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Item Ships From: Tri-State Area
Maquette for Laureate (unique sculpture)
By Seymour Lipton
Located in New York, NY
Seymour Lipton Maquette for Laureate, ca. 1968-1969 Nickel silver on monel metal Unique 18 × 8 1/2 × 7 inches Marlborough-Gerson Gallery, New York Acquired from the above by the previous owner, 1969 thence by descent Christie's New York: Monday, June 30, 2008 [Lot 00199] Acquired from the above Christie's sale This unique sculpture by important Abstract Expressionist sculptor Seymour Lipton is a maquette of the monumental sculpture "Laureate" - one of Lipton's most iconic and influential works located on the Riverwalk in downtown Milwaukee, Wisconsin. Laureate is a masterpiece that was commissioned by the Allen-Bradley Company in memory of Harry Lynde Bradley and as an enhancement for the newly constructed Performing Arts Center. It is located on the east bank of the Milwaukee River at 929 North Water Street. The Bradley family in Milwaukee were renowned patrons of modernist sculpture, known for their excellent taste who also founded an eponymous sculpture park. For reference only is an image of the monumental "Laureate" one of Milwaukee's most beloved public sculptures. According to the Smithsonian, which owns a different unique variation of this work, "The full-size sculpture Laureate was commissioned by the Marcus Center for the Performing Arts in Milwaukee. In the initial drawings, Seymour Lipton combined details from the architectural plan with a wide variety of images, ranging from musical instruments to a lighthouse on the island of Tobago. He transformed the basic shapes from these sketches into a welded sculpture, which evokes a figure composed of columns, harp strings, and coiled rope. Lipton created this piece to celebrate achievement in the arts. The dramatic silhouette commands your attention, reflecting the title Laureate, which means worthy of honor and distinction. The final version of the piece is over twelve feet high and stands out against the pale, flat buildings of the arts center.,," Provenance Marlborough-Gerson Gallery, New York Acquired from the above by the previous owner, 1969 thence by descent Christie's New York: Monday, June 30, 2008 [Lot 00199] Acquired from the above Christie's sale About Seymour Lipton: Born in New York City in 1903, Seymour Lipton (1903-1986) grew up in a Bronx tenement at a time when much of the borough was still farmland. These rural surroundings enabled Lipton to explore the botanical and animal forms that would later become sources for his work. Lipton’s interest in the dialogue between artistic creation and natural phenomena was nurtured by a supportive family and cultivated through numerous visits to New York’s Museum of Natural History as well as its many botanical gardens and its zoos. In the early 1920s, with the encouragement of his family, Lipton studied electrical engineering at Brooklyn Polytechnic Institute and pursued a liberal arts education at City College. Ultimately, like fellow sculptor Herbert Ferber, Lipton became a dentist, receiving his degree from Columbia University in 1927. In the late 1920s, he began to explore sculpture, creating clay portraits of family members and friends. In addition to providing him with financial security, dentistry gave Lipton a foundation in working with metal, a material he would later use in his artwork. In the early 1930s, though, Lipton’s primary sculptural medium was wood. Lipton led a comfortable life, but he was also aware of the economic and psychological devastation the Depression had caused New York. In response, he generally worked using direct carving techniques—a form of sculpting where the artist “finds” the sculpture within the wood in the process of carving it and without the use of models and maquettes. The immediacy of this practice enabled Lipton to create a rich, emotional and visual language with which to articulate the desperation of the downtrodden and the unwavering strength of the disenfranchised. In 1935, he exhibited one such early sculpture at the John Reed Club Gallery in New York, and three years later, ACA Gallery mounted Lipton’s first solo show, which featured these social-realist-inspired wooden works. In 1940, this largely self-taught artist began teaching sculpture at the New