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Tri-State Area - Abstract Prints

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Item Ships From: Tri-State Area
Shevlin, Abstract Screenprint with Collage by Tom Holland
By Tom Holland
Located in Long Island City, NY
Stockton by Tom Holland, American (1936 - ) Date: 1971 Lithograph, embossing and collage on Rives, signed, titled, numbered and dated in pencil Edition: 25/50 Image Size: 17 x 23 inc...
Category

1970s Abstract Expressionist Tri-State Area - Abstract Prints

Materials

Screen

Subterranean, Conceptual Woodblock Print by Genichiro Inokuma
Located in Long Island City, NY
Genichiro Inokuma, Japanese (1902 - 1993) - Subterranean, Year: 1970, Medium: Woodblock, signed and numbered in pencil, Edition: EA, Size: 6.5 x ...
Category

1970s Conceptual Tri-State Area - Abstract Prints

Materials

Woodcut

Foothill, Abstract Screenprint with Collage by Tom Holland
By Tom Holland
Located in Long Island City, NY
Foothill by Tom Holland, American (1936 - ) Date: 1971 Lithograph, embossing and collage on Rives, signed, titled, numbered and dated in pencil Edition: 25/50 Image Size: 17 x 23 inc...
Category

1970s Abstract Expressionist Tri-State Area - Abstract Prints

Materials

Screen

Mid Century Modern Clown print, hand signed 144/250 Russian born American artist
By Nahum Tschacbasov
Located in New York, NY
Nahum Tschacbasov Mid Century Modern Clown, 1956 Lithograph Signed, dated and numbered 144/250 in graphite on the front 34 x 27.5 inches Unframed, affixed to matting Published by American Color Slide Co, Ltd., New York Terrific uncommon vintage signed, numbered and dated mid Century modern lithograph from this interesting and distinctive -and undervalued Russian American artist. Highly collectible clown...
Category

Mid-20th Century Expressionist Tri-State Area - Abstract Prints

Materials

Lithograph

Limited Edition Walker Art Center exhibition print, Hand Signed by Frank Stella
By Frank Stella
Located in New York, NY
Frank Stella Frank Stella The Circuit Prints (Hand Signed), 1988 Color offset lithograph poster (hand signed by Frank Stella) Signed and dated 88 in ink by Frank Stella directly unde...
Category

1980s Abstract Expressionist Tri-State Area - Abstract Prints

Materials

Lithograph, Offset

4/1/2020
By Ajay Malghan
Located in New York, NY
Ajay Malghan is an American artist and son of immigrant parents from India. His mother was usually found combining cultures at home, and his father, a Materials Scientist and Enginee...
Category

2010s Abstract Tri-State Area - Abstract Prints

Materials

Archival Pigment

"Untitled" by Joel Shapiro (Red, Black, Abstract, Geometric, Expressionist)
By Joel Shapiro
Located in New York, NY
This screenprint has vibrant red and black tones on wove paper Created in 2006, It is hand signed in pencil and numbered from the edition of 118. 32 by 24 3/8 inches (image), 36 3/4 ...
Category

Early 2000s Abstract Geometric Tri-State Area - Abstract Prints

Materials

Screen

"Untitled (SK-PH)" by Angel Otero (Abstract, Screen print, Texture)
By Angel Otero
Located in New York, NY
Angel Otero is known for oil paintings of bleeding color fields that bunch and crease to create topographic textures. In this visually compelling edition, Untitled (SK-PH), the artist flattened one of his compositions into a digital print, turning his signature folds into trompe l’oeil. Here, they read as intricate line work atop a tumultuous sea of brushed pastels. Inspired by a visit to the Lincoln Center archives, Otero drew a connection between the dramatic flair captured in photographs of operas presented during the 1970s and works from his “Poussin” series. Discussing the characters depicted in Poussin’s paintings, Otero remarked, “they were painted with poses that seemed staged, like a play set...
Category

2010s Contemporary Tri-State Area - Abstract Prints

Materials

Archival Pigment, Screen

Poppy Rainbow
Located in New York, NY
ABOUT THIS ARTIST: Siobhan O’Dwyer is a creative artist splitting her time between New York City and Southern California. Working as a full-time pharmacist in the beginning of her cr...
Category

