Cross became very popular from the 9th century onward and were housed in magnificent gold and silver cross-shaped reliquaries decorated with enamels and precious stones. From about the end of the 10th century, reliquaries in the shape of the relics they housed also became popular; hence, for instance, the skull of Pope Alexander I was housed in a head-shaped reliquary. Similarly, the bones of saints were often housed in reliquaries that recalled the shape of the original body part, such as an arm or a foot. A philatory is a transparent reliquary designed to contain and exhibit the bones and relics of saints. This style of reliquary has a viewing portal to view the relic inside. The feretrum was a medieval form of reliquary or shrine containing the sacred effigies and relics of a saint. During the later Middle Ages, the monstrance form, primarily used for consecrated hosts, was sometimes used for reliquaries. These housed the relic in a rock crystal, or glass capsule mounted on a column above a base, enabling the relic to be displayed to the faithful. Reliquaries in the form of large pieces of metalwork jewellery also appeared around this time, housing tiny relics such as pieces of the Holy Thorn, notably the Holy Thorn Reliquary now in the British Museum. Condition: Superb museum quality examples, in excellent original unrestored antique condition with beautifully aged patina. Wear consistent with age and use. Heavily patinated - scattered oxidation. Overall wonderful examples. Typically reliquaries were not sold in pairs, so to find a matching pair such as this is exceptionally rare. Worldwide shipping available Local pickup available near Dallas, Texas Additional: We here at Lynx Hollow Antiques love religious antiques, from Christian tabernacles, Catholic altarpiece, life-size Buddhist temple sculptures, Hindu votive offerings, 16th century Islamic mosque architectural salvaged windows...

Cactus sculpture from France made of plaster. This mid-century piece has lovely detail and a green painted finish. The cactus is in very nice vintage condition with only minor surfac...

A fine English console or hall table of mahogany from the Georgian era, featuring a moulded top over a frieze of what appear to be four beaded drawers but is actually a top long draw...

This six-panel screen borrows from the Roman practice as an homage to the great designers that came before. Ancient roman courtyard houses typically had architectural elements crown ...

The Arven earrings play with contrast in every sense - light and dark, precision and rawness, structure and spontaneity. Handcrafted from 925 sterling silver, they’re plated in a bol...

Blue and white themes are universally popular whether in interior design or jewelry. Such is the case with this whimsical and charming kyanite blue necklace. Various shades and sizes...

19th century French bronze bust sculpture of Emperor Lucius Varus . This handsome Grand Tour bronze bust of is in the manner of F. Bard...

This genuine emerald gemstone has been cut in an emerald shape and exactly .92 carats to show off the vivid and bright green color with a hint of bluish! Set in 18 karat white gold,...

Blue topaz and peridot are integrated with the Paspaley South Seas pearls to form these elegant dangle earrings. Both gems are pear shaped with intense color saturation and are well cut and polished. They are complimented with clusters of white diamonds. Dropped below are baroque South Seas pearls from Paspaley-the largest cultivator of pearls in Australia. The pearls come with a certificate of authenticity. The hand fabricated gold...

80782 New Earth-Tone Moroccan Rug, 04'09 x 06'06. An ode to balance between the elemental and the ethereal, this hand-knotted wool Moroccan rug evokes the poetry of nature transposed...

MEZQUITE (LARGE) floor lamp was designed for the De Palo collection by Mexican artist Isabel Moncada. Like a chess bishop, Mezquite makes its presence felt in a resounding manner. I...

Tom Ford Beige Shearling-Lined Suede Jacket Luxury meets rugged refinement in this classic Tom Ford shearling jacket. Expertly crafted in It...

Cartier Panthère de Cartier Mini (ref. 2363) delivers timeless elegance in a refined, compact form. Crafted in gleaming high-polish 18 karat white gold, the 25mm x 17mm case features...

51514 Vintage Turkish Yastik Rug, 01'08 x 03'02. This hand-knotted wool vintage Turkish Yastik rug is a beautiful testament to the timeless artistry of Anatolian weaving. The composition features a striking central medallion, skillfully woven in a soft palette of ted, tan and beige, with accents of taupe, pink, and pale green. This stepped medallion, surrounded by an intricate floral pattern, draws the eye inward, creating a sense of harmony and balance that is both calming and captivating. The field of the rug is a rich, earthy red, which provides a warm backdrop for the geometric motifs that adorn the corners of the rug. These motifs, rendered in soft shades of beige and green, add a layer of depth and complexity to the design, enhancing its visual appeal. The subtle variations in color and the intricate patterns showcase the weaver's exceptional skill and attention to detail, making this vintage Oushak rug a true work of art. Framing the entire composition is a carnation meander border filled with a series of repeating floral and geometric motifs, all in complementary shades of beige, tan, and red. This border not only adds structure to the design but also highlights the rug's rich cultural heritage. Perfect for adding a touch of warmth and elegance to any space, this vintage Yastik rug...

