Tri-State Area - Landscape Prints

Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 17 x 13 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, TLautrec, 1946. ...

Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...

Artist: Peter Max (1937) Title: Cosmic Umbrella Man Year: 2003 Edition: 496/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent Inscr...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Hamlet. Year: circa 1985, Medium: Silkscreen, signed and numbered in pencil, Edition: 175, Image Size: 20 x 25 inches, Size: 27 x 31 i...

This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...

This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...

This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...

This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...

Title: Summer Storm Year: 2000 Medium: Offset lithograph in colors on gloss archival paper Size: 36 x 24 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as issued...

Howard Kanovitz The Ground Above Us, 1980 Color lithograph on wove paper with deckled edges by renowned photo realist pioneer Signed and numbered from the limited edition of 175 in ...

Biagio Civale, Italian/American (1936 - ) - French Landscape on River, Medium: Screenprint, Signed and Numbered in Pencil, Edition: 47/63, Size: 19.5 x 27.5 in. (49.53 x 69.85 cm)

Title: The beloved feeds among the lilies (Field 71-17J; M&L 477), from the portfolio, The song of songs of King Solomon Year: 1971 Medium: Etching printed in colours with gilding on...

Artist - John Lutes (1926-2001) Title - Cay Runner Medium - Lithograph Year Published - 1980 Print Size - 29 x 22 in. Printer - J K Fine Art Editions Co., NY Cay Runner is an original hand drawn, limited edition lithograph, (not a photographically reproduced or digital print) by the American artist John D. Lutes created using traditional hand lithography techniques, proofed and printed in multiple colors on archival Arches paper 100% acid free. Cay Runner depicts a very detailed realistic rendition of a runner boat in still water, a solid light khaki grey sky serving as the backdrop for this quiet marine boat portrait. This is a rare limited edition lithograph by Mr. Lutes not often seen on the marketplace. Cay Runner is in excellent condition, unframed, pencil signed by John Lutes. Print size - 30 x 22 inches, unframed, excellent condition, hand signed in pencil by John Lutes Edition size - 300, plus proofs Year published - 1980 Printer - J K Fine Art Editions Co. NY John D. Lutes, born 1926 in Chicago, died 2001...

Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Unsigned and unnumbered, ...

Sparire means "to disappear" in Italian. This large-scale, dreamlike print spans almost ten feet. Enzo Cucchi Sparire 1, 1988 Color etching, aquatint and silkscreen 30 1/2 × 118 in ...

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Provincetown - The Harbor, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Image Size: 1...

ABOUT THIS ARTIST: Niko (aka c-nik) is a multidisciplinary artist, currently based on a pixel in a city that never sleeps, quietly working to create peace from chaos in surreal arcs ...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California....

Artist: Guillaume Cornelis van Beverloo, Corneille (1922-2010) Title: Les Deux Amies Year: 1979 Edition: 34/250, plus proofs Medium: Lithograph on wove paper Size: 19.5 x 25.5 inches...

Richard Haas Chelsea Hotel, Sunset, 1980 Offset Lithograph poster on paper Pencil signed on the front 23 1/4 × 21 1/2 inches Unframed This striking offset lithograph poster by the world's top architectural muralist Richard Haas presents a detailed portrait of the historic New York City landmark - the legendary Chelsea Hotel. Many famous people stayed at this storied hotel. Nancy Spungen...

Bernard Buffet, French (1928 - 1999) - Le Phare, Year: 1958, Medium: Etching, signed and numbered in pencil, Edition: 56/75, Image Size: 12 x 10 inches, Frame Size: 22.75 x 19...

Massachusetts-born Fred Nagler studied at the Art Students League from 1914 to 1917, with George Bridgeman and Robert Henri, and eventually became a member of the Board of Control. He taught at the Connecticut College for Women, and after the death of Grant Wood, the University of Iowa State...

Artist: Peter Max (1937) Title: Better World Year: 1998 Medium: Acrylic, lithograph on Arches paper Size: 14 x 12 inches Inscription: Hand signed Notes: Published, printed by Via Max...

