The Hamptons - Abstract Prints

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie H, var. 2 (Series H, Variation 2), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie H, var. 4 (Series H, Variation 4), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie F, var. 8 (Series F, Variation 8), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie D, var. 9 (Series D, Variation 9), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie C, var. 2 (Series C, Variation 2), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie B, var. 7 (Series B, Variation 7), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie B, var. 4 (Series B, Variation 4), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie B, var. 6 (Series B, Variation 6), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie A, var. 1 (Series A, Variation 1), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Ediciones Polígrafa, Redfern Gallery, 1979. Published by Redfern Gallery, London...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Schweres Rot (Heavy Red), from the folio Derriere le miroir, No. 118, originates from the 1960 edition published...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 171, 1968. Published by Aim...

This exquisite engraving by Andre Masson (1896–1987), titled Sans titre (Untitled), from the folio Le septieme chant, la mort d'Isidore Ducasse, Jeudi 24 Bovembre 1870, 7 Rue du Faub...

Etching on vélin cuve de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Feuilles éparses, 1965. Published and printed by Louis B...

This exquisite heliogravure by Joan Miro (1893–1983), titled Femme Assise I/II (Seated Woman I/II), from the folio Joan Miro, Femmes (Women), originates from the 1965 edition publish...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 168, 1967. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 252, 1982. Published by Aim...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects, 1951-1952. Published by Curt V...

Original Edition Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: Executed in 1950 and issued as the frontispiece of the Picasso Lithographe II...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 121-122, 1960. Published by...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 251, 1980. Published by Aimé Maeght, Éditeur, Paris; pr...

Linocut on vélin vergé ancien paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Pougny, dix linogravures originales, 1964. Published by Au Vent d'Arle...

Lithograph on vélin Chiffon de Mandeure paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Lithographies et Eaux-Fortes Originales, Livres Illustres Or...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Judith, Tragödie in Drei Akten, Lithographien von Max Ernst und Dorothe...

Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Nature morte au buste (Still Life with Bust), from the folio Contrastes, 13 Aquarelles, Gouache, Lavis, ...

This exquisite silkscreen by Robert Indiana (1928–2018), titled Eternal Hexagon, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadsworth Atheneum Museum of Art, Hartford, and printed by Sirocco Screenprints, Inc., North Haven, in Eternal Hexagon, Indiana channels the crisp geometry, hard-edged clarity, and bold typographic immediacy that define his mature style, merging symbolic abstraction with a visual language rooted in American signage, industrial aesthetics, and modernist form. Executed as a silkscreen on Mohawk Superfine Bristol paper, this work measures 20 x 24 inches. Unsigned and unnumbered as issued. Printed by Sirocco Screenprints, Inc., North Haven, one of the most capable American screenprinting ateliers of the mid-20th century. Artwork Details: Artist: Robert Indiana (1928–2018) Title: Eternal Hexagon, from X + X (Ten Works by Ten Painters), 1964 Medium: Silkscreen on Mohawk Superfine Bristol paper Dimensions: 20 x 24 inches (50.8 x 60.96 cm) Inscription: Unsigned and unnumbered as issued Date: 1964 Publisher: Wadsworth Atheneum Museum of Art, Hartford Printer: Sirocco Screenprints, Inc., North Haven Edition: D Catalogue raisonne reference: Sheehan, Susan, et al. Robert Indiana Prints: A Catalogue Raisonne, 1951–1991. Susan Sheehan Gallery, 1991, No. 33. Condition: Well preserved, consistent with age and medium Provenance: From the 1964 folio X + X (Ten Works by Ten Painters), published by the Wadsworth Atheneum Museum of Art, Hartford Notes: Excerpted from the folio, This portfolio was commissioned and printed in an attempt to extend as much of the visual impact as possible of ten artists to paper and to make these prints available to collectors who might not otherwise have such a vivid slice of the artist. The dry surface of screening seemed to be most apt to translate the effect of their painting, both the flatness which is the unifying bond between the ten, and the insistance of paint on the surface of canvas so like the visible heft of ink on paper here. Samuel J. Wagstaff, Jr., Curator of Printings. About the Publication: X + X (Ten Works by Ten Painters), published in 1964 by the Wadsworth Atheneum Museum of Art in Hartford, stands as one of the most ambitious and influential printmaking endeavors of postwar American art. Conceived under the direction of curator Samuel J. Wagstaff, Jr., the project sought to capture and translate the defining visual languages of ten leading American painters of the era—Stuart Davis, Ellsworth Kelly, Robert Indiana, Adolph Gottlieb, George Ortman, Larry Poons, Richard Anuszkiewicz, Frank Stella, Andy Warhol, and Roy Lichtenstein—into original silkscreens. Each artwork was created as an autonomous work that embodied the formal, chromatic, and conceptual principles of its respective artist. The choice of silkscreen printing, executed by Sirocco Screenprints, Inc., was central to the portfolio’s purpose: its dry, matte surface and capacity for crisp, saturated color allowed for a faithful translation of the painters’ flatness, surface tension, optical effects, and graphic precision. Organized and published by a major American museum at a moment of seismic change in contemporary art, X + X marked a turning point in institutional engagement with editioned works, representing one of the first concerted efforts by a museum to commission an ensemble of original graphics from the leading figures of its time. The portfolio captured the pulse of 1960s American painting—from Hard-Edge abstraction to Pop, Op, and Color Field—offering both a curated snapshot of artistic innovation and an accessible format that expanded the audience for contemporary art. Today, X + X is widely regarded as a landmark in American printmaking, celebrated for its curatorial vision, technical accomplishment, and its role in defining the dialogue between museum patronage and the burgeoning print culture of the 1960s. About the Artist: Robert Indiana (1928–2018) was a pioneering American painter, printmaker, and sculptor whose bold fusion of text, color, and hard edged geometry helped define Pop Art and positioned him within a powerful lineage extending from Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, synthesizing the conceptual daring of early modernism with the visual immediacy of postwar American culture; emerging in 1960s New York as a leading voice of the Pop generation, Indiana transformed the language of commercial signage, roadside Americana, billboards, typography, and industrial stenciling into emotionally charged meditations on identity, patriotism, desire, labor, migration, and national mythology, and his seminal LOVE image first conceived in 1965 for the Museum of Modern Art’s Christmas card became one of the most influential and widely disseminated works of the 20th century, cementing his global legacy while his broader oeuvre explored political history, the Vietnam War, the civil rights movement, and autobiographical narratives tied to his industrial Midwest upbringing; influenced by the structural clarity of Calder, the conceptual provocations of Duchamp, the spiritual abstraction of Kandinsky, the surreal wit of Miro, and the experimental boldness of Man Ray, Indiana moved alongside Pop and contemporary luminaries such as Andy Warhol, Roy Lichtenstein, James Rosenquist, Claes Oldenburg, and Tom Wesselmann, all while forging a distinct voice that elevated language into monumental sculpture and emotional architecture, shaping later generations of artists including Jenny Holzer, Barbara Kruger, Ed Ruscha, Glenn Ligon, Tracey Emin, and Martin Creed, and earning placement in the world’s foremost museums MoMA, the Metropolitan Museum of Art, the Whitney Museum of American Art, the Guggenheim Museum, the National Gallery of Art, LACMA, the Philadelphia Museum of Art, the Tate Modern, and others culminating in his highest auction record on May 15, 2019, when LOVE (Red/Blue) (1966–1999) sold for 4,112,000 USD at Christies New York. Robert Indiana silkscreen...