2010s Tri-State Area - Abstract Prints

Materials

Photographic Paper

Yankee Flame Pop Art photorealist Lt Ed Signed/N. Statue of Liberty US President
By Ben Schonzeit
Located in New York, NY
Ben Schonzeit Yankee Flame, from the portfolio: America: the Third Century, 1975 Collotype on wove paper Pencil signed and numbered 50/200 on the front Publisher: APC Editions, Chermayeff Geismar Associates, Inc Printer: Triton Press 27 × 19 3/10 inches Unframed Note: this is the original hand signed and numbered collotype; not to be confused with the separate (unsigned) poster edition. This hand-signed, numbered and dated collotype in colors by photorealist pioneer artist Ben Schonzeit was created in 1975 for the portfolio America: the Third Century, commissioned by Mobil Oil Corporation in which 13 American artists, including Roy Lichtenstein, Ed Ruscha, Robert Rauschenberg, James Rosenquist and others created works celebrating America's bicentennial. Yankee Flame combines the iconic images of George Washington, Coca-Cola and the Statue of Liberty into a collaged interpretation of contemporary American life and the meaning of freedom. "Yankee Flame" is in excellent condition and never framed. It was acquired as part of the America: The Third Century full portfolio. Ben Schonzeit (b. 1942, Brooklyn, New York) is one of the original Photorealist painters and is considered to have pioneered the airbrush technique. His works often depict still life arrangements that are intentionally out of focus. He received his B.F.A. from The Cooper Union in 1964 and has since had over 50 solo exhibitions both in the United States and abroad. His paintings are held in numerous museum collections including the Solomon R. Guggenheim Museum in New York, Virginia Museum of Fine Arts in Richmond, Virginia, and the Metropolitan Museum of Art in New York. In 1973 Nancy Hoffman introduced me to Ben Schonzeit in the backroom of her gallery on West Broadway. She had been open less than a year, and Ben was one of the artists in her original stable. His large Crab Blue It had arrived from his studio a few days earlier and was leaning against the wall. I thought at the time it was one of the most impressive, virtuosic Photorealist works I had seen. That first encounter was more than a quarter of a century ago and I have always considered it to be one of the quintessential, tour de force paintings of American Photorealism. In the early seventies one could stand on West Broadway on any pleasant, sunny weekday and see less than a dozen people on the street between the Nancy Hoffman Gallery and OK Harris Works of Art. Almost all of the SoHo galleries, such as Leo Castelli, Paula Cooper, Ward-Nasse, and Ivan Karp’s Hundred Acres, could be visited in an afternoon. At night the streets were almost deserted. With the exception of Andy Warhol, there were no art world superstars. More importantly, none of the artists expected to achieve celebrity status. That was a phenomenon of the eighties and nineties. There were a only a handful of restaurants and watering holes, such Elephant and Castle, Fanelli’s, the Spring Street Bar and Prince Street Bar. Fanelli’s closed on weekends, which was a holdover from their sweatshop clientele during lunch and ragtag group of artists in the evenings. In those early days of SoHo, the drafty, raw sweatshop spaces with their large windows, rough floors, and service elevators provided large, inexpensive living quarters and studios for many artists. Unlike today, there were no boutiques. The area was not chic and with the exception of Lowell Nesbett’s showplace, the lofts were not glamorous. Schonzeit was in the same living and working space the he now occupies when I first visited him, but SoHo was a very different time and place. When the National Endowment of the Arts recommended me to curate America 1976, which turned into one of the major visual arts projects for the Bicentennial, Ben Schonzeit was on the first list of participants I made up for the U.S. Department of the Interior. His large diptych, Continental Divide, was one of the most memorable works produced for the exhibit. I stopped by his studio four or five times while it was in progress and have visited him many times over the years. We have maintained a very cordial working relationship and friendship over the past three decades. I saw The Music Room exhibit in 1978 and realized at the time that the vigorously rendered mural sized canvases and mirror and related works represented a major catharsis in his painting. In many ways, it and the other paintings and drawings based on the same image represented a sharp, decisive break with the tenets of Photorealism, or at least the photo-replicative aspects that had been so widely heralded in America and abroad in the mid-seventies. Over the years we have continued to work together. He has been in almost all of the major exhibitions I have curated here and abroad and in almost all of the books I have written. I am familiar with his studio habits, his quiet, internalized restlessness that manifests itself in the hundreds of small, unknown drawings and watercolors, doodles on napkins during lunch, and imaginary landscapes. I also know that he would rather do a painting than think or talk about it. Over the years I have followed the shifts in his studio procedure from the monumental airbrushed fruit and vegetable paintings to the most recent bouquets of flowers and decorative paintings. Our discussions of these matters tends to lapse into a verbal shorthand at this point. The following essay is based on both my longstanding familiarity and admiration for his work and involvement with contemporary realism and figurative painting. A booklet of color xeroxes with notes made up by Schonzeit was extremely helpful. In addition to several interviews, much of the information unfolded through a lengthy series of Emails. Due to our different working habits these were composed and sent out very late at night and answered by Ben the following morning. They dealt with the specifics of many of the paintings, generalities, his background and childhood in Brooklyn, and occasional bits of art world gossip. And there were odd discoveries. Prior to discussing his witty, tongue in cheek painting of Buffalo Bill, I did not know or had long forgotten that William Cody...
Category