School for Social Research, a position he held until 1965. In the 1940s, Lipton began to devote an increasing amount of time to his art, deviating from wood and working with brass, lead, and bronze. Choosing these metals for their visual simplicity, which he believed exemplified the universal heroism of the “everyman,” Lipton could also now explore various forms of abstraction. Lipton’s turn towards increasing abstraction in the 1940s allowed him to fully develop his metaphorical style, which in turn gave him a stronger lexicon for representing the horrors of World War II and questioning the ambiguities of human experience. He began his metal work with cast bronze sculptures, but, in 1946, he started welding sheet metal and lead. Lipton preferred welding because, as direct carving did with wood, this approach allowed “a more direct contact with the metal.”[ii] From this, Lipton developed the technique he would use for the remainder of his career: “He cut sheet metal, manipulated it to the desired shapes, then joined, soldered, or welded the pieces together. Next, he brazed a metal coating to the outside to produce a uniform texture.”[iii] In 1950, Lipton arrived at his mature style of brazing on Monel metal. He also began to draw extensively, exploring the automatism that abstract expressionist painters were boasting at the time. Like contemporaries such as Jackson Pollock, Lipton was strongly influenced by Carl Jung’s work on the unconscious mind and the regenerative forces of nature. He translated these two-dimensional drawings into three-dimensional maquettes that enabled him to revise his ideas before creating the final sculpture.The forms that Lipton produced during this period were often zoomorphic, exemplifying the tension between the souls of nature and the automatism of the machine. In the years following the 1950s, Lipton’s optimism began to rise, and the size of his work grew in proportion. The oxyacetylene torch—invented during the Second World War—allowed him to rework the surfaces of metal sculptures, thus eliminating some of the risks involved with producing large-scale finished works. In 1958, Lipton was awarded a solo exhibition at the Venice Biennale and was thus internationally recognized as part of a small group of highly regarded avant-garde constructivist sculptors. In 1960, he received a prestigious Guggenheim Award, which was followed by several prominent public commissions, including his heroic Archangel, currently residing in Lincoln Center’s David Geffen Hall. A number of important solo exhibitions of his work followed at The Phillips Collection in Washington, DC (1964); the Milwaukee Art Center and University of Wisconsin, Milwaukee (1969); the Virginia Museum of Fine Arts in Richmond (1972); the Everson Museum in Syracuse, NY (1973); the Herbert E. Johnson Museum of Art of Cornell University in Ithaca, NY (1973); the National Collection of Fine Arts, Smithsonian Institution (now the Smithsonian American Art Museum) in Washington, DC (1978); and a retrospective in 1979 at The Jewish Museum in New York. In 1982 and 1984 alone, two exhibitions of his sculpture, organized respectively by the Mint Museum (Charlotte, NC) and the Hillwood Art Gallery of Long Island University (Greenvale, NY), traveled extensively across museums and university galleries around the nation. In 2000, the traveling exhibition An American Sculptor: Seymour Lipton was first presented by the Palmer Museum of Art of Pennsylvania State University in University Park. Most recently, in 2009, the Ackland Art Museum in Chapel Hill, NC mounted The Guardian and the Avant-Garde: Seymour Lipton’s Sentinel II in Context. Since 2004, Michael Rosenfeld Gallery has been the exclusive representative of the Estate of Seymour Lipton and has presented two solo exhibitions of his work—Seymour Lipton: Abstract Expressionist Sculptor (2005) and Seymour Lipton: Metal (2008). In 2013, Michael Rosenfeld Gallery presented Abstract Expressionism, In Context: Seymour Lipton, which included twelve major sculptures by the artist, along with works by Charles Alston, Norman Bluhm, Beauford Delaney, Willem de Kooning, Jay DeFeo, Michael Goldberg, Adolph Gottlieb, Hans Hofmann, Lee Krasner, Norman Lewis, Conrad Marca-Relli, Boris Margo, Alfonso Ossorio, Richard Pousette-Dart, Milton Resnick, Charles Seliger...
Category

