Tri-State Area - Abstract Paintings

Ky Anderson Seedling 25.11, 2025 acrylic on watercolor paper 42 x 38 in. (and480) Artist Statement: My work falls somewhere between abstraction, formalism and narrative painting. ...

Syril Frank (American, 1929-2021) Untitled, 1963 Oil on canvas 50 1/4 x 48 x 3/4 in. Dated verso: June 1963 Provenance: Estate of the Artist Syril Harrie...

Diana Kurz Thelo #5, circa 1959 Oil on canvas 22 x 20 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family fled Austria, first to Englan...

This piece is an original acrylic paint on canvas from acclaimed street/graffiti artist Clarence Rich measuring, 7" H x 5" W x .75" D.

This 1960s painting by Modernist artist Stanley Bate is an energetic abstract composition with a warm red and orange palette with small pops of bright blue throughout. The painting i...

American impressionist winter landscape oil painting. Framed. Oil on board. Signed. Image size, 15H by 18L.

This piece is a collaboration between Angel Ortiz, OUI, Chaval and Cindy Shaoul. They began collaborating in 2010 with their iconic "Street Cars" series, depicting cars with Angel's ...

Antique American school modernist landscape oil painting. Oil on canvas. Signed. Framed. Measuring 18 by 21 inches overall. In excellent original condition. Handsomely framed in a ...

This piece depicts an abstract composition with the use of mixed media and bold patterns producing a work that is visually textured and rich with layers, as Owen creates an intricate...

This Modern Abstract Expressionist painting by Stanley Bate is made with gouache on paper. It features a dark palette, with dark charcoal black tones contrasted by yellow and red accents throughout, and large brush strokes. The painting itself is 16" x 54" and measures 17" x 56" x 2" framed. The paper is mounted on board, framed in a black frame under glass. It is not signed by the artist, but has been authenticated by his estate, and is stamped with the estate seal on the back of the painting, and on the back of the frame. It is ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

Abstract Composition Diptych, Mixed Media on Paper, laid on board, overlapping transparent circles with a flock of teardrops, apparently unsigned, unframed. Panel: 24" H x 24" W. Pro...

Very nicely painted American modernist harbor oil painting. Framed. Oil on board. Signed. Image size, 16H by 20L.

Julia Marc, American - Heaven Can Wait, Year: circa 1980, Medium: Acrylic on Canvas, signed lower right, Size: 60 x 48 in. (152.4 x 121.92 cm)

Steve Baris is interested in the interconnections of the built environment and spatial experience. His artwork is a response to a largely overlooked type of landscape that is emerg...

This abstract statement painting by Kelly Rossetti features a cool palette. Tones of muted blue are layered and washed together in large, expressive strokes, with accents of black, w...

Artist: Dan Teis Title: Untitled VI Year: 1979 Medium: Acrylic and Collage on Canvas, Signed l.r. Size: 44 in. x 55 in. (111.76 cm x 139.7 cm)

First explored in the early 1990s, the spin technique has become one of Hirst’s most sought-after and instantly recognizable styles, reflecting his interest in process, color, and th...

Rare Hawaiian landscape of coastal Maui. Oil on canvas. Framed. Signed. Oil on canvas. Image size, 20"H x 24"L.

Vintage American modernist abstract landscape painting. Oil on canvas. Framed in a great gold leaf molding. Impressive piece in person!

Pink Lips, Blue Nails Series: Greenwich Oil Enamel Paint on Canvas 40" x 59" I consider each colored dot to be like a person. You and me and everyone. Together we all make up tha...

"Maelstrom 29" (2018) by Clarence Rich Original acrylic painting on canvas measuring, 6" H x 6" W x 1.5" D From Clarence Rich's Maelstrom series. The artist is a veteran graffiti art...

Vintage signed modernist seascape painting by Gabriel Godard (Born 1933). Oil on canvas. Framed. Signed. Housed in a wide giltwood frame. Thick impasto and wonderful colors. I...

Syril Frank (American, 1929-2021) Untitled, c. 1963 Oil on canvas 44 x 48 in. Provenance: Estate of the Artist Syril Harriet Frank was born in Brooklyn t...

Step into the enigmatic world of abstract art with this captivating original oil painting from 1945. This masterpiece, signed with a mysterious monogram by an unknown artist, embodie...