1970s Pop Art Tri-State Area - Abstract Prints

Materials

Other Medium, Lithograph, Pencil

Crab Dinner
By Rubeena Ratcliffe
Located in New York, NY
ABOUT THIS ARTIST: Rubeena Ratcliffe was born and raised in Edmonton, Canada and later educated as an architect in Canada, Holland, and the US. Ratcliffe became enthralled with paint...
Category

2010s Tri-State Area - Abstract Prints

Materials

Photographic Paper

Jack Bush at Andre Emmerich (Exhibition invitation postmarked to McNay director)
By Jack Bush
Located in New York, NY
Jack Bush Jack Bush at Andre Emmerich, 1966 Offset lithograph exhibition poster. Postmarked to McNay Art institute director 22 1/2 × 17 3/4 inches Unframed This special mid century modern exhibition...
Category

1960s Color-Field Tri-State Area - Abstract Prints

Materials

Lithograph, Offset

Untitled (Diptych)
By Fred Sandback
Located in New York, NY
Fred Sandback was a minimalist conceptual-based sculptor known for his yarn sculptures, drawings, and prints. He majored in philosophy at Yale Universit...
Category

1990s Minimalist Tri-State Area - Abstract Prints

Materials

Lithograph

Untitled (Red on Blue 1)
By Johan Van Oeckel
Located in New York, NY
ABOUT THIS PIECE: Colour, form, space and time are the main elements in the work of Johan Van Oeckel. In search for new compositions he always starts from small sketches based on fra...
Category

2010s Tri-State Area - Abstract Prints

Materials

Photographic Paper

SPACE VOYAGE Signed Lithograph, Abstract Cosmic Creatures, Latin American Artist
By Raquel Forner
Located in Union City, NJ
SPACE VOYAGE is an original hand drawn lithograph by the Latin American Woman artist Raquel Forner(1902–1988) , paper size - 13 1/4 x 15 1/4 in., image size - 8 1/2 x 11 3/4 in. pri...
Category

1980s Expressionist Tri-State Area - Abstract Prints

Materials

Lithograph

Variant - P1, F30, I1, Geometric Abstract Screenprint by Josef Albers
By Josef Albers
Located in Long Island City, NY
Artist: Josef Albers Title: Variant from the Formulation: Articulation portfolio Portfolio 1, Folder 30, Image 1 Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper Edit...
Category

1970s Abstract Geometric Tri-State Area - Abstract Prints

Materials

Screen

Joseph Beuys, een konfrontatie, 137 Tekeningen 1945-1979, Hand Signed print Rare
By Joseph Beuys
Located in New York, NY
Joseph Beuys Joseph Beuys, een konfrontatie, 137 Tekeningen 1945-1979, (Hand Signed), 1979 Silkscreen on velincarton (thin board) Catalogue raisonne reference: Weiss-Britsch 75 Boldl...
Category

1970s Conceptual Tri-State Area - Abstract Prints

Materials

Board, Offset

Maison de l Amour, Folk Art Etching by Mireille Kramer
Located in Long Island City, NY
Mireille Kramer, Egyptian/American (1932 - ) - Maison de l'Amour, Year: circa 1980, Medium: Etching, signed and numbered in pencil, Edition: 300, Image Size: 10 x 20 inches, Size...
Category

1980s Folk Art Tri-State Area - Abstract Prints

Materials

Etching

Cobalt Circle
By Ruth Adler
Located in New York, NY
ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...
Category

2010s Tri-State Area - Abstract Prints

Materials

Photographic Paper

Tel Aviv Yafo 80, Abstract Geometric Screenprint by Yaacov Agam
By Yaacov Agam
Located in Long Island City, NY
Yaacov Agam, Israeli (1928 - ) - Tel Aviv Yafo 80, Year: 1989, Medium: Screenprint, signed and numbered in pencil, Edition: 105/495, Image Size: 29.5 x 24.75 inches, Size: 34.5 ...
Category

1980s Abstract Geometric Tri-State Area - Abstract Prints

Materials

Screen

Milton Glaser signed abstract mixed media landscape mid century modern (unique)
By Milton Glaser
Located in New York, NY
MILTON GLASER Untitled Abstract Landscape, 1965 Monotype with Mixed Media 11 × 13 inches Signed and dated 1965 on the lower right recto Unique Frame included: held in original vinta...
Category

Mid-20th Century Abstract Tri-State Area - Abstract Prints

Materials

Mixed Media, Pencil, Graphite, Monotype, Screen

Stanley William Hayter, Le Beche
By Stanley William Hayter
Located in New York, NY
Black & Moorhead 145. The title, Le Beche, is The Shovel in English. Signed and dated in pencil under image at right.
Category

