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Tri-State Area - Abstract Prints

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Item Ships From: Tri-State Area
Fenced - P2, F6, I1, Geometric Abstract Screenprint by Josef Albers
By Josef Albers
Located in Long Island City, NY
From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...
Category

1970s Abstract Geometric Tri-State Area - Abstract Prints

Materials

Screen

Untitled 3, Abstract Expressionist Screenprint by Piero Dorazio
By Piero Dorazio
Located in Long Island City, NY
Piero Dorazio, Italian (1927 - 2005) - Untitled 3, Year: 1979, Medium: Screenprint, signed and numbered in pencil, Edition: 90, Size: 13 x 10 in. (33.02 x 25.4 cm)
Category

1970s Abstract Expressionist Tri-State Area - Abstract Prints

Materials

Screen

Nothing to Do, Karel Appel
By Karel Appel
Located in Fairfield, CT
Artist: Karel Appel (1921-2006) Title: Nothing to Do Year: 1974 Medium: Silkscreen on Somerset paper Edition: H.C.;110, plus proofs Size: 27 x 39.25 inches Condition: Good Inscriptio...
Category

1970s Abstract Expressionist Tri-State Area - Abstract Prints

Materials

Screen

115 Bank Street New York Atelier Mourlot by Andre Beaudin, 1967
By Andre Beaudin
Located in New York, NY
This bright yellow modern lithographic poster was printed at the Atelier Mourlot in New York City in 1967. Certificate of Provenance: Each individual work of art carefully curated...
Category

1970s Modern Tri-State Area - Abstract Prints

Materials

Lithograph

Seeing Voices 5, Abstract Lithograph by Paul Jenkins
By Paul Jenkins
Located in Long Island City, NY
A lithograph from the portfolio "Seeing Voices", a collection that also includes several poems. This abstract piece by Paul Jenkins is signed and numbered on the front of the print i...
Category

1960s Tri-State Area - Abstract Prints

Materials

Lithograph

Relation Couleur, Silkscreen on velincarton, hand signed numbered 62/100 Op Art
By Hugo Demarco
Located in New York, NY
Hugo Demarco Relation Couleur, 1973 Silkscreen on velincarton Hand signed and numbered 62/200 on lower front. Bears the publisher's blind stamp on the fro...
Category

1970s Abstract Geometric Tri-State Area - Abstract Prints

Materials

Screen

International Very Special Arts signed, inscribed Abstract Expressionist poster
By Paul Jenkins
Located in New York, NY
Paul Jenkins International Very Special Arts Festival poster, 1994 hand signed and dated by Paul Jenkins Measures: 37 inches (vertical) x 25 inches (horizontal) Ships rolled in a tub...
Category

1990s Abstract Expressionist Tri-State Area - Abstract Prints

Materials

Offset, Ballpoint Pen, Lithograph

NIGHT ANIMAL Signed Lithograph, Abstract Cat, Color Stripes Pink Yellow Red Blue
By Karel Appel
Located in Union City, NJ
NIGHT ANIMAL is an original limited edition lithograph by the Dutch artist Karel Appel on printed using traditional hand lithography techniques on archival printmaking paper, 100% ac...
Category

1970s Abstract Tri-State Area - Abstract Prints

Materials

Lithograph

Portals, Op Art Geometric Abstract Screenprint by Roy Ahlgren
By Roy Ahlgren
Located in Long Island City, NY
Artist: Roy Ahlgren, American (1927 - 2011) Title: Portals Year: 1976 Medium: Screenprint, signed, numbered, dated, and titled in pencil Edition: 80 Image Size: 24 x 18 inches Size:...
Category

1970s Op Art Tri-State Area - Abstract Prints

Materials

Screen

Historic LtEd Exhibition Poster for 1971 Andy Warhol Show New Gallery Agnes Gund
Located in New York, NY
Poster designed Martin Szufter with the approval of Andy Warhol, using an image of a Warhol work from the exhibition The New Gallery, 1971 Silkscreen on paper 24 × 17 1/2 inches Unfr...
Category