Biagio Civale, Italian/American (1936 - ) - Lampadario, Medium: Linocut, Signed, numbered, and titled in pencil, Edition: A/P, Image Size: 12.5 x 10 inches, Size: 23 x 18 in. (58...

Artist: Peter Max (1937) Title: Umbrella Man Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 12 x 13.75 inches Inscription: Signed in ink Notes: Published, print...

Biagio Civale, Italian/American (1936 - ) - The Bridge, Medium: Linocut, Signed, numbered, and titled in pencil, Edition: 21/33, Image Size: 12 x 16 inches, Size: 16 x 21 in. (40...

New York City native Oscar Weissbuch (1904-1948), attended the Yale University School of Fine Arts and the Art Students League, NY. He participated in the NYC-WPA printmaking project...

James Whistler, The Little Putney, 1879, etching and drypoint, signed with the large butterfly lower right (also with the butterfly in the plate). Glasgow 187, third state (of 3). 12...

Artist: Peter Max (1937) Title: Flag Year: 1997 Medium: Acrylic, lithograph on Arches paper Size: 12 x 14 inches Inscription: Hand signed Notes: Published, printed by Via Max, New Yo...

NIAGARA Contemporary artist Frederick Mershimer created the mezzotint engraving entitled “Niagara” in 2021. This impression is signed, titled, dated, and inscribed “5/45”- the 5th ...

Green, Gold, Blue Landscape Joseph Grippi, American (1924–2001) Screenprint Monoprint, signed in pencil lower right Size: 30 x 30 in. (76.2 x 76.2 cm)

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Niko (aka c-nik) is a multidisciplinary artist, currently based on a pixel in a city that never sleeps, quietly working to create peace from chaos in surreal arcs of light, life...

Artist: Peter Max (1937) Title: Peace on Earth Year: 2002 Edition: 150/300, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 12.25 x 9 inches Condition: Excellent Inscript...

Artist: James Rosenquist (1933-2017) Title: Diver’s Line, State II (Glenn 167-A) Year: 1979 Medium: Etching, aquatint, stencil on Pescia Italia paper Edition: 28/78 Size: 22.75 x 40 ...

Medium: Lithograph on vélin d'Arches paper Year: 1970 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, André Derain entre ...

Medium: Lithograph on vélin d'Arches paper Year: 1967 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Dunoyer de Segonzac...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

ABOUT THIS ARTIST: Niko (aka c-nik) is a multidisciplinary artist, currently based on a pixel in a city that never sleeps, quietly working to create peace from chaos in surreal arcs ...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

Artist: Peter Max (1937) Title: Degas & Woman Year: 1990 Edition: 31/300, plus proofs Medium: Silkscreen on Arches paper Size: 26 x 36 inches Condition: Excellent Inscription: Signed...

Franz Xavier Habermann, German (1721 - 1796) - Vue de Boston, Year: circa 1750, Medium: Hand colored engraving on laid paper, Image Size: 9.75 x 15.5 inches, Size: 13 x 17.5 in. (3...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...

Artist: Jiang Tie-Feng (1938) Title: Beauty & Flowers Year: 1994 Medium: Silkscreen on Vellum Rag paper Edition: 269/300, plus proofs Size: 43 x 31.25 inches Condition: Good Inscript...

Artist: Peter Max (1937) Title: Umbrella Man Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 28 x 22 inches Inscription: Signed in ink Notes: Published, printed,...

A glowing lemon-yellow wash of color floods this erotic beach landscape with light. Hidden in the dappled shadow of a tree, a nude woman glances downward as she applies sunscreen. A ...

Medium: Lithograph on vélin paper, hinged on archival support sheet, as issued Year: 1968 Paper Size: 13 x 16 inches; image size: 10.5 x 13.75 inches Inscription: Signed in the plate...

