Tri-State Area - Abstract Prints

Arnaldo Pomodoro Untitled Mid-Century Modern Geometric Abstraction, 1968 Silkscreen with colors on rag paper with deckled edges Hand signed, numbered 44 from the edition of 80 and da...

Christopher Wool at Luhring Augustine, (Hand Signed), 2015 Double sided offset lithograph. Hand signed by renowned Minimalist artist Christopher Wool 24 × 19 inches Signed in blue i...

Linda Mave - Alit, Medium: Intaglio and Aquatint on Arches, signed, and numbered in pencil, Edition: 3/10, Image Size: 11.5 x 8.5 inches, Size: 15 x 11 in. (38.1 x 27.94 cm)

Les Revolutions Sceniques du XXe Siecle - I (Cramer 207) Joan Miro, Spanish (1893–1983) Date: 1975 Lithograph Image Size: 12 x 10 inches Size: 14.5 in. x 10 in. (36.83 cm x 25.4 cm) ...

Max Ernst, German (1891 - 1976) - Les Chiens Ont Soif I, Portfolio: Les Chiens Ont Soif, Year: 1964, Medium: Lithograph, Edition: 165/320, Size: 17 x 24.5 in. (43.18 x 62.23 cm)...

Stephen Westfall Jig, 2005 Woodblock, on Hiromi Iwa Hara-shi Kasa Japanese paper Signed, dated 2005 and numbered 10/35 in graphite pencil on the front Frame included Elegantly floate...

Signed edition 66 / 99 Line engraving in Arches paper Image size 19 x 11 1/in Paper size 26 x 19 1/2 in. Matted 29.5 x 21 Inches

Putu by Al Held, American (1928–2005) Date: 1988 Aquatint Etching, signed, numbered and dated in pencil verso Edition of 16/25 Image Size: 35.5 x 44.5 inches Size: 41 in. x 53.5 in. ...

Roy Lichtenstein (after) Gallery 26 Exhibition Poster, 1950 Off-set Lithograph Poster (Mounted to Cardboard) unsigned 10 1/2 × 31 inches Unframed This poster/flyer is an advertisemen...

David Borawski's works are responses to specific spaces, virtual, found, and political. Disturbances on a television screen became a minimal poem to the artist. These series of d...

CALM is an original hand drawn lithograph(not a photo reproduction or digital print)by the artist Frank Licsko printed using traditional hand lithography techniques on archival Arche...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Oscillation Year: circa 1977 Medium: Screenprint, signed and numbered in pencil Edition: 150 Image Size: 18.25 x 25.75 inches Size:...

Evelyn B. Johnson was an American Optical artist. Her work specialized in striking geometric abstract forms in bright colors whose shading mimics the effects of neon lighting. These ...

This original etching- "Naissance" (birth)- was realized by the esteemed German artist and master printmaker Wolfgang Gäfgen (b. 1936), circa 1960. Re...

Artist: Alan Davie, Scottish (1920 - 2014) Title: Olympische Spiele Muenchen Year: 1972 Medium: Lithograph Poster mounted on linen Edition: ...

Cosmic Flowers is an original hand drawn lithograph by Peter Max printed using traditional hand lithography techniques on archival Arches paper, 100% aci...

Richard Tuttle The Art of Richard Tuttle (Hand signed, dated and inscribed by Richard Tuttle), 2005 Hardback monograph with dust jacket (Hand signed, dated and inscribed to Nadine by...

Christopher Wool 2004 CAMDEN ARTS CENTRE (Hand signed and dated by Christopher Wool), 2004 Softcover catalogue (Hand signed and dated by Christopher Wool) Hand signed and dated 2017 ...

FACE OF THE NIGHT (For Octavio Paz) is a limited run lithograph exhibition poster printed in multiple colors using traditional hand lithography techniques (not a photo reproduction) ...

Richard Paul Lohse Group of eight complementary squares with four rectangles (Gruppe von acht komplementären Quadrat Mit vier Rechtecken), 1976 Colo...

Both the natural world and architectural grit have a place in Lisa Breslow's work, highlighting the pull of New York City that is created by these opposing forces side-by-side. She ...