Painting description: Combining “isms” is what I’m attempting here. Inventive, Dramatic and unique. Robert W. Petrick CarnationsAbex Abex/Impressionism Series Oil on canvas Size (st...

IAN HORNAK (1944–2002) Title: Last Song: Beim Schlafengehen (Going to Sleep) Date: 1985–2001 Medium: Acrylic on Canvas, with Artist Painted Frame Dimensions: 47 x 59 inches (...

Antique European modernist landscape painting. Oil on board, circa 1930. Unsigned. Image size, 20.5L x 17.5H. Housed in a period giltwood frame.

"Atmospheric ambiguity and a love of structure are long-time preoccupations and both are central to my work. Driven by a persistent curiosity to see where the work will lead me, I wo...

Finely painted bright and brilliant cubist winter landscape. Framed nicely and signed lower right. Excellent mid century example.

Dan Parry-Jones – Cornwall Beach Mixed Media on Panel 47.2 x 31.5 in (120 x 80 cm) White frame included In "Cornwall Beach," British contemporary artist Dan Parry-Jones distills th...

This abstract, contemporary painting by Ned Martin features a light, metallic gold palette. Light rectangles are assembled side-by-side in a grid-like pattern, with textured metallic...

Title: Outside I Medium: Oil on canvas Size: 15.5 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is...

This abstract painting features cool grey background and layers of metallic gold throughout. The central abstract form is composed of imperfect shapes placed side by side. The painti...

Biagga (Sea Wind), painted viscose and linen, 67" x 71", 2010. Contemporary Abstract Tapestry Painting, Wall Sculpture. Ulla-Maija Vikman (b. 1943, Oulu, Finland) is a fiber artist w...

Impressive early American modernist abstract oil painting by Louis Wolchonok (1898 - 1973). Framed. Oil on board. Signed. Image size, 24H by 18L.

October (Grid and Flower) 30.0 x 22.5 x 0.03, 0.34 lbs Handmade paper, mixed media Hand signed by artist Artist's Commentary: "Gouache, tempera, and colored pencil on paper From the October Series This series consists of works on paper that I made last October while I was in residence at Penland School of Craft in North Carolina. It was a beautiful time of year and of course I was inspired by the foliage and the leaf color transformation in particular. These drawings/paintings are layered color pencil and paint and there are many layers . These pieces are nature-landscape inspired and the colors create a contrast of vivid pigment with the frosted effect of the paint that is reminiscent of fog in early mornings with the vivid changing colors of the trees." About the Artist: Hollie Heller is a multifaceted artist who divides her time between New York City and Costa Rica. Her masterful works are largely inspired by materials collected on her travels. Heller’s knowledge of design, textiles and weaving allow her to make the most of the materials she finds. Although steeped in said traditional methods of making, she is constantly experimenting and testing the limits of ordinary materials. Heller has been teaching surface design and collage for over twenty years, her students provide a wealth of inspiration for her. Her work is included in many corporate and private collections: Hyatt Hotels in San Antonio, TX, Sarasota, FL, Philadelphia PA, Sedona, AZ; Hilton Hotel in Nashville, TN, Doubletree Hotel in Chicago, IL, Southpark Suites in Charlotte, NC, Westin Hotel in Pittsburgh, PA, Mohegan Sun Casino, CT, Omni Hotels in Atlanta, GA and Orlando FL...

Diana Kurz Untitled, circa 1961 - 1962 Oil on canvas 72 x 58 inches Diana Kurz lives and works in the Soho neighborhood of New York City. She was born in Vienna, Austria and emigra...

Lac Trouser is a colorful mixed media painting. It is oil and pigment on Wood Panel with a high gloss finish. This diptych is 20x40. It is filled with beautiful pinks, white and b...

Bold cubist style abstraction by NYC based designer/artist Fredda Tone

This abstract geometric painting by Ned Martin is made with oil on aluminum and board, and features a cool blue-grey palette. It is signed by the artist on the back of the board and ...

Vintage American modernist landscape abstract painting. Oil on board, circa 1952. Signed. Image size, 21.5"L x 7.5"H. Housed in a period modern frame.