Mid-20th Century American Modern Tri-State Area - Abstract Prints

Materials

Intaglio

Joel Shapiro rare poster Minimalist Sculpture Julio Gonzales ctr (Hand Signed)
By Joel Shapiro
Located in New York, NY
Joel Shapiro Poster (Hand Signed), 1990 Offset Lithograph poster Boldly signed and inscribed in black marker on the front 20 × 27 1/2 inches Unframed Hand signed and inscribed by Jo...
Category

1990s Minimalist Tri-State Area - Abstract Prints

Materials

Lithograph, Offset

Eclipse 14
By Nicole Yates
Located in New York, NY
ABOUT THIS ARTIST: Nicole Yates is a painter and digital designer from Portland, Oregon. She believes art enriches living spaces through an aesthetic drawn from the natural and digital worlds. At home and in the office, Nicole is inspired by the colors that surround us-the architecture, outdoors, travel, food and wine...
Category

2010s Tri-State Area - Abstract Prints

Materials

Photographic Paper

Grape Flavor, Walasse Ting
By Walasse Ting
Located in Fairfield, CT
Artist: Walasse Ting (1929-2010) Title: Grape Flavor Year: 1981 Edition: 200/200 Medium: Lithograph on Saunders paper Size: 21.75 x 29.5 inches Inscription: Signed and numbered by th...
Category

1980s Pop Art Tri-State Area - Abstract Prints

Materials

Lithograph

TIMELINE DEGA MAN Signed Lithograph, Abstract Figures, Black White Stripes
By Peter Max
Located in Union City, NJ
TIMELINE DEGA MAN is an original hand drawn lithograph by Peter Max printed using traditional hand lithography techniques on archival paper, 100% acid...
Category

1990s Pop Art Tri-State Area - Abstract Prints

Materials

Lithograph

Tribute to Violinist Jascha Heifetz, limited edition David Hockney poster
By David Hockney
Located in New York, NY
David Hockney Tribute to violinist Jascha Heifetz, 1988 Offset Lithograph Poster 15 × 34 inches Limited Edition of 100 Unframed (unsigned) Another example of this work was featured i...
Category

1980s Pop Art Tri-State Area - Abstract Prints

Materials

Offset

Garden 3
By Julianna Goodman
Located in New York, NY
ABOUT THIS PIECE: Inspired by the warm light, open vistas, and saturated colors of her birthplace (Southern California), Julianna Goodman’s collages often distill memories of nature...
Category

2010s Tri-State Area - Abstract Prints

Materials

Photographic Paper

Niki de St Phalle Bespoke LOVE Shopping Bag
By Niki de Saint Phalle
Located in New York, NY
Niki de Saint Phalle Niki de St Phalle Bespoke LOVE Shopping Bag, ca. 1982 Silkscreen on paper bag 9.5 x 8 inches Unframed The edition is unknown but we h...
Category

1980s Modern Tri-State Area - Abstract Prints

Materials

Paper, Mixed Media, Screen

Diver’s Line, State II (Glenn 167-A), James Rosenquist
By James Rosenquist
Located in Fairfield, CT
Artist: James Rosenquist (1933-2017) Title: Diver’s Line, State II (Glenn 167-A) Year: 1979 Medium: Etching, aquatint, stencil on Pescia Italia paper Edition: 28/78 Size: 22.75 x 40 ...
Category

1970s Pop Art Tri-State Area - Abstract Prints

Materials

Etching, Aquatint, Stencil

Christopher Wool Guggenheim Monograph, Hand signed and dated by Christopher Wool
By Christopher Wool
Located in New York, NY
Christopher Wool Christopher Wool (Hand signed and dated by Christopher Wool), 2013 Hardback monograph with dust jacket (hand signed and dated by Christopher Wool) Boldly signed and ...
Category