1970s Pop Art Tri-State Area - Abstract Prints

Materials

Screen

Tracey Emin, It Didn t Stop I Didn t Stop print, SCARCE when Hand Signed, Framed
By Tracey Emin
Located in New York, NY
Tracey Emin It - didnt stop - I didnt stop, 2019, from the exhibition TRACEY EMIN/EDVARD MUNCH: THE LONELINESS OF THE SOUL (hand signed), 2021 Offset lithograph promotional card (han...
Category

2010s Contemporary Tri-State Area - Abstract Prints

Materials

Lithograph, Offset

The Impossibles - P1, F18, I1, Geometric Abstract Screenprint by Josef Albers
By Josef Albers
Located in Long Island City, NY
From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that are a definitive survey of the artis...
Category

1970s Abstract Geometric Tri-State Area - Abstract Prints

Materials

Screen

Deux Personnage - Sunshine People, Modern Lithograph by Karel Appel
By Karel Appel
Located in Long Island City, NY
A lithograph print by Karel Appel from 1974. An expressionist portrait of two figures in bright contrasting colors. Artist: Karel Appel, Dutch (1921 - 2006) Title: Deux Personnage ...
Category

1970s Abstract Expressionist Tri-State Area - Abstract Prints

Materials

Lithograph

Egg 2 (Purple), Abstract Geometric Screenprint by Kyohei Inukai
By Kyohei Inukai
Located in Long Island City, NY
Artist: Kyohei Inukai, American (1913 - 1985) Title: Egg 2 (Purple) Year: circa 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 45 Image Size: 20 x 26 inches Size: 2...
Category

1970s Op Art Tri-State Area - Abstract Prints

Materials

Screen

Magritte at Galerie Alexandre Iolas, Milan, Italy, Offset lithograph poster
By René Magritte
Located in New York, NY
René Magritte Magritte at Galerie Alexandre Iolas, Milan, Italy, ca. 1980 Offset lithograph lettering and silkscreen poster on thin wove paper ...
Category

1980s Surrealist Tri-State Area - Abstract Prints

Materials

Lithograph, Offset, Screen

Pink Nicola, Nicola as an Orchid, Brown, Brown, Silver and Brown
By Gary Hume
Located in New York, NY
Gary Hume Pink Nicola, Nicola as an Orchid, Brown, Brown, Silver and Brown 2005 Set of three screenprints on silver leaf "Pink Nicola": 49 1/4 x 38 1/8 inches; 125 x 97 cm "Nicola as...
Category

Early 2000s Contemporary Tri-State Area - Abstract Prints

Materials

Silver

Blue Rectangles, Abstract Geometric Screenprint by Cris Cristofaro 1978
By Chris Cristofaro
Located in Long Island City, NY
Artist: Cris Cristofaro, American Title: Navy and Blue Rectangles Year: 1978 Medium: Silkscreen on Arches Paper, signed and numbered in pencil Edition: 50 Size: 30 x 22 in. (76.2 x 5...
Category