IAN HORNAK (1944–2002) Title: Last Song: Im Abendrot (In Evening’s Glow) Date: 1985–2001 Medium: Acrylic on Canvas, with Artist Painted Frame Dimensions: 47 x 59 inches (119....

This contemporary abstract painting by Teodora Guererra features a light, coastal palette of blue, light grey and off-white. The artist applies thick layers of oil paint in sweeping, horizontal gestures to create a thick, textured surface. The painting is made on gallery wrapped canvas and is wired and ready to hang. Signed by the artist on the back of the canvas. Teodora Guererra’s abstract artistic vision has evolved throughout her years spent painting and teaching in Fairfield County, Connecticut; Tucson, Arizona, and upstate New York. Arizona’s naturally radiant landscape and arid climate led her to experiment with rich under-painting and vivid color; while the shifting seasons of the East Coast inspired Guererra to pursue dripping and staining techniques. Her focus has always been pushing the limits through experimentation with new materials. “As an artist, painting can be tormenting and sublime at the same time," the artist says of her work. "I'm a big risk taker, experimenting with different materials to layer, stain and saturate color on large canvases. My most successful work looks as if it happened all at once. It sometimes takes 7 or more paintings to produce a successful one and then it's a beautiful thing." Guererra received her undergraduate and graduate Art degrees from Southern Connecticut University, The College of Saint Rose and Skidmore College. Guererra’s paintings can be found in public and private collections across the U.S., including the Allmen Health and Wellness Center for Women in New York and SUNY Brockport, NY, William & Sonoma, San Francisco, CA. Her influences are Pat Steir, John McCracken, Helen Frankenthaler, Donald Jud, Bernar Venet, Agnes Martin and Brian Rutenberg...

Antique American modernist New England barn oil painting. Oil on canvas, circa 1960. Signed illegibly. Image size, 24L x 20H. Framed in a period f...

Gail Winegar Untitled Abstract Expressionist painting, ca. 1998 Oil on canvas painting Hand-signed by artist on the back This is a unique work Frame included in a strip frame Measure...

Impressive early American modernist interior view still life painting. Oil on canvas. Framed. Image size, 34 by 40 inches.

Andra Samelson’s work explores the relationship of microcosm and macrocosm, emptiness and form. The imagery in her paintings is often associated with molecular and galactic systems. ...

Antique American modernist landscape oil painting. Oil on canvas, circa 1940. Signed illegibly lower left. Image size, 36L x 24H. Housed in a period modern frame.

Untitled Nguyen Ducmanh, Vietnamese/American (1933) Date: 2012 Oil on Canvas, signed Size: 20.5 in. x 16 in. (52.07 cm x 40.64 cm)

Title: Only Wish To Stay Medium: Oil on canvas Size: 23 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paintin...

Title: Cosmic Color Medium: Oil on canvas Size: 22 x 26 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circ...

Nicely painted Brazilian abstract. Oil on canvas. Signed verso.

This abstract painting by Sofie Swann features a warm, bright orange palette with varying sizes of circular shapes layered over a imperfect white and gold vertical lines. This painti...

IAN HORNAK (1944–2002) Title: Primeval Landscape Date: 1985 Medium: Acrylic on double layered Masonite Dimensions: 16 x 19 inches (40.64 x 48.26 cm) Condition: Excellent ...

Contemporary Abstract Painting by David Paul Kay "Ripple Effect" 2025 40x60 acrylic on canvas. Gallery wrap About the artwork Two tones of blue. One impulse. This piece is about t...

James Rosati Untitled Geometric Abstraction, 1982 Two-sided Acrylic and Colored Pencil on Paper drawing Hand signed and dated on lower right front 14 1/2 × 13 1/2 inches This is a un...

This abstract painting by Teodora Guererra features a deep green and light pink palette. The artist layers thick strokes of paint using a palette knife in broad, horizontal sweeping ...

This abstract geometric painting by Ned Martin is made with oil on aluminum and board, and features a cool blue-grey palette. It is signed by the artist on the back of the board and ...

Paul Jenkins American, 1923–2012 Paul Jenkins’s intuitive, chance-based painting techniques helped pioneer new approaches to Abstract Expressionism. Jenkins made his vibrant composi...

This large abstract statement painting by Julia Contacessi is made with acrylic on gallery-wrapped canvas. It features a cool blue and warm violet palette, and is fluid in compositio...