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Item Ships From: Tri-State Area
Spoon to Shell 833 - Mixed Media Shell Wood Contemporary Assemblage Sculpture
Located in New York, NY
Linda Stein, Spoon to Shell 833 - Mixed Media Shell Wood Contemporary Assemblage Sculpture
Spoon to Shell 833 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Stone, Metal
Karen Schiff, Space Eyes, 2016, Wood, Gouache
By Karen Schiff
Located in Darien, CT
Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...
Category
2010s Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Wood, Gouache
Glass Charger, Hand-Blown Glass Sculpture by Ira Sapir
Located in Long Island City, NY
Glass Charger
Ira Sapir, American (1955)
Hand-Blown Glass, signed
Size: 2 x 4.25 x 4.25 in. (5.08 x 10.8 x 10.8 cm)
Category
1980s Abstract Tri-State Area - Abstract Sculptures
Materials
Blown Glass
"Duke", Large-Scale, Abstract, Outdoor Steel Metal Sculpture in red
Located in New York, NY
"Duke" by John Clement
Abstract Metal Sculpture in red painted steel
In his sculptures, John Clement bends stainless steel into fanciful curvilinear forms focused on essential quest...
Category
Early 2000s Tri-State Area - Abstract Sculptures
Materials
Metal, Steel
"PLUG-N-PLAY I", stoneware glazed sculpture, green, yellow, blue, white, wheel
By Andrew Cornell Robinson
Located in Toronto, Ontario
"PLUG-N-PLAY I (Yellow, Black and White)", 2019, in wheel-formed stoneware, glaze, stain and cork by artist Andrew Cornell Robinson, is one of ...
Category
21st Century and Contemporary Contemporary Tri-State Area - Abstract Sculptures
Materials
Glaze, Stoneware
Gil Scullion, You Need, 2017, 20 sheets of stacked hand-cut paper
By Gil Scullion
Located in Darien, CT
Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box
Gil Scullion’s conceptual text-based work has been featured in exhibi...
Category
2010s Conceptual Tri-State Area - Abstract Sculptures
Materials
Paper
Fritz Horstman, Formwork for Branching Stream, 2017, Wood, Walnut
By Fritz Horstman
Located in Darien, CT
While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...
Category
2010s Conceptual Tri-State Area - Abstract Sculptures
Materials
Wood, Walnut
Gil Scullion, Your Convictions, 2017, 20 sheets of stacked hand-cut paper
By Gil Scullion
Located in Darien, CT
Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box
Gil Scullion’s conceptual text-based work has been featured in exhibi...
Category
2010s Conceptual Tri-State Area - Abstract Sculptures
Materials
Paper
Karen Schiff, Space Eyes, 2016, Wood, Acrylic Paint, Watercolor
By Karen Schiff
Located in Darien, CT
Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...
Category
2010s Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Wood, Acrylic, Watercolor
Jo Yarrington, Ghost girls_Slide Carousel, 2018, Photographic Film, Found Object
By Jo Yarrington
Located in Darien, CT
Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...
Category
2010s Conceptual Tri-State Area - Abstract Sculptures
Materials
Photographic Film, Found Objects
Jo Yarrington, Ghost Girls, 2018, Organic Material, Photographic Film, Plastic
By Jo Yarrington
Located in Darien, CT
Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...
Category
2010s Conceptual Tri-State Area - Abstract Sculptures
Materials
Pins, Organic Material, Plastic, Photographic Film, Acrylic Polymer, Fou...
Emily Feinstein, Wood Drawing, 2016, Wood, Mahogany, Plywood
By Emily Feinstein
Located in Darien, CT
Emily Feinstein grew up with a father who was a cabinetmaker with a shop in the basement. She spent a lot of time making things and constructing with wood. Her ongoing interest in r...
Category
2010s Arte Povera Tri-State Area - Abstract Sculptures
Materials
Wood, Mahogany, Plywood
Dorothy Mayhall, Monument 1, 1995, Terracotta, Acrylic Paint
By Dorothy Mayhall
Located in Darien, CT
Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...
Category
1990s Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Terracotta, Acrylic
Emily Feinstein, Stillwater, 2016, Poplar, Wood, Paint
By Emily Feinstein
Located in Darien, CT
Emily Feinstein grew up with a father who was a cabinetmaker with a shop in the basement. She spent a lot of time making things and constructing with wood. Her ongoing interest in r...
