The Hamptons - Abstract Prints

This exquisite lithograph by Man Ray (1890–1976), titled Inversion de l'espace II (Inversion of Space II), from the album XXe siecle, Nouvelle serie, XXXVIIe Annee, No. 45, originate...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie K, var. 1 (Series K, Variation 1), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph by Joan Miro (1893–1983), titled Le Grand Personnage (The Great Figure), from the folio Derriere le miroir, No. 151–152, originates from the 1965 edition pu...

This exquisite lithograph by Richard Florsheim (1916–1979), titled La Seine a Paris (The Seine in Paris), from the album Prints from the Mourlot Press, exhibition sponsored by the Fr...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 156, originates from the 1966 edition published by Mae...

This exquisite lithograph by Raoul Ubac (1910–1985), titled Paysage d'Ete (Summer Landscape), originates from the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs...

This exquisite lithograph after Georges Braque (1882–1963), titled Les falaises (The Cliffs), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and pri...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 160, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Mehrere Kreise (Several Circles), from the folio Derriere le miroir, No. 118, originates from the 1960 edition p...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Le cheval, l'écuyère et le clown (The Horse, the Rider, and the Clown), from Henri Matisse, Jazz, originates from ...

This exquisite lithograph by Marc Chagall (1887–1985), titled Hommage a Georges Braque (Homage to Georges Braque), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to Georges Braque). Published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this luminous composition stands as Chagall’s poetic tribute to his friend and contemporary Georges Braque, “Neither the sun nor the brilliance of the moon can calm today this strange sadness. Something close has gone, though his life was distant. And there is nothing with which this life can be compared. And from this departure there arise feelings inexpressible, like his colors which spoke but not to everyone. I have seen his plastic world so far from the worries of the day and his personality beyond this world. That is what he called “reality.” How true he was, and how troubling that is! Perhaps if we enter into the grandeur of certain French paintings — La Poix d’Avignon, a still life by Chardin, or The Embarkation for Cythera by Watteau — then the dream of Braque will seem clearer to us. And our path will become clearer too.” In Hommage a Georges Braque, Chagall fuses symbolic imagery to evoke themes of flight, harmony, and spiritual transcendence, celebrating Braque’s lifelong devotion to art and transformation. The composition reflects Chagall’s unique synthesis of emotion and imagination, merging the visionary with the intimate. Executed on velin paper, this lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Signed in the plate and unnumbered, as issued. The edition exemplifies Chagall’s lyrical command of color and form within the refined graphic artistry of Derriere le Miroir. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Hommage a Georges Braque (Homage to Georges Braque), from Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to Georges Braque), 1964 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued Inscription: Signed in the plate and unnumbered, as issued Date: 1964 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1964 folio Derriere le Miroir, Nos. 144–145–146, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French): Taken from this special issue of “Behind the Mirror,” CCCL examples on velin de Rives were numbered, constituting the original edition of L’Hommage a Georges Braque. These deluxe examples also included an etching based on Trois oiseaux sur fond violet. The lithographs for this issue were printed in the ateliers of Maeght Editeur, Levallois. The text was printed by Fequet et Baudier, typographers. Finished printing May 13, 1964. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary use of color and poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the rich imagery of his Jewish heritage and childhood in Vitebsk, Chagall’s dreamlike compositions fused memory, folklore, faith, and romance with the expressive innovations of modern art. His work evolved alongside and in dialogue with the great modern masters—Pablo Picasso, Henri Matisse, Alexander Calder, Salvador Dali, Joan Miro, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, redefined artistic language for a new century. Spanning painting, printmaking, stained glass, ceramics, stage design, and illustration, Chagall’s career reflected both his deep spirituality and his boundless imagination. His works are held in major museum collections worldwide, including the Museum of Modern Art, the Guggenheim, the Tate, and the Centre Pompidou. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Hommage a Georges Braque, Chagall Derriere le Miroir, Chagall Maeght Editeur Paris, Chagall Mourlot Freres, Chagall 1964...