1960s Abstract Expressionist Tri-State Area - Abstract Sculptures

Materials

Metal, Silver

ALLEGRO BLUE - Series I
By Mariana Copello
Located in New York, NY
Painted aluminum on metal base. Mariana Copello is a Houston-based artist who was born and raised in Venezuela. The artist has developed sculptures and installations in different m...
Category

2010s Abstract Geometric Tri-State Area - Abstract Sculptures

Materials

Aluminum

Curves Ahead
Located in Westport, CT
Angela Lane’s three-dimensional abstract works are organic structures that synthesize distinct elements. The core of the work is the painter’s pursuit of ...
Category

2010s Contemporary Tri-State Area - Abstract Sculptures

Materials

Acrylic, Wood Panel

BlaBlaBla (Gold)
By Nayla Saroufim
Located in New York, NY
Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had wor...
Category

2010s Pop Art Tri-State Area - Abstract Sculptures

Materials

Steel

"Plum Neutral I II " A Pair of Textured Abstract Paintings
By Teodora Guererra
Located in Westport, CT
This pair of textured abstract paintings by Teodora Guererra features a light, greyscale palette with subtle warm accents throughout the composition. The artist layers thick strokes ...
Category

2010s Abstract Tri-State Area - Abstract Sculptures

Materials

Acrylic, Board

Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl
By Patricia Miranda
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category

2010s Feminist Tri-State Area - Abstract Sculptures

Materials

Fabric, Thread, Plaster, Dye, Found Objects

Welded Brushed Steel Sculpture - geometric abstraction (Unique, signed)
By Michael Todd
Located in New York, NY
Michael Todd Welded Brushed Steel Sculpture - geometric abstraction, 1968 Welded Brushed Steel Hand signed and dated 1968 in marker on surface....
Category

1960s Abstract Geometric Tri-State Area - Abstract Sculptures

Materials

Steel

Bicycle, Modern Acrylic on Metal Sculpture attributed to Tony Rosenthal
By Tony Rosenthal
Located in Long Island City, NY
Tony Rosenthal, Attributed to, American (1914 - 2009) - Bicycle, Medium: Acrylic on Metal Assemblage, Size: 31 x 36 x 6 in. (78.74 x 91.44 x 15.24 cm)
Category

Mid-20th Century Modern Tri-State Area - Abstract Sculptures

Materials

Metal

Santiago Medina - GEMINI, Sculpture 2025
By Santiago Medina
Located in Stamford, CT
New Sculpture Collection Vanguard: Italian Stainless Steel with Special Splashed Electrostatic Paint. This sculpture will be shipped directly from the artist's studio.
Category

2010s Contemporary Tri-State Area - Abstract Sculptures

Materials

Stainless Steel

"Queen Sahara, " Abstract Porcelain Vase
Located in Westport, CT
This ceramic vessel sculpture by Jon Puzzuoli is made with glazed porcelain. It has a vibrant red and cream palette, with a round body and a fluted neck. The piece has a raku finish,...
Category

2010s Abstract Tri-State Area - Abstract Sculptures

Materials

Porcelain, Glaze

House in Motion
Located in New York, NY
Buky Schwartz House in Motion, 1986 Welded steel 10 1/2 × 6 1/4 × 6 1/2 inches This is a unique work The sculpture is an upside down house with two human figures. It is ingeniously ...
Category

1980s Constructivist Tri-State Area - Abstract Sculptures

Materials

Steel

"Endless Sky" Textured Abstract Painting
By Teodora Guererra
Located in Westport, CT
This horizontal abstract painting by Teodora Guererra features a blue, teal, lavender and white palette. The artist layers thick strokes of paint using a palette knife in broad, hori...
Category

2010s Abstract Tri-State Area - Abstract Sculptures

Materials

Canvas, Acrylic

"Historique / Sacree" [Historical / Sacred]
By Paul Jenkins
Located in Astoria, NY
Paul Jenkins (American, 1923-2012) "Historique / Sacree" [Historical / Sacred], Found Object Art Sculpture, 1996, collaged book mounted on plaster and wood base, signed and dated to ...
Category

1990s Contemporary Tri-State Area - Abstract Sculptures

Materials

Plaster, Wood, Paper, Found Objects, Newsprint

Squamae 8 - blue, silver, white 3D abstract geometric ceramic wall composition
By Marie Laforey
Located in New York, NY
Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...
Category

