The Hamptons - Abstract Prints

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Lit (The Bed), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogne, Bibliotheque de l'Arsenal (Ms. n...

This exquisite lithograph by Joan Miro (1893–1983), titled Les geants (The Giants), from the folio Derriere le miroir, No. 139–140, originates from the 1963 edition published by Maeg...

This exquisite lithograph by Joan Miro (1893–1983), titled Le scarabee sacre (The Sacred Scarab), from the folio Derriere le miroir, No. 139–140, originates from the 1963 edition pub...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie E, var. 5 (Series E, Variation 5), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph by Andre Masson (1896–1987), titled Le Soleil (The Sun), from Verve, Revue Artistique et Litteraire, Vol. I, No. 2, originates from the 1938 issue published...

This exquisite lithograph by Joan Miro (1893–1983), titled Figure noire sur fond bleu et Composition avec formules chimiques (Black Figure on Blue Background and Composition with Che...

This exquisite lithograph by Joan Miro (1893–1983), titled Empreinte de main sur fond jaune (Handprint on Yellow Background), from the folio Derriere le miroir, No. 87–89, originates...

This exquisite lithograph by Joan Miro (1893–1983), titled La femme dans la nuit (The Woman in the Night), from the folio Derriere le miroir, No. 139–140, originates from the 1963 ed...

This exquisite lithograph by Georges Braque (1882–1963), titled Zelos, from the folio Derriere le miroir, No. 36-37-38, originates from the 1951 edition published by Maeght Editeur, ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie A, var. 5 (Series A, Variation 5), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie E, var. 7 (Series E, Variation 7), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Grun (Green), from the folio Derriere le miroir, No. 101–103, originates from the 1957 edition published by Maeg...

Lithograph on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: Published by The Collector's Guild Ltd., New York in association with Th...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, In Memory of My Feelings,...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Douze formes (Twelve Forms), from the folio Derriere le miroir, No. 101–103, originates from the 1957 edition pu...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Schwarz und Weiss (Black and White), from the folio Derriere le miroir, No. 77–78, originates from the 1955 edit...

This exquisite heliogravure by Joan Miro (1893–1983), titled Femme Assise III/V (Seated Woman III/V), from the folio Joan Miro, Femmes (Women), originates from the 1965 edition publi...

This exquisite lithograph after Alberto Giacometti (1901–1966), titled L'Atelier VII (The Studio VII), from the folio Derriere le miroir, No. 98, originates from the 1957 edition pub...

This exquisite lithograph after Alberto Giacometti (1901–1966), titled Femme assise, profil gauche et Femme assise, les mains croisees (Seated Woman, Left Profile and Seated Woman, H...

This exquisite lithograph after Alberto Giacometti (1901–1966), titled L'Atelier V (The Studio V), from the folio Derriere le miroir, No. 98, originates from the 1957 edition publish...

This exquisite lithograph after Alberto Giacometti (1901–1966), titled Tete d'homme (Head of Man), from the folio Derriere le miroir, No. 127, originates from the 1961 edition publis...

This exquisite lithograph after Alberto Giacometti (1901–1966), titled Femme debout (Standing Woman), from the folio Derriere le miroir, No. 127, originates from the 1961 edition pub...

This exquisite lithograph after Alberto Giacometti (1901–1966), titled Femme debout et Tete d'homme (Standing Woman and Head of Man), from the folio Derriere le miroir, No. 127, orig...

This exquisite lithograph after Alberto Giacometti (1901–1966), titled Femme assise, les mains croisees (Seated Woman, Hands Crossed), from the folio Derriere le miroir, No. 127, ori...

This exquisite lithograph after Alberto Giacometti (1901–1966), titled Femme assise, profil gauche (Seated Woman, Left Profile), from the folio Derriere le miroir, No. 127, originate...

This exquisite lithograph after Alberto Giacometti (1901–1966), titled Deux natures mortes (Two Still Lifes), from the folio Derriere le miroir, No. 65, originates from the 1954 edit...

This exquisite lithograph after Alberto Giacometti (1901–1966), titled La chaise (The Chair), from the folio Derriere le miroir, No. 65, originates from the 1954 edition published by...