Category
2010s Tri-State Area - Abstract Sculptures
Materials
Wood, Paint, Poplar
"VERTICAL 1", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
By Harold Wortsman
Located in Toronto, Ontario
Vertical 1, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 1 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Tri-State Area - Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
Black Grey Vase Sculpture 1026 - Lathe-Turned
Sandblasted wood Oak
Located in New York, NY
Inspired by the effect nature has on materials, Pascal Oudet’s wood sculptures are intricate filled with complex yet simple details. Born in 1972 in Vesou...
Category
21st Century and Contemporary Contemporary Tri-State Area - Abstract Sculptures
Materials
Oak
Four Earth Signs: Wingeo, Bronze Sculpture by Thom Cooney-Crawford
By Thom Cooney-Crawford
Located in Long Island City, NY
Artist: Thom Cooney-Crawford, American (1944 - )
Title: Four Earth Signs: Wingeo
Medium: Bronze Sculpture, signature and number inscribed
Edition: 4/5
Size: 20.5 in. x 11 in. x 4 in....
Category
1990s Surrealist Tri-State Area - Abstract Sculptures
Materials
Bronze
Ricahard Bottwin,
Lily Leaping
, 2016, Wood
By Richard Bottwin
Located in Darien, CT
Architecture and functional objects inform the vocabulary of Richard Bottwin’s sculpture. The plywood surfaces, laminated with wood veneers or painted with acrylic colors, are confi...
Category
2010s Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Wood
Fritz Horstman, Formwork for a Rectangle, 2015, Plywood, Wood
By Fritz Horstman
Located in Darien, CT
While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...
Category
2010s Conceptual Tri-State Area - Abstract Sculptures
Materials
Wood, Plywood
"See Me" Norma Minkowitz, Contemporary mixed media figurative sculpture
By Norma Minkowitz
Located in Wilton, CT
This two-piece mixed media figurative sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). The interlacing technique that Minkowitz ...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Textile, Resin, Mixed Media, Thread
Arm and Hammer
By John McQueen
Located in Wilton, CT
twigs, twine, plastic from Arm
Hammer soap cartons
Category
Early 2000s Contemporary Tri-State Area - Abstract Sculptures
Materials
Plastic, Wood
Loren Eiferman, Nature Will Heal, 108 Pieces of Wood, 2016, Wood, Found Objects
By Loren Eiferman
Located in Darien, CT
Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material.
First, she begins with a drawing of an idea. Then she takes a daily walk in the woods surrounding her studio and collects tree limbs and long sticks that have fallen to the ground. She never chops down a living tree or uses green wood. Eiferman allows the wood time to cure in the studio to make sure it won’t check or crack.
Next, she debarks the branch and looks for shapes found within each piece of wood. Using a Japanese hand saw, she cuts and connect these small shapes together using dowels and wood glue. Then, all the open joints get filled with a home made putty, which is then sanded so she can see the newly formed shapes. This process is until the new sculpture appears like the original line drawing but in space. She wants the work to appear as if it grew in nature, when in fact each sculpture is composed of over 100 small pieces of wood that are seamlessly jointed together. Her work can be called the ultimate recycling: taking the detritus of nature and giving it a new life.
We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark off with our fingernails. Her work taps into that same primal desire of touching nature and being close to it. Trees connect us back to nature, back to this Earth. Her work has a meditative quality to it—a quiet, calming energy.
Her influences are many; from looking at nature and plant life on this Earth to researching the heavenly bodies in the images beamed back from the Hubble Telescope. From studying ancient Buddhist mandalas and designs to delving deeper into quantum physics. And from researching mysterious manuscripts to studying the patterns inside our brains.
For Invocation, we are exhibiting her newest body of work, inspired by the illustrations found in the Voynich Manuscript. This 250-page book, is believed to have been written in the early 15th century, of a mysterious origin and purpose.
Written in an unknown language and currently housed at Yale University’s Beinecke Rare Book Library, the manuscript has eluded all attempts in the intervening centuries to decode or decipher its purpose and meaning. This enigmatic book is divided into 6 different sections (herbal, astronomical, biological, cosmological, pharmaceutical and recipes).
