Tri-State Area - Landscape Prints

"Morning Star" by Alexis Kandra is a limited edition signed and numbered giclée print on Moab paper based on an original oil painting with metallic gold foil and gold leaf pen. Edition total of 5, signed and numbered by the artist Alexis Kandra. The image features a beautiful wildlife painting of a mother wolf...

Terence La Noue New Monuments of Quetzalcoatl, 1976 Lithograph and offset lithograph on wove paper Signed, dated and numbered 1/500 by the artist on the lower right front (although t...

Prehistoria II by Max Papart, French (1911–1994) Date: circa 1982 Aquatint Etching with Carborundum, Collage, signed and numbered in pencil Edition of 16/25 Size: 21 x 40 in. (53.34 ...

Max Epstein, Canadian (1932 - 2002) - Tranquility, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: AP, Image Size: 19 x 28 inches, Size: 23 in. x 35 in....

Artist: Malcolm Morley, British (1931 - 2018) Title: Battle of Britain Year: 2005 Medium: Screenprint, signed and numbered in pencil Edition: dedicat...

Marion McClanahan, American (1921 - 1993) - Red Tree, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 18 x 24 inches, Size: 25 in....

Medium: Lithograph on vélin d'Arches paper Year: 1971 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Dufresne, VI, Colle...

Emilio Sanchez (1921-1999) created this color lithograph entitled “Casita de Campo” in 1998. This signed impression came to us directly from the Sanchez estate. Estate stamped on ver...

Harry Schaare, American (1922 - 2008) - The Lighthouse, Year: Circa 1980, Medium: Screenprint, signed and numbered in pencil, Edition: AP 50, Image Size: 19.5 x 27 inches, Size: ...

One of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from the portfolio (edition of 75) and the book. Signed by the artist lower right in pencil; numbered 8/25 lower left in pencil. Printed in inky black, Fjord features a close-up view of the water as it meets the shore. Yorkshire is famous for its rocky coastline, where fishing villages cling to cliffs, windswept abbeys peak above the skyline, and sand beaches attract families on vacation. Moore’s scene is dark and even sinister – the shore’s narrow inlets reaching into the water like gnarled fingers. Fjord displays Moore’s fascination with light and dark – what he called a “…bias towards the blackness and mysterious depths.” Moore was inspired by the prints of Rembrandt and the drawings of Seurat, and even drew on his memories of viewing the Altamira cave paintings, recalling how some of the images used the shadow of candlelight on the rough surface of the rock to model light. Shortly before starting work on this series of lithographs, Moore had fallen ill, leaving him aware of his own mortality. His mood pervaded these prints with a sense of danger and foreboding. Fjord is one of a group of lithographs...

Artist: Richard Haas, American (1936 - ) Title: Manhattan View from Governor's Island (Color) Year: 1999 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 85 ...

Hank Laventhol, American (1927 - 2001) - Beach Front, Year: circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 300, AP XXXV, Image Size: 15 x 24 inches...

Artist: Felix de Weldon (1907-2003) Title: Iwo Jima Memorial Year: 2001 Edition: 2/150, plus proofs Medium: Lithograph with graphite ink on BFK Rives cream color paper Inscription: S...

John McNulty, Irish/American (1949 - ) - Sailing 2, Year: circa 1981, Medium: Lithograph, signed and numbered in pencil, Edition: 450, Size: 13 in. x ...

This black and white portrait drawing is one of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from the portfolio (edition of 75) and the book. Signed by the artist and numbered 8/25 lower right in pencil. This print features a pair of sketches...

Donald Baechler, Ice Cream Cone, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching an...

Artist: Michel Delacroix (1933) Title: La Sortie du Chenil Year: 1988 Edition: LXXVII/CL; 150 Arabic Numerals on Rives paper, 150 Roman Numerals on Japon pap...

Duane Bryers, American (1911 - 2012) - Lonesome Train Whistle, Year: Circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP, Image Size: 17 x 22 in., Siz...

The reference number on this work is Kraeft 88. It's from an edition of 100 and is signed, dated, and numbered, in pencil. Always an intaglio printmaker, Landeck switched from a mor...

NEW YORK CITY: GRAND HYATT is an original hand drawn lithograph created in 1983 by the NY woman artist, Joan Melnick. NEW YORK CITY: GRAND HYATT was Inspired by the architectural des...