This exquisite lithograph by Pierre Alechinsky (born 1927), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, XXIIe Annee, N°14, Juin 1960, originates from the...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Mademoiselle A.Nelck (Miss A.Nelck), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), orig...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie O, var. 1 (Series O, Variation 1), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Georges Braque (1882–1963), titled Les barques bleues (The Blue Boats), originates from the 1968 folio Varengeville, published by Maeght Editeur, Pari...

This exquisite lithograph by Bernard Cathelin (1919–2004), titled Mexique (Mexico), from the album Prints from the Mourlot Press, exhibition sponsored by the French Embassy, circulat...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie C, var. 3 (Series C, Variation 3), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph by Alexander Calder (1898–1976), titled Les Triangles (The Triangles), originates from the historic 1963 folio Derriere le Miroir, No. 141. Published by Mae...

This exquisite lithograph after Georges Braque (1882–1963), titled La plage de Varengeville (The Beach at Varengeville), originates from the 1968 folio Varengeville, published by Mae...

This exquisite lithograph by Apel·les Fenosa (1899–1988), titled Tramontane, originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in collaboration with L...

This exquisite lithograph by Joan Miro (1893–1983), titled La Femme Arborescente (The Tree-like Woman), from the album XXe Siecle, Nouvelle serie, XXIIe Annee, No. 16, originates fro...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans Titre (Untitled), originates from the 1974 album ceramiques de miro et artigas (Miro and Artigas Ceramics). Published by Maeght Editeur, Paris, and printed by Arte, Adrien Maeght, Paris, this work reflects Miros lyrical fusion of abstraction, gesture, and ceramic-inspired form. In Sans Titre (Untitled), Miro channels the vivid spontaneity and symbolic richness that define his mature graphic language. Executed as a lithograph on velin paper, this work measures 11.024 x 22.28 inches, with stitch perforations and centerfold as issued. Signed in the plate and unnumbered as issued. Printed by Arte, Adrien Maeght, Paris, one of the foremost ateliers of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Sans Titre (Untitled), from the album ceramiques de miro et artigas (Miro and Artigas Ceramics), 1974 Medium: Lithograph on velin paper Dimensions: 11.024 x 22.28 inches (28 x 56.57 cm), with stitch perforations and centerfold as issued Inscription: Signed in the plate and unnumbered as issued Date: 1974 Publisher: Maeght Editeur, Paris Printer: Arte, Adrien Maeght, Paris Catalogue raisonne reference: Mourlot, Fernand, and Joan Miro. Catalogue des Lithographies de Miro. Vol. V. Andre Sauret, 1984, illustrations 926–927. Cramer, Patrick. Joan Miro: The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1989, illustration 183. Condition: Well preserved, consistent with age and medium Provenance: From the 1974 album ceramiques de miro et artigas (Miro and Artigas Ceramics), published by Maeght Editeur, Paris; printed by Arte, Adrien Maeght, Paris Notes: Excerpted from the album (translated from French), The original lithographs were drawn in the ateliers Arte, Adrien Maeght, Paris. Completed printing on April 30, 1974. About the Publication: Ceramiques de miro et artigas (Miro and Artigas Ceramics) is a landmark 1974 album published by Maeght Editeur that documents and celebrates the long, fertile collaboration between Joan Miro and the master ceramicist Josep Llorens Artigas. The album serves as both an artistic tribute and an archival record of their shared exploration into the expressive possibilities of fire, clay, pigment, and surface. Maeght Editeur—renowned for its exceptional production standards and its close relationships with leading modern artists—commissioned original lithographs specifically for the album, each reflecting the tactile, gestural, and symbolic vocabulary that Miro developed through decades of experimentation in ceramics. Printed by Arte, Adrien Maeght in Paris, the production exemplifies the publisher’s commitment to uniting fine art printing with rigorous documentation. The album honors one of the most important artist–artisan partnerships of the 20th century, capturing the profound synergy between Miro’s visionary abstraction and Artigas’s mastery of traditional and experimental ceramic processes. As with all major Maeght publications, the album was conceived not merely as a catalogue but as a complete work of art, synthesizing text, image, and craftsmanship into an enduring contribution to the history of modernist printmaking and book arts. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23561250 GBP (approximately 37 million USD) at Sothebys, London, on June 19, 2012. Joan Miro Sans Titre 1974, Miro ceramiques...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Noir et blanc (Black and White), originates from the historic 1958 folio Derriere le Miroir, No. 110. Published by Ma...