Having discovered the images contained in this codex over the Internet, Eiferman felt an immediate, profound and inexplicable connection to this manuscript and its creator.
The artist is currently transposing the “herbal” section of manuscript into sculptures. This section has drawings in it of plants and flowers that do not really exist in nature—past or present. These aren’t just pretty images of flowers—they also contain the wacky root systems and seemingly out of proportion leaves, stamens and pistils.
Loren Eiferman was born in Brooklyn, NY. She received her BFA from SUNY Purchase. Her work has been exhibited extensively throughout the Tri-State region including gallery and museum exhibitions in the Hudson Valley and Connecticut. Her work is included in numerous corporate and private art collections.
In 2014 she was awarded a NYC MTA Arts & Design art commission to produce steel railings...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Wood, Found Objects
"MIDNIGHT BLUE", sculpture, clay, relief, abstract, contemporary, ceramic
By Harold Wortsman
Located in Toronto, Ontario
Midnight Blue, a ceramic relief sculpture of high-fired porcelain pigmented with oxides, paint and epoxy, is a recent work by New York artist Harold Wortsman. This sculpture is ready to be mounted to the wall. Note the artist's hand in the mark-making – cuts and radiating lines, the suggestion of maps, geometry and counting systems – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
Midnight Blue was recently exhibited at Harold Wortsman: Time and Space, Orange Art Foundation, New York City, February 2022.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Tri-State Area - Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium, Porcelain, Epoxy Resin
Spoon to Shell 880 - Mixed Media Shell Wood Contemporary Assemblage Sculpture
Located in New York, NY
Linda Stein, Spoon to Shell 880 - Mixed Media Shell Wood Contemporary Assemblage Sculpture
Spoon to Shell 880 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Metal
Spoon to Shell 911 - Mixed Media Shell Wood Contemporary Assemblage Sculpture
Located in New York, NY
Linda Stein, Spoon to Shell 911 - Mixed Media Shell Wood Contemporary Assemblage Sculpture
Spoon to Shell 911 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Metal
Norma Márquez Orozco, Purple Shapes, 2018, Translucent Paper, Minimalist, 31x31
By Norma Marquez Orozco
Located in Darien, CT
Norma Marquez Orozco explores concepts of impermanence, perception, form and balance through physical movement of the work itself in a lucid, game-like context, like puzzles. All the elements are made of paper, molded into three-dimensional forms. The repetitive geometric shapes are assembled inside boxes built out of translucent paper. The arrangement is random and unfixed to allow movement and unpredictable composition.
The harmonies and tensions in the work arise from different exchanges between the colors, the patterns, and the geometric and organic shapes, as well as the sense that change is constantly occurring as the elements shift and move.
When one looks at these compositions, you see them for the first time, every time, because what is creating and completing the artwork is always changing; such as light, weather and forms merge and interact. As a result of these dynamic relationships, the work extends beyond her personal hand, sustaining an appearance and composition entirely of its own.
Norma Márquez Orozco was
born
in
Chicago,
Illinois,
and
raised
in
Guadalajara,
Jalisco,
Mexico.
Her work can be seen as an investigation into the way relationships emerge and evolve when elements like color, form, shape, lines, angle and pattern are blended, shifted and layered.
She currently lives and works in New York City. Marquez Orozco
has
curated
exhibitions throughout
New
York
and
has hosted
lectures
and
artist
talks
for
the
public. In
2001
she founded
Floor4Art, an
alternative
space
in
West
Harlem
that
houses
artist’s
studios
and
exhibition
space
aimed
at
producing,
promoting
and
connecting
artists.
Exhibition venues include: ODETTA, Brooklyn, NY, Longwood Art Gallery, Queens Museum, The (S)Files 007/ El Barrio...
