Tri-State Area - Landscape Paintings

Title: Snow Peak Medium: Oil on canvas Size: 16 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting ...

Up for sale is a wonderful Jean Marzelle (1916-2005) French Post Impressionist harbor scene with boats, wonderful Cubist look with Fauvist sky Marzelle is an important French artis...

Well painted and very decorative Modern British view on the Thames at Sonning Bridge. The artist was a local person living and painting in the area of Sonning. He painted along the...

Everything that is contained in a given space, things and the links among them, provide starting points for painted scenes I create as an exploration of the construction of reality. ...

Joseph Jefferson Milldam on the Miramichi, 1894 Signed / Dated lower left "J.Jefferson 94" Oil on canvas 17 3/4 x 28 1/4 inches Born in Philadelphia, Joseph Jefferson grew up in th...

Night Trees 36 X 36 Oil on Canvas Rose James considers herself as a botanical abstractionist. Her inspiration comes from years as a botanical artist teaching for the New York Botani...

IAN HORNAK (1944–2002) Title: Untitled (Connecticut Landscape) Date: 1983 Medium: Acrylic on Canvas Dimensions: 60 x 43 inches (152.4 x 109.22 cm) Condition: Excellent Pr...

Title: Water, One Medium: Oil on canvas Size: 15 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting...

This black and white charcoal and pastel painting features a Burmese temple landscape. Rising from clouds of gnarled trees, the temple’s triangular shape thins to a pointed dome, wit...

Mystery Italian School Untitled (Houses on River), c. 20th century Oil on canvas Signed illegibly lower left

Represented by George Billis Gallery, NYC & LA --Every painting begins with a place to stand. Sometimes I find one in seconds; sometimes the hunt goes on for many seasons. A canvas c...

The artist activates her landscapes with sensuous applications of pigment. She layers bold hues and constructs rhizomatic forms—then interrupted by intuitive streaks of spray paint. ...

Title: Misty Taihang Mountains Medium: Oil on canvas Size: 23 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: ...

Title: Boats On The Seashore Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Th...

Title: Dragon Road Medium: Oil on canvas Size: 27 x 27 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paintin...

English Impressionist sketch of yachts sailing off the English Channel Charles Bertie Hall is a painter from England and America. He painted in a...

Title: Peach Blossom Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paint...

Title: In Dream Series II Medium: Oil on canvas Size: 23 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This ...

Title: Mooring Series I Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pa...

Harry Leith-Ross (1886 - 1973) Fisherman of Yankee Cove Oil on canvasboard 8 1/8 x 10 1/2 inches Signed lower left; also with artist, title, and number '39' on label verso Provenance: Private Collection, Pennsylvania Landscape painter Harry Leith-Ross was born in Mauritius in 1886, a British possession in the Indian Ocean. He came to America as a seventeen year old. Before beginning, some ten years later in 1914, his studies at the Art Students League Summer School in Woodstock, New York at the relatively late age of twenty-eight, Leith-Ross had worked as a commercial artist. He studied with John F. Carlson and Birge Harrison at the League Summer School, and later with C. Y. Turner at the National Academy of Design in New York City. He then went to Paris, studying with Jean Paul Laurens at the Academie Julien and in England with Stanhope Forbes. Long associated with the Bucks County artists' colony in New Hope, Pennsylvania, Leith-Ross may have first gone there in 1912. It is definitely known that he visited the area in 1916 at the invitation of a student he had met when both attended the Art Students League Summer School in Woodstock, John Fulton Folinsbee. Birge Harrison, his former instructor at the League, whom he met again, was also there in New Hope during the winters from 1914 to 1916. The third and last generation of the New Hope colony would be comprised of artists like Leith-Ross, Folinsbee and Kenneth R. Nunamaker. It is somewhat ironic that Leith-Ross, so long affiliated with the New Hope School of American Impressionism...

Title: Orchard - Pomelo Medium: Oil on canvas Size: 31 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pa...

Title: Autumn Medium: Oil on canvas Size: 27 x 35 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is ...

Vintage modernist abstract village painting. Oil on board. Housed in a period frame. Image size, 24L x 12H. Signed.