2010s Minimalist Tri-State Area - Abstract Prints

Materials

Paper, Ink, Mixed Media, Lithograph, Offset

Flash portfolio colophon page, JFK Assassination silkscreen (Hand signed)
By Andy Warhol
Located in New York, NY
Andy Warhol Flash portfolio colophon pages, JFK Assassination, 1968 2 Separate Silkscreens: (1) Silkscreen text on paper and teletype text; (2) colophon sheet in pencil and numbered XVII (from the edition of 26 (roman numerals) Hand-signed by artist, two silkscreen prints; the colophon sheet is hand signed by Andy Warhol; no signature on sheet with teletype 21 1/2 × 21 1/2 inches Unframed Note: measurements are for each sheet Catalogue Raisonne Reference: FS II.32-42 (not illustrated) Silkscreened colophon sheet of the edition XVII of the iconic "Flash" Portfolio; hand signed and uniquely numbered by Andy Warhol, plus silkscreened print with teletype text. These two prints from Warhol's iconic "Flash Portfolio" were selected for inclusion in the blockbuster Andy Warhol retrospective at the Whitney Museum in 2019. (see photos). The plaque on the Whitney exhibition (also see included photo) describes the portfolio as follows:" These screenprints reflect Warhol's ongoing interest in the Kennedy assassination, an obsession that intensified following the release of the Warren Commission report and the publication of stills from a short home movie of the event, published by bystander Abraham Zapruder. Flash - November 22, 1963 is an unbound Artists Book with text based upon the original Associated Press newswire bulletins. For his illustrations, Warhol appropriated the recurring image of Kennedy from a 1960 campaign poster, and sourced the remaining photographs, including pictures of Lee Harvey Oswald and an ad for the type of rifle used, from Life's [Magazine] sustained coverage of the assassination and its aftermath.." The present sheet begins with the following teletyped text: "THE TWO WOUNDED MEN WERE RUSHED TO EMERGENCY ROOMS, AND THE HOSPITAL'S PUBLIC ADDRESS SYSTEM RANG WITH CALLS FOR ALL STAFF DOCTORS. FLASH DALLAS - TWO PRIESTS SUMMONED TO KENNEDY X IN EMERGENCY ROOM BULLETIN 3RD ADD 2ND LEAD KENNEDY XX DOCTORS TWO PRIESTS ENTERED THE EMERGENCY ROOM WHERE THE PRESIDENT WAS BEING TREATED AT 12:49 P.M. (CST). THERE WAS STILL NO OFFICIAL WORD ON THE PRESIDENT'S CONDITION. ASSISTANT WHITE HOUSE PRESS SECRETARY MALCOLM XXX KILDUFF SAID "I JUST CAN'T SAY. I JUST CAN'T SAY." FLASH -- PRIESTS SAY KENNEDY DEAD. .""" (the text on the page continues; this is just a partial excerpt.) Racolin Press, Briarcliff Manor, New York Two Andy Warhol silkscreens on white wove paper comprising the signed colophon and text pages of his iconic 1968 "Flash" Portfolio, as well as Warhol's wraparound silkscreen of the distinctive teletype text. The colophon page silkscreen is hand signed by Andy Warhol and uniquely numbered XVII in pencil from the edition of 26, which, it expressly states, was not for sale. The second silkscreen sheet features teletype print describing events surrounding the assassination of President John F. Kennedy - the defining event of a generation as contemporaneously re-imagined by the most important Pop artist of the era. Warhol created the "Flash - November 22, 1963" portfolio of prints in 1968 to depict the continuing media spectacle surrounding JFK's assassination. He named the portfolio after the news flash Teletype texts that reported the assassination and its aftermath - the first major news event played out live on TV. The Flash portfolio includes a series of eleven silkscreens depicting President Kennedy smiling broadly, a presidential seal with bullet holes through it, and other symbolic representations of that tragedy. The portfolio's cover includes an image of the New York World-Telegram front page with the headline "President Shot Dead." Warhol used screen printed...
Category

1960s Pop Art Tri-State Area - Abstract Prints

Materials

Screen, Pencil

Silence For John Cage Hand Signed by Richard Serra exhibition print Minimalist
By Richard Serra
Located in New York, NY
Richard Serra Silence, For John Cage (Hand Signed), 2016 Offset lithograph (hand signed by Richard Serra) 29 inches vertical × 39 inches horizontal Boldly signed in black marker on t...
Category