Vivid color aquatint with hand coloring in watercolor by Howard Hodgkin, from a limited edition of 50. Initialed by Hodgkin, dated and numbered in pencil. Printed by Andrew's Print...

Judith Rothschild Untitled, from the Long Point Gallery Portfolio, 1988 Woodcut on paper Hand signed, numbered 22/30 and dated on lower fr...

Max Epstein, Canadian (1932 - 2002) - Canadian Tribute, Year: 1977, Medium: Screenprint, Signed and Numbered in pencil, Edition: 50, Size: 26 in. x 20.5 in. (66.04 cm x 52.07 cm)

Artist: Nicholas Krushenick (1929-1999) Title: Silver Liner Year: 1977 Edition: 140/200, plus proofs Medium: Silkscreen on wove paper Size: 32 x 26 inches Condition: Good Inscription...

Alan Shields TV Re-Run B, 1978 Mixed Media Monotype: Color drypoint, mezzotint, linocut and colored embossing on perforated paper on Handmade Paper Mounted on Linen Board Signed, num...

Biomorphic Abstract is an original hand drawn lithograph by the Indian-American artist Arun Bose, hand printed using traditional lithography techniques on archival Arches paper 100% ...

This serigraph was created by German artist Jurgen Peters. Peters was a very well known optical artist in the 1970s, he was a contemporary of Victor Vasarely, Yaacov Agam and Briget Riley...

Artist: Peter Grippe, American (1912 - 2002) Title: Positive Year: 1960 Medium: Silkscreen, signed and numbered in pencil Edition: 50 Image Size: 39 x 20 inches Size: 46 x 35 in. (11...

Artist: Gabor Peterdi, Hungarian (1915 - 2001) Title: Maui Year: 1969 Medium: Color Etching on BFK Rives paper, signed and numbered in pencil Edition: 146/200 Image Size: 10 x 7 inch...

Artist: Jack Brusca, American (1939 - 1993) Title: Star Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 30 Image Size: 24 x 24 inches Size: 27 in. x 26...

Maya Hayuk The Likes of Us, 2017 Screenprint with spray paint in colors on Arches paper Signed, numbered 91/100, dated, and titled in pencil along lower edge. Accompanied by COA hand signed by the artist. 20 × 15 inches Unframed This work is accompanied by a Certificate of Authenticity from the artist. Excellent condition. Published by the artist; Printed by Haven Press, Brooklyn, New York More about Maya Hayuk: Maya Hayuk is a Ukrainian-American artist with an extensive background in a wide range of generative art and social practices. Hayuk weaves visual information from her immediate surroundings into elaborate, painterly abstractions, thus creating an engaging mix of referents from popular culture and advanced painting practices alike. Her large-scale, improvised murals speak to the artist’s obsession with symmetry, “perfect imperfection” and outer/ inner space. Her works look to expanding consciousness and perception to find patterns and interconnectivity. Ultimately, the traditional and the contemporary blend into new harmonic, dissonant, optimistic, experimental compositions. Hayuk considers her studio painting and mural practices as both inversely relational and symbiotic. Hayuk’s work has been the subject of one person exhibitions and commissions at venues including FRAC Museum in Dunkerque, FR (2019), The Ukrainian Museum New York (2017), The Bowery Wall, NY (2014), The Hammer Museum, LA (2013), The Museum Of Contemporary Canadian Art, Toronto, Canada (2013), Bonnefanten Museum, Maastricht, The Netherlands (2012); Socrates Sculpture Park, Queens, New York (2011); Musee E.A.V., Rio De Janiero, Brazil (2011); Matucana Artspace, Santiago, Chile (2009); Democratic National Convention, Denver, Colorado (2008); and Monster Island, Brooklyn, New York (2005-2011). Her work has been included in group exhibitions such as Streetopia, The Luggage Store, San Francisco (2012); Black Light & Outer Space, Secret Project Robot, Brooklyn, New York (2011); Rojo Nova, Museum of Image and Sound, Sao Paolo, Brazil (2010); Contemporary Art 2010, Ukrainian Institute of America, New York (2010); Sous l’es bombs, Musee International des Arts Modeste, Sete, France (2007); The Zine Unbound: Kults, Werewolves, and Sarcastic Hippies, Yerba Buena Center for the Arts, San Francisco, CA (2005). In 2018, Hayuk gave a TEDx Talk from The Center of Art and Design (CAD) in Brussels, Belgium, which recounts the arc of her developing career. Maya Hayuk’s work is represented in numerous public and private collections internationally including FRAC Museum (FR), The Ukrainian Museum (US), The Millennium Iconoclast Museum of Art (Brussels, Belgium), The Embassy of the United States of America (Sanaa, Yemen), The Embassy of the United States of America Residence (Costa Rica), MOCA Jacksonville (FL), The Ullens Foundation (Brussels, Belgium), The Dean Collection (US) and Wayne Coyne...