2010s Contemporary Tri-State Area - Abstract Sculptures

Materials

Clay

"Orange Skyline, " Stainless Steel Sculpture
Located in Westport, CT
Orange Skyline is an abstract sculpture by Joe Sorge, made from stainless steel with an orange dye and clear coat. The white pedestal pictured beneath the sculpture base is not included. Connecticut sculptor Joe Sorge says about his work, "The works express fluidity and the resulting tension inherent in the material is balanced by the ensuing harmony of the sculptural object. The result is an expression that comes from a comprehensive understanding of the material and method. The work draws from the modernist vocabulary to create abstract, sometimes whimsical objects...
Category

2010s Contemporary Tri-State Area - Abstract Sculptures

Materials

Stainless Steel

Squamae S 4 - pink, green, white 3D abstract geometric ceramic wall composition
By Marie Laforey
Located in New York, NY
Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...
Category

2010s Contemporary Tri-State Area - Abstract Sculptures

Materials

Clay, Acrylic, Wood Panel

Carillon L.O.V.E.
By Maurizio Cattelan
Located in New York, NY
Resin and music box mechanism multiple. Published by Seletti, Cicognara. With the original packaging box. This is a reproduction of Cattelan's monumental marble sculpture...
Category

2010s Contemporary Tri-State Area - Abstract Sculptures

Materials

Resin

Waves and Circles, Large Outdoor/Indoor Steel Sculpture
By Hans Van de Bovenkamp
Located in Long Island City, NY
Artist: Hans van de Bovenkamp, Dutch (1938 - ) Title: Circles and Waves Year: 1986 Medium: Steel Sculpture Overall Size: 87 x 50 in. (220.98 x 127 cm)
Category

1980s Modern Tri-State Area - Abstract Sculptures

Materials

Steel

"Blueberry Shortcake Mini I and II" Abstract Painting Diptych
By Teodora Guererra
Located in Westport, CT
This textured abstract diptych by Teodora Guererra features a light blue, grey, and white palette. The artist layers thick strokes of paint using a palette knife over board, creating...
Category

2010s Abstract Tri-State Area - Abstract Sculptures

Materials

Acrylic, Board

Bruce # 9
By Ray Geary
Located in New York, NY
Ray Geary Bruce #9, 2016 Steel Incised signature, title and date on the underside 10 x 7 inches Bruce # 9 is one of ten unique sculptures that popular young sculptor Ray Geary made exclusively for the Whitney Museum. Below is how the Museum described the series: These fanciful totemic objects, lovingly named Bruce, are made of steel purchased from a scrap metal yard in the Meatpacking District...
Category

2010s Abstract Tri-State Area - Abstract Sculptures

Materials

Steel

"Princess Aspen, " Ceramic Vessel
Located in Westport, CT
This glazed porcelain vessel by Jon Puzzuoli features a warm earth-toned palette with a crystalline glaze which creates the aesthetic of light blue "crystals" over the surface of the piece. It has a wide, curved, dark umber-toned neck. The artist's stamp is located at the base of the vessel. Crystalline glazes are special ceramic glazes in which zinc-silicate crystals grow inside the glaze while it is still very hot. The crystals begin as microscopic seeds in the glaze, which form in random numbers and locations. When the kiln is cooled to the proper temperature, crystals start to grow. In order for crystals to grow, the glaze must be very fluid. Much of the glaze runs off the vessel during the firing into a catch basin...
Category

2010s Abstract Tri-State Area - Abstract Sculptures

Materials

Ceramic, Porcelain

Wood, Metal, Stone, Mixed Media Contemporary Sculpture - Dream Scepter 159
Located in New York, NY
Linda Stein, Dream Scepter 159 - Wood, Metal, Stone, Mixed Media Contemporary Sculpture In the 1980s, Linda Stein began a series called Ceremonial Scepters, where she imagined an ex...
Category