This exquisite lithograph by Fernand Leger (1881–1955), titled Matinee d'ivresse (Morning of Drunkenness), originates from the 1949 folio Les Illuminations, lithographies originales ...

This exquisite lithograph after Andre Derain (1880–1954), titled Sans titre (Untitled), originates from the 1957 folio Derriere le miroir, No. 94–95. Published by Maeght Editeur, Par...

Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacre aux Pap...

Phototype on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition; never framed or matted. Notes: From the volume, La Fleur de Barbe, 1960. Published by Jean Dubu...

This exquisite lithograph by Joan Miro (1893–1983), titled La Melodie acide (The Acid Melody), from the folio 14 original lithographs by Joan Miro "La Melodie acide" (The Acid Melody...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects, 1951-1952. Published by Curt V...

This exquisite lithograph after Georges Rouault (1871–1958), titled Portrait (Portrait), from the album Douze Contemporains (Twelve Contemporaries), originates from the 1959 edition ...

Etching on vélin cuve de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Feuilles éparses, 1965. Published and printed by Louis B...

This exquisite lithograph and pochoir after Jacques Villon (1875–1963), titled En colere (In Anger), from the album Douze Contemporains (Twelve Contemporaries), originates from the 1...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Engraving on vélin papier à la cuve du Moulin Richard de Bas paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, L'amour du plus lointain, neuf gravures...

This exquisite lithograph after Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Tapis De Tarragona (Tarragona Tapestry), illustrations, Joan Miro, 1972, originate...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 171, 1968. Published by Aimé Maeght, Éditeur, Paris; pr...

This exquisite lithograph after Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Tapis De Tarragona (Tarragona Tapestry), illustrations, Joan Miro, 1972, originate...

Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacre a Pierre Reverdy et Georges Braque,...

Lithograph on Auvergne du Moulin Richard de Bas filigrané paper. Inscription: Watermarked with the artist's signature and unnumbered, as issued. Good condition. Notes: From the folio...

This exquisite lithograph by Joan Miro (1893–1983), titled Loiseau rouge (The Red Bird), originates from the April 1961 folio Derriere le Miroir, No. 125-126, published by Maeght Edi...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 30 (Plate No. 30), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...

Lithograph on vélin Chiffon de Mandeure paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Lithographies et Eaux-Fortes Originales, Livres Illustres Or...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 5 (Plate No. 5), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositions...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Engraving on vélin papier à la cuve du Moulin Richard de Bas paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, L'amour du plus lointain, neuf gravures...

Linocut on vélin vergé ancien paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Pougny, dix linogravures originales, 1964. Published by Au Vent d'Arle...

This exquisite lithograph by Joan Miro (1893–1983), titled L'Oiseau s'envole (The Bird Takes Flight), from the folio Derriere le miroir, No. 186, originates from the 1970 edition pub...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 121-122, 1960. Published by Aimé Maeght, Éditeur, Paris...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 40 (Plate No. 40), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...

Lithograph on vélin Chiffon de Mandeure paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Lithographies et Eaux-Fortes Originales, Livres Illustres Or...

Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Une Étoile de Craie, seize lithographies originales par An...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Etude pour le Fumeur (Study for The Smoker), from the folio Contrastes, 13 Aquarelles, Gouache, Lavis, C...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 171, 1968. Published by Aim...

Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacre a Pierre Reverdy et Georges Braque,...

Etching on vélin cuve de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Feuilles éparses, 1965. Published and printed by Louis B...