Meheut, Mathurin. La Plante Exotique. Pl 1: Bamboo. Paris, 1931. Heliochrome print.

Helen Greene Blumenschein was born in Brooklyn into a parents who were already professional artists. The family moved to Taos when Blumenschein was ten and they became part of the a...

A Buffalo, New York native, Kevin O'Callahan studied at the Carnegie Institute and worked on the WPA. He is known for his Arts and Crafts period woodcuts and his later industrial sce...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Dunes. Year: circa 1985, Medium: Screenprint, signed and numbered in pencil, Edition: 175, Image Size: 11 x 16 inches, Size: 19 x 23 i...

Small Fields Robert Kipniss, American (1931) Date: circa 1980 Lithograph, signed and numbered in pencil Edition of 139/250 Size: 4 x 3.25 in. (10.16 x 8.255 cm) Frame Size: 11.25 x 9...

Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 9.5 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...

Brooklyn Sky is an artist produced giclee print of an original oil painting by the artist. The print is archival, of an unusual high quality that creates the effect of the glazes fro...

Untitled XXI Wojtek Kowalczyk, Polish (1960) Date: 2005 Lithograph, signed in pencil Size: 19.5 in. x 13.5 in. (49.53 cm x 34.29 cm)

A Break in the Clouds by Chase Chen Chenoff, Chinese/American (1964) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of HC 9/25 Size: 25 in. x 33 in. (63.5 cm x 8...

Kent Hagerman was an amazing draftsman who managed to get fantastic detail into his work while showing the environment and atmosphere. This print captures the moment a 'pod' is bein...

Artist: Walasse Ting (1929-2010) Title: Southern Sunset Year: 1974 Edition: EA;75 Medium: Lithograph on wove paper Size: 23 x 33.75 inches Inscription: Signed and numbered by the art...

SONG OF PRAISE is an original hand drawn limited edition lithograph by the British artist, Michael Hasted printed using hand lithography on archival Somerset paper, 100% acid free. S...

The etching (Sheep under a Tree) is signed in pencil and annotated (in lower margin) '3rd State, 4 proofs, JN imp.' in pencil. It's in an usually spare drawing style but one that Na...

Michelle Murphy, American - Pollock Krasner Landscape, Year: 2004, Medium: Poster, signed and dedicated in pen, Size: 16.25 x 24 in. (41.28 x 60.96 cm)

Medium: Lithograph on vélin d'Arches paper Year: 1973 Paper Size: 26 x 20 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Les Réalistes Lyriq...