1980s Contemporary Tri-State Area - Abstract Sculptures

Materials

Stone, Metal

Wood, Metal, Mixed Media Contemporary Art Sculpture - Afterlife 164
Located in New York, NY
Linda Stein, Afterlife 164 - Wood, Metal, Stone, Mixed Media Contemporary Sculpture In the 1980s, Linda Stein began a series called Ceremonial Scepters, where she imagined an exca...
Category

1980s Contemporary Tri-State Area - Abstract Sculptures

Materials

Metal

Wood, Metal, Stone, Mixed Media Contemporary Sculpture - Rocking Staff 171
Located in New York, NY
Linda Stein, Rocking Staff 171 - Wood, Metal, Stone, Mixed Media Contemporary Sculpture In the 1980s, Linda Stein began a series called Ceremonial Scepters, where she imagined an ...
Category

1980s Contemporary Tri-State Area - Abstract Sculptures

Materials

Stone, Metal

Wood, Metal, Stone, Mixed Media Contemporary Sculpture - Easel Scepter 167
Located in New York, NY
Linda Stein, Easel Scepter 167 - Wood, Metal, Stone, Mixed Media Contemporary Sculpture In the 1980s, Linda Stein began a series called Ceremonial Scepters, where she imagined an e...
Category

1980s Contemporary Tri-State Area - Abstract Sculptures

Materials

Stone, Metal

Armadura Terrestre, Aluminum and Oxidized Steel Sculpture by Amadeo Gabino
Located in Long Island City, NY
Armadura Terrestre Amadeo Gabino, Spanish (1922–2004) Date: circa 1974 Oxidized Steel and polished aluminum sculpture Size: 19.75 x 19.75 x 2.25 in. (50.17 x 50.17 x 5.72 cm)
Category

1970s Modern Tri-State Area - Abstract Sculptures

Materials

Metal, Steel

"Queen Capricorn, " Abstract Ceramic Vessel
Located in Westport, CT
This glazed porcelain vessel by Jon Puzzuoli features blue, cream and white palette. The crystalline glaze applied over the ceramic creates small, organic, crystal-like elements in t...
Category

2010s Abstract Tri-State Area - Abstract Sculptures

Materials

Ceramic, Porcelain

"Queen Amazon, " Ceramic Vessel
Located in Westport, CT
This crystalline glazed porcelain vessel by Jon Puzzuoli features an earthy green and sand-toned palette and a dark, narrow neck. The crystalline glaze over the surface creates the aesthetic of green "crystals" which form along the the surface of the piece. The artist's stamp can be found at the base of the vessel. Crystalline glazes are special ceramic glazes in which zinc-silicate crystals grow inside the glaze while it is still very hot. The crystals begin as microscopic seeds in the glaze, which form in random numbers and locations. When the kiln is cooled to the proper temperature, crystals start to grow. In order for crystals to grow, the glaze must be very fluid. Much of the glaze runs off the vessel during the firing into a catch basin...
Category

2010s Abstract Tri-State Area - Abstract Sculptures

Materials

Ceramic, Porcelain

Red and Yellow Vase, Contemporary Blown Glass Sculpture by David Ruth
By David Ruth
Located in Long Island City, NY
Red and Yellow Vase David Ruth, American Date: 1989 Blown Glass, Signed and dated Size: 7.5 x 4.25 x 3 in. (19.05 x 10.8 x 7.62 cm)
Category

1980s Abstract Tri-State Area - Abstract Sculptures

Materials

Blown Glass

Steven Baris, Ruse Of Transparency 13, 2014, plexiglass, acrylic paint
By Steven Baris
Located in Darien, CT
Steve Baris is interested in the interconnections of the built environment and spatial experience. His artwork is a response to a largely overlooked type of landscape that is emerg...
Category

2010s Abstract Geometric Tri-State Area - Abstract Sculptures

Materials

Plexiglass, Acrylic

"MATHEMATICAL THEOREM", sculpture, clay, relief, abstract, contemporary, ceramic
By Harold Wortsman
Located in Toronto, Ontario
MATHEMATICAL THEOREM, a ceramic relief sculpture of high-fired clay pigmented with engobes, is a recent work by artist Harold Wortsman. This black & wh...
Category

