The Hamptons - Landscape Prints

This exquisite heliogravure after Andre Lanskoy (1902–1976), titled Les briques volantes (The Flying Bricks), from the folio Andre Lanskoy, Peintres d'aujourd'hui (Andre Lanskoy, Pai...

This exquisite lithograph by Marie Laurencin (1883–1956), titled Alice dans la piscine des larmes (Alice in the Pool of Tears), from the folio Les aventures d'Alice au pays des merve...

This exquisite heliogravure after Andre Lanskoy (1902–1976), titled Ville fantome (Ghost City), from the folio Andre Lanskoy, Peintres d'aujourd'hui (Andre Lanskoy, Painters of Today...

This exquisite lithograph by Willem de Kooning (1904–1997), titled Untitled, from the folio Poems, originates from the 1988 edition published by The Limited Editions Club, New York, ...

This exquisite heliogravure after Hans Hartung (1904–1989), titled P. 1958-10, from the folio Hans Hartung, Peintres d'aujourd'hui (Hans Hartung, Painters of Today), originates from ...

This exquisite heliogravure after Hans Hartung (1904–1989), titled P. 1957-81, from the folio Hans Hartung, Peintres d'aujourd'hui (Hans Hartung, Painters of Today), originates from ...

This exquisite heliogravure after Andre Lanskoy (1902–1976), titled Chagrins inutiles (Useless Sorrows), from the folio Andre Lanskoy, Peintres d'aujourd'hui (Andre Lanskoy, Painters...

This exquisite etching by Marie Laurencin (1883–1956), titled Jeune femme et son fils (Young Woman and Her Son), from the album Antares, eaux-fortes originales de Marie Laurencin (An...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 160, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph IV, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel, N...

Etching in colors on Somerset vélin paper. Paper Size: 20 x 23 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Music, Deep Rivers in My Soul, 2003. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengili, Hinsdale, 2003. Excerpted from the folio, This edition of Music, Deep Rivers in my Soul consists of CD examples printed on Somerset paper. Dan Carr and Julia Ferrari designed the typography. Cast the Spectrum and Romulus type in metal, handset the type and printed the text at Golgonooza Letter Foundry and Press in Ashuelot, New Hampshire. The color etchings were printed by hand on Somerset paper by Peter Pettengili at Wingate Studio in Hinsdale, New Hampshire. DEAN MITCHELL...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

This exquisite heliogravure after Nicolas de Stael (1914–1955), titled Sans titre (Untitled), from the folio Nicolas de Stael, Peintres d'aujourd'hui (Nicolas de Stael, Painters of T...

This exquisite lithograph, titled Sans titre, after Leonor Fini, from the folio L'Histoire d'O (The Story of O), 1962, was published and printed by La Compagnie des Vibliophiles, au ...

This exquisite lithograph and pochoir by Victor Vasarely (1906–1997), titled Pamir (Pamir), from the album XXe Siecle, Nouvelle serie, XXe Annee, No. 10 (double), Mars 1958, originat...

This exquisite lithograph by Marc Chagall (1887–1985), titled David sauve par Michal (David Saved by Michal), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve...

This exquisite lithograph by Marino Marini (1901–1980), titled Le Sacre du Printemps (The Rite of Spring), from the album XXe Siecle, Annee No. 40, Juin 1973, originates from the 197...

This exquisite heliogravure after Maria Helena Vieira da Silva (1908–1992), titled Port dans le Nord (Port in the North), from the folio Vieira da Silva, Peintres d'aujourd'hui (Viei...

This exquisite heliogravure after Maurice Esteve (1904–2001), titled Arabesque de la nuit (Arabesque of the Night), from the folio Maurice Esteve, Peintres d'aujourd'hui (Maurice Est...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Etude pour La Partie de Cartes (Study for The Card Game), from the album Fernand Leger, Dessins de Guerr...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacré à Jean-P...

This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun fronti...