2010s Minimalist Tri-State Area - Abstract Prints

Materials

Offset, Permanent Marker, Lithograph

Print of Brice Marden s studio (hand signed by Brice Marden), Nan Goldin photo
By Brice Marden
Located in New York, NY
Brice Marden's Studio Offset lithograph poster (hand signed by Brice Marden in 2015) This print was published on the occasion of Brice Marden's 1996 exhibition at the Matthew Marks Gallery in Chelsea, New York City. The image is based on Nan Goldin's 1995 photograph of Marden working in his studio. The print was signed by Brice Marden for the present owner. A collectors item when hand signed! Accompanied by Certificate of Guarantee issued by the present gallery About Brice Marden: Ultimately I’m using the painting as a sounding board for the spirit. . . . You can be painting and go into a place where thought stops—where you can just be and it just comes out. . . . I present it as an open situation rather than a closed situation. —Brice Marden Brice Marden (1938–2023) continuously refined and extended the traditions of lyrical abstraction. Experimenting with self-imposed rules, limits, and processes, and drawing inspiration from his extensive travels, Marden brought together the diagrammatic formulations of Minimalism, the immediacy of Abstract Expressionism, and the intuitive gesture of calligraphy in his exploration of gesture, line, and color. Born in Bronxville, New York, Marden received an MFA from Yale University’s School of Art and Architecture, where his teachers included the painters Alex Katz and Jon Schueler. After graduation he worked as a guard at the Jewish Museum in New York. There, during a 1964 Jasper Johns retrospective, Marden studied Johns’s early works extensively and considered them in relation to the Baroque masters he has long admired, such as Francisco de Zurbarán, Francisco Goya, and Diego Velázquez. Marden’s paintings from the 1960s include subtle, shimmering monochromes in gray tones, sometimes assembled into multipanel works, in a manner similar to the black paintings and White Paintings of Robert Rauschenberg, who hired Marden as a studio assistant in 1966. A trip to Greece in the early 1970s led Marden to create the Hydra paintings (1972), which capture the turquoise hues of the Mediterranean, and Thira (1979–80), a painting composed of eighteen interconnected panels inspired by the shadows and geometry of ancient temples. To heighten the effect of each color, plane, and brushstroke, Marden developed the unique process of adding beeswax and turpentine to oil paint and applying the mixture in many thin layers. Marden employed this technique for the Grove Group paintings (1972–76)—exhibited at Gagosian’s Madison Avenue gallery in New York in 1991, along with related works—and the Red Yellow Blue paintings...
Category

2010s Minimalist Tri-State Area - Abstract Prints

Materials

Pencil, Lithograph, Offset

Splash Navy
By Alberto Seveso
Located in New York, NY
ABOUT THIS PIECE: Alberto practices high-speed photography. He has mastered the balance of pouring varnish into water and using his high-speed photography knowledge to capture the mo...
Category

2010s Tri-State Area - Abstract Prints

Materials

Photographic Paper

Series 40B, Abstract Geometric Screenprint by Gordon House
By Gordon House
Located in Long Island City, NY
Artist: Gordon House, British (1932 - 2004) Title: Series 40 C Year: 1965 Medium: Screenprint, signed and numbered in pencil Edition: 13/50 Image Size: 16 x 15.5 inches Frame Size: 2...
Category

1960s Abstract Geometric Tri-State Area - Abstract Prints

Materials

Screen

Splash Navy
By Alberto Seveso
Located in New York, NY
ABOUT THIS PIECE: Alberto practices high-speed photography. He has mastered the balance of pouring varnish into water and using his high-speed photography knowledge to capture the mo...
Category

2010s Tri-State Area - Abstract Prints

Materials

Photographic Paper

SAILS XX; SPINNAKER OF THE VELSHEDA
By Jonathan Chritchley
Located in New York, NY
ABOUT THIS PIECE: Since 2008 fine art photographer Jonathan Chritchley has regularly been invited to attend the Classic Yacht Regattas on the legendary Cote d’Azur in France, working...
Category

2010s Tri-State Area - Abstract Prints

Materials

Photographic Paper

FACE TO FACE Signed Stone Lithograph, Abstract Expressionist, New York School
By Knox Martin
Located in Union City, NJ
FACE TO FACE is an original hand drawn stone lithograph by the American abstract painter Knox Martin. Printed by hand from a lithography stone in rich black ink on archival Arches pr...
Category

1970s Contemporary Tri-State Area - Abstract Prints

Materials

Lithograph

Tumbleweed, James Rosenquist neon blue barbed wire sculptural lithograph drawing
By James Rosenquist
Located in New York, NY
This print depicts the tangle of barbed wire encircling curling and twisting neon, with lengths of wood at the center. The dark paper sets off the electric blue, and captures the ori...
Category

Late 20th Century Pop Art Tri-State Area - Abstract Prints

Materials

Lithograph

South Sea 12
By Ruth Adler
Located in New York, NY
ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...
Category

2010s Tri-State Area - Abstract Prints

Materials

Photographic Paper

Forever, Embossed Lithograph by Byron Galvez
By Byron Gálvez
Located in Long Island City, NY
An almost human Cubist figure looms up anxiously out of the dark in this artist's proof print by Byron Galvez. The lithograph is signed and numbered by th...
Category

Late 20th Century Tri-State Area - Abstract Prints

Materials

Lithograph

Monograph: Francis Bacon (hand signed and warmly inscribed by Francis Bacon)
By Francis Bacon
Located in New York, NY
Francis Bacon Francis Bacon (hand signed and warmly inscribed by Francis Bacon), 1975 Softcover catalogue with stiff wraps (hand signed and warmly inscribed by Francis Bacon) hand si...
Category

