Tri-State Area - Abstract Paintings

This original abstracted landscape statement oil painting by artist Bri Custer features a blue palette with vibrant yellow and green accents throughout. The artist applies thick, loo...

This abstract painting by Teodora Guererra features a metallic silver palette. The paint is layered thickly on canvas in wide, gestural strokes, creating a highly textured surface. I...

Title: Journey West to Tibet Series ▪ Hoh Xil Medium: Oil on canvas Size: 12 x 24 inches Frame: Framing options available! Condition: The painting appears to be in excellent con...

MODERNIST ABSTRACT Mid-Century New Hope Non-Objective oil American Modern WPA Louis Stone (1902-1984) "Abstract," 16 X 12 inches. Oil on canvas, signed lower right. An abstract pai...

Series: Pop Oil Enamel Paint on Canvas I consider each colored dot to be like a person. You and me and everyone. Together we all make up that image shown. You will notice that in my...

Mary Schiliro's work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring new possibilities of presentation. She uses a dipping process w...

Untitled: Abstract Geometric Acrylic Painting on Paper 2019 Bernardo Navarro Tomas 26 x 34 in This 2019 geometric acrylic painting on paper by Cuban...

Robert Petrick's "Misty Morning" is a compelling abstract oil painting that masterfully captures the essence of a tranquil and elusive early morning atmosphere through geometric prec...

Alan Shields Untitled double sided mixed media work, 1974 Mixed media: watercolor, string, and torn paper held in custom standing frame Signed, dated, and numbered lower edge '10/12 ...

This contemporary abstract painting by Teodora Guererra features a light, cream, yellow, and off-white palette. The artist applies thick layers of oil paint in sweeping, horizontal s...

Antique American school modernist seascape sunset oil painting. Oil on canvas. Signed. Framed. Measuring: 28 by 32 inches overall, and 20 by 24 painting alone.. In excellent origina...

Vintage American modernist abstract geometric painting.. Oil on canvas, circa 1940. Unsigned. Image size, 66L x 30H. Housed in a period frame.

Ky Anderson Sunset, 2021 acrylic and ink on watercolor paper 42 x 48 in. (and370) This original acrylic painting on paper by Ky Anderson features geometric shapes and abstract lines...

About the artist: As an American artist, Wright’s travels have taken him to paint and/or teach throughout the United States and visiting over a dozen National Park sites in addition...

Artist: Marcella Doane Title: Exodus Year: circa 1970 Medium: Oil on Canvas, signed l.l. Size: 30 x 24 inches Frame Size: 25 x 31 inches

Valerie Markwood (American, 20th Century) Black & White & Gray All Over, 1976 Acrylic on linen 42 x 48 x 1 1/2 in. While there is limited information available on Valerie Markwood, ...

Title: Imagination Medium: Oil on canvas Size: 15.5 x 19.75 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pa...

Vintage modernist abstract musical painting. Oil on canvas. Framed. In excellent original condition. Handsomely framed in a giltwood molding. Excellent condition, ready to hang ...

Oil on panel WEIR FARM Series: “[This] series runs the full range from natural to post-impressionism, yet always having the themes of the American pictorial sense of place with an a...

Antique American signed modernist flower still life oil painting. Oil on canvas. Signed. Framed. Image size, 16L x 30H.

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold flakes with thick textured oils and glass...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint on canvas. It features a muted, earth-toned palette with contrasting warm yellow, orange, and red accents throughout. The painting is framed in a floater frame with gold face and black sides. It is 22" x 36" and measures 24" x 38" x 2" framed. This painting is not signed by the artist, but has been authenticated by his estate. It is stamped with the estate seal on the back of the painting, and on the back of the frame. Ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

Ricardo Mazal Ba Zasa White 3, 2023 Oil on linen 43 x 55 inches RM517 Ricardo Mazal is perhaps best known for his near decade-long investigations into the sacred burial rituals of d...

Edward Zutrau Untitled, 1968 Signed and dated "4/9/68" on the reverse Oil on canvas 51 1/2 x 38 inches Edward Zutrau (1922–1993) was an American painter whose career spanned from t...

Title: Dots Medium: Oil on canvas Size: 19.5 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting ...

In Outside In, Andra Samelson creates a mesmerizing field of deep blues and undulating forms that seem to float in constant motion. Layers of pigment and intricate linework suggest r...

CANTICLES Series: “[These] are my Chants, my sacred songs of contemplation about my experience in painting the mystery within the Tidepools. These works have been inspired by my walk...