This exquisite heliogravure after Maurice Esteve (1904–2001), titled Sioule (Sioule), from the folio Maurice Esteve, Peintres d'aujourd'hui (Maurice Esteve, Painters of Today), origi...

This exquisite lithograph and pochoir by Max Ernst (1891–1976), titled La femme 100 tetes (The Woman with 100 Heads), from the album XXe Siecle, Nouvelle serie, XXe Annee, No. 10 (double) Mars 1958, originates from the 1958 edition published by Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Atelier Daniel Jacomet et Cie, Paris, 1958. La femme 100 tetes reflects Ernsts distinctive synthesis of dream logic, visual poetry, and psychological transformation during one of the most influential periods of his Surrealist production. Executed as a lithograph and pochoir on velin paper, this work measures 12.5 x 9.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Atelier Daniel Jacomet et Cie, Paris. Artwork Details: Artist: Max Ernst (1891–1976) Title: La femme 100 tetes (The Woman with 100 Heads) Medium: Lithograph and pochoir on velin paper Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm) Inscription: Unsigned and unnumbered as issued Date: 1958 Publisher: Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Atelier Daniel Jacomet et Cie, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, Nouvelle serie, XXe Annee, No. 10 (double) Mars 1958, published by Societe Internationale dArt XXe Siecle, Paris; printed by Atelier Daniel Jacomet et Cie, Paris, 1958 About the Publication: Gualtieri di San Lazzaros XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs and woodcuts printed by the foremost ateliers of Paris, Milan, and New York, including Mourlot, Curwen, and Amilcare Pizzi, creating a uniquely rich dialogue between text and image. The 1960 issue, XXe Siecle, Nouvelle serie, No. 14, showcased Daphnis et Chloe, one of Chagalls most celebrated lithographic subjects, coinciding with his work on the monumental suite of lithographs inspired by the same pastoral tale, published by Teriade. Through this publication, San Lazzaro further cemented Chagalls reputation as the modern poet of color and love, uniting myth, nature, and emotion in visual form. Today, XXe Siecle remains an essential record of 20th century modernism, celebrated for its seamless integration of fine art, literature, and design. About the Artist: Max Ernst (1891–1976) was a German-French painter, sculptor, printmaker, and poet whose groundbreaking imagination and experimental techniques made him one of the most revolutionary figures of 20th century art, a founding member of both Dada and Surrealism who dismantled traditional notions of art through chance, dream imagery, and psychological exploration; born in Bruhl, Germany, he studied philosophy and psychology at the University of Bonn before rejecting academic convention to pursue art, inspired by Symbolism, Cubism, and the early abstractions of Pablo Picasso and Wassily Kandinsky; after the trauma of World War I propelled him toward the Dada movement in Cologne, he began creating seminal collages that fused scientific diagrams and Victorian engravings into surreal dreamscapes; by 1922 he had moved to Paris and joined a circle of avant-garde luminaries including Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Marcel Duchamp, Man Ray, and Andre Breton, each of whom shared his fascination with the irrational and the unseen; Ernsts invention of frottage (rubbing) and grattage (scraping) revolutionized modern painting, revealing textures and hidden images below the surface and allowing chance to participate in creation; his visionary paintings—from The Elephant Celebes and Two Children Are Threatened by a Nightingale to Europe After the Rain II—blend myth, science, and dream into symbolic landscapes that remain among the defining masterpieces of Surrealism; a restless innovator, he expanded into sculpture with enigmatic totemic forms such as Capricorne, echoing the equilibrium of Calders mobiles and the conceptual wit of Duchamp; fleeing Nazi-occupied France during World War II, he emigrated to the United States with the support of Peggy Guggenheim, influencing Abstract Expressionists including Jackson Pollock, Robert Motherwell, and Willem de Kooning before returning to Europe to refine his poetic, alchemical approach to art; represented in MoMA, the Tate, the Centre Pompidou, and major museums worldwide, Ernst remains a cornerstone of modern art whose legacy continues to influence generations of artists. His highest auction record was achieved by Le roi jouant avec la reine (The King Playing with the Queen) (1944), which sold for approximately 24.4 million USD at Christies New York in November 2022. Max Ernst XXe Siecle 1958, Max Ernst lithograph...