1970s Surrealist Tri-State Area - Abstract Prints

Materials

Paper, Ink, Mixed Media, Lithograph, Offset, Felt Pen

Ombré Sky No2
By Jessica Nugent
Located in New York, NY
ABOUT THIS ARTIST: Jessica Nugent is a photographer from California known for her contemporary images of nature. She uses her graphic design background to create an emotional connection with the natural world through the use of color. Jessica’s art has recently been featured with Artsy, Domino Magazine, Pottery Barn Teen...
Category

2010s Tri-State Area - Abstract Prints

Materials

Photographic Paper

Free Arrangements of Equal Parts Geometric Abstract Screenprint by Herbert Bayer
By Herbert Bayer
Located in Long Island City, NY
Free Arrangements of Equal Parts by Herbert Bayer, Austrian (1900–1985) Date: circa 1968 Screenprint, signed and numbered in pencil Edition of 12/75 Size: 29.75 x 29.5 in. (75.57 x 7...
Category

1960s Abstract Geometric Tri-State Area - Abstract Prints

Materials

Screen

America: The Third Century 1976- Serigraph
Located in Brooklyn, NY
This serigraph poster by Allan D'Arcangelo was created in 1976 to commemorate the American Bicentennial, celebrating 200 years of the nation's in...
Category

1970s Pop Art Tri-State Area - Abstract Prints

Materials

Screen

Apparition, Surrealist Lithograph by Andre Masson
By André Masson
Located in Long Island City, NY
Andre Masson, French (1896 - 1987) - Apparition, Year: 1954, Medium: Lithograph, signed and numbered in pencil, Edition: 17/30, Image Size: 14.75 x 10.5 inches, Size: 19.75 x 15...
Category

1950s Surrealist Tri-State Area - Abstract Prints

Materials

Lithograph

"SPRING FLOWERS 04042018 559pm", Abstract, Digital Print, Blue, Rose, Pink, Grey
By Justin Neely
Located in Toronto, Ontario
The abstract print "SPRING FLOWERS 04042018 559pm" is a digital artwork, created with the Brushes Redux iPhone app, and printed at 36x36" on museum-quality Canson Platine Fibre Rag 310gsm archival paper. As the title indicates, the artwork was created on April 4, 2018 at 5:59 pm. While Justin Neely...
Category

21st Century and Contemporary Abstract Impressionist Tri-State Area - Abstract Prints

Materials

Archival Paper, Archival Pigment, Digital Pigment

Les Chiens Ont Soif IV, Surrealist Lithograph by Max Ernst
By Max Ernst
Located in Long Island City, NY
Max Ernst, German (1891 - 1976) - Les Chiens Ont Soif IV, Portfolio: Les Chiens Ont Soif, Year: 1964, Medium: Lithograph, Edition: 165/320, Size: 17 x 24.5 in. (43.18 x 62.23 cm...
Category

1960s Surrealist Tri-State Area - Abstract Prints

Materials

Lithograph

Christo at Leo Castelli, invitation Hand Signed by Christo to Pierre Restany
By Christo
Located in New York, NY
Christo at Leo Castelli Gallery New York (Hand Signed), 1966 Extremely rare Offset Lithograph Poster announcement Boldly hand signed by Christo in blue marker on the lower left front. Addressed to the influential (legendary) art critic Pierre Restany...
Category

Mid-20th Century Pop Art Tri-State Area - Abstract Prints

Materials

Offset, Lithograph

Ombré Sky No5
By Jessica Nugent
Located in New York, NY
ABOUT THIS ARTIST: Jessica Nugent is a photographer from California known for her contemporary images of nature. She uses her graphic design background to create an emotional connection with the natural world through the use of color. Jessica’s art has recently been featured with Artsy, Domino Magazine, Pottery Barn Teen...
Category

2010s Tri-State Area - Abstract Prints

Materials

Photographic Paper

Boris Margo, Holiday Card (Peace and Joy), 1962
By Boris Margo
Located in New York, NY
Boris Margo is one of the artists whose work is instantly identified with 'Mid-century American Modernism.' Usually abstract with a spiky surrealist edge, it speaks to extensive inno...
Category

1960s American Modern Tri-State Area - Abstract Prints

Materials

Engraving

"Untitled" by Philip Taaffe (Abstract, Red, Black, Shape, Formalist, Expression)
By Philip Taaffe
Located in New York, NY
b. 1955, Elizabeth, NJ Phillip Taaffe’s travels in the Middle East, India, South America, Morocco, and Italy all provided experiences, which deeply shaped his artistic practice. In ...
Category

1990s Abstract Tri-State Area - Abstract Prints

Materials

Screen

Wild Pt2
Located in New York, NY
ABOUT THIS ARTIST: Siobhan O’Dwyer is a creative artist splitting her time between New York City and Southern California. Working as a full-time pharmacist in the beginning of her cr...
Category