Max Ernst, German (1891 - 1976) - Les Chiens Ont Soif III, Portfolio: Les Chiens Ont Soif, Year: 1964, Medium: Lithograph, Edition: 165/320, Size: 17 x 24.5 in. (43.18 x 62.23 c...

Max Ernst, German (1891 - 1976) - Les Chiens Ont Soif VII, Portfolio: Les Chiens Ont Soif, Year: 1964, Medium: Lithograph, Edition: 165/320, Size: 17 x 24.5 in. (43.18 x 62.23 c...

Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Untitled (Mandalas in a Grid) Year: 1973 Medium: Screenprint on Scintilla paper, Signed and numbered in pencil Edition...

This screenprint was created by Welsh artist Gordon House (1932-2004). House was a designer and painter whose hard-edged abstract works reflected the dramatic tensions of his graphic...

Richard Serra Early Work (Hand Signed), 2013 Offset lithograph (Hand Signed by Richard Serra) Boldly signed by Richard Serra on the front 18 × 24 inches Unframed This print was published on the occasion of the eponymous exhibition at David Zwirner in 2013. It depicts Richard Serra in his studio in 1968. The print was hand signed by the artist on the occasion of his opening at Zwirner Richard Serra Biography Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006. Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004. In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture: Forty Years. Promenade, a major site-specific installation, was shown at the Grand Palais, Paris, for MONUMENTA 2008. In 2011, the artist’s large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. In 2014, the Qatar Museum Authority presented a two-venue retrospective survey of Serra’s work at the QMA Gallery and the Al Riwaq exhibition space, Doha, and East-West/West-East, 2014, was permanently installed in the Brouq Nature Reserve in the Zekreet Desert, Qatar. In June 2020, a new major sculpture by Serra was installed on the West Quad of Kenyon College, in Gambier, Ohio. In June 2022, the Glenstone Museum in Potomac, Maryland, will inaugurate a new building specially conceived to house a recent large-scale forged steel sculpture by Serra. Museum exhibitions that have focused on the artist’s drawings include Richard Serra: Tekeningen/Drawings 1971–1977, Stedelijk Museum, Amsterdam, The Netherlands, 1977; Richard Serra: Zeichnungen 1971–1977, Kunsthalle Tübingen, Germany, 1978; Richard Serra: Drawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen/Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; and Richard Serra: Drawings: Work Comes Out of Work, Kunsthaus Bregenz, Austria, 2008. A major traveling retrospective dedicated to the artist’s drawings was presented at The Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and The Menil Collection, Houston (which was the organizing venue), in 2011–2012. The Courtauld Gallery, London, presented Richard Serra: Drawings for The Courtauld in 2013, and Richard Serra: desenhos na casa da Gávea was on view at Instituto Moreira Salles, Rio de Janeiro, in 2014. Richard Serra: Drawings 2015–2017, a significant overview of the artist’s recent works on paper, was on view at the Museum Boijmans Van Beuningen, Rotterdam, in 2017. Serra/Seurat. Drawings, an exhibition pairing a selection of Serra’s recent drawings alongside those by Georges Seurat, was presented at the Guggenheim Bilbao in 2022. Four Rounds: Equal Weight, Unequal Measure, Serra’s monumental sculpture which debuted at David Zwirner in 2017, is now on long-term view at Glenstone Museum, Potomac, Maryland, in a new building that was designed by Thomas Phifer in collaboration with the artist. Serra has been the recipient of many notable prizes and awards, including a J. Paul Getty Medal (2018) awarded in honor of extraordinary contributions to the practice, understanding, and support of the arts; the Chevalier de l’Ordre national de la Légion d’honneur, Republic of France (2015); Orden de las Artes y las Letras de España, Spain (2008); Orden pour le Mérite für Wissenschaften und Künste, Federal Republic of Germany (2002); Leone d’Oro for lifetime achievement, Venice Biennale, Italy (2001); Praemium Imperiale, Japan Art Association (1994); Carnegie Prize (1985); a National Endowment for the Arts Fellowship (1974); and a Fulbright Grant (1965). In 2013 in New York, David Zwirner presented Richard Serra: Early Work, a critically acclaimed exhibition that brought together significant works from 1966 to 1971. The accompanying catalogue extensively covers this period of the artist’s career with a compendium of archival texts and photographs and an essay by Hal Foster...