This exquisite lithograph by Joan Miro (1893–1983), titled La danseuse espagnole (The Spanish Dancer), from the folio Derriere le miroir, No. 139–140, originates from the 1963 editio...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Le torero blesse (The Wounded Bullfighter), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithograph...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 247, 1981. Published by Aimé Maeght, Éditeur, Paris; pr...

This exquisite lithograph after Jean Cocteau (1889–1963), titled El Cordobes (The Cordobes), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Jean Coctea...

This exquisite lithograph by Franco Gentilini (1909–1981), titled Testa di fanciulla (Head of a Young Girl), from the album XXe siecle, Nouvelle serie, XL Annee, No. 50, originates f...

This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun frontispice et accompagne de 17 dessins de Jean Cocteau (preceded by a frontispiece and accompanied by 17 drawings by Jean Cocteau), originates from the 1930 edition published by Editions du Signe, Paris, printed by Maitres-Imprimeurs, Ducros et Colas, Paris, and hand colored by M.B. Armington (a probable pseudonym of Jean Cocteau), May 10, 1930. The work reflects Cocteaus mastery of linear elegance and psychological nuance, distilling intimacy, vulnerability, and symbolic clarity into a composition that occupies a pivotal place in early twentieth-century modernism and queer cultural history. Executed as a lithograph and pochoir with hand coloring on velin d'Arches paper, this work measures 11.81 x 9.06 inches. Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Ducros and Colas, Maitres-Imprimeurs, and the exceptional hand-coloring attributed to Cocteau himself. ARTWORK DETAILS Artist: After Jean Cocteau (1889–1963) Title: Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun frontispice et accompagne de 17 dessins de Jean Cocteau (preceded by a frontispiece and accompanied by 17 drawings by Jean Cocteau) Year: 1930 Medium: Lithograph and pochoir with hand coloring on velin d'Arches paper Size: 11.81 x 9.06 inches Inscription: Unsigned and unnumbered, as issued Publisher: Editions du Signe, Paris Printer: Maitres-Imprimeurs, Ducros et Colas, Paris Catalogue Raisonne References: Bezit, Emmanuel. Dictionnaire Critique et Documentaire des Peintres, Sculpteurs, Dessinateurs et Graveurs. Gründ, 1976, vol. 3, p. 744. Carteret, Leon. Le Tresor du Bibliophile: Livres Illustres Modernes, 1875–1945. Editions Carteret, 1958, vol. 5, p. 51. van der Veen, H. In Liefde Verzameld: Homoseksualiteit en de Nederlandse Literatuur. De Buitenkant, 1992, no. 136. Monod, Luc. Manuel de Lamateur de Livres Illustres Modernes: 1875–1975. Ides & Calendes, 1992, no. 2912. Condition: Well preserved, consistent with age and medium Provenance: From the album Le Livre blanc, published by Editions du Signe, Paris; printed by Ducros et Colas, Paris; hand colored by M.B. Armington (a probable pseudonym of Jean Cocteau), May 10, 1930 NOTES Excerpted from the album (translated from French), This album, whose plates have been entirely colored by hand by M.B. Armington, an artist-painter, was completed to print on May 10, 1930, by Ducros and Colas, Maitres-Imprimeurs in Paris. The draw has been limited to: XVIII examples on japon nacre, each containing one of the XVIII original drawings and a suite on Hollande, numbered from I to XVIII; VI examples, H.C., marked from A to F; XVIII examples on japon imperial, numbered from XIX to XXXVI; VI examples, H.C., marked from G to L; CCCLXXX examples on velin d'Arches, numbered from XXXVII to CDXVI; XXII examples, H.C., marked from A to V. ABOUT THE PUBLICATION Le Livre blanc (The White Book), published in 1930 by Editions du Signe with plates printed by Ducros et Colas and hand colored by the enigmatic M.B. Armington (likely Cocteau himself), occupies a singular and foundational place in the history of LGBTQ...