2010s Tri-State Area - Abstract Prints

Materials

Photographic Paper

VI from La Magnanerie de la Ferrage, Linocut on Rice Paper by Alberto Magnelli
By Alberto Magnelli
Located in Long Island City, NY
Artist: Alberto Magnelli, Italian (1888 - 1971) Title: VI from La Magnanerie de la Ferrage Year: 1971 Medium: Linocut on Japon, signed in pencil Edition: Pour Leon Amiel Image Size: ...
Category

1970s Cubist Tri-State Area - Abstract Prints

Materials

Rice Paper, Linocut

6/11/2020
By Ajay Malghan
Located in New York, NY
Ajay Malghan is an American artist and son of immigrant parents from India. His mother was usually found combining cultures at home, and his father, a Materials Scientist and Engineer often brought him to the lab. The daily experimentations happening around him, both personal and scientific, would later inform his work. While his parents wanted him to follow more straightforward career paths, he was the first in his family to eschew their expectations and pursue art and music instead. Malghan went on to receive an MFA in Photography from Savannah College of Art and Design - Hong Kong. Here he experimented in a darkroom, bleaching film, adding watercolor to glass plates, thinly cross-sectioning fruits and vegetables until they formed abstractions, beginning his exploration into the repurposing of materials. In his twenties, Malghan was diagnosed with Leukemia, the treatment of which resulted in avascular necrosis, a bone disease that eventually required numerous surgeries and three hip replacements. His experience through illness and recovery not only led him to photography, but also informs his manipulation of raw, often overlooked materials in order to reorient our understanding of beauty, pleasure, and purpose. Malghan has been exhibited across the country and has lectured in Hong Kong, India, the University of Texas, the University of Notre Dame - Maryland, and UMLAUF Sculpture & Design Museum. He most recently has been commissioned by The Walters Art Museum, and his work is in the private collections of Johns Hopkins University, the University of Texas, and Georgetown University...
Category

2010s Abstract Tri-State Area - Abstract Prints

Materials

Archival Pigment

4/8/2020
By Ajay Malghan
Located in New York, NY
Ajay Malghan is an American artist and son of immigrant parents from India. His mother was usually found combining cultures at home, and his father, a Materials Scientist and Engineer often brought him to the lab. The daily experimentations happening around him, both personal and scientific, would later inform his work. While his parents wanted him to follow more straightforward career paths, he was the first in his family to eschew their expectations and pursue art and music instead. Malghan went on to receive an MFA in Photography from Savannah College of Art and Design - Hong Kong. Here he experimented in a darkroom, bleaching film, adding watercolor to glass plates, thinly cross-sectioning fruits and vegetables until they formed abstractions, beginning his exploration into the repurposing of materials. In his twenties, Malghan was diagnosed with Leukemia, the treatment of which resulted in avascular necrosis, a bone disease that eventually required numerous surgeries and three hip replacements. His experience through illness and recovery not only led him to photography, but also informs his manipulation of raw, often overlooked materials in order to reorient our understanding of beauty, pleasure, and purpose. Malghan has been exhibited across the country and has lectured in Hong Kong, India, the University of Texas, the University of Notre Dame - Maryland, and UMLAUF Sculpture & Design Museum. He most recently has been commissioned by The Walters Art Museum, and his work is in the private collections of Johns Hopkins University, the University of Texas, and Georgetown University...
Category

2010s Abstract Tri-State Area - Abstract Prints

Materials

Archival Pigment

T Series (Blue), Geometric Abstract Screenprint by Arthur Boden
By Arthur Boden
Located in Long Island City, NY
Artist: Arthur Boden, American Title: T Series (Blue) Year: circa 1970 Medium: Serigraph, signed and numbered in pencil Edition: 100 Size: 29 in. x 23 in....
Category

1970s Abstract Geometric Tri-State Area - Abstract Prints

Materials

Screen

Limited Edition Monograph: Pat Steir (Hand signed and inscribed by Pat Steir)
By Pat Steir
Located in New York, NY
Pat Steir (Hand signed and inscribed by Pat Steir), 2014 Limited Edition clothbound hardback monograph with no dust jacket as issued (hand signed and inscribed to Nadine) Hand signed...
Category

2010s Abstract Tri-State Area - Abstract Prints

Materials

Paper, Ink, Mixed Media, Lithograph, Offset, Board

Description Without Place, abstract expressionist lithograph + silkscreen signed
By Claire Seidl
Located in New York, NY
Claire Seidl Description Without Place (Hand Signed), 1986 Lithograph and silkscreen. Hand signed, dated and numbered 17/65 by the artist. 28 × 38 1/2 inches Unframed Gorgeous Abstr...
Category

1980s Abstract Tri-State Area - Abstract Prints

Materials

Lithograph, Screen

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