Here we are in Croydon by Howard Hodgkin highlights the artist's abstract black and white brushwork which became increasingly spontaneous and loose towards the end of the 1970s when ...

John Urbain, Belgian/American (1920 - 2009) - Pendulum, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Image Size: 22.5 x 17.25 inches, Size: 23 x 17.5 in. (58.4...

Martha Reed was the daughter of the artist Doel Reed and as an adult she joined her parents in Taos, New Mexico. There she designed clothes with a south-we...

YELLOW PERSONAGE is an original hand drawn, limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on Arches paper, 100% acid free. YELLOW PERSONAGE presents a lively, imaginative child-like character printed in bold colors - bright yellow, black, green, red, pink, blue and hints of white pop out as a smiling face attached to a stick figure style body suggesting two arms and black paint stroke fingers. YELLOW PERSONAGE is a playful, wild abstract portrait by Appel, one of the founders of the avant-garde art movement CoBrA active during the late 1940's thru early 1950's. His paintings are known for incorporating applications of vibrant, violent colors often possessing a primal, childlike quality. Print size - 30 x 22 inches, unframed, full bleed image, hand signed in pencil by Karel Appel, print documentation provided Edition size - 175, plus proofs Year published - 1980, printed at J K Fine Art Editions Co. NYC About the artist - Karel Appel, (born April 25, 1921, Amsterdam, Netherlands—died May 3, 2006, Zürich, Switzerland), Dutch painter of turbulent, colorful, and semi-abstract compositions, who was a co-founder (1948) of the CoBRA group of northern European Expressionists. He was also a noted sculptor and graphic artist. Appel attended the Royal Academy of Fine Arts, Amsterdam (1940–43), and helped found the “Reflex” group, which became known as CoBRA (for Copenhagen, Brussels, and Amsterdam), in 1948. He moved to Paris in 1950 and by the 1960s had settled in New York City; he later lived in Italy and Switzerland. Partly in reaction against what they perceived as the sterile academicism of the de Stijl movement, the CoBRA artists...

George McNeil Untitled Figure, 1986 Lithograph on paper. Publisher's and Printer's Blind Stamps Hand-signed, numbered 78/84 and dated by the artist on the front with publisher's and...

Artist: Lamar Briggs, American (1935 - ) Title: Tiva Landscape Year: circa 1980 Medium: Lithograph, signed and numbered in pencil Edition: AP 40 Size: 21 x 29 inches

Christopher Wool (Hand signed and dated), 2006 Hardback monograph (hand signed and dated by Christopher Wool) Hand signed and dated 2017 by Christopher Wool on the half-title page 12...

Raymond Parker (also known as Ray Parker) 1980s Art Dealers (Hand Signed by Raymond Parker), 1980 Rare Offset Lithograph Poster. Hand Signed in Pencil by Ray Parker Hand signed by Ray Parker on the front 25 × 38 inches Unframed This is a collectible hand signed vintage offset lithograph poster on blind stamped wove paper, published on the occasion of an exhibition of works by renowned Abstract Expressionist painter Ray Parker, hand signed as well as plate signed. This traveling exhibition was hosted by multiple galleries, all listed on the poster including Betty Cuningham, Susan Caldwell, The Grippi Gallery...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 75 Size: 35 x 45 inches

Alan Shields TV Re-Run A, 1978 Mixed Media Monotype embossing, linocut, with watercolor and silver leaf applied decoration on TGL Handmade Paper. Mounted on Linen Board Signed by Ala...