This exquisite lithograph after Fernand Leger (1881–1955), titled Dans le Metro, Paris (In the Metro, Paris), originates from the 1970 folio Fernand Leger mes voyages avec un poeme d...

This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun fronti...

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Regards sur Paris, 1963. Published by André Sauret, Paris;...

This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 106 (Plate 106), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates fro...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

This exquisite lithograph by Joan Miro (1893–1983), titled Le prophete (The Prophet), from the folio Derriere le miroir, No. 139–140, originates from the 1963 edition published by Ma...

This exquisite lithograph by Franco Gentilini (1909–1981), titled Donna e fiori (Woman and Flowers), from the album XXe siecle, Nouvelle serie, XLIIe Annee, No. 55, originates from t...

This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

This exquisite lithograph by Franco Gentilini (1909–1981), titled Testa di paggio (Page’s Head), from the album XXe siecle, Nouvelle serie, XLIIe Annee, No. 55, originates from the 1...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Kathe Kollwitz, Ten Lithographs. Published by Henry C. Kleemann and...

This exquisite lithograph by Andre Masson (1896–1987), titled La Lune (The Moon), from Verve, Revue Artistique et Litteraire, Vol. I, No. 2, originates from the 1938 issue published ...

This exquisite lithograph by Joan Miro (1893–1983), titled L'etoile (The Star), from the folio Derriere le miroir, No. 139–140, originates from the 1963 edition published by Maeght E...

This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 63 (Plate 63), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

This exquisite collotype after Max Ernst (1891–1976), titled Coups de fouet ou ficelles de lave (Whip Lashes or Lava Threads), from the album Max Ernst, Histoire Naturelle (Natural H...

Lithograph on vélin d’Arches 300gm paper. Paper Size: 21.8125 x 18.3125 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, For My People, 1992. Published...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Couple a l'Arbre (The Couple at the Tree), from the album The Lithographs of Chagall, Volume II, originates from the ...

This exquisite woodcut by Hans Jean Arp (1886–1966), titled Relief I (Relief I), from the album XXe Siecle, Nouvelle serie N°4 (double) Janvier 1954, originates from the 1954 edition...

This exquisite lithograph by Georges Braque (1882–1963), titled La Bouteille de Marc (The Bottle of Marc), from the album XXe Siecle, Nouvelle serie N°6 (double) Janvier 1956, origin...

This exquisite lithograph by Willem de Kooning (1904–1997), titled Untitled, from the folio Poems, originates from the 1988 edition published by The Limited Editions Club, New York, ...

This exquisite lithograph by Marc Chagall (1887–1985), titled Isaie (Isaiah), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire...

This exquisite lithograph by Joan Miro (1893–1983), titled Letoile et La femme dans la nuit (The Star and the Woman in the Night), originates from the historic 1966 folio Derriere le...

Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...

Etching on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Published by Éditions Marcel Seheur, Paris; printed by Atelier d'art Paul Haasen, Paris, Septembe...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Gelb-Rot-Blau (Yellow-Red-Blue), from the folio Derriere le miroir, No. 101–103, originates from the 1957 editio...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Reflet (Reflection), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Jean Cocteau), ori...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Clown Amoureux (The Loving Clown), from the album The Lithographs of Chagall, Volume II, originates from the 1963 edi...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph VI, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel, N...

This exquisite lithograph by Alfred Manessier (1911–1993), titled Le Nid, Petite tache noire n°1 (The Nest, Small Black Spot No. 1), from the album XXe Siecle, Nouvelle serie, XXIIe ...

This exquisite lithograph and pochoir after Georges Rouault (1871–1958), titled Le Docte (The Scholar), from the album Georges Rouault, Visages (Faces), originates from the 1969 edit...