Category
2010s Minimalist Tri-State Area - Abstract Sculptures
Materials
Archival Paper
Untitled (0389), 2022, colorful, abstract collage
By Linda Schmidt
Located in New York, NY
Linda Schmidt’s fabric sculptures intertwine public and private, luxury and common. There is a sense of egalitarianism present in both the way Schmidt so...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Fabric, Thread, Plastic, Pins
Santiago Medina - RED PINNACLE TABLE TOP, Sculpture 2022
By Santiago Medina
Located in Stamford, CT
Edition of 7
Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, Stanford University, City of Miami-Pinecrest Circ...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Stainless Steel
Santiago Medina - COSMOS TABLE TOP, Sculpture 2022
By Santiago Medina
Located in Stamford, CT
Italian Stainless Steel With Hyperthermal Prismatic Patina
This sculpture will be shipped directly from the artist's studio.
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Metal, Stainless Steel
Santiago Medina - Blue Secrets, Sculpture 2019
By Santiago Medina
Located in Stamford, CT
Italian stainless steel with turquoise tinting.
This sculpture will be shipped directly from the artist's studio.
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Stainless Steel
Santiago Medina - Red Fortitude, Sculpture 2018
By Santiago Medina
Located in Stamford, CT
Italian stainless steel with red tinting.
This sculpture will be shipped directly from the artist's studio.
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Stainless Steel
Santiago Medina - Blue Serenity, Sculpture 2020
By Santiago Medina
Located in Stamford, CT
Special suspended/hanging Italian stainless steel with turquoise tinting.
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Stainless Steel
Liz Sweibel, Untitled (Scrapings #3), 2016, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consist...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Wood, Paint, Found Objects
Lapis 152 - white blue 3D abstract floral geometric ceramic wall composition
By Marie Laforey
Located in New York, NY
Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Clay
Balloon Dog (Orange)
By Jeff Koons
Located in New York, NY
Jeff Koons' Balloon Dog (Orange) is widely regarded as the quintessential work within his celebrated Celebration series of paintings and sculptures, which Koons' first began developi...
Category
2010s Pop Art Tri-State Area - Abstract Sculptures
Materials
Porcelain
$16,000 Sale Price
20% Off
Female Flexible Propeller 273 - Mixed Media Contemporary Wall Sculpture
Located in New York, NY
Linda Stein, Female Flexible Propeller 273 - Mixed Media Metal Stone Contemporary Wall Sculpture
In the 1990s Linda Stein began to work on a series called Blades, sculptural works t...
Category
1990s Contemporary Tri-State Area - Abstract Sculptures
Materials
Metal
Pumper 291 - Mixed Media Metal Wood Metallic Contemporary Art Wall Sculpture
Located in New York, NY
Linda Stein, Pumper 291 - Mixed Media Metal Wood Rubber Contemporary Art Wall Sculpture
In the 1990s Linda Stein began to work on a series called Blades, sculptural works that incor...
Category
1990s Contemporary Tri-State Area - Abstract Sculptures
Materials
Metal
$6,000 Sale Price
20% Off
Loose Wire 295 - Mixed Media Metal Wood Contemporary Art Wall Sculpture
Located in New York, NY
Linda Stein, Loose Wire 295 - Mixed Media Metal Wood Contemporary Art Wall Sculpture
In the 1990s Linda Stein began to work on a series called Blades, sculptural works that incorpor...
Category
1990s Contemporary Tri-State Area - Abstract Sculptures
Materials
Metal
$7,200 Sale Price
20% Off
Diane Englander, White and Wood IX, 2014, Wood, Mixed Media
By Diane Englander
Located in Darien, CT
A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...
Category
2010s Arte Povera Tri-State Area - Abstract Sculptures
Materials
Wood, Mixed Media, Acrylic
Katherine Jackson, Suspension of Disbelief II, 2015, Graphite, Paper, Framed
By Katherine Jackson
Located in Darien, CT
Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end...
Category
2010s Conceptual Tri-State Area - Abstract Sculptures
Materials
Glass, Graphite
Jo Yarrington, Mute-Ability_Composition 6, 2019_acrylic, steel, player piano rol
By Jo Yarrington
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others.
International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia.
Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others.
International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City.
STATEMENT
In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components.
In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...
Category
2010s Conceptual Tri-State Area - Abstract Sculptures
Materials
Steel
Jo Yarrington, See-matics - Answer, 2019, acrylic, 9 x 22 inches
By Jo Yarrington
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...
Category
2010s Conceptual Tri-State Area - Abstract Sculptures
Materials
Plexiglass
Loren Eiferman, Galaxy, 129 Pieces of Wood, 2012, Wood, Putty, Wood Sculpture
By Loren Eiferman
Located in Darien, CT
Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material.