1970s Abstract Geometric Tri-State Area - Abstract Prints

Materials

Screen

Richard Pettibone The Appropriation Warhol, Stella, Lichtenstein, Unique Signed
By Richard Pettibone
Located in New York, NY
Richard Pettibone The Appropriation Print Andy Warhol, Frank Stella, Roy Lichtenstein, 1970 Silkscreen in colors on masonite board (unique variant on sculpted board) Hand-signed by artist, Signed and dated on the front (see close up image) Bespoke frame Included This example of Pettibone's iconic Appropriation Print is silkscreened on masonite board rather than paper, giving it a different background hue, and enabling it work to be framed so uniquely. The Appropriation print is one of the most coveted prints Pettibone ever created ; the regular edition is on a full sheet with white background; the present example was silkscreened on board, allowing it to be framed in 3-D. While we do not know how many examples of this graphic work Pettibone created, so far the present work is the only one example we have ever seen on the public market since 1970. (Other editions of The Appropriation Print have been printed on vellum, wove paper and pink and yellow paper.) This 1970 homage to Andy Warhol, Frank Stella and Roy Lichtenstein exemplifies the type of artistic appropriation he was engaging in early on during the height of the Pop Art movement - long before more contemporary artists like Deborah Kass, Louise Lawler, etc. followed suit. This silkscreen was in its original 1970 vintage period frame; a bespoke custom hand cut black wood outer frame was subsequently created especially to house the work, giving it a distinctive sculptural aesthetic. Measurements: Framed 14.5 inches vertical by 18 inches horizontal by 2 inches Work 13 inches vertical by 16.5 inches horizontal Richard Pettibone biography: Richard Pettibone (American, b.1938) is one of the pioneering artists to use appropriation techniques. Pettibone was born in Los Angeles, and first worked with shadow boxes and assemblages, illustrating his interest in craft, construction, and working in miniature scales. In 1964, he created the first of his appropriated pieces, two tiny painted “replicas” of the iconic Campbell’s soup cans by Andy Warhol (American, 1928–1987). By 1965, he had created several “replicas” of paintings by American artists, such as Warhol, Roy Lichtenstein (1923–1997), Ed Ruscha (b.1937), and others, among them some of the biggest names in Pop Art. Pettibone chose to recreate the work of leading avant-garde artists whose careers were often centered on themes of replication themselves, further lending irony to his work. Pettibone also created both miniature and life-sized sculptural works, including an exact copy of Bicycle Wheel by Marcel Duchamp (French, 1887–1968), and in the 1980s, an entire series of sculptures of varying sizes replicating the most famous works of Constantin Brancusi (Romanian, 1876–1957). In more recent years, Pettibone has created paintings based on the covers of poetry books by Ezra Pound, as well as sculptures drawn from the grid compositions of Piet Mondrian (Dutch, 1872–1944). Pettibone straddles the lines of appropriation, Pop, and Conceptual Art, and has received critical attention for decades for the important questions his work raises about authorship, craftsmanship, and the original in art. His work has been exhibited at the Institute for Contemporary Art in Philadelphia, the Museum of Modern Art in New York, the Museum of Contemporary Art in Miami, and the Laguna Art Museum in Laguna Beach, CA. Pettibone is currently based in New York. "I wished I had stuck with the idea of just painting the same painting like the soup can and never painting another painting. When someone wanted one, you would just do another one. Does anybody do that now?" Andy Warhol, 1981 Since the mid-1960s, Richard Pettibone has been making hand-painted, small-scale copies of works by other artists — a practice due to which he is best known as a precursor of appropriation art — and for a decade now, he has been revisiting subjects from across his career. In his latest exhibitions at Castelli Gallery, Pettibone has been showing more of the “same” paintings that had already been part of his 2005–6 museum retrospective,1 and also including “new” subject matter drawn from his usual roster of European modernists and American postwar artists. Art critic Kim Levin laid out some phases of the intricate spectrum from copies to repetitions in her review of the Warhol-de Chirico showdown, a joint exhibition at the heyday of appropriation art in the mid-1980s when Warhol’s appropriations of de Chirico’s work effectively revaluated “the grand old auto-appropriator”. Upon having counted well over a dozen Disquieting Muses by de Chirico, Levin speculated: “Maybe he kept doing them because no one got the point. Maybe he needed the money. Maybe he meant it when he said his technique had improved, and traditional skills were what mattered.” On the other side, Warhol, in her eyes, was the “latter-day exemplar of museless creativity”. To Pettibone, traditional skills certainly still matter, as he practices his contemporary version of museless creativity. He paints the same painting again and again, no matter whether anybody shows an interest in it or not. His work, of course, takes place well outside the historical framework of what Levin aptly referred to as the “modern/postmodern wrestling match”, but neither was this exactly his match to begin with. Pettibone is one of appropriation art’s trailblazers, but his diverse selection of sources removes from his work the critique of the modernist myth of originality most commonly associated with appropriation art in a narrow sense, as we see, for example, in Sherrie Levine’s practice of re-photographing the work of Walker Evans and Edward Weston. In particular, during his photorealist phase of the 1970s, Pettibone’s sources ranged widely across several art-historical periods. His appropriations of the 1980s and 1990s spanned from Picasso etchings and Brancusi sculptures to Shaker furniture and even included Ezra Pound’s poetry. Pettibone has professed outright admiration for his source artists, whose work he shrinks and tweaks to comic effect but, nevertheless, always treats with reverence and care. His response to these artists is primarily on an aesthetic level, owing much to the fact that his process relies on photographs. By the same token, the aesthetic that attracts him is a graphic one that lends itself to reproduction. Painstakingly copying other artists’ work by hand has been a way of making it his own, yet each source is acknowledged in his titles and, occasionally, in captions on white margins that he leaves around the image as an indication that the actual source is a photographic image. The enjoyment he receives in copying is part of the motivation behind doing it, as is the pleasure he receives from actually being with the finished painting — a considerable private dimension of his work. His copies are “handmade readymades” that he meticulously paints in great quantities in his studio upstate in New York; the commitment to manual labor and the time spent at material production has become an increasingly important dimension of his recent work. Pettibone operates at some remove from the contemporary art scene, not only by staying put geographically, but also by refusing to recoup the simulated lack of originality through the creation of a public persona. In so doing, Pettibone takes a real risk. He places himself in opposition to conceptualism, and he is apprehensive of an understanding of art as the mere illustration of an idea. His reading of Marcel Duchamp’s works as beautiful is revealing about Pettibone’s priorities in this respect. When Pettibone, for aesthetic pleasure, paints Duchamp’s Poster for the Third French Chess...
Category