21st Century and Contemporary Contemporary Tri-State Area - Abstract Sculptures

Materials

Ceramic, Clay, Pigment, Other Medium

Armadura Terrestre II, Aluminum and Oxidized Steel Sculpture by Amadeo Gabino
Located in Long Island City, NY
Armadura Terrestre II Amadeo Gabino, Spanish (1922–2004) Date: circa 1974 Oxidized Steel and polished aluminum sculpture Size: 19.75 x 19.75 x 2.25 in. (50.17 x 50.17 x 5.72 cm)
Category

1970s Modern Tri-State Area - Abstract Sculptures

Materials

Metal, Steel

Liz Sweibel, Untitled (Scrapings #10), 2016, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consisted of more than a dozen four- to seven-foot lengths of hardwood, each an uneven inch in depth and width. The sticks were warped, with worn yellow paint on one side and raw wood on the other three. Over the years she has painted the raw sides of the sticks, cut the wood into shorter lengths, and sliced paint off – and kept the residue from these actions. Sweibel has also made sculptures ranging from full-length sticks to tiny stick splinters. She built these sculptures using sliced-off paint. Timeworn materials and objects have an intelligence that the artist looks for and listens to. Shaping and reshaping material to find new form and elicit new insights in the material itself is the territory she is mining. The limitations of the process are its strengths. Her work is concerned with fragility, precariousness, adaptability, and strength. It is a visual response to powerful yet unseen forces - like wind and thoughts - that threaten, propel, ruin, and protect. Liz Sweibel is a multidisciplinary artist working in drawing, sculpture, installation, and digital photography and video. Her spare, personal language of abstraction transforms ordinary materials into statements about connectedness and responsibility: every action has an impact, the effects persist in space and over time, and we are accountable. By drawing attention to simple, ordinary “stuff of life” and referencing both shared and personal history, Sweibel’s work explores and reflects back fundamental experiences in response to our world and relationships. Her intention is to reinvigorate viewers’ awareness of the everyday – in its raw beauty and precariousness – in hopes that they might bring heightened senses of sight and care to their daily lives. Sweibel has participated in solo, two-person, and group exhibits in New York, Massachusetts, Maine, Connecticut, Michigan, and Tennessee since 1998. In 2016, Sweibel’s work was in the group shows Lightly Structured at Sculpture Space NYC, Precarious Constructs at the Venus Knitting Art...
Category

2010s Abstract Expressionist Tri-State Area - Abstract Sculptures

Materials

Wood, Paint, Found Objects

Estate of David Hayes_Form Study_carved plaster of paris_1970_abstract sculpture
By David Hayes
Located in Darien, CT
ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. Hayes received a...
Category

1970s Abstract Tri-State Area - Abstract Sculptures

Materials

Plaster

Wall Relief 3 - Oil Paint and Resin on Wood - Modern Abstract - Multicolored
By Ned Evans
Located in New York, NY
This contemporary, mixed media Wall Relief by Ned Evans features multicolored oil paint and resin on wood. Its modern design turns your guest ...
Category

21st Century and Contemporary Abstract Geometric Tri-State Area - Abstract Sculptures

Materials

Resin, Wood, Paint, Oil

Attitudes, Glass and Polished Brass Sculpture by Jaworksi
By David Jaworski
Located in Long Island City, NY
Artist: David Jaworsky, American Title: Attitudes Year: 1991 Medium: Blown Glass and Bronze with a Marble Base Size: 31 x 20 x 24 in. (78.74 x 50.8 x 60.96 cm) Base: 16 x 2 x 16 ...
Category

1990s Abstract Tri-State Area - Abstract Sculptures

Materials

Marble, Bronze

"Queen Florence, " Abstract Ceramic Vessel
Located in Westport, CT
This glazed porcelain vessel features a bright turquoise form which fades to a white crystalline drip, and cascades over a faded blue base. The wide neck and lip are charcoal grey. Jon Puzzuoli...
Category