First, she begins with a drawing of an idea. Then she takes a daily walk in the woods surrounding her studio and collects tree limbs and long sticks that have fallen to the ground. She never chops down a living tree or uses green wood. Eiferman allows the wood time to cure in the studio to make sure it won’t check or crack.
Next, she debarks the branch and looks for shapes found within each piece of wood. Using a Japanese hand saw, she cuts and connect these small shapes together using dowels and wood glue. Then, all the open joints get filled with a home made putty, which is then sanded so she can see the newly formed shapes. This process is until the new sculpture appears like the original line drawing but in space. She wants the work to appear as if it grew in nature, when in fact each sculpture is composed of over 100 small pieces of wood that are seamlessly jointed together. Her work can be called the ultimate recycling: taking the detritus of nature and giving it a new life.
We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark off with our fingernails. Her work taps into that same primal desire of touching nature and being close to it. Trees connect us back to nature, back to this Earth. Her work has a meditative quality to it—a quiet, calming energy.
Her influences are many; from looking at nature and plant life on this Earth to researching the heavenly bodies in the images beamed back from the Hubble Telescope. From studying ancient Buddhist mandalas and designs to delving deeper into quantum physics. And from researching mysterious manuscripts to studying the patterns inside our brains.
For Invocation, we are exhibiting her newest body of work, inspired by the illustrations found in the Voynich Manuscript. This 250-page book, is believed to have been written in the early 15th century, of a mysterious origin and purpose.
Written in an unknown language and currently housed at Yale University’s Beinecke Rare Book Library, the manuscript has eluded all attempts in the intervening centuries to decode or decipher its purpose and meaning. This enigmatic book is divided into 6 different sections (herbal, astronomical, biological, cosmological, pharmaceutical and recipes).
Having discovered the images contained in this codex over the Internet, Eiferman felt an immediate, profound and inexplicable connection to this manuscript and its creator.
The artist is currently transposing the “herbal” section of manuscript into sculptures. This section has drawings in it of plants and flowers that do not really exist in nature—past or present. These aren’t just pretty images of flowers—they also contain the wacky root systems and seemingly out of proportion leaves, stamens and pistils.
Loren Eiferman was born in Brooklyn, NY. She received her BFA from SUNY Purchase. Her work has been exhibited extensively throughout the Tri-State region including gallery and museum exhibitions in the Hudson Valley and Connecticut. Her work is included in numerous corporate and private art collections.
In 2014 she was awarded a NYC MTA Arts & Design art commission to produce steel railings...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Wood, Putty
Loren Eiferman, Winter Solstice, 2012, 165 Pieces of Wood, Putty, Wood Sculpture
By Loren Eiferman
Located in Darien, CT
Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material.
First, she begins with a drawing of an idea. Then she takes a daily walk in the woods surrounding her studio and collects tree limbs and long sticks that have fallen to the ground. She never chops down a living tree or uses green wood. Eiferman allows the wood time to cure in the studio to make sure it won’t check or crack.
Next, she debarks the branch and looks for shapes found within each piece of wood. Using a Japanese hand saw, she cuts and connect these small shapes together using dowels and wood glue. Then, all the open joints get filled with a home made putty, which is then sanded so she can see the newly formed shapes.
This process is until the new sculpture appears like the original line drawing but in space. She wants the work to appear as if it grew in nature, when in fact each sculpture is composed of over 100 small pieces of wood that are seamlessly jointed together.
Her work can be called the ultimate recycling: taking the detritus of nature and giving it a new life. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark off with our fingernails. Her work taps into that same primal desire of touching nature and being close to it. Trees connect us back to nature, back to this Earth. Her work has a meditative quality to it—a quiet, calming energy.
Her influences are many; from looking at nature and plant life on this Earth to researching the heavenly bodies in the images beamed back from the Hubble Telescope. From studying ancient Buddhist mandalas and designs to delving deeper into quantum physics. And from researching mysterious manuscripts to studying the patterns inside our brains.
Her newest body of work is inspired by the illustrations found in the Voynich Manuscript. This 250-page book, is believed to have been written in the early 15th century, of a mysterious origin and purpose.