1970s Pop Art Tri-State Area - Abstract Prints

Materials

Masonite, Pencil, Screen

PLANETS 1
By Julianna Goodman
Located in New York, NY
ABOUT THIS PIECE: A 1 inch white border is included in the listed image size (W x H) as per the artist's request. Inspired by the warm light, open vistas, and saturated colors of he...
Category

2010s Tri-State Area - Abstract Prints

Materials

Photographic Paper

After Lunch Howard Hodgkin: Abstract black white painting, dots lines texture
By Howard Hodgkin
Located in New York, NY
Abstract black and white hand painted print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary space...
Category

Late 20th Century Abstract Tri-State Area - Abstract Prints

Materials

Paint, Gouache, Etching

Terry Winters - Mostly Mozart Festival Silkscreen (Hand Signed by the Artist)
By Terry Winters
Located in New York, NY
Terry Winters Mostly Mozart Festival (Hand Signed), 2009 Silkscreen poster on wove paper Hand signed by the artist on the lower right front in 2016 39 4/5 × 30 1/4 inches Unframed This hand signed silkscreen was created on the occasion of Lincoln Center's Mostly Mozart Festival in 2009 and features one of Terry Winters' iconic silkscreens titled, "Illustrated Set". This work was created in 2009 and signed by the artist 2016. Terry Winters signed it for the present owner, so provenance is direct. The regular (unsigned) edition was 800; however, this work is uniquely signed by hand. In very good condition; the only gentle handling marks were caused by Terry Winters when signing. Terry Winters biography Over the last four decades, Terry Winters has expanded the concerns of abstract painting by engaging contemporary concepts of the natural world. Many of his earliest paintings depict organic forms reminiscent of botanical imagery. Over time, his range of themes expanded to include the architecture of living systems, mathematical diagrams...
Category

Early 2000s Abstract Tri-State Area - Abstract Prints

Materials

Screen

GRAY AND BLACK ABSTRACT 2002 Signed Lithograph, John Ashbery Suite A WAVE Poem
By Will Barnet
Located in Union City, NJ
GRAY AND BLACK ABSTRACT by the American painter and printmaker Will Barnet is an original hand drawn lithograph, printed using hand lithography on archival printmaking paper 100% aci...
Category

Early 2000s Contemporary Tri-State Area - Abstract Prints

Materials

Lithograph

Colorful Signed Abstract Expressionist Screenprint by Josep Guinovart
By Josep Guinovart Bertrán
Located in Long Island City, NY
Artist: Jose Guinovert, Spanish (1927 - 2007) Title: Untitled Year: circa 1970 Medium: Serigraph, signed and numbered in pencil Edition: 57/75 Paper Size: 20 x 27.5 in. (50.8 x 69.8...
Category

