The Hamptons - Art

Oil on masonite painting by the well known Russian/American artist, Nahum Tschacbasov. Signed lower right and dated 1946. In good condition. The painting is framed in a contemporary...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Asher, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by And...

This exquisite lithograph by Max Ernst (1891–1976), titled Electra (Electra), from the album XXe Siecle, Nouvelle serie, XXIe Annee, No. 13, Noel 1959, originates from the 1959 editi...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Mlle X (Miss X), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from the 1954 e...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Les fleurs au pot de grès (Flowers in a Stoneware Vase), from the album Vlaminck, originates from the 1958 edi...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 113, published by Aimé Maeg...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 11.937 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the fo...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), or...

Very well executed original oil on canvas modernist painting of a Paris landscape by the French artist, Michel Marie Poulain. Signed lower right...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Portrait de femme (Portrait of a Woman), from the album Les Lithographies de Renoir (The Lithographs of Reno...

This exquisite lithograph after Henri Matisse (1869–1954), titled Nini Betron, from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from the 1954 editi...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 130, 1961. Published by Aimé Maeght, Éditeur, Paris; pr...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Untitled, from the album Miro, L'Oiseau solaire, L'Oiseau lunaire, Etincelles (Miro, The Sun Bird, The Moon ...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Madame Josette Gris (Mrs. Josette Gris), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Les deux Soeurs (The Two Sisters), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originat...

This exquisite lithograph after Kees van Dongen (1877–1968), titled La Matchiche (La Matchiche), from the folio Fauves, VII (Fauves, VII), Collection Pierre Levy, 1972, originates fr...

This exquisite lithograph by Joan Miro (1893–1983), titled L'Astre Patagon (The Patagonian Star), originates from the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris. L'Astre Patagon embodies Miro's signature dreamlike abstraction—an interplay of cosmic forms, floating symbols, and lyrical color. This composition radiates the artist’s boundless imagination and his poetic dialogue between the material and the celestial. Executed on velin paper, this lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Unsigned and unnumbered, as issued. The edition reflects the exceptional quality and craftsmanship of the Maeght and Mourlot collaborations, capturing Miro’s visual rhythm and surreal energy in a strikingly balanced composition. Artwork Details: Artist: Joan Miro (1893–1983) Title: L'Astre Patagon (The Patagonian Star), from Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), 1960 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Date: 1960 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne des Livres Illustres. P. Cramer, 1989, illustration 62. Miro, Joan. Joan Miro, Lithographe / II, 1953–1963. Preface by Raymond Queneau. Maeght, 1975, illustration 265 Condition: Well preserved, consistent with age and medium Provenance: From the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), published by Maeght Editeur, Paris About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, and ceramicist whose imaginative, dreamlike vision helped spearhead the Surrealist movement and left an indelible mark on modern art. Born in Barcelona and deeply rooted in Catalan culture, Miro moved to Paris in the early 1920s where his playful shapes, cosmic motifs, and childlike yet sophisticated abstractions broke new ground alongside the great innovators of his time. His artistic dialogue aligned with contemporaries such as Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Jackson Pollock, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom challenged the conventions of form, color, and symbolism. Miro distilled these ideas into a uniquely poetic visual vocabulary—birds, stars, and bold spectral forms emerging from flat planes of color—that has inspired scores of artists and continues to influence modern and contemporary masters including Banksy, Damien Hirst, Jeff Koons, Andy Warhol, and Jasper Johns. His works are represented in leading museums worldwide, including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, and remain highly sought after by collectors. The highest price ever paid for a Joan Miro artwork is approximately $37.06 million USD, achieved in June 2012 at Sotheby’s London for Peinture (Etoile Bleue) (1927). Joan Miro L'Astre Patagon, Miro Derriere le Miroir, Miro Maeght Editeur Paris, Miro Mourlot Freres, Miro 1960...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph IX, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel, N...

Lithograph on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the folio, Les Côtes Normandes 1961. Publ...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Paul Cezanne, from the album Les Lithographies de Renoir (The Lithographs of Renoir), originates from the 19...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Kathe Kollwitz, Ten Lithographs. Published by Henry C. Kleemann and...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Le chapeau epingle et La baigneuse (The Pinned Hat and The Bather), from the album Les Lithographies de Reno...

This exquisite lithograph by Georges Rouault (1871–1958), titled La Roussalka (The Water Nymph), from the album Georges Rouault, Divertissement, originates from the 1943 edition publ...

This exquisite lithograph by Joan Miro (1893–1983), titled Frontispice (Frontispiece), from the folio Derriere le miroir, No. 151–152, originates from the 1965 edition published by M...

This exquisite lithograph by Paul Wunderlich (1927–2010), titled Frau mit Lorbeer (Woman with Laurel), from the album XXe Siecle, Nouvelle serie, XXXIXe Annee, No. 48, originates fro...

This exquisite lithograph after Andre Derain (1880–1954), titled Nature morte aux Poissons (Still Life with Fish), from the folio Andre Derain entre 1935 et 1949, V (Andre Derain bet...

