The Hamptons - Abstract Prints

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie N, var. 5 (Series N, Variation 5), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph VI, from the album Joan Miro Lithographs, Volume I, originates from the 1972 edition published by Tudor Publishi...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition; with centerfold, as issued. Notes: From Derrière le miroir, N° 48-49, 1952. Published by A...

This exquisite lithograph by Joan Miro (1893–1983), titled Cahier d'ombres (Book of Shadows), originates from the December 1971 folio Derriere le Miroir, No. 195, published by Maeght...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Table before Window, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition published by Pantheon Books, Inc., New York, and rendered and printed by Albert Carman, City Island...

This exquisite heliogravure after Henri Matisse (1869–1954), titled L'Enterrement de Pierrot (The Burial of Pierrot), from Henri Matisse, Jazz, originates from the 1983 second editio...

This exquisite heliogravure after Andre Lanskoy (1902–1976), titled Les peches des autres (The Sins of Others), from the folio Andre Lanskoy, Peintres d'aujourd'hui (Andre Lanskoy, P...

This exquisite collotype after Alfonso Ossorio (1916–1990), titled Peinture initiatique VIII (Initiatory Painting VIII), from the album Peintures initiatiques d'Alfonso Ossorio (Init...

This exquisite woodcut by Eduardo Chillida (1924–2002), titled Sans titre (Untitled), originates from the historic 1968 folio Derriere le Miroir, No. 174. Published by Maeght Editeur...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

This exquisite heliogravure after Maria Helena Vieira da Silva (1908–1992), titled Jardin (Garden), from the folio Vieira da Silva, Peintres d'aujourd'hui (Vieira da Silva, Painters ...

This exquisite lithograph by Max Ernst (1891–1976), titled Apres-moi (After Me), from the album XXe siecle, numero special hors abonnement, Hommage a Max Ernst, originates from the 1...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the April 1961 folio Derriere le Miroir, No. 125-126, published by Maeght Editeur, P...

This exquisite lithograph after Georges Braque (1882–1963), titled L’Atelier (The Studio), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Br...

This exquisite heliogravure after Pierre Soulages (1919–2022), titled Planche No. 9 (Plate No. 9), from the folio Pierre Soulages, Peintres d'aujourd'hui (Pierre Soulages, Painters o...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Ediciones Polígrafa, Redfern Gallery, 1979. Published by Redfern Gallery, London...

This exquisite lithograph by Pierre Alechinsky (born 1927), titled Cartes du Corps (Maps of the Body), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a ...

Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...

This exquisite heliogravure after Mark Tobey (1890–1976), titled Le mur vivant (The Living Wall), from the folio Mark Tobey, Peintres d'aujourd'hui (Mark Tobey, Painters of Today), o...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie E, var. 8 (Series E, Variation 8), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Joan Miro (1893–1983), titled Miro as Sculptor, originates from the 1974 edition published by Ediciones Poligrafa, S.A., Barcelona, and printed by La ...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Chatou à l'arbre rouge (Chatou with the Red Tree), from the album Vlaminck, originates from the 1958 edition p...

This exquisite woodcut after Wassily Kandinsky (1866–1944), titled Planche, Folio 12 (Plate, Folio 12), from the album XXe Siecle Paris, Hommage a Wassily Kandinsky, originates from ...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, L'Oiseau solaire, L'Oiseau lunaire, Etincelles (Miro, The Sun Bi...

Lithograph on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: Published by The Collector's Guild Ltd., New York in association with Th...

This exquisite lithograph and pochoir by Hans Jean Arp (1886–1966), titled Homme (Man), from the album XXe Siecle, Nouvelle serie, No. 8 (double), Janvier 1957, originates from the 1...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Mademoiselle Jacqueline Matisse (Miss Jacqueline Matisse), from the album Portraits par Henri Matisse (Portraits b...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

This exquisite heliogravure after Maurice Esteve (1904–2001), titled Liseuse (Reader), from the folio Maurice Esteve, Peintres d'aujourd'hui (Maurice Esteve, Painters of Today), orig...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La Maladrerie sous la neige (The Maladrerie in the Snow), from the album Vlaminck, originates from the 1958 ed...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

This exquisite lithograph after Henri Matisse (1869–1954), titled Mademoiselle M.A. (Miss M.A.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates f...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

This exquisite lithograph after Henri Matisse (1869–1954), titled Madame Greta Moll (Mrs. Greta Moll), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), origin...

This exquisite lithograph after Henri Matisse (1869–1954), titled Auguste Pellerin, from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from the 1954 ...

Phototype on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition; never framed or matted. Notes: From the volume, La Fleur de Barbe, 1960. Published by Jean Dubu...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La moisson (The Harvest), from the album Vlaminck, originates from the 1958 edition published by Andre Sauret,...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 142, 1964. Published by Aimé Maeght, Éditeur, Paris; pr...