1970s Abstract Expressionist Tri-State Area - Abstract Prints

Materials

Screen

Variant - P2, F9, I1, Geometric Abstract Screenprint by Josef Albers
By Josef Albers
Located in Long Island City, NY
Artist: Josef Albers, German (1888 - 1976) Title: Variant, Portfolio 2, Folio 9 , Image 1 from the portfolio Formulation: Articulation Year: 1972 Edition size: 1000 Medium: Screenpri...
Category

1970s Abstract Geometric Tri-State Area - Abstract Prints

Materials

Screen

Homage to the Square - P1, F23, I2 - Geometric Screenprint by Josef Albers
By Josef Albers
Located in Long Island City, NY
“Homage to the Square - Portfolio 1, Folder 23, Image 2 “ from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 orig...
Category

1970s Abstract Geometric Tri-State Area - Abstract Prints

Materials

Screen

Pure #1
By Karl Wolfgang
Located in New York, NY
ABOUT THIS PIECE: "This particular series is a an homage to photographs taken with film. They are the result of an aberration of light passing through a locked shutter and the camera...
Category

21st Century and Contemporary Tri-State Area - Abstract Prints

Materials

Photographic Paper

9 (Nine), from the original Numbers portfolio (Sheehan 46-55) - FRAME included
By Robert Indiana
Located in New York, NY
Robert Indiana 9, from the original Numbers portfolio (Sheehan 46-55), 1968 Color Silkscreen on Wove Paper Limited Edition of 2500 Not Signed Frame Included: Elegantly matted and fra...
Category

1960s Pop Art Tri-State Area - Abstract Prints

Materials

Screen

Art Deco Lithograph Posted Entitled "Pianos Daude" by Andre Daude
By Andre Daude
Located in New York, NY
This striking Art Deco lithograph poster, entitled "Pianos Daude," was created by the talented French artist Andre Daude around 1926. The poster is...
Category

1920s Tri-State Area - Abstract Prints

Materials

Lithograph

Jim Dine, I Love Public Television, deluxe hand signed/N 1966 Pop Art Lithograph
By Jim Dine
Located in New York, NY
Jim Dine Love for Channel 13 Lithograph. Hand signed and numbered recto 27 × 21 1/2 inches Edition 185/200 Signed and numbered 185/200 in graphite pencil on the recto Unframed Rarel...
Category

1960s Pop Art Tri-State Area - Abstract Prints

Materials

Pencil, Lithograph, Offset

Moon River 2
By Ruth Adler
Located in New York, NY
ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...
Category

2010s Tri-State Area - Abstract Prints

Materials

Photographic Paper

Willem de Kooning rare 1970s Abstract Expressionist print Signed/N small edition
By Willem de Kooning
Located in New York, NY
Willem de Kooning Annual Spring Invitational Art Exhibition (limited edition, hand signed numbered by Willem de Kooning), 1979 Offset lithograph (hand signed and numbered) Sign...
Category

1970s Abstract Expressionist Tri-State Area - Abstract Prints

Materials

Lithograph, Offset

Tribal Sign
By Helen Frankenthaler
Located in New York, NY
Tribal Sign, 1987 Signed and dated in pencil with publisher's blindstamp Eleven color lithograph on mauve TGL handmade paper Sheet: 24 x 18.5 inches Frame: 33 x 27 inches Edition 25 ...
Category

1980s Tri-State Area - Abstract Prints

Materials

Color, Lithograph

"Flamboyant" Abstract Figurative Serigraph by Kyohei Inukai, 1979
By Kyohei Inukai
Located in Long Island City, NY
Artist: Kyohei Inukai, American (1913 - 1985) Title: Flamboyant Year: 1979 Medium: Serigraph, Signed and numbered in pencil Edition: 200, AP 30 Size: 22.5 x 30 inches
Category

1970s Abstract Tri-State Area - Abstract Prints

Materials

Screen

UNIQUELY Hand signed by Tracey Emin Bazaar magazine cover for David Bowie Framed
By Tracey Emin
Located in New York, NY
Tracey Emin Hand Signed by Tracey Emin: Bazaar magazine homage to David Bowie, 2016 Glossy offset lithograph magazine (uniquely hand signed by Tracey Emin) Boldly signed in silver sh...
Category