This exquisite lithograph after Georges Braque (1882–1963), titled Paysage aux coquelicots (Landscape with Poppies), originates from the 1968 folio Varengeville, published by Maeght ...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

This exquisite lithograph by Maurice de Vlaminck (1876–1958), titled La route (The Road), from the album Vlaminck, originates from the 1958 edition published by Andre Sauret, Editeur...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Près de Beaumont sur Sarthe (Near Beaumont on Sarthe), from the album Vlaminck, originates from the 1958 editi...

This exquisite lithograph, after Wassily Kandinsky (1866–1944), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, No. 8 (double), Janvier 1957, originates from...

This exquisite four color process archival pigment print after George Condo (born 1957), titled Black and Red Compression, from the folio George Condo, Drawing Paintings, originates ...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, L'Oiseau solaire, L'Oiseau lunaire, Etincelles (Miro, The Sun Bi...

This exquisite lithograph by Alexander Calder (1898–1976), titled Joueurs de cartes I et II (Card Players I and II), originates from the historic 1975 folio Derriere le Miroir, No. 2...

This exquisite lithograph after Georges Braque (1882–1963), titled Bord de mer (Seaside), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and printed...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, In Memory of My Feelings,...

This exquisite lithograph by Andre Beaudin (1895–1979), titled Feuilles evades (Escaped Leaves), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in ...

This exquisite lithograph by Alexander Calder (1898–1976), titled Deux Visages (Two Faces), from the folio Derriere le miroir, No. 221, originates from the 1976 edition published by ...

This exquisite lithograph after Francis Bacon (1909–1992), titled Portrait of George Dyer Staring at Blind-Cord, originates from the historic 1966 folio Derriere le Miroir, No. 162. ...

This exquisite lithograph by Geer van Velde (1898–1977), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 51, originates from the 1952 edition published by Maeght...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie O, var. 12 (Series O, Variation 12), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Th...

This exquisite lithograph by Willem de Kooning (1904–1997), titled Untitled, from the folio Poems, originates from the 1988 edition published by The Limited Editions Club, New York, ...

This exquisite lithograph by Willem de Kooning (1904–1997), titled Untitled, from the folio Poems, originates from the 1988 edition published by The Limited Editions Club, New York, ...