Richard Serra Clara, Clara (Hand Signed by Richard Serra), 1983 Offset Lithograph Poster (Hand signed by Richard Serra) Boldly signed with black marker on the front Frame Included: held in original vintage 1980s frame This is the rare vintage offset lithograph poster of Richard Serra's 1983 work "Clara Clara", exhibited at the Pompidou Center in France in 1983-1984. Very collectible when hand signed by Richard Serra! Accompanied by gallery issued Certificate of Guarantee Measurements: Frame: 27.5 x 37.75 x 1 inch Print: 25.5 x 35.75 inches About Richard Serra: Obsession is what it comes down to. It is difficult to think without obsession, and it is impossible to create something without a foundation that is rigorous, incontrovertible, and, in fact, to some degree repetitive. Repetition is the ritual of obsession. Repetition is a way to jumpstart the indecision of beginning. To persevere and to begin over and over again is to continue the obsession with work. Work comes out of work. In order to work you must already be working. —Richard Serra One of the most significant artists of his generation, he has produced large-scale, site-specific sculptures for architectural, urban, and landscape settings spanning the globe, from Iceland to New Zealand. Born in 1938 in San Francisco, Richard Serra lives and works in New York and on the North Fork of Long Island. Serra attended the University of California, Berkeley before transferring to the University of California, Santa Barbara graduating with a BA in English literature; he then studied painting at Yale University, New Haven, Connecticut completing both a BFA and MFA. He began showing with Leo Castelli in 1968, and his first solo exhibition in New York was held at the Leo Castelli Warehouse the following year. His first solo museum exhibition was held at the Pasadena Art Museum, California, in 1970. Serra’s sculptures and drawings have been celebrated with two retrospectives at the Museum of Modern Art, New York, twenty years apart: Richard Serra/Sculpture (1986) and Richard Serra Sculpture: Forty Years (2007). He has had solo exhibitions at the Stedelijk Museum, Amsterdam (1977–78); Kunsthalle Tübingen, Germany (1978); Staatliche Kunsthalle Baden-Baden, Germany (1978); Museum Boijmans Van Beuningen, Rotterdam, Netherlands (1980, 2014, and 2017); Centre Pompidou, Paris (1983–84); Museum Haus Lange, Krefeld, Germany (1985); Louisiana Museum, Humlebæk, Denmark (1986); Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, Germany (1987); Städtische Galerie im Lenbachhaus, Munich (1987); Stedelijk Van Abbemuseum, Eindhoven, Netherlands (1988); Bonnefantenmuseum, Maastricht, Netherlands (1990); Kunsthaus Zürich (1990); CAPC Musée d’Art Contemporain, Bordeaux, France (1990); Museo Nacional Centro de Arte Reina Sofía, Madrid (1992); Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany (1992); Dia Center for the Arts, New York (1997); Centro de Arte Hélio Oiticica, Rio de Janeiro (1997–98); Trajan’s Market, Rome (1999–2000); Pulitzer Arts Foundation, St. Louis (2003); and Museo Archeologico Nazionale di Napoli, Naples, Italy (2004). In 2005 The Matter of Time (1994–2005), a series of eight large-scale works, was installed permanently at the Guggenheim Museum Bilbao, Spain. For Monumenta 2008, the major site-specific installation Promenade was shown at the Grand Palais, Paris. Three years later the large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. A major traveling retrospective dedicated to Serra’s drawings was presented at the Metropolitan Museum of Art, New York, San Francisco Museum of Modern Art, and the Menil Collection, Houston (the organizing venue), from 2011 to 2012. In 2014 the Qatar Museums Authority presented a two-venue retrospective survey of Serra’s work, and East-West/West-East (2014) was permanently installed in the Brouq Nature Reserve, Zekreet, Qatar. In 2017 the Museum Wiesbaden, Germany, presented Richard Serra: Props, Films, Early Works; an overview of Serra’s work in film and video was shown at the Kunstmuseum Basel; and recent drawings were featured at the Museum Boijmans Van Beuningen. Serra has participated in numerous major international exhibitions, including Documenta (1972, 1977, 1982, and 1987), and the Biennale di Venezia (1980, 1984, 2001, and 2013), and his work has been included in many Whitney Annuals and Biennials (1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006). He is the recipient of the Leone d’Oro for lifetime achievement, Biennale di Venezia, Venice (2001); Orden Pour le Mérite...

George Trakas Isle of View, 2006 Aquatint and dry point etching printed on Lana Gravure paper Signed, titled and numbered X/X in pencil; bears publishers' blind stamp on the front 18...

Gina Lombardi Bratter, American - Gathering Cane, Year: circa 1978, Medium: Lithograph, signed and numbered in pencil, Edition: AP 40, Size: 31 in. x...

Artist: John Matos (1961) Title: Wolverine from the X-Men Suite Year: 2000 Edition: 162/250, plus proofs Medium: Silkscreen on archival two-ply museum board Size: 24 x 18 inches Cond...

Lithograph by Frank Moore Untitled 1996 Signed and numbered Lithograph (Edition of 50) 12 x 9 inches

**Framing Included in Listing Price, Free Shipping, and 14-Day Return Policy** Rowan Brook 3 (2013) by Susan Derges. 30 x 19 inches Digital C-Print Edition 4 of 9 Framing is a d...

Both the natural world and architectural grit have a place in Lisa Breslow's work, highlighting the pull of New York City that is created by these opposing forces side-by-side. She ...

A perfect summer day. A young mother, little boy, and even smaller girl have their luncheon under a make shift 'fly' -- a stripped cloth canopy fixed up with poles. Although it is titled 'Seaside Nomads,' to me it has the look of a bay or inlet. It's relatively flat and there are all sorts of grasses, old...

Hank Laventhol, American (1927 - 2001) - Face in Mountains, Year: circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: AP XXXV, Image Size: 20 x 16 inche...

Artist: Walasse Ting (1929-2010) Title: Lenk Series A Year: 1971 Edition: EA;100 Medium: Silkscreen, metallic ink in colors on wove paper Size: 26.5 x 26.5 inches Inscription: Signed...