An Ohio native Witonski made his home in the Chelsea neighborhood of New York City and this subject may well be a Chelsea scene. But mostly it is a homage to intaglio printmaking. It...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: Based in New York, Caitlin McGauley is an artist and illustrator with...

Frank Weston Benson Winter Wildfowling, 1927 Signed lower left Etching on paper Image 8 1/2 x 7 inches Born in Salem, Massachusetts, a descendant of a long line of sea captains, Benson first studied art at Boston’s Museum School where he became editor of the student magazine. In 1883, Benson enrolled at the Académie Julian in Paris where artists such as Bouguereau, Lefebvre, Constant, Doucet and Boulanger taught students from all over Europe and America. It was Boulanger who gave Benson his highest commendation. “Young man,” he said, “Your career is in your hands . . . you will do very well.” Benson’s parents gave him a present of one thousand dollars a twenty-first birthday and told him to return home when it ran out. The money lasted long enough to provide Benson with two years of schooling in Paris, a summer at the seaside village of Concarneau in Brittany and travel in England. Upon returning to America, Benson opened a studio on Salem’s Chestnut Street and began painting portraits of family and friends. An oil of his wife, Ellen Perry Peirson, dressed in her wedding gown is representative of this period. It demonstrates not only the academic techniques he learned at the Academie Julian but also his own growing emphasis on the effects of light. And yet, despite all the technical mastery displayed in the work, the painting exudes the warmth that existed between model and artist. More than a likeness, it is a study in serenity. Perhaps it was of a work such as this that Benson was thinking when he said, “The more a painter knows about his subject, the more he studies and understands it, the more the true nature of it is perceived by whoever looks at it, even though it is extremely subtle and not easy to see or understand. A painter must search deeply into the aspects of a subject, must know and understand it thoroughly before he can represent it well.” Following a brief stint as an instructor at the Portland, Maine, Society of Art, Benson was appointed as instructor of antique drawing at the Museum School in Boston in the spring of l889. Benson’s long association with the school was particularly fruitful. Under the leadership of Edmund Tarbell and Benson the Museum School became a national and internationally recognized institution. The students won numerous prizes, enrollment tripled, a new school building was erected and visiting delegations from other schools sought the secret of their success. Benson cherished his role as teacher and was held in high esteem by his students, many of whom called him “Cher Maitre.” Reminiscing about his long career with the school Benson once said, “I may have taught many students, but it was I who learned the most.” In 1890, Benson won the Hallgarten Prize at the National Academy in New York. It was the first of a long series of awards, that earning for him the sobriquet “America’s Most Medalled Painter.” In the early years of his career, Benson’s studio works were mostly portraits or paintings of figures set in richly appointed interiors. Young women in white stretch their hands out towards the glow of an unseen fire; girls converse on an antique settee in a room full of objets d’arts; his first daughter, Eleanor, poses with her cat. Works of this sort, together with a steady influx of portrait commissions, earned Benson both renown and financial rewards, yet it was in his outdoor works that gave Benson his greatest pleasure. In the latter half of the 1890s, Benson summered in Newcastle, on New Hampshire’s short stretch of seacoast. It was here, in 1899, that Benson made his first foray into impressionism with Children in the Woods and The Sisters, the latter a sun-dappled study of his two youngest daughters, Sylvia and Elisabeth. This painting was one of the first works that Benson hung at an exhibition with nine friends. The resignation of these ten illustrious artists rocked the American art establishment but, the catalogue for their first exhibition was titled, simply, “Ten American Painters.” When, in 1898, the three Bostonians and seven New Yorkers began to exhibit their best work in exquisitely arranged small shows, the group (dubbed by newspapers, “The Ten” ) quickly became known as the American Impressionists, a bow to the style of their French predecessors. The Ten’s annual shows soon became an eagerly awaited part of the annual exhibition calendar and were always well reviewed. Held annually in New York City, the group’s yearly exhibitions usually traveled to Boston and were occasionally seen in other cities. Benson’s association with other members of the group such as Childe Hassam, Thomas Dewing, William Merrit Chase and J. Alden Weir, only reinforced his growing emphasis on the tenets of Impressionism. As he later said to his daughter Eleanor, “I follow the light, where it comes from, where it goes.” The principles of Impressionism began to dominate Benson’s work by 1901, the year that the Bensons first summered on the island of North Haven in Maine’s Penobscot Bay. His summer home “Wooster Farm,” which they rented and finally bought in 1906, became the setting for some of Benson’s best known work and there, it seemed, he found endless inspiration. Benson’s sparkling plein-air paintings of his children–Eleanor, George, Elisabeth and Sylvia–capture the very essence of summer and have been widely reproduced: In The Hilltop, George and Eleanor watch the sailboat races from the headland near their house. As a boy, Benson dreamed of being an ornithological illustrator. In mid-life, he returned to the wildfowl and sporting subjects that had remained his lifelong passion. Using etching and lithography, watercolor, oil and wash, Benson portrayed the birds observed since childhood and captured scenes of his hunting and fishing expeditions. Together with his two brothers-in-law, Benson bought a small hunting retreat on a hill overlooking Cape Cod’s Nauset Marsh. Here, in the late 1890s, he began experimenting with black and white wash drawings. These paintings became so popular that Benson was not able to keep up with the demand. He turned to an art publishing company to have several made into it intaglio prints; twelve wash drawings are known to have been reproduced in this manner. At least two of them were given as gifts to associate members of the Boston Guild of artists, of which Benson was a founding member. Benson was also an avid fisherman and his salmon fishing expeditions to Canada’s Gaspé Peninsula where one of the high points of his summer. There, in 1921, he began the first in a series of watercolors that would eventually over 500 works. Benson’s watercolors conveyed the joy and beauty of a sportsman’s life whether in a painting of a hunter setting out decoys, a flock of ducks coming in for a landing or a grouse flushed from cover. The critics favorably compared Benson’s watercolors to those of Homer. “The love of the almost primitive wilderness which appears in many of Homer’s landscapes and the swift, sure touch with which he suggests rather than describes–these also characterize Benson’s work,” one critic wrote. “The solitude of the northern woods is very much like Homer’s.” Like the wash drawings before them, Benson’s watercolors proved...