The large abstract painting "THIN ICE" by Jeffrey Kurland is a diptych – acrylic paint on two canvases each measuring 48" tall by 52" wide – together measuring 96" tall by 52" wide. ...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

Antique American modernist abstract oil painting. Oil on board. Framed. Image size, 5.5L x 7.5H.

These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes...

Paul Jenkins American, 1923–2012 Paul Jenkins’s intuitive, chance-based painting techniques helped pioneer new approaches to Abstract Expressionism. Jenkins made his vibrant composi...

Oil on canvas. Framed. No signature found. Strong color and composition.

Syril Frank (American, 1929-2021) Untitled, c. 1963 Oil on canvas 48 x 50 in. Provenance: Estate of the Artist Syril Harriet Frank was born in Brooklyn to Israel and Mina Kaplan. S...

Title: Untitled 24 Medium: Oil on canvas Size: 19.5 x 15.5 inches Frame: Framing options available! Year: 2000 Circa Artist: Te'er Ba Signature: Signed Signature Location: ...

Nicely painted American school abstract geometric oil painting in a period frame. Signed lower right "Flemming" but without an artist determined.

Catalonian painter Eduardo Arranz-Bravo is an artist sparking revolutionary abstraction in the contemporary art scene. Drawing influence from the Surrealist workings of late greats l...

This Modern painting by Abstract Expressionist Stanley Bate was made with oil on canvas circa 1960. It features a cool blue and grey palette along the perimeter, with warmer muted gr...

TIDEPOOLS Series: “[This series] is an ever-changing fluid eco-world that is filled with life. I can not help but reflect upon these tiny systems, a microcosm of the larger cycle of ...

Series: Pop Oil Enamel Paint on Canvas I consider each colored dot to be like a person. You and me and everyone. Together we all make up that image shown. You will notice that in my...

Oil on panel Compline Series: Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekki...

Omens is a watercolor painting on Fabriano paper by Italian-born multidisciplinary artist Lucio Pozzi. It is currently housed at Hal Bromm Gallery.

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 55"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

In 1968, a review in the New York Times referred to Inukai’s paintings as “Very pure”. This fresh, graphic work features a single color with bands around the edges that are truly int...

Robert Petrick's "Hello Sunshine" is a fusion of meticulous geometry and bold abstract expression. From the artist's Chromatic Collisions series, this...

Edward Zutrau Untitled, 1963 Signed and dated on stretcher verso "5/63" Oil on canvas 8 3/4 x 10 3/4 inches Edward Zutrau is among the American artists who worked within the whirlw...

This abstract painting by Tony Iadicicco features a light grey palette. The artist blends light shades of grey together to create an abstracted landscape composition, with a darker s...

Abstract Landscape Miriam Bromberg Date: circa 1960 Oil on Masonite Size: 7.5 x 9.25 in. (19.05 x 23.5 cm) Frame Size: 13 x 15 inches

Title: Caprice 3 Medium: Oil on canvas Size: 12 x 15 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2015 Artist: YiJian Wang...

Antique impressionist signed landscape oil painting. Oil on canvas. Signed illegibly. Framed. Image size, 13L x 9.5H.

Title: Hidden Dragon Crouching Tiger I Medium: Oil on canvas Size: 13.5 x 11.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. ...

Syril Frank (American, 1929-2021) Untitled, c. 1963 Oil on canvas 44 1/2 x 47 3/4 in. Provenance: Estate of the Artist Syril Harriet Frank was born in Br...

Hunt Slonem "Banded Signet" Multicolor Diamond Dust Bunny A single bunny gestured in different colors of Diamond Dust in an antique frame Unframed: 10 x 8 inches Framed: 15.5 x 13.5...

Artist: Eduardo Arranz-Bravo, Spanish (1941 - ) Title: Estigma de pintor, IV Year: 1992 Medium: Oil on Canvas, signed, dated and titled verso Size: 50 x 36 in. (127 x 91.44 cm) Frame...

PROVENCAL Series: “In [this] series I was exploring the classical influences of the impressionist masters, to build on their ideas to move them forward, yet being true to the many ap...

“Creta I” by Gloria Sáez is a captivating horizontal abstract oil painting on canvas, showcasing a harmonious interplay of warm earth tones and rich, vibrant blues. The textured laye...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed illegibly.

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. I Duayne Hatchett was a visual artist whose work included prints, pain...

Naohiko Inukai’s Yellow Diamond displays the artist’s refined, classic approach to painting. The beauty of this piece is in the lines of light lavender, red, white, and black that t...