Written in an unknown language and currently housed at Yale University’s Beinecke Rare Book Library, the manuscript has eluded all attempts in the intervening centuries to decode or decipher its purpose and meaning. This enigmatic book is divided into 6 different sections (herbal, astronomical, biological, cosmological, pharmaceutical and recipes).
Having discovered the images contained in this codex over the Internet, Eiferman felt an immediate, profound and inexplicable connection to this manuscript and its creator.
The artist is currently transposing the “herbal” section of manuscript into sculptures. This section has drawings in it of plants and flowers that do not really exist in nature—past or present. These aren’t just pretty images of flowers—they also contain the wacky root systems and seemingly out of proportion leaves, stamens and pistils.
Loren Eiferman was born in Brooklyn, NY. She received her BFA from SUNY Purchase.
Her work has been exhibited extensively throughout the Tri-State region including gallery and museum exhibitions in the Hudson Valley and Connecticut.
Her work is included in numerous corporate and private art collections.
In 2014 she was awarded a NYC MTA Arts & Design art commission to produce steel railings...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Wood, Putty
Diane Englander, White and Wood 13 2015, scrapwood and acrylic , 7.25 x 12 x 1.25
By Diane Englander
Located in Darien, CT
Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires tha...
Category
2010s Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Wood, Acrylic
David Borawski, The First Act of Violence, 2019, Gaffers tape, dimensions vary
By David Borawski
Located in Darien, CT
David Borawski lives and works in Hartford, Connecticut, and received his BFA from the Hartford Art School of the University of Hartford.
A multi-media installation artist, his work...
Category
2010s Conceptual Tri-State Area - Abstract Sculptures
Materials
Tape
Large Abstract White Onyx Sculpture by Leonardo Nierman
By Leonardo Nierman
Located in Long Island City, NY
Artist: Leonardo Nierman (1932 - )
Title: Untitled
Year: circa 1979
Medium: White Onyx, signature engraved
Size: 24 x 43.5 x 7.25 inches
Base: 4 x 13.25 x 13.25 inches
Category
1970s Modern Tri-State Area - Abstract Sculptures
Materials
Stone, Marble
"ROCKSLIDE D.T.’s", Industrial Abstract Sculpture in Metal
Stone
By John Van Alstine
Located in New York, NY
"ROCKSLIDE D.T.’s" by John Van Alstine
Slate, pigmented and sealed steel
The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and metal, while ...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Stone, Slate, Metal, Steel
Mary Schiliro, Cat
s Cradle 7, 2006, acylic on Mylar, 36 x 18 inches, Abstract
By Mary Schiliro
Located in Darien, CT
Mary Schiliro’s work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring alternative presentation methods. Using a dipping process wher...
Category
Early 2000s Abstract Tri-State Area - Abstract Sculptures
Materials
Mylar, Plexiglass, Acrylic
Flipside, 2018, polyester cord, PVC rod, stainless steel, 96 x 42.5 x 17.5 in
By Daniel G. Hill
Located in Darien, CT
In recent years, Daniel G. Hill has been fixated on the work’s method of construction and its physical presence. During the winter of 2014, he began a new line of inquiry, translati...
Category
2010s Minimalist Tri-State Area - Abstract Sculptures
Materials
Stainless Steel
Gold Knife
By Kevin Kelly
Located in New York, NY
"As an artist, I am fascinated by the inherent balance and symmetry possible in geometric structures, which reflect the order and structure underlying the natural world. By embracing...
Category
21st Century and Contemporary Contemporary Tri-State Area - Abstract Sculptures
Materials
Resin, Epoxy Resin, Acrylic
$20,700
Unique White Marble OP Art Sculpture by Domenico Casanta
By Domenico Casasanta
Located in Long Island City, NY
A unique carved marble sculpture by well-known Italian/Venezuelan Kinetic Artist, Domenico Casasanta (1935 - ). It is signed and dated 1972.
Artist: Domenico Casasanta, Italian (1...
Category
1970s Op Art Tri-State Area - Abstract Sculptures
Materials
Marble
Carol Salmanson, Double Diamonds, 2018, LED, plexiglas, gels, irridescent paint
By Carol Salmanson