2010s Abstract Tri-State Area - Abstract Sculptures

Materials

Ceramic, Porcelain

Brown Bowl, Hand-Blown Glass Sculpture by Ira Sapir
Located in Long Island City, NY
Glass Bowl Ira Sapir, American (1955) Hand-Blown Glass Size: 4 x 7.63 x 7.63 in. (10.16 x 19.37 x 19.37 cm)
Category

1980s Abstract Tri-State Area - Abstract Sculptures

Materials

Blown Glass

"White Box", Abstract, Aluminum Metal Sculpture, Large-Scale, Outdoor
By Jane Manus
Located in New York, NY
"White Box" by Jane Manus Welded and painted aluminum Jane Manus makes large sculptures of painted or brushed welded aluminum that are both geometric and suggestively figurative sim...
Category

2010s Tri-State Area - Abstract Sculptures

Materials

Metal

Copper Plate Bruce Shadow Box Sculpture
By The Bruce High Quality Foundation
Located in New York, NY
The Bruce High Quality Foundation Copper Plate Bruce Shadow Box Sculpture, 2017 Customized wooden shadow box featuring a copper printmaking plate with hand-painted Bruce face. Accomp...
Category

2010s Pop Art Tri-State Area - Abstract Sculptures

Materials

Copper

Liz Sweibel, Untitled (Splinter 8 ), 2014, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
Liz Sweibel primarily makes sculpture, installations, and drawings. She uses a spare, personal language of abstraction to explore liminal spaces and unseen forces: wind, history, va...
Category

2010s Minimalist Tri-State Area - Abstract Sculptures

Materials

Wood, Paint, Found Objects

Estate of David Hayes_Form Study_plaster coated cut styrofoam_abstract sculpture
By David Hayes
Located in Darien, CT
ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. These Form Studi...
Category

1970s Abstract Tri-State Area - Abstract Sculptures

Materials

Polystyrene, Plaster, Acrylic

Estate of David Hayes_Form Study_carved plaster of paris_1970_abstract sculpture
By David Hayes
Located in Darien, CT
ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. Hayes received a...
Category

1970s Abstract Tri-State Area - Abstract Sculptures

Materials

Plaster

"Voyage I, " Rosamond Berg, Female Contemporary Minimalist Sculpture Artist
Located in New York, NY
Rosamond Berg (American, 1931 - 2018) Voyage I, 1982 Mixed media construction including hand-dyed cotton cloth pouches 24 x 24 inches Signed, titled an...
Category

1980s Contemporary Tri-State Area - Abstract Sculptures

Materials

Cotton, Thread, Glass, Wood

Estate of David Hayes_Form Study_plaster coated cut styrofoam_abstract sculpture
By David Hayes
Located in Darien, CT
ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. These Form Studi...
Category

1970s Abstract Tri-State Area - Abstract Sculptures

Materials

Plaster

Pluck and Play 355 -Mixed Media Metal Wood Stone Contemporary Art Wall Sculpture
Located in New York, NY
Linda Stein, Hop and Skip 355 - Mixed Media Metal Wood Stone Contemporary Art Wall Sculpture In the 1990s Linda Stein began to work on a series called Blades, sculptural works that ...
Category

Early 2000s Contemporary Tri-State Area - Abstract Sculptures

Materials

Stone, Metal

Diane Englander, White and Wood XVI, 2015, Wood, Mixed Media
By Diane Englander
Located in Darien, CT
A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...
Category

2010s Tri-State Area - Abstract Sculptures

Materials

Wood, Mixed Media, Acrylic

Thinking Figure, Modern Bronze sculpture with gold patina by Georges Charpentier
By Georges Charpentier
Located in Long Island City, NY
Georges Charpentier, French (1937 - 2024) - Thinking Figure, Year: circa 1980, Medium: Bronze sculpture with gold patina on wooden base, signature and numbering inscribed, Edition:...
Category

1980s Modern Tri-State Area - Abstract Sculptures

Materials

Bronze

Jose Soto, Focus, 2017, Steel, Mirror, Plexiglass, Wood, Adhesive
By Jose Soto
Located in Darien, CT
FOCUS is a public art sculpture about photographic vision and how it shapes the way we see the world. It is concerned with the viewer’s growing visual perception and bodily experienc...
Category

