Texas - Photography

Hog Killing by Shelby Lee Adams is a black and white photograph of as Appalachian family posing around freshly killed pig, in the process of cleaning the animal to later be eaten. G...

High contrast contemporary photography by Houston, TX photographer Casey Williams. This photograph depicts a snapshot of a scene entering a property's yard. The color in the photos s...

Black and white contemporary photograph by Houston, TX artist Delilah Montoya. This conceptual photograph captures a young child with long, dark, curly hair, resembling that of Christ's, also wearing a white dress with a thick, patterned lining. The young subject also holds what appears to be a heart figure, also replicated as a graffiti on the wall. Signed and labeled at the back. Framed and matted in a black wooden frame. Dimensions Without Frame: H 23 in. x W 18 in. Artist Biography: Although she was born in Texas and lived in Nebraska into her twenties, photographer and printmaker Delilah Montoya has deep roots in northern New Mexico through her mother's family. Raised by her mother, Montoya observes that women have empowered her family for five generations. Montoya studied photography and printmaking at the University of New Mexico, where she received her bachelor's degree, master's degree, and master of fine arts. She works in a variety of two-dimensional photographic and printing processes as well as creating larger installations. The artist describes her approach as postmodernist and uses documentary strategies to interpret her own distinct vision. Politically, Montoya is committed to exploring issues of identity in terms of a Chicano cultural context:"In my own evolving ideology I question my identity as a Chicana in occupied America, and articulate the experience of the minority woman. I work to understand the depth of my spiritual, political, emotional and cultural icons, realizing that in exploring the topography of my conceptual homeland, Aztlan, I am searching for the configuration of my own vision. " (Montoya n.d.) Montoya is committed to the expression of Chicana experience and history, but she does not consider herself as a feminist. Indeed, Montoya rejects identification as a United States-style feminist because she believes that "Feminists don't give us solidarity. As a Chicana my issues are multifaceted, not just gender, but class, race. " The border, for Montoya, is a politically imposed construct, a part of a United States colonialist enterprise that was forced upon the Chicano community. It is the environment in which Chicano life and history unfolds. Montoya's work explores contemporary and historical issues, sometimes win a humorous twist. Her artist's book for the 1992 Chicano Codices exhibition organized by the Mexican Museum in San Francisco, Codex Delilah: a Journey From Mechica to Chicana (including text by poet Cecilio Garcia-Camarillo), traces the imaginary journey of Six Deer, a character who embodies the contact between indigenous and Spanish culture in her trip "pal norte" towards Aztlan, the "spiritual homeland of her ancestors." As she journeys to the north, the character also journeys forward in time, meeting important Chicanas from the past, including La Llorona...

Frida Kahlo - The Breton Portrait by Nickolas Muray is a portrait of the Mexican painter commissioned by Andre Breton. Edition of 30 Signed by Nickolas Muray's Estate Nickolas Muray Photo Archives Nickolas Muray (1892–1965) was a Hungarian born artist that worked in New York as a photographer, specializing in portraits of celebrities. His work was often seen in Vanity Fair magazine. Nick’s friendship with the Mexican artist, Miguel Covarrubias, lead to the introduction to Frida Kahlo when Nick visited Mexico. Diego Rivera and Frida Kahlo were introduced by Covarubbias and it was in 1931 when Nickolas and Frida’s love affair started. Later, when Frida had a solo exhibition at the renowned Julian Levy gallery...

Frida Biting Her Necklace by Lucienne Bloch is a 8 1/4 x 10 1/4 inch silver gelatin print. This photograph is mounted on a 16 x 20 inch mount board with a window mat. It is signed on print recto by artist in pen and has a signature label on mount verso with title, date, artist name and copyright information. Frida Biting Her Necklace features a portrait of Frida Kahlo sitting in a chair while biting her necklace. Her head is slightly turned as she stares at the viewer. Lucienne Bloch was a prolific artist. Born in Switzerland, she soon moved with her family to American in mist of the growing tensions of war and anti-Semitism. At the young age of 15 years old, she attended The Cleveland Institute of Art and later in life enrolled in the Ecole National et Superier des Beaux Arts in Paris. Exceeding in her artistic endeavors, she worked for a number of established artist such as sculptor, Anotine Boudelle, and architecture Frank Lloyd Wright. However, it was her encounter with Mexican Muralist, Diego Rivera, and painter Frida Kahlo that solidified Bloch artistic style. Bloch became a closed friend of the couple, as well as, the chief photographer of the Rockefeller Center mural Diego Rivera was working on in New York before it was destroyed. In addition to her photographs, Bloch was a Fresco muralist for the Federal Arts Project of the Works Progress...

Mother and Son, Hurricane Ike by Earlie Hudnall, Jr. is a portrait of a woman embracing her child, resting her forehead against his while they both close their eyes. Gelatin Silver ...

Frida with Picasso Earrings is a color portrait of Frida Kahlo. She is dressed in magenta clothes with matching magenta flowers in her hair. She is wearing dangly earrings in the sha...

Wash 50 cents by Peter Brown is a color photograph depicting a white laundromat building, with a minimal sign stating "Wash 50¢" in red text. C-Print Paper size: 24 x 20 in. Image s...

"Cappa-Russia" in pencil on print verso.

Mountain Tree, Study 1, Danyang, Chungcheongbukdo, South Korea by Michael Kenna presents a sublime scene. A lone tree stands tall, growing out from the side of the mountain. The star...

“Dragonfly” is a limited edition of 20. Printed on fine art paper, these limited-edition photographs are designed to preserve the beauty of the original scenes. Each piece is hand-nu...

“Water Lilly” is a limited edition of 20. Printed on fine art photo paper, these limited-edition photographs are designed to preserve the beauty of the original scenes. Each piece i...

Edition of 45 Signed, titled, dated, and numbered. Michael Kenna's black and white photographs are powerful and alluring. His imagery transports you to iconic and placid landscapes ...

Man, Stick White Stripe by Ralph Gibson is a black and white photograph of a man holding a white stick, parallel to a painted white stripe on the pavement, creating a graphic image. ...

MIRA LOEW (b 1984, Vienna) Austrian born, Mira Loew began her journey as a photographer and filmmaker with audio-visual media training at the Federal Graphic Institute in Vienna, at...

South Texas: Cash Creek and coastal prairie, Matagorda County by Peter Brown presents a sublime scene. A calm river cuts through the green grass field, leading to a tree in the distance. White fluffy clouds fill the bright blue sky. The prairie field is painted with a soft glowing light, creating a tranquil scene. South Texas: Cash Creek and coastal prairie, Matagorda County by Peter Brown is listed as a 16 x 24 inch archival pigment print, with the paper size measuring 22 x 26 inches. This photograph is available in an edition of 25 and is signed and numbered in black ink on print margin. South Texas: Cash Creek is from Peter Brown's series, Hometown Texas Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

Edition of 45 Signed, titled, negative date, print date, and numbered by Michael Kenna Sepia toned gelatin silver Image size: 7 3/4 x 7 3/4 in. Printed 2000 Michael Kenna's black an...

Valley House Gallery recently presented "Listening in the Silence" — our first solo exhibition of work by Chaco Terada, a native of Japan who has called Dallas home since 1992. Born ...

The Rolling Stones, Tangerine Bowl, Orlando, Florida 1981 Signed limited edition photographic print by Blaise Hayward from his series “Tickets Please” These editioned digital pigme...

Signed, titled, and dated.

Edition of 45 Signed, titled, negative date, print date and numbered. Sepia toned gelatin silver print Michael Kenna's black and white photographs are powerful and alluring. His...

A seemingly candid c-print photograph of a man in a suit wearing a white fedora walking down the street by Houston, TX artist Amy Blakemore. The composition is expertly balanced betw...

This finely framed photograph beautifully captures a moment of tranquil abstraction. The image features the silhouette of pool donuts resting on the bottom of a pool, their round sha...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson is a lifelong photographer whose first contact with the medium was in his father's darkroom before he could read. Gibson received a B.A. from Centenary College in Shreveport, Louisiana, and an M.A. at Trinity University in San Antonio, Texas. His early work in theater lighting...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson is a lifelong photographer whose first contact with the medium was in his father's darkroom before he could read. Gibson received a B.A. from Centenary College in Shreveport, Louisiana, and an M.A. at Trinity University in San Antonio, Texas. His early work in theater lighting...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson is a lifelong photographer whose first contact with the medium was in his father's darkroom before he could read. Gibson received a B.A. from Centenary College in Shreveport, Louisiana, and an M.A. at Trinity University in San Antonio, Texas. His early work in theater lighting...

Frida and Diego with Hat by Nickolas Muray is a black and white portrait of Mexican painter Frida Kahlo and Mexican muralist Diego Rivera. Frida stan...

MIRA LOEW (b 1984, Vienna) Austrian born, Mira Loew began her journey as a photographer and filmmaker with audio-visual media training at the Federal Graphic Institute in Vienna, at...

"My artwork is always in progress. There is not a goal. There is not a category for my work. It is all about enjoying the process of every moment. On a blank sheet of washi calli...

"My artwork is always in progress. There is not a goal. There is not a category for my work. It is all about enjoying the process of every moment. On a blank sheet of washi calli...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson ...

"We really enjoy getting together with our friends to drink and dance. It's a wild party and we're having a great time." from series, Suburbia Edition of 15 Signed, dated and number...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson ...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson ...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson ...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson ...

Edition of 45 Signed, titled, negative date, print date and numbered by Michael Kenna Sepia toned gelatin silver print Michael Kenna's black and white photographs are powerful and a...

C-print photograph of a thrift store during the holiday season with a white vintage car parked out front by Houston, TX artist Amy Blakemore. The composition is expertly balanced bet...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibso...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibso...

Frida in Pink and Green Blouse by Nickolas Muray is a colorful portrait of Mexican painter Frida Kahlo. Frida wears a green and pink shirt with a magenta scarf wrapped around her nec...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibso...

Frida Biting Her Necklace by Lucienne Bloch is a black and white portrait of Mexican painter Frida Kahlo. Frida playfully bites her necklace as she poses for her portrait. Gelatin ...

"My work is about respecting the beauty that remains and the poetry that is found." David H. Gibson is a lifelong photographer whose first contact with the medium was in his fathe...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” David H. Gibson is a lifelong ph...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” David H. Gibson is a lifelong ph...

“I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” David H. Gibson is a lifelong p...

Black and white contemporary photograph by Houston, TX artist, Jim Reitz. This photograph depicts a wig shop that is stocked to the brim with inventory. Curr...

Edition 32/48 Mat size is 29 x 36 inches. Frame size is 29 7/8 x 36 7/8 inches.

Signed, titled, and dated in ink on print margin. American street photographer Don Donaghy (1936 - 2008 b. Philadelphia, Pennsylvania), was a fourth-generation native of Philadelp,h...

Signed limited edition print by photographer Pat Pope of Pulp, shot in London for the March 1996 edition of Melody Maker. Available in two sizes, 16x20" and 20x24" - Edition 250

Artist Statement: “This series exploits an optical phenomenon that occurs when visible light is distorted by the thin film membrane of a soap bubble. Soap bubbles deconstruct dayligh...

"Stanley Korshak" photographed in Dallas, TX, is an exquisite, original work of art by the talented Roman Crescimanno. This captivating photograph measures 10.5 x 10.5 inches and is ...

Edition 27/45 Signed, dated and numbered in pencil on mount margin recto by Michael Kenna Signed, titled, negative date, print date and numbered in pencil with the artist's stamp in...

Vintage gelatin silver print, 7 3/4 x 9 3/4 in. Dated and artist stamp on print verso. Born in Munkacs, Hungary, John Albok learned photography as a boy. He came to the U.S. in 1921...

Black and white photograph by Houston, Texas photographer, Nash Baker, of the Chapel of St. Basil. Titled, signed, and dated by artist on matte. Matted and framed in black aluminum f...

Mixed Media work of a Texas national park called Big Bend. The work consists of a landscape photograph with color pencil drawing around the photograph that continues the landscape. T...

Colored photograph of the St. Marks Square in Italy. The photograph is matted to a thick board to protect against bending. The photograph is not framed.

Hand colored silver gelatin photograph by Houston, TX artist Jim Reitz. The work features a man casually leaning against a building and looking at the camera...