20677 Vintage Red Talsint Moroccan Rug, 05'09 x 09'07. Immerse yourself in the exquisite artistry of this hand-knotted wool vintage Talsint Moroccan rug, originating from the Figuig ...

This charming and unusual hammered pewter and iron pendant is a one-of-a-kind piece. It has hand-made iron chain and has been newly wired in the US. This light is suitable for so m...

Elegant blue and white oyster plate signed Bordeaux Vieillard, circa 1890. Six wells surrounded by blue seaweeds of different kinds. Ref / 2733.

French painting in bright green, blue and yellow tones of someone sitting at a table by artist Jean-Charles Lauthe, 1971. Signed and dated lower right. Original artwork on paper dis...

These NATURAL PAROTA collage tiles are composed randomly from recycled wood remnants and when installed bathe any space with a warm feeling and texture which is meditative, sanded to a soft finish and protected with lacquer and wax. The works convey an energized tranquility, a chaotic Brutalism from accidental beginnings. PRICED BY THE SQUARE FOOT, these hardwood panels function both as decorative art and acoustic baffles large spaces. No two panels are alike, each is a random collage and they can be hung in any order. The arrangement of tiles is entirely up to the client, becoming part of this process, selecting and arranging the tiles however they wish. The collage tiles are sold in modular sizes and priced by the square foot. They can be ordered in 1x1, 1x2 and 2x2 foot sizes, the pricing is based on 1, 2 and 4 units respectively. The collages are made from recycled wood cuttings from furniture factories and mounted on 1/2" MDF board, trimmed square and given a furniture finish with matte lacquer and wax. Please see attached specification sheet for further details. Finish: Natural Parota Wood...

78758 Vintage Irish Donegal Rug Inspired by William Morris, 11'03 x 15'03. Irish Donegal rugs, originating from County Donegal, Ireland, are celebrated for their thick pile, intricat...

Fendi Karl Lagerfeld Brand New W/ Box * Retail $1210 * Size 38 * Gold Hardware Ankle Adjustable Strap *Black Patent Leather * Leather Insole Heels: 5" Platforms: 0.5"

Elegant blue and white oyster plate signed Bordeaux Vieillard, circa 1890. Six wells surrounded by blue seaweeds of different kinds. Ref / 2740

A vintage mixed metal Brutalist wall sculpture.

20 x 20 Hemp Pillow Turkish Cushion Natural Green Pillow Cushion Cover #6310 Elevate your home decor with our Hemp Pillow Turkish Cushion. This exquisite pillow cover, meticulously h...

A stunning antique Chinese school ink wash painting, 19th century, ink and color on silk, finely detailed, richly decorated, elegantly colored, depicting landscape courtier processio...

These WHITE WASH collage tiles are composed randomly from recycled wood remnants and when installed bathe any space with a warm feeling and texture which ...

Set of 2 Mid-Century Modern Conchula Swivel Lounge Chair, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Conchula swivel lounge chair is a room-definin...

A very handsome and primitive Coffre - Trunk from the Catalan region of Spain. Sturdily constructed from walnut with handsome iron hardware. A great storage piece perfect at the base...

These CHARCOAL collage tiles are composed randomly from recycled wood remnants and when installed bathe any space with a warm feeling and texture which is...

Maitland Smith 20th Century tessellated black marble Secretary. This phenomenal and monumental cabinet is enrobed in polished black marble with ...

Console table from France in the Louis XVI style. This piece is made of solid wood construction, primarily mahogany. It is ebonized and has been finished with a lustrous French polis...

- Vintage item - Collectible costume jewelry piece from the '90s - 7.5" length - 1" width - Gold plate - Ruby red, emerald green and sapphire blue gripoix-style glass cabochons ...

77768 Vintage Southwestern style Kilim Yeibichai Rug, 02'11 x 04'04. Yeibichai Southwestern style Kilims are a distinctive type of Southwestern style weaving that depict figures from...

73123 Antique Persian Kashan Palace Rug Kork Manchester Wool with Art Nouveau Style. Renowned for soft, extremely luxurious wool imported from England, this late 19th century Persian...