This exquisite lithograph by Hans Jean Arp (1886–1966), titled Composition sur fond bleu (Composition on a Blue Background), from the folio Derriere le miroir, L’art abstrait, No. 21...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with quadfold, as issued. Notes: From Derrière le miroir, N° 161, 1966. Published by Aimé ...

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

This exquisite lithograph by Bram van Velde (1895–1981), titled Formulaire bleu (Blue Form), from the folio Derriere le miroir, No. 43, originates from the 1952 edition published by ...

This exquisite lithograph by Marino Marini (1901–1980), titled Miracolo (Miracle), from the album XXe Siecle, Nouvelle serie, XXXII Annee No. 35, Decembre 1970, originates from the 1...

This exquisite lithograph after Henri Matisse (1869–1954), titled Mlle X (Miss X), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from the 1954 e...

This exquisite etching after Joan Miro (1893–1983), titled L'Aigrette (The Egret), from the folio Derriere le miroir, 10 Ans d'Edition 1946–1956, No. 92–93, originates from the 1956 ...

This exquisite lithograph after Alberto Giacometti (1901–1966), titled Femme assise (Seated Woman), from the folio Derriere le miroir, No. 65, originates from the 1954 edition publis...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sabot et le bonnet phrygien (Clog and Phrygian Cap), originates from the historic 1963 folio Derriere le Miroir, No....

This exquisite heliogravure after Maurice Esteve (1904–2001), titled Le Faucheur (The Reaper), from the folio Maurice Esteve, Peintres d'aujourd'hui (Maurice Esteve, Painters of Toda...

This exquisite lithograph by Alexander Calder (1898–1976), titled Composition aux Cercles (Composition with Circles), from the folio Derri...

This exquisite lithograph after Henri Matisse (1869–1954), titled Les deux Soeurs (The Two Sisters), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originat...

This exquisite lithograph by Andre Masson (1896–1987), titled Le Labyrinthe (The Labyrinth), from the album XXe Siecle, Nouvelle serie, XXXIe Annee No. 32, Juin 1969, originates from...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph IX, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel, N...

This exquisite lithograph after Henri Matisse (1869–1954), titled Tete blanche et rose (White and Pink Head), from the album Portraits par Henri Matisse (Portraits by Henri Matisse),...

This exquisite lithograph by Henri Matisse (1869–1954), titled Symphonie chromatique (Chromatic Symphony), from Verve, Revue Artistique et Litteraire, Vol. II, No. 8, originates from...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Sans Titre (Untitled), originates from the 1953 folio Derriere le Miroir, Nos. 60–61, published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris. This plate pays homage to the artist’s groundbreaking geometric abstraction and his profound influence on postwar modernism. Through precise form and rhythmic structure, Sans Titre captures the musicality and spiritual dynamism that defined Kandinsky’s mature visual language, balancing intuitive movement with mathematical harmony. Executed on velin paper, this lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Signed in the plate and unnumbered, as issued. The edition reflects the exceptional quality and craftsmanship of the Maeght and Mourlot collaborations, honoring Kandinsky’s legacy in fine art printing. Artwork Details: Artist: After Wassily Kandinsky (1866–1944) Title: Sans Titre (Untitled), from Derriere le Miroir, Nos. 60–61, 1953 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued Inscription: Signed in the plate and unnumbered, as issued Date: 1953 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1953 folio Derriere le Miroir, Nos. 60–61, published by Maeght Editeur, Paris About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Wassily Kandinsky (1866–1944) was a Russian-born painter, theorist, and pioneer of abstract art whose revolutionary vision transformed 20th-century modernism. Regarded as one of the first artists to create purely nonobjective paintings, Kandinsky sought to express inner emotion and spirituality through color, rhythm, and form, believing that art could evoke the same universal harmony as music. His groundbreaking theories on abstraction and the “spiritual in art” shaped the foundation of modern aesthetics and influenced generations of artists worldwide. Closely associated with the Bauhaus movement, he developed a dynamic visual language that combined geometry and lyricism, bridging intuition and intellect. Kandinsky’s legacy resonates alongside the innovations of Pablo Picasso, Henri Matisse, Alexander Calder, Georges Braque, Marc Chagall, Alberto Giacometti, Salvador Dali, Joan Miro, Marcel Duchamp, and Man Ray—artists who, like him, redefined the possibilities of modern art. His works are represented in the world’s leading museums, including MoMA, the Guggenheim, the Centre Pompidou, and the Tate, and remain among the most coveted by collectors globally. The highest price ever paid for a Wassily Kandinsky artwork is approximately $45.6 million USD, achieved in 2017 at Christie’s London for Bild mit weissen Linien (Painting with White Lines) (1913). Wassily Kandinsky Sans Titre, Kandinsky Derriere le Miroir, Kandinsky Maeght Editeur Paris, Kandinsky Mourlot Freres, Kandinsky 1953 edition, Kandinsky lithograph...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Charles Baudelaire, from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from the 1...