2010s Pop Art Tri-State Area - Abstract Prints

Materials

Magazine Paper, Lithograph, Offset

Tree Trunk Series - Orange, Conceptual Lithograph by Alan Sonfist
By Alan Sonfist
Located in Long Island City, NY
Alan Sonfist, American (1946 - ) - Tree Trunk Series - Orange, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 20.5 x 20.5 inches, Size: ...
Category

1980s Conceptual Tri-State Area - Abstract Prints

Materials

Lithograph

Israel Flag at the Speed of Light, Pop Art Print by James Rosenquist
By James Rosenquist
Located in Long Island City, NY
Artist: James Rosenquist Title: Israel Flag at the Speed of Light Year: 2006 Medium: Lithograph, Signed and numbered in Pencil Edition: 50 Size: 33.5 x 22 ...
Category

Early 2000s Pop Art Tri-State Area - Abstract Prints

Materials

Lithograph

Abstract III
Located in New York, NY
ABOUT THIS ARTIST: Clara Masiá lives in Barcelona and studied art and design at Massana School. As an illustrator, Clara considers herself a very observant and detailed person where ...
Category

2010s Tri-State Area - Abstract Prints

Materials

Photographic Paper

Flashback III, Flashback Series, John Chamberlain
By John Chamberlain
Located in Fairfield, CT
Artist: John Chamberlain (1927-2011) Title: Flashback III Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 119/175, plus proofs Size: 28 x 20 inches Inscription: Signed...
Category

1970s Abstract Expressionist Tri-State Area - Abstract Prints

Materials

Lithograph

LOVE in Central Park, New York Pencil Signed and numbered 66/89, Historic print
By Robert Indiana
Located in New York, NY
Robert Indiana LOVE in Central Park, New York, 1971 Color lithograph on wove paper. Pencil signed, dated and numbered with LOVE drawing/flourish Hand-signed by artist, Pencil signed, dated and numbered 66/ 89. Also bears a drawing of the stacked letters LOVE in pencil. Bears Robert Indiana's copyright Published by Robert Indiana and printed by the American Poster Company to raise money for Central Park 39 × 30 inches Unframed This impressively large 1971 lithograph - pencil signed and numbered from the limited edition of only 89, with a stacked LOVE drawing on the front - depicts Robert Indiana's iconic LOVE sculpture (from the permanent collection of the Indianapolis Museum of Art) when it was exhibited at Central Park in New York City. This was the turn of the decade of the 1970s - during the height of the anti-Vietnam War protests of the Nixon Administration, when the presence of Indiana's monumental cor-ten steel LOVE in Central Park took on a much deeper significance in New York and indeed the country. This important print is pencil signed, dated and numbered by Robert Indiana from the very small edition of only 89. It also bears a drawing - a flourish - of the word LOVE written by the artist in pencil. Very few of the signed editions of this print remain -- so it is rarely seen on the market. Indeed, eighty nine (89) is a very small edition; however, this oversized print was used for promotional purposes in public places, so very few of the 89 signed and numbered works remain - let alone with the original stacked love drawing. . If you LOVE Robert Indiana...
Category

1970s Pop Art Tri-State Area - Abstract Prints

Materials

Lithograph, Pencil, Offset

Time traveller (sequence from a volatile now)
By Mathias Bitzer
Located in Brooklyn, NY
This original exhibition invitation for Matthias Bitzer: Sequences From A Volatile Now at Almine Rech Gallery, London, held from April 17 to May 19, 2018, is a beautifully designed c...
Category

2010s Contemporary Tri-State Area - Abstract Prints

Materials

Offset

BRONX COMMUNITY COLLEGE Vintage Art Poster 1992, Science Technology Education
By Elizabeth Catlett
Located in Union City, NJ
Elizabeth Catlett (1915-2012) BRONX COMMUNITY COLLEGE THE CITY UNIVERSITY OF NEW YORK Specially commissioned fine art poster designed in 1992 by Elizabeth Catlett, printed in 4-col...
Category

1990s Contemporary Tri-State Area - Abstract Prints

Materials

Offset

David Hockney at Castelli Graphics
By David Hockney
Located in New York, NY
David Hockney David Hockney at Castelli Graphics, 1981 Offset Lithograph poster 20 × 16 inches Unframed Rare 1981 poster published on the occasion of the r...
Category