These MATTE WHITE collage tiles are composed randomly from recycled wood remnants and when installed bathe any space with a warm feeling and texture which...

A very handsome Enfilade - buffet from the Provenance region of France. Wonderfully constructed from sturdy walnut. A terrific storage piece with four doors and three drawers. Great...

Emilio Pucci Sunglasses Brand New * Stunning Classic Pucci 70's Style Sunglasses * Multi Pucci Print Frames * Silver Hardware * Pucci Logo * Handmade ZYL in Italy * 100% UV Protect...

Charming hand-painted stacked fruit or fruit topiary table lamp. This lamp has beautiful soft colors and sits in a classic white pottery basket that is typical of this Italian style....

Pair Paul Ferrante Edward bronze end tables with Louis XVI style fluted legs, rectangular pulls, hoof sabobts and honed gray brown marble tops.

Swedish Gustavian buffet with a beautiful antique painted finish. Early 19th century. This is a solid piece and in great antique condition.

Vintage Karl Springer style white oak bull nose wood mirror with brass detailing.

Mid Century Modern large Murano glass chandelier, attributed to Seguso, Italy 1970. A pair available - sold and priced individually. The chandelier is made of clear Murano glass: top...

Presenting a lovely antique Indian Dhokra horse and rider sculpture. Probably from the late 19th or early 20th century as is evidenced by its natural patina and clear evidence of age. It depicts an Indian Warrior with a sword in his right hand mounted on his horse/steed. The warrior is in classical and ancient Southeast Asian Indian attire and he holds the horse’s reins in his left hand. The body of the horse is a series of lines (in the Classic Dhokra Style) and it has a tribal headdress...

Brand: Rolex  Gender: Men   Metal Type: 18K Yellow Gold Diameter: 36.00 mm Weight: 123.56 grams ROLEX Gent's 18K yellow gold, ROLEX Swiss-made wristwatch. Engraved with "18K" and "750". The "ROLEX " trademark (or hallmark) can also be found on the item.  Rare 1980 Rolex Day Date...

19th Century French Louis XVI Giltwood Bergere. Offered antique French gilt wood chair or Bergere has great lines and patina. Sturdy, comfortable and ready for the fabric of your cho...

A stunning, rare, and very fine quality French Transitional Louis XV - Louis XVI style mahogany inlaid marble-top chest after Jean-François Oeben / Jean-Henri Riesener. Exquisitely hand-crafted in France, born in the late 19th / early 20th century, exceptionally executed Parisian work, retaining the original shaped marble top with contoured molded edge, over conforming solid mahogany case extensively inlaid with rich floral decoration and geometric trompe l'oeil marquetry-work. Embellished with finely sculpted and chisled gilt bronze ormolu mounts, the case fitted with three high quality locking bar mounted cabinet doors, each adorned with matched ornate escutcheon and opening thanks to the original keys, revealing a mahogany finished interior with single shelf. Featuring rare and exotic woods inlaid, all rising on bronze mounted transitional cabriole legs, ending in the finest quality patinated bronze sabots. Its three doors do not interfere with its delicate marquetry with decorations of geometric cubes and beautiful flowers on gilt gold ground, its two flat uprights with cut sides inviting finesse and harmony, while its bronzes, with antique motifs indicate the return to refined classic taste. A fine example of the Transition style, this chest subtly combines Louis XV marquetry with shapes that are already more rectilinear. From the middle of the 18th century, certain French artists, at the head of which the architects Blondel and Contant d'Ivry as well as the painter Louis-Joseph Le Lorrain, rose up against the excesses of the rococo style and advocated a calming of lines by the use of classical or even ancient principles. If the "Greek" style was too categorical a response to these requests, the Transition style, soon launched by the Marquis de Marigny, brother of Madame de Pompadour and Minister of the Arts, was much more measured and appreciated. Dutch cabinetmaker Matthijs Horrix was also front and center, a leader a Transition style. Celebrated ebanista Jean-François Oeben was one of the leaders of this new taste, with Jean-Henri Riesener following in the 19th century. Oeben a genius with inlay, he gave birth to several patterns, both sober and elegant, such as the marquetry of bottomless cubes, which was adopted by many of his colleagues including Jacques Dautriche and Charles Chevallier. Jean-François Oeben was particularly known for his "Louis XV or Transition furniture, adorned with leaf veneers, flower inlays or geometric patterns", according to Pierre Kjellberg (Le Mobilier français du XVIIIe, éditions de l'Amateur, 1989). A small secretary in the Transition cabinet...