2010s Abstract Geometric Tri-State Area - Abstract Sculptures

Materials

Steel

Jo Yarrington, Orchestrations, 2016, Found Objects, Plexiglass
By Jo Yarrington
Located in Darien, CT
The installation, Orchestrations, explores the vernacular in vintage piano roles. The physical perforations in the piano roll paper, coded notations for sound, act as a vehicle for l...
Category

2010s Post-Minimalist Tri-State Area - Abstract Sculptures

Materials

Plexiglass, Found Objects

Estate of David Hayes_Form Study_plaster coated cut styrofoam_abstract sculpture
By David Hayes
Located in Darien, CT
ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. These Form Studi...
Category

1970s Abstract Tri-State Area - Abstract Sculptures

Materials

Plaster, Polystyrene, Acrylic

Estate of David Hayes_Form Study_carved plaster of paris_1970_abstract sculpture
By David Hayes
Located in Darien, CT
ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. Hayes received a...
Category

1970s Abstract Tri-State Area - Abstract Sculptures

Materials

Plaster

"Queen Elizabeth, " Abstract Ceramic Vase
Located in Westport, CT
This small abstract vessel by Connecticut-based ceramicist, Jon Puzzuoli, is made with glazed ceramic and 18k gold luster. The bottom, matte white base of the vessel is exposed under...
Category

2010s Abstract Tri-State Area - Abstract Sculptures

Materials

Gold

Epiphany
By Stefan Matty Vladescu
Located in Long Island City, NY
Artist: Stefan Vladescu, Romanian/American (1952 - ) Title: Epiphany Year: 1994 Medium: Bronze Sculpture, signature and date inscribed Size: 25 inch diameter x 1.5 wide Base 3 x 8...
Category

1990s Surrealist Tri-State Area - Abstract Sculptures

Materials

Bronze

Acid-Wave
By Omar Rayo
Located in New York, NY
Striking 3-dimensional acrylic and wood on canvas sculpture by renowned Colombian painter an sculptor, Omar Rayo. Signed, titled, inscribed "New Yo...
Category

1960s Op Art Tri-State Area - Abstract Sculptures

Materials

Canvas, Wood, Acrylic

Patricia Miranda, Pearls Before Swine 2020, cochineal dyes, pages, sewn pearls
By Patricia Miranda
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category

2010s Feminist Tri-State Area - Abstract Sculptures

Materials

Thread, Dye, Found Objects

The cover of Newsweek - 2
Located in New York, NY
Title: The cover of Newsweek - 2 Materials: Magazines, Books, Iron Mesh, Transparent sealing materials Size: 31.4 × 33.4 × 1 inches Rarity: Unique Medium: Mixed Media Signature: Can ...
Category

2010s Contemporary Tri-State Area - Abstract Sculptures

Materials

Iron

Azul, Carolina Yrarrázaval, handwoven textile
Located in Wilton, CT
This handwoven contemporary textile sculpture, Azul, was done by Chilean fiber artist, Carolina Yrarrázaval (b. 1960). Yrarrázaval explains her in...
Category

Early 2000s Contemporary Tri-State Area - Abstract Sculptures

Materials

Fabric, Textile, Linen

Winter s Cub
By Lilian R. Engel
Located in New York, NY
Alabaster and wood
Category

21st Century and Contemporary Contemporary Tri-State Area - Abstract Sculptures

Materials

Alabaster

Winter
s Cub
Winter
s Cub
$4,600 Sale Price
20% Off
"Magic Circle Deep Color", Hand Laser Cut Paper Wall Relief Sculpture
By Rogan Brown
Located in New York, NY
"Magic Circle Deep Color" by Rogan Brown Laser and hand cut paper, hand-painted, framed in plexiglass shadowbox Available by commission. Please allow 12-14 weeks production time. R...
Category

2010s Abstract Tri-State Area - Abstract Sculptures

Materials

Paper, Paint

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