1980s Pop Art Tri-State Area - Abstract Prints

Materials

Offset, Lithograph

ABSTRACT 2, Signed Lithograph, Modernist Drawing, Free Form Line and Shapes
By Jan Voss
Located in Union City, NJ
Abstract 2 is an original hand drawn lithograph by the German artist Jan Voss, printed using hand lithography techniques on archival Arches paper 100% acid free. Abstract 2 presents ...
Category

1970s Abstract Tri-State Area - Abstract Prints

Materials

Lithograph

Houses of 1954, Modern Screenprint by Biagio Civale
Located in Long Island City, NY
Biagio Civale, Italian/American (1936 - ) - Houses of 1954, Medium: Screenprint, signed and numbered in pencil, Edition: 50, Size: 27.25 x 19.5 in. (69.22 x 49.53 cm)
Category

1980s Modern Tri-State Area - Abstract Prints

Materials

Screen

Rectangular Backgrounds - P1, F6, I1, Minimalist Screenprint by Josef Albers
By Josef Albers
Located in Long Island City, NY
From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...
Category

1970s Abstract Geometric Tri-State Area - Abstract Prints

Materials

Screen

Peter Halley at Sonnabend Gallery poster, New York (Hand Signed by Peter Halley)
By Peter Halley
Located in New York, NY
Peter Halley Peter Halley, Sonnabend Gallery, New York (Hand Signed by Peter Halley), 1989 Offset lithograph poster (hand signed by Peter Halley) 28 × 26 inches Unframed Alpha 137 Gallery is honored to offer this historic offset lithograph of American artist Peter Halley's 1989 exhibition at the legendary Sonnabend Gallery in New York which the artist hand signed in black marker. Scroll down for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali...
Category

1980s Abstract Geometric Tri-State Area - Abstract Prints

Materials

Offset, Lithograph

Nature Morte a la Porte et a la Clef, Cubist Lithograph after Pablo Picasso
By Pablo Picasso
Located in Long Island City, NY
A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Nature Morte a la Porte et a la Clef". The original painting was completed in 1920. In the 19...
Category

1980s Modern Tri-State Area - Abstract Prints

Materials

Lithograph

Leaving Home (97-301), 5 color lithograph on Rives BFK paper, Signed/N Tamarind
By DeLoss McGraw
Located in New York, NY
DeLoss McGraw Leaving Home (97-301), 1997 Five color lithograph on tan Rives BFK paper with deckled edges Signed and numbered 3/75 in graphite pencil on the front 17 × 24 3/25 inches...
Category

1990s Outsider Art Tri-State Area - Abstract Prints

Materials

Lithograph

Spirit Coasas VIII, Abstract Expressionist Lithograph by Lamar Briggs
By Lamar Briggs
Located in Long Island City, NY
Artist: Lamar Briggs, American (1935 - ) Title: Spirit Coasas VIII Year: 1976 Medium: Lithograph on Arches Paper, signed and numbered in pencil Edition: 200 Paper Size: 29 x 21 inches
Category

1970s Abstract Expressionist Tri-State Area - Abstract Prints

Materials

Lithograph

Bauchredner und Rufer im Moor, Cubist Pochoir Print on Rice Paper by Paul Klee
By Paul Klee
Located in Long Island City, NY
Artist: Paul Klee, After, Swiss (1879 - 1940) Title: Bauchredner und Rufer im Moor (Ventiloque criant dans le marais) Year: 1964 after 1920 Drawing Medium: Pochoir on Rice Paper, Sig...
Category

1960s Expressionist Tri-State Area - Abstract Prints

Materials

Rice Paper, Stencil

Double Somersault by Dieter Roth (pair of prints) colorful abstract geometric
By Dieter Roth
Located in New York, NY
A frenzy of lines and color, this pair of Dieter Roth lithographs could have been produced in 2022. The contemporary popularity of semi-abstract imagery featuring color gradients, za...
Category

