The Hamptons - Abstract Drawings and Watercolors
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Item Ships From: The Hamptons
“Abstract Face”
By Lloyd Raymond Ney
Located in Southampton, NY
Here for your consideration is a well executed original watercolor and gouache abstract on archival paper by the New Hope, Pennsylvania artist, Lloyd Ney. Ney was considered to be a...
Category
1960s Post-Modern The Hamptons - Abstract Drawings and Watercolors
Materials
Watercolor, Gouache, Archival Paper
$1,920 Sale Price
20% Off
“Floating Forms”
By Rolph Scarlett
Located in Southampton, NY
Mid century modern gouache on paper by the well known Canadian/American artist, Rolph Scarlett. Signed and dated in blue pen lower left, 1947. Condition: Good. Framed in thin black matte painted frame with acid free white mat. Not examined out of frame. Overall framed 14.25 by 17 inches.
ROLPH SCARLETT (1889-1984)
Rolph Scarlett was born 1889 in Guelph, Ontario. His long life as an artist began in his teens as a jewelry designer and fabricator. At the age of fourteen he began to design jewelry professionally, a craft which he continued off and on for the rest of his life.
His desire to learn more about art took him to New York in 1908, when American artists were just beginning to experience strong influences from major modern European artists of the day such as Cezanne and Picasso.
Throughout his long career he produced, oil paintings, many works on paper, unique sculptured jewelry, modernist style industrial and furniture designs. Currently there are over 800 of his designs at the Montreal Museum of Fine Arts Design Collection.
In 1928 he moved to Hollywood, California where he became a very successful stage and set designer. In the mid-1930s he met the director of the Museum of Non-objective Art in New York ( Hilla Rebay). He became her close associate and advisor in organizing and running the museum. He was Chief lecturer at the museum (1939 -1946) teaching the new modernism and abstraction to the new generation of artists in the New York art community. Hilla Rebay would introduce him as “Rolph Scarlett, my great find”. So considerable was her enthusiasm for Scarlett, that she and Solomon Guggenheim bought over sixty of his paintings and monotypes for the museum. After Kandinsky and Bauer, there was more of Scarlett’s work in the collection than any other artists.
He participated in many of the museum exhibitions and galleries and was regularly exhibiting his work in Los Angeles, the San Francisco Art Museum, the Art Institute in Chicago, the Modern Age Gallery in N.Y., the Metropolitan Museum, the Whitney Museum and the Museum of Modern Art. He studied for a time at the Art Student League with William Merrit...
Category
1940s Modern The Hamptons - Abstract Drawings and Watercolors
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Paper, Gouache
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About the artist:
Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making.
Artist Statement:
My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Artist CV:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING
Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY
Coordinator, Interior Design Program, Florence, Italy campus
1992-present
AWARDS
NYFA Fellowship in Painting 2018
Invitational Award for Outstanding Contemporary Talent,
University of Bridgeport, CT 2000
Purchase Prize, “11th National Juried Exhibition”
College of Notre Dame of Maryland, Baltimore 1999
First Prize, “Women in the Visual Arts ‘95”
Erector Square Gallery, New Haven, CT 1995
Joseph A. Cain Memorial Purchase Award for Sculpture
Del Mar College, Corpus Christi, TX 1994
Honorable Mention, “National Juried Exhibition”
University of Bridgeport, CT 1993
Individual Artists Fellowship in Sculpture
Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
MEMBERSHIP Royal British Society of Sculptors
SELECTED JURIED/INVITATIONAL EXHIBITIONS
2020
“edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY
2019
“Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Mixed Media”, SITE Gallery, Brooklyn, NY
2018
“JuxtaPositions”, The Painting Center, New York, NY
“Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY
2017
“Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY
2016
“Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD
“Under, Over, After Over”, Vassar College, Poughkeepsie, NY
2015
“Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY
“Gridspace”, KMOCA, Kingston, NY
“Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Assuming Identity”, NY Institute of Technology, New York, NY
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“Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY
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“Fresher Paint”, Rockland Center for the Arts, Nyack, NY
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Newburgh, NY
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“100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art,
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“On/Of Paper”,Kirkland Art Center, Clinton, NY
“The Love Show”, Manchester Community College, Manchester, CT
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Original watercolor, gouache and ink abstract on archival paper by the well known New Hope, Pennsylvania artist, Lloyd Raymond Ney. Signed and dated lower left, 1961. Condition is very good. Strong, vibrant colors. Presently unframed. The artwork was mounted by the artist onto Nelson show card board. Provenance: A Pennsylvania estate..
Lloyd Raymond Ney was an American non-objective artist. Known as Bill Ney, he was born in Friedenburg, Pennsylvania March 8th, 1893, the son of William W. Ney and Sadie Maidenford. He studied at the Pennsylvania Museum School of Industrial Art and at the Pennsylvania Academy of Fine Arts in Philadelphia. In 1918 he won a Cresson Fellowship to study in Europe.
In the 1920's Ney traveled to France where he studied and painted in Paris among the vital European modernist community. He lived at the Hotel de Versailles, 60 Boulevard Montparnasse. During this period Ney created his major work, "The Drinkers," Later, the artist wrote extensively about the process of developing this work and the transforming experience of integrating the Modernist ideal he had witnessed in Paris.
After returning to the United States, Ney settled in New Hope, PA, an established art community between New York and Philadelphia. Unlike more New Hope artists who followed impressionism in the early 20th century, Ney embraced a more expressive contemporary style including non-objective works. He was among a group of artist known as the "Independents," who challenged the traditional subject matter of regional artists. They formed a new exhibition group. Ney was part of the "New Hope Modernist...
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Lloyd Raymond Ney was an American non-objective artist. Known as Bill Ney, he was born in Friedenburg, Pennsylvania March 8th, 1893, the son of William W. Ney and Sadie Maidenford. He studied at the Pennsylvania Museum School of Industrial Art and at the Pennsylvania Academy of Fine Arts in Philadelphia. In 1918 he won a Cresson Fellowship to study in Europe.
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In the 1920's Ney traveled to France where he studied and painted in Paris among the vital European modernist community. He lived at the Hotel de Versailles, 60 Boulevard Montparnasse. During this period Ney created his major work, "The Drinkers," Later, the artist wrote extensively about the process of developing this work and the transforming experience of integrating the Modernist ideal he had witnessed in Paris.
After returning to the United States, Ney settled in New Hope, PA, an established art community between New York and Philadelphia. Unlike more New Hope artists who followed impressionism in the early 20th century, Ney embraced a more expressive contemporary style including non-objective works. He was among a group of artist known as the "Independents," who challenged the traditional subject matter of regional artists. They formed a new exhibition group. Ney was part of the "New Hope Modernist...
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