This exquisite lithograph by Jean Bazaine (1904–2001), titled Mosaique (Mosaic), from the folio Derriere le miroir, No. 36-37-38, originates from the 1951 edition published by Maeght...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Grand Parade sur Fond Rouge (Grand Parade on Red Background), from the folio Contrastes, 13 Aquarelles, ...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 29–30, originates from the 1950 edition published by Maeght E...

This exquisite woodcut by Hans Jean Arp (1886–1966), titled Bleue et blanche (Blue and White), from the folio Derriere le miroir, No. 33, originates from the 1950 edition published b...

This exquisite lithograph by Alexander Calder (1898–1976), titled Forme Noire et Composition Rouge et Jaune (Black Form and Red and Yellow Composition), from the folio Derriere le mi...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie L, var. 11 (Series L, Variation 11), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Th...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph III, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel, ...

This exquisite lithograph after Juan Gris (1887–1927), titled La Lampe (The Lamp), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), originates from the 1955 edit...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 156, originates from the 1966 edition published by Mae...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph II, from the album Joan Miro Lithographs, Volume IV 1969–1972, originates from the 1981 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, August 31, 1981. Lithograph II reflects Miros poetic mastery of line, movement, and color, capturing his lifelong pursuit of visual rhythm and lyrical abstraction. Combining spontaneity and control, this composition embodies Miros signature balance of playful geometry and poetic energy—translating instinct and imagination into a harmonious field of motion and light. Executed as a lithograph on velin paper, this work measures 12.5 x 9.625 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship and technical mastery of Mourlot Freres, Paris, one of the foremost printmaking ateliers of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Lithograph II, from the album Joan Miro Lithographs, Volume IV 1969–1972, 1981 Medium: Lithograph on velin paper Dimensions: 12.5 x 9.625 inches (31.8 x 24.4 cm) Inscription: Unsigned and unnumbered as issued Date: 1981 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne Des Livres Illustres. P. Cramer, 1989, illustration 249. Miro, Joan, and Patrick Cramer. Joan Miro: VI 1976–1981. Maeght, 1992, illustration 1256. Condition: Well preserved, consistent with age and medium Provenance: From the album Joan Miro Lithographs, Volume IV 1969–1972, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, August 31, 1981 Notes: Excerpted from the album, Final printing in Paris on 31 August 1981 at Imprimerte Moderne du Lion. The wide margin lithographs as well as the supplementary lithographs were printed by the Mourlot press. Documentation: Brigitte Videcoq. I̅V̅ examples of this English language edition, numbered I- I̅V̅, have been printed. A deluxe edition of CL examples, numbered I- CL, with two additional original lithographs signed by Joan Miro, and LXXX suites, numbered I-LXXX, containing the VIII original lithographs on velin with wide margins and with each lithograph signed by the artist, have also been printed. About the Publication: Joan Miro Lithographs, Volume IV 1969–1972, published in 1981 by Maeght Editeur, Paris, represents the culminating volume of the definitive four-part catalogue series devoted to Miros original lithographs. Printed by Mourlot Freres and completed on August 31, 1981, the volume documents the final phase of Miros printmaking career, uniting eight original lithographs with scholarly commentary and documentation compiled by Brigitte Videcoq. The album exemplifies the collaboration between Miro and the renowned Maeght and Mourlot workshops, which together set the benchmark for 20th-century fine art lithography. Each plate embodies Miros mastery of line, gesture, and chromatic resonance, capturing the dynamic interplay between intuition and structure that defines his late work. As both a visual record and an aesthetic testament, Volume IV serves as a culmination of decades of creative partnership between Miro and his printers, reflecting a synthesis of technical innovation, lyrical freedom, and poetic abstraction that continues to inspire collectors and scholars worldwide. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sotheby's, London, on June 19, 2012. Joan Miro Lithograph II...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph X, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel, Ne...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph III, from the album Joan Miro Lithographs, Volume III 1964–1969, originates from the 1977 edition published by M...

This exquisite four color process archival pigment print after George Condo (born 1957), titled Compression II, from the folio George Condo, Drawing Paintings, originates from the 20...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph III, from the album Joan Miro Lithographs, Volume IV 1969–1972, originates from the 1981 edition published by Ma...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie V, var. 7 (Series V, Variation 7), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Les Amoureux (The Lovers), from the folio Contrastes, 13 Aquarelles, Gouache, Lavis, Crayon (Contrasts, ...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition, with centerfold, as issued. Notes: From the folio, Une Aventure méthodique, 1950; published ...