1970s Abstract Tri-State Area - Abstract Prints

Materials

Lithograph

A Second Hand II (unique) signed color monotype by contemporary abstract artist
By Andrea Belag
Located in New York, NY
Andrea Belag A Second Hand II, 1990 Monotype on cotton rag paper 42 1/2 × 30 inches Hand-signed by artist, Signed, titled and dated in pencil on the front; bears publishers name and copyright on the back, along with the unique inventory number Unframed Poignant 1990 monotype, in elegant pastel colors. The cotton rag paper has lightly deckled edges so it will look gorgeous when floated and framed. American painter Andrea Belag creates lush and luminous abstractions inspired by the visual and spiritual principles of Zen, as well as artists such as Mary Heilmann, Bernard Frize...
Category

1990s Abstract Tri-State Area - Abstract Prints

Materials

Rag Paper, Pencil, Graphite, Monotype

Yayoi Kusama Takashi Murakami Skateboard decks (2 works)
By Takashi Murakami
Located in NEW YORK, NY
Yayoi Kusama & Takashi Murakami Skateboard Decks (2 works): A set of two individual skateboard decks featuring Kusama's dots obsession imagery & Murakami’s iconic flowers. Makes f...
Category

21st Century and Contemporary Pop Art Tri-State Area - Abstract Prints

Materials

Wood, Lithograph, Offset

Raymond Pettibon Black Flag 1983 (Raymond Pettibon punk flyer)
By Raymond Pettibon
Located in NEW YORK, NY
Raymond Pettibon Black Flag 1983 (punk flyer): Black Flag at Mi Casita, Jan. 14, 1983: Offset-printed, 11 x 8.5 in. (28 x 21.6 cm). Black & white. Handbill / flyer for performance by...
Category

1980s Pop Art Tri-State Area - Abstract Prints

Materials

Offset

Skyscrapers, OP Art Screenprint by Roy Ahlgren
By Roy Ahlgren
Located in Long Island City, NY
Skyscrapers Roy Ahlgren American (1927–2011) Date: circa 1980 Screenprint, estate stamp on verso Image Size: 10 x 10 inches Size: 13 x 13 in. (33.02 x 33.02 cm)
Category

1980s Op Art Tri-State Area - Abstract Prints

Materials

Screen

Julian Schnabel Invierno Primaveral (Sexual Spring-like Winter)
By Julian Schnabel
Located in New York, NY
Julian Schnabel Invierno Primaveral, 1995 Hand-painted, 17-color screenprint with poured resin 40 x 30 inches (102 x 76 cm) Edition of 80 signed in pencil and stamped on verso "S...
Category

1990s Abstract Tri-State Area - Abstract Prints

Materials

Screen

Star of Hope, enamel on metal plaque with stamped name and copyright, Framed
By Robert Indiana
Located in New York, NY
Robert Indiana Star of Hope, 1972 Enamel on Metal with Artists Stamped Name. Date and Copyright Artist stamped name and copyright on lower right front Frame Included: held in a white...
Category

1970s Pop Art Tri-State Area - Abstract Prints

Materials

Metal, Enamel

Tapies Monotypes Offset Print, Abstract Style, Mid-20th Century
By Antoni Tàpies
Located in Brooklyn, NY
The poster titled Tapies Monotypes was produced for an exhibition showcasing the works of the renowned Catalan artist Antoni Tàpies at Galerie Maeght in Paris, held in June 1974. Thi...
Category

Mid-20th Century Abstract Tri-State Area - Abstract Prints

Materials

Offset

Pinks
By Gary Hume
Located in New York, NY
Gary Hume Pinks 2002 Silkscreen 17 3/8 x 14 inches; 44 x 36 cm Edition of 45 Signed, titled, dated and numbered in graphite (lower recto) Frame available upon request Available fr...
Category

Early 2000s Contemporary Tri-State Area - Abstract Prints

Materials

Screen

Heaven Forbid, Abstract Geometric Screenprint by Michael Challenger
Located in Long Island City, NY
Michael Challenger, British (1939 - ) - Heaven Forbid, Year: 1979, Medium: Screenprint, signed, titled, numbered and dated in pencil, Edition: AP, Image Size: 17 x 23 inches, Siz...
Category

1970s Abstract Geometric Tri-State Area - Abstract Prints

Materials

Screen

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