Genichiro Inokuma, Japanese (1902 - 1993) - Exhibition Poster, Year: 1968, Medium: Poster, with pen drawing, signed and dated in the plate, Size: ...

Max Papart Oval Dove, 1982 Carborundum Etching on embossed paper Hand signed and numbered 26/135 by the artist on the front Vintage frame included Elegant carborundum etching on embo...

Artist: Arnaldo Pomodoro Title: Untitled - I Year: 1970 Medium: Etching, signed and numbered in pencil Edition: 68/90 Size: 62 in. x 19.5 in. (157.48 cm x 49.53 cm) Frame Size: 69 x ...

Artist: Nicholas Krushenick, American (1929 - 1999) Title: Silver Liner Year: 1978 Medium: Screenprint, signed and numbered in pencil Edition: 200; AP 30 Size: 32 x 26 inches (66.0...

Mark di Suvero Future Shadow II, ca. 2001 Lithograph on Arches 88 Paper with Deckled Edges Signed and numbered from an edition of 5 by the artist on the front 32 × 23 inches Unframed The work was gifted directly by the artist to the present owner. This is a variation of a print the artist created as a donation to the Venice California...

Luke Gilliam has an unusual woodcut technique that he pairs with a complex object of his own creation. He uses technique to create a technical tour-de-force with the intriguing title...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 70 Size: 23 x 30 inches

Andre Francois, Hungarian (1915 - 2005) - Three Torsos, Year: circa 1960, Medium: Etching and Aquatint, signed and numbered in pencil, Edition: 50, Image Size: 9 x 23 inches, Siz...

Andre Masson, French (1896 - 1987) - Untitled from Body and Heart, Year: 1968, Medium: Etching on Arches, signed and numbered in pencil, Edition: 105/130, Image Size: 11.75 x 9.2...

Stephen Powers Invest in Love, 2019 5 Color screenprint on 335 GSM Coventry rag paper Hand signed and numbered 9/50 by Stephen Powers with his distinctive hat logo on the front 14 × 8 1/2 inches Unframed "Invest in Love" was created by the renowned street artist Stephen Powers in 2020 to celebrate the artist's return to his hometown of Philadelphia in December 2019 to transform an empty building into a screen-printing pop-up shop to raise funds for a non-profit arts charity Mural Arts. The building at 1201 Spring Garden Street operated for many years as a bank. (see photograph of Powers' painted mural "Invest in Love"). Powers has exhibited in streets, galleries and museums all over the world. About Stephen Powers A Fulbright scholar who has been awarded many public commissions and exhibited in major institutions like the Brooklyn Museum.... Born and raised in Philadelphia’s Overbrook neighborhood, Stephen Powers (b. 1968, Philadelphia) moved to New York in 1994, where he gained attention as the publisher of On the Go magazine and the author of the graffiti history The Art of Getting Over. In 1997, Powers undertook an ambitious and far-reaching graffiti campaign of his own, using the official-sounding acronym ESPO (Exterior Surface Painting Outreach) to deflect attention from the illegality of his activities. By 1999, he had covered dozens of storefront grates with giant silver block lettering. Powers gave up street graffiti the following year to concentrate on studio-based projects. Powers’s work typically fuses word and image in paintings and graphics that evoke the bright look of a handmade bodega and fairground...

1960s Joan Miró Lithograph from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition. Unsigned from an edition of unknown. From: Derrière l...

Martha Reed was the daughter of the artist Doel Reed and as an adult she joined her parents in Taos, New Mexico. There she designed clothes with a south-we...

Alexander Calder Lithograph c. 1966: Lithograph in colors; 11 x 15 inches. Very good overall vintage condition. Unsigned from an edition of unknown. From: Derrière le miroir Publish...