William Waitzman August Lake (from the Memorial Sloan Kettering Art Collection), 2016 Hand printed color silkscreen on wove paper Pencil signed and numbered 4/14 on the front Frame i...

Joseph Grippi, American (1924 -2001) - Golden Sky, Year: 1973, Medium: Screenprint Monoprint, signed and dated in pencil, Size: 29.5 x 40 in. (74.93 x 101.6 cm)

THE LOOKOUT is an original hand drawn lithograph by the American woman artist Sally Caldwell-Fisher, printed using hand lithography techniques on archival Arches paper 100% acid free. THE LOOKOUT depicts a quiet boating scene with a young woman dressed in a long, Victorian style navy blue skirt, white blouse and navy neck scarf solidly standing aboard her sailboat gazing out toward the viewer. Ms. Caldwell-Fisher presents a nostalgic look back at New England life portraying a Victorian era female sailor on her sailboat floating on still water, surrounded by peaceful blue skies. THE LOOKOUT evokes a wistful affection for the past with its classic coloration of blues, beige, brown, yellow ochre, black, touches red and white. THE LOOKOUT captures a moment of tranquility while boating during the earlier era of a New England summer season delightfully expressed by the talented American woman artist, Sally Caldwell Fisher. Print size - 16.5 x 9.5 inches, unframed, mint condition, pencil signed by Sally Caldwell-Fisher Sally Caldwell-Fisher was born in Philadelphia 1951, raised in Michigan. She graduated from the University of Michigan and started selling her artwork. Upon moving to New England in the early seventies, she immediately fell in love with its natural beauty - a beauty of contrasts; the granite and dark pines, the fields of snow, and the sparkling sea. It quickly became Caldwell-Fisher's passion to paint New England life in its variety and harmony with nature. Sally Caldwell Fisher portrays in her images a world brimming with charm and simplicity. Attracted to the whimsical, she illustrates everyday life in rural...

Bernar Venet Sit on Steel (Hand Signed & Inscribed), 1991 Offset lithograph poster. hand signed. dated. dedicated. Boldly signed, dated and inscribed in silver sharpie on the front 26 3/4 × 18 1/4 inches Unframed Rare vintage poster, hand signed and dedicated by Bernar Venet to the legendary sculptor Isaac Witkin...

Ted Jeremenko, Yugoslavian/American (1938 - ) - A Sleeping Place. Year: 1986, Medium: Screenprint on Arches, signed and numbered in pencil, Edition: 175, Size: 25 x 30 in. (63.5 x 76...

Hank Laventhol, American (1927 - 2001) - Ripe Sky, Year: circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 300, Image Size: 16 x 24 inches, Size: 22 ...

Harry Schaare, American (1922 - 2008) - Gloucester Fisherman, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP 50, Image Size: 29.5 x 22 inches, S...

The etching (Crucifixion) is signed and titled in pencil. Signed 'Fred' and possibly dated '27' in the image at lower left. It's in an usually spare drawing style but one that Nagl...

Currier & Ives Newport Beach Hand-colored lithograph Sheet 10 x 13 1/4 inches After undertaking apprenticeships in Boston and Philadelphia, Currier set up a print publishing compan...

Harry Schaare, American (1922 - 2008) - The Seagull, Year: circa 1979, Medium: Screenprint, signed and numbered in pencil, Edition: 300, AP 50, Image Size: 21 x 29 inches, Size: ...

Diptych. This two sheet color woodcut was created by Antonio Frasconi in 1951. Edition 8. Each image size 19 7/16 x 16 7/16" (49.4 x 418 cm) plus margins. Signed and titled in p...

Really I have to believe that if you are as accomplished a composer as Johannes Brahms (1833-1897), you would have taken to driving without any problems at all. So perhaps this is a ...

Russian-born and European-educated Alexander Kachinsky was a designer of stage sets (for the Ballet Russe), furniture, and commercial interiors. His prints are in the collection of t...

Artist: Peter Max (1937) Title: Heart with Flag III Year: 2003 Edition: 440/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 9.75 x 9.75 inches Condition: Excellent I...

Harry Schaare, American (1922 - 2008) - First Mountain Flying, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: AP 50, Image Size: 20 x 28 inches, Si...