Robin Hill, Australian (1932 - ) - Study of The Green Chimney Oil, Year: 1992, Medium: Oil on Canvas, signed, Size: 8 x 11 in. (20.32 x 27.94 cm), Frame Size: 11 x 14 inches

"Porch" is a colorful, original painting on board by New York Pop Artist George Mueller (1929-2021), signed and dated from 1967. The work measures 24 x 32 inches.

In Screaming for Joy – Glósóli no. 8, Paul Hughes extends his painterly exploration of the “glow of the soul” — Glósóli, the Icelandic-Norse term that merges sunlight and spirit. Wor...

Title: Summer Fantasy Series III Medium: Oil on canvas Size: 23 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note...

Title: Snowy Lakeside Medium: Oil on canvas Size: 23 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pain...

Title: Scenery In Green Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pa...

Ernest Fiene (1894 - 1965) Low Tide at Noon, Wellfleet, Massachusetts Oil on canvas 26 x 36 inches Signed lower right Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in Paris from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. He was the subject of the first monograph for the Younger Artists Series in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene's paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene's paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene's paintings. Also in 1928 Fiene became affiliated with Edith Halpert's Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled "Changing Old New York," in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene's oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art's exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene's Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art's exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene's landscape paintings attracted numerous commissions as part of the American Scene movement. From 1935-36 Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

James Brade Sword (1839 - 1915) Couple in the Field Oil on canvas 16 x 20 inches Signed lower left After a childhood in Macao, China, James Brade Sword started out in life, after hi...

Title: The Helicopter Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pain...

View of Central Park in winter.

Very finely painted and impressive mid 20th century impressionist seascape with a pelican. Exhibition label verso. Framed.

Impressive early American modernist seascape painting by Lawrence Butcher, Jr. (Born 1936). Watercolor and gouache on paper. Framed. Signed. Image size, 8 by 11 inches.

Title: Sunset Glow Medium: Oil on canvas Size: 12 x 12 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paintin...

Title: Blossom Medium: Oil on canvas Size: 19.5 x 23.75inches Frame: Framing options available! Age: 2000s Condition: Painting appears to be in excellent condition. Note: This...

Title: Old Alley Series II Medium: Oil on canvas Size: 20 x 24 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This...

Mary Bradish Titcomb Village Green Signed lower left Oil on canvas 24 x 20 inches A native of Windham, New Hampshire, upon graduation from high school, Titcomb studied at the Massachusetts Normal Art School, before accepting a position as a drawing teacher in the public schools of Brockton, Massachusetts, where she remained for fourteen years before resigning, in 1889, to study painting at the School of the Museum of Fine Arts, Boston. Her instructors there included Edmund Charles Tarbell, Philip Leslie Hale, and Frank Weston Benson. In the 1890s she went to Paris to study with Jules Joseph Lefebvre and to travel. She then returned to Boston, taking studio space at the Harcourt Studios, where all three of her teachers kept space. In 1895 she became a member of the Copley Society and began exhibiting locally; from 1904 to 1927 she showed work in 29 exhibits at the Pennsylvania Academy of the Fine Arts. She began signing her name as "M. Bradish Titcomb" in 1905 to avoid prejudice against her gender. The same year saw her making a sketching trip to the artists' colony at Old Lyme, Connecticut, a center for the American Impressionists; this trip seems to have cemented her interest in the style. In 1915, Titcomb's Portrait of Geraldine J. – the mother of actress Jane Russell – was shown at the Corcoran Gallery of Art and purchased by President Woodrow Wilson; another portrait, of Frank P. Sibley, was reproduced in the Boston Globe. During this period her work was shown in a traveling exhibition with that of Cecilia Beaux, Lydia Field Emmet, Jean MacLane...

Antique European street scene oil painting. Oil on panel. Framed. Measuring 14 by 19 inches overall and 10 by 14 painting alone. In excellent original condition. Handsomely framed ...

Title: The Fighter Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paintin...

Artist: Charles Cobelle, French (1902 - 1994) Title: Pont de Paris Year: 1965 Medium: Acrylic on Canvas, signed l.r. Size: 12 x 16 in. (30.48 x 40.64 cm) Frame Size: 20 x 24.5 ...