Title: God Bless America Year: 2001 Medium: Offset lithograph in colors on gloss archival paper Size: 24 x 18 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as i...

ABOUT THIS ARTIST: Linda Westin, based in Stockholm, left photography and became a Ph.D. in neuroscience specialized in super-resolution fluorescence microscopy. Then she turned bac...

ABOUT THIS ARTIST: Laura Hendricks is a photographic and mixed media artist. She combines her own photo images from different locations and times to create new scenes that are a coll...

This is a first edition exhibition poster titled Andalusia Rose, created by John Woodrow Kelley for the prestigious Lincoln Center Poster Program in 1990. The poster is a limited edi...

John Beerman, American (1958 - ) - Night at Sandia Mountain, Year: 2004, Medium: Lithograph, signed, dated, titled and numbered in pencil, Edition: CTP 3, Image Size: 6 x 9 inche...

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Boats at Dock, Year: circa 1980, Medium: Lithograph, signed in pencil, Edition: 125, EA, Image Size: 24 x 16 inches, Size:...

Duane Bryers, American (1911 - 2012) - His Family, Year: 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 300, AP, Image Size: 14.5 x 22.5 in., Size: 21.5 in. ...

ABOUT THIS PIECE: Hong Kong has the most basketball courts of any city in the world. This bold claim is difficult to verify, but in his Hong Kong Basketball Court series, Austin Bell...

ABOUT THIS PIECE: "My photographs are a personal collection of moments that reveal my most genuine and beautiful depictions in the world around us. Preserving precious moments in ti...

ABOUT THIS ARTIST: Paolo Pettigiani is an Italian photographer and art director. He combines graphic design and photography in one single image, playing with colors, shapes and contr...