This exquisite lithograph after Henri Matisse (1869–1954), titled La Religieuse Portugaise (The Portuguese Nun), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in collaboration with Leon Amiel, editeurs, New York, and printed by Mourlot Freres, Paris, April 5, 1972. This serene and balanced composition captures Matisse’s mastery of line, harmony, and emotional resonance. La Religieuse Portugaise reflects the artist’s lifelong exploration of purity and rhythm through simplified form and luminous balance, revealing his belief that true beauty lies in the unity of contour, and spirit. The lithograph exemplifies Matisse’s ability to transform spiritual themes into modern expressions of grace and contemplation. Executed as a lithograph on velin d’Arches paper, this work measures 12.81 x 9.81 inches (32.54 x 24.92 cm). Unsigned and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of the Mourlot Freres atelier, renowned for its collaboration with leading modern artists of the 20th century. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: La Religieuse Portugaise (The Portuguese Nun), 1972 Medium: Lithograph on velin d’Arches paper Dimensions: 12.81 x 9.81 inches (32.54 x 24.92 cm) Inscription: Unsigned and unnumbered as issued Date: 1972 Publisher: Editions A. C. Mazo et Cie., Paris, in collaboration with Leon Amiel, editeurs, New York Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the edition published by Editions A. C. Mazo et Cie., Paris, in collaboration with Leon Amiel, editeurs, New York, 1972 Notes: Excerpted from the album (translated from French), This album is the album of friendship, and I want to thank all the artists who wanted to participate. Some lithographs presented here, and whose authors have left us for too long, were made at my request for an album "Adieu a la rue de Chabrol" that I intended to publish ten years ago. So it was at this time that I was able to get the lithos of Braque, Cocteau, Derain, Giacometti and Villon. Mrs. Duthuit-Matisse and her brothers authorized me to print the composition of Henri Matisse, an unused original lithograph of the album by Teriade "La Religieuse portugaise". I am happy to have brought together so many works by contemporary artists, it is a great honor for me and I am infinitely grateful to them. Finished printing in Paris on April 5, 1972, this album was printed on velin d’Arches, in DCCC numbered examples. In addition, a number of copies were printed for artists, friends and collaborators of this album. The original lithographs were printed by Mourlot, and the typography is from Fequet and Baudier. Alain A.C. Mazo, Paris, and Leon Amiel, New York, publishers. About the Publication: Souvenirs et Portraits d'Artistes (Memories and Portraits of Artists), published in 1972 by Editions A. C. Mazo et Cie., Paris, and Leon Amiel, New York, stands as one of the most distinguished collaborative albums of the postwar era. Bringing together original lithographs by some of the foremost artists of the 20th century, the portfolio celebrates artistic friendship, collaboration, and the enduring spirit of creative dialogue. La Religieuse Portugaise (The Portuguese Nun) after Henri Matisse exemplifies this spirit, blending spiritual serenity with the refined formal language that made Matisse one of the most influential artists in modern art. Printed at the renowned Atelier Mourlot, the work embodies the clarity, rhythm, and elegance that characterize Matisse’s timeless aesthetic. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisse’s influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately $80.8 million USD, achieved in 2018 at Christie's New York for Odalisque couchee aux magnolias (1923). Henri Matisse La Religieuse Portugaise, Matisse Mourlot...

This exquisite lithograph after Francis Bacon (1909–1992), titled Study for Portrait of Lucian Freud, originates from the historic 1966 folio Derriere le Miroir, No. 162. Published b...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie G, var. 3 (Series G, Variation 3), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Georges Braque (1882–1963), titled La vague (The Wave), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and printed b...

This exquisite lithograph by Willem de Kooning (1904–1997), titled Untitled, from the folio Poems, originates from the 1988 edition published by The Limited Editions Club, New York, ...

This exquisite lithograph by Alexander Calder (1898–1976), titled Joueurs de cartes II (Card Players II), originates from the historic 1975 folio Derriere le Miroir, No. 212. Publish...

This exquisite heliogravure after Pierre Soulages (1919–2022), titled Planche No. 10 (Plate No. 10), from the folio Pierre Soulages, Peintres d'aujourd'hui (Pierre Soulages, Painters...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 11.937 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: ...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Manuscrit (Manuscript), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in collabor...

This exquisite lithograph after Georges Braque (1882–1963), titled Marine noire (Black Seascape), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Accord reciproque (Reciprocal Agreement), from the folio Derriere le miroir, No. 179, originates from the 1969 e...

This exquisite lithograph after Georges Braque (1882–1963), titled La charrue (The Plow), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and printed...

This exquisite lithograph after Georges Braque (1882–1963), titled La barque echouee (The Stranded Boat), originates from the 1968 folio Varengeville, published by Maeght Editeur, Pa...

This exquisite lithograph after Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Tapis De Tarragona, illustrations, Joan Miro (Tarragona Tapestry, Illustrations), ...

This exquisite lithograph by Graham Sutherland (1903–1980), titled Hybrid, originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in collaboration with Leo...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 11.937 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the fo...

This exquisite lithograph by Andre Minaux (1923–1986), titled La femme et l'oiseau (The Woman and the Bird), originates from the 1972 edition published by Editions A. C. Mazo et Cie....

Lithograph on vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Poêmes insoumis, 1963. Published by Marc Barbezat, Paris; ...

This exquisite lithograph by Alfred Manessier (1911–1993), titled Sans titre (Untitled), from the album Prints from the Mourlot Press, exhibition sponsored by the French Embassy, cir...