Trucks in the City by African American, Folk, Self-Taught, Florida, Outsider Art Purvis Young Urban Young was an American artist from Miami....

Victor Mikhail Arnautoff (1896 - 1979) Motion (Mile Rocks Lighthouse), San Francisco, 1939 Oil and tempera on board 60 x 40 inches Signed lower left Provenance: The artist California School of Fine Arts (CFSA) John & Lynne Bolen Fine Arts, Huntington Beach, California Exhibited: New York, World's Fair, Exhibition of Contemporary American Art, 1939. San Francisco Museum of Art, 1962. Literature: American Art from the New York World's Fair 1939, Poughkeepsie, 1987, no. 11, p. 41, illustrated. Robert W. Cherny, Victor Arnautoff and the Politics of Art, Urbana, Illinois, 2017. The lighthouse in the distance is the Mile Rocks Lighthouse in San Francisco Bay, built in 1906 after many shipwrecks made the lighthouse necessary. In 1962 the lighthouse was reduced in size to make room for a helipad. Arnautoff was the son of a Russian Orthodox priest. He showed a talent for art from an early age and hoped to study art after graduating from the gymnasium in Mariupol. With the outbreak of World War I, he enrolled in the Yelizavetgrad Cavalry School. He went on to hold military leadership positions in the army of Nicholas II and the White Siberian army. With the defeat of the Whites in Siberia, he crossed into northeastern China and surrendered his weapons. Arnautoff remained in China for five years. He again tried to pursue art, but was impoverished and took a position training the cavalry of the warlord Zhang Zuolin. He met and married Lydia Blonsky and they had two sons, Michael and Vasily. In November 1925 Arnautoff went to San Francisco on a student visa to study at the California School of Fine Arts. There he studied sculpture with Edgar Walter and painting with several instructors. His wife and children joined him, and they all continued to Mexico in 1929, where, on Ralph Stackpole...

A dreamy landscape of a lake with a rococo bridge standing over the water, across the way you can see a group of people. The Old Lake Erik Freyman, Russian (1932–2018) Date: circa 2...

Title: Blue Ocean Medium: Oil on canvas Size: 16 x 16 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting...

Title: Mountains In The Clouds Medium: Oil on canvas Size: 31 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: ...

Title: Pine Tree Medium: Oil on canvas Size: 27.5 x 23.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is...

A beautiful Fauvist French country landscape by Roger Bertin. Born in Rue Gabrielle in Montmartre, Paris in 1915, and lived in the same house all his life. His godfather was the poet...

Title: Wander Around The Lake 1 Medium: Oil on canvas Size: 27.5 x 19.5inches Frame: Framing options available! Age: 2000s Condition: Painting appears to be in excellent condit...

Title: Guilin View 2 Medium: Oil on canvas Size: 27.25 x 19.5inches Frame: Framing options available! Age: 2000s Condition: Painting appears to be in excellent condition. Note...

Denise Jones Adler's work is both personal and archetypical and seeks to memorialize a moment in time, the fragile nature of life, and the emotional impact of the past on the present...

Kathleen Vance explores environmental issues such as water conservation and protection through positive stewardship of the land. She looks to convey an appreciation of nature and tra...

Title: Spring Park Visit I Medium: Oil on canvas Size: 12 x 12 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This...

Mary Mintz Koffler (American, 1906-1985) Noon in Central Park, c. 1950 Oil on canvas 12 1/2 x 14 1/4 in. Framed: 18 x 20 in. Signed lower left Inscribed verso Mary Mintz Koffler was...

Title: Spring Park Visit VI Medium: Oil on canvas Size: 12 x 11.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: T...

Incredible mid century abstract expressionist oil painting by Ken Munowitz. Oil on canvas. Framed.

Oil on panel

Artist: Charles Cobelle, French (1902 - 1994) Title: Before the Race Year: ca. 1960 Medium: Oil on Canvas, Signed l.r. Size: 24 x 30 inches Frame: 32 x 38 inches

Title: After the rain Medium: Oil on canvas Size: 15 x 20 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pain...