This exquisite lithograph by Joan Miro (1893–1983), titled Couleurs a l'improviste (Colors Improvised), originates from the 1971 folio Derriere le Miroir, No. 193-194, octobre-novemb...

This exquisite heliogravure by Joan Miro (1893–1983), titled Femme et Oiseau X/X (Woman and Bird X/X), from the folio Joan Miro, Femmes (Women), originates from the 1965 edition publ...

Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

This exquisite lithograph after Fernand Leger (1881–1955), titled Le Paravent (The Screen), from the folio Derriere le miroir, No. 107–108–109, originates from the 1958 edition publi...

This exquisite lithograph by Marc Chagall (1887–1985), titled Les Amoureux en gris (The Lovers in Gray), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogne, Bibliotheque de l'Arsenal (Ms. no. 5193) (Tales of Boccaccio, Paintings from the Manuscript of the Dukes of Burgundy, Library of the Arsenal), Lavis de Marc Chagall, from Verve, Revue Artistique et Litteraire, Vol. VI, No. 24, originates from the 1950 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Draeger Freres, Maitres-Imprimeurs, Paris, 1950. This tender and poetic composition captures Chagall’s timeless fascination with love, memory, and the dreamlike interplay of human emotion. Les Amoureux en gris embodies the artist’s lyrical synthesis of intimacy and imagination, rendered with the delicate tonal subtlety and symbolic depth that characterize his finest graphic works. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches. Unsigned and unnumbered as issued. The edition exemplifies the exquisite craftsmanship of the Draeger Freres atelier, celebrated for its precision and tonal richness in printing fine artworks. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Les Amoureux en gris (The Lovers in Gray), from Contes de Boccace (Tales of Boccaccio), Verve, Revue Artistique et Litteraire, Vol. VI, No. 24, 1950 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches Inscription: Unsigned and unnumbered as issued Date: 1950 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Draeger Freres, Maitres-Imprimeurs, Paris Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. VI, No. 24, published by Editions de la revue Verve, Paris, 1950 Notes: Excerpted from the album (translated from French), This Verve issue contains the lavis that Marc Chagall composed to illustrate Tales of Boccaccio's Decameron and the paintings on the same theme of the Manuscript of the Dukes of Burgundy preserved in the Arsenal Library. Marc Chagall executed the cover of this work which was completed printing on April 20, 1950 on the presses of Maitres-Imprimeurs, the Draeger Freres. About the Publication: This 1950 issue of Verve, Revue Artistique et Litteraire, titled Contes de Boccace (Tales of Boccaccio), was devoted to the great Italian humanist Giovanni Boccaccio and illuminated manuscripts from the 15th century, interpreted and revived through the eyes of modern artists. Under the artistic direction of Teriade, Marc Chagall contributed a series of lyrical paintings and lavis that reimagined these Renaissance themes with his signature dreamlike color, tenderness, and spiritual symbolism. The issue juxtaposed Chagall’s contemporary vision with the rich heritage of medieval illumination, bridging centuries of artistic imagination. Printed by the master craftsmen of Draeger Freres, the publication stands as a testament to Verve’s tradition of uniting art, literature, and history in one luxurious volume that celebrates the continuity of human creativity from the Middle Ages to modernity. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Les Amoureux...

This exquisite lithograph by Marc Chagall (1887–1985), titled Les Oiseaux (The Birds), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogne, Bibliotheque de l'Arsenal...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 161, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

This exquisite lithograph by Marc Chagall (1887–1985), titled L’Acrobate (The Acrobat), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogne, Bibliotheque de l'Arsena...

This exquisite lithograph by Marc Chagall (1887–1985), titled La Femme au Comptoir (The Woman at the Counter), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogne, B...

This exquisite lithograph by Marc Chagall (1887–1985), titled Les Chevaux et les Nus (The Horses and the Nudes), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogne,...

This exquisite lithograph after Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Tapis De Tarragona, illustrations, Joan Miro (Tarragona Tapestry, Illustrations), ...

This exquisite lithograph by Abraham Rattner (1895–1978), titled L'automne (Autumn), from Verve, Revue Artistique et Litteraire, Vol. I, No. 3, originates from the 1938 issue publish...

Lithograph on vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Poêmes insoumis, 1963. Published by Marc Barbezat, Paris; ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...