This exquisite lithograph after Andre Derain (1880–1954), titled Deux femmes nues et nature morte (Two Nude Women and Still Life), from the folio Andre Derain entre 1935 et 1949, V (...

This exquisite heliogravure after Erwin Blumenfeld (1897–1969), titled Can-can Dancer, New York, originates from the 1981 folio Erwin Blumenfeld, Electa Editrice Portfolios. Publishe...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Paul Matisse (Paul Matisse), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates f...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled L’Enfant au biscuit (Child with a Biscuit), from the album Les Lithographies de Renoir (The Lithographs of R...

This exquisite lithograph by Willem de Kooning (1904–1997), titled Untitled, from the folio Poems, originates from the 1988 edition published by The Limited Editions Club, New York, ...

This exquisite lithograph after Francis Bacon (1909–1992), titled Portrait of George Dyer Crouching, originates from the historic 1966 folio Derriere le Miroir, No. 162. Published by...

This exquisite lithograph after Henri Matisse (1869–1954), titled Tete blanche et rose (White and Pink Head), from the album Portraits par Henri Matisse (Portraits by Henri Matisse),...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Charles Baudelaire, from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from the 1...

This exquisite heliogravure after Man Ray (1890–1976), titled Cover Project for the Album, Photographs 1920–1934, originates from the 1980 folio Man Ray, Electa Editrice Portfolios. ...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Le Lagon (The Lagoon), from Henri Matisse, Jazz, originates from the 1983 second edition published by George Brazi...

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Regards sur Paris, 1963. Published by André Sauret, Paris;...

This exquisite four color process archival pigment print after George Condo (born 1957), titled Figure Change, from the folio George Condo, Drawing Paintings, originates from the 2011 edition published by Skarstedt Gallery, New York, and printed by Transcontinental Litho Acme, Montréal, 2011. Figure Change exemplifies Condo’s synthesis of classical technique and psychological distortion, uniting humor and existential tension through his concept of “Artificial Realism”—a vision in which the absurd and the profound coexist within a single image. Executed as a four color process archival pigment print on velin paper, this work measures 10.75 x 9.25 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Transcontinental Litho Acme, Montréal, and the high production standards of Skarstedt Gallery, New York. Artwork Details: Artist: After George Condo (born 1957) Title: Figure Change, from the folio George Condo, Drawing Paintings Medium: Four color process archival pigment print on velin paper Dimensions: 10.75 x 9.25 inches (27.3 x 23.5 cm) Inscription: Unsigned and unnumbered as issued Date: 2011 Publisher: Skarstedt Gallery, New York Printer: Transcontinental Litho Acme, Montréal Condition: Well preserved, consistent with age and medium Provenance: From the folio George Condo, Drawing Paintings, Skarstedt Gallery, New York, 2011 Notes: Excerpted from the folio, Published on the occasion of the exhibition, George Condo, Drawing Paintings, November 4 - December 17, 2011, Skarstedt Gallery, 20 East 79th Street, New York, NY 10075. Project Coordinators: Brady Doty and Dina Shaulov-Wright; Design: And Smith, LLC; Printing: Transcontinental Litho Acme. All images © George Condo. Photographs by Benjamin Provo and Chris Hood. Edition of CD + C, signed and numbered examples. About the Publication: George Condo, Drawing Paintings (2011), published by Skarstedt Gallery, New York, stands as a definitive documentation of one of Condo’s most acclaimed bodies of work. The publication accompanied the landmark exhibition of the same name, held at Skarstedt Gallery from November 4 through December 17, 2011, which brought together a series of works exploring the intersection of drawing and painting—two modes of creation that Condo masterfully fused into a single, psychologically charged process. Produced with meticulous attention to detail, the folio exemplifies the gallery’s commitment to fine art publishing, combining archival printing, and scholarly design to convey the visual complexity and intellectual depth of Condo’s practice. Printed by Transcontinental Litho Acme in Montréal, the edition reflects the technical precision and tonal richness necessary to convey Condo’s painterly surfaces and dynamic compositions. The project was realized under the direction of Project Coordinators Brady Doty and Dina Shaulov-Wright, with design by And Smith, LLC, ensuring the publication’s seamless integration of artistic and curatorial vision. More than a catalogue, the folio serves as both a visual archive and an aesthetic object in its own right, capturing the tension between chaos and order that defines Condo’s work. George Condo, Drawing Paintings remains an essential record of the artist’s ongoing dialogue between imagination, art history, and the fractured psychology of contemporary existence. About the Artist: George Condo (born 1957) is an American contemporary artist celebrated for his visionary fusion of abstraction, figuration, and psychological portraiture that bridges the grandeur of Old Master painting with the fractured sensibilities of modern and postmodern art. Born in Concord, New Hampshire, Condo studied art history and music theory before moving to New York City in 1979, where he became a central figure in the East Village art scene alongside Jean-Michel Basquiat, Keith Haring, and Julian Schnabel. His early experiences at Andy Warhol’s Factory exposed him to the interplay between fame, seriality, and popular culture, informing his concept of “Artificial Realism,” a style that merges classical draftsmanship with the chaos of contemporary life. Profoundly influenced by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Condo inherited from them a spirit of radical invention, surrealism, and intellectual play, transforming these legacies into his own psychologically charged idiom. His signature “psychological cubism” reimagines portraiture through fractured, expressive figures that embody the instability of modern identity, fusing beauty and grotesque distortion in a single image. Condo’s mastery of color, structure, and emotional tension draws upon the legacy of Velazquez, Goya, and Rembrandt while channeling the existential depth of Giacometti and the conceptual wit of Duchamp. His collaborations with William S. Burroughs and his iconic 2010 album cover for Kanye West’s My Beautiful Dark Twisted Fantasy exemplify his ongoing dialogue between high art and pop culture. Like Picasso, Miro, Dali, and Duchamp before him, Condo’s work captures the delirium and multiplicity of the human psyche through a language of visual fragmentation that continues to shape contemporary art. His influence can be seen in later artists such as Dana Schutz, Adrian...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Lithograph, stencil on vélin paper. Paper size: 11.42 x 9.05 inches. Inscription: signed in the plate and unnumbered, as issued. Notes: from the folio, Propos d'un intoxiqué, Aquarel...

This exquisite lithograph by Bernard Buffet (1928–1999), titled Les Iris bleus (The Blue Irises), from the folio Les Peintres mes amis (The Painters My Friends), originates from the 1965 edition published by Editions d'art Les Heures Claires, Paris...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

This exquisite lithograph after Jean-Edouard Vuillard (1868–1940), titled Le studio de couture (The Dressmaking Studio), originates from the 1966 folio Derriere le Miroir, No. 158–15...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Personnage et oiseaux (Figure and Birds), from the album Miro, Cartones 1959–1965 (Miro, Cardboards 1959–196...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La Seine a Chatou (The Seine at Chatou), from the album Vlaminck, originates from the 1958 edition published b...

French, 1899 SALUT AU SOLEIL, art medal, in bronze by Georges Dupré, in fine condition, (Dark oxidation spot to right of larger figure, slight surface vertical scratch verso); edge ...

This exquisite lithograph by Alexander Calder (1898–1976), titled La lune et porc qui pique (The Moon and the Prickly Pig), originates from the historic 1963 folio Derriere le Miroir...

This exquisite lithograph after Georges Braque (1882–1963), titled Cafe-Bar, originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute ...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La route de Longny (The Road to Longny), from the album Vlaminck, originates from the 1958 edition published b...

This exquisite lithograph by Joan Miro (1893–1983), titled Composition sur fond gris (Composition on Grey Background), from the folio Derriere le miroir, No. 151–152, originates from the 1965 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1965. This evocative composition demonstrates Miro’s mastery of balance and spontaneity, where abstract forms dance across a muted field of grey, creating a poetic interplay between movement, color, and space. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Joan Miro (1893–1983) Title: Composition sur fond gris (Composition on Grey Background), from the folio Derriere le miroir, No. 151–152 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Unsigned and unnumbered as issued Date: 1965 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Cramer, Patrick, and Isabelle Monod-Fontaine. Joan Miro: Catalogue Raisonne des Livres Illustres. Patrick Cramer Editeur, Geneva, 1989, no. 102; Mourlot, Fernand, and Joan Miro. Miro Lithographe III: 1964–1969. Andre Sauret, Paris, 1977, nos. 428–449. Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 151–152, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1965 Notes: This issue of "Behind the Mirror," for which Joan Miro executed 26 plates of original lithographs, includes a luxury edition printed on Rives velin and limited to CL examples, numbered and signed by the artist. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro's inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro's work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for £23,561,250 (approximately $37 million) at Sotheby's, London, on June 19, 2012. Joan Miro Composition...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 200, 1972. Published by Aim...

This exquisite collotype after Max Ernst (1891–1976), titled L’Evade (The Fugitive), from the album Max Ernst, Histoire Naturelle (Natural History), originates from the 1972 edition ...

This exquisite lithograph by Giuseppe Capogrossi (1900–1972), titled Superficie (Surface), from the album XXe Siecle, Nouvelle serie, No. 5 (double), Juin 1955, originates from the 1...

This exquisite lithograph by Joan Miro (1893–1983), titled Grandes terres de feu (Great Lands of Fire), from the folio Derriere le miroir, No. 87–89, originates from the 1956 edition...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Instruments de musique (Musical Instruments), from the album Fernand Leger (Fernand Leger), originates f...

This exquisite lithograph by Maurice de Vlaminck (1876–1958), titled La Potiniere a Rueil (The Potiniere at Rueil), from the album Vlaminck, originates from the 1958 edition publishe...

This exquisite lithograph by Fernand Leger (1881–1955), titled Portrait de Rimbaud (Portrait of Rimbaud), originates from the 1949 folio Les Illuminations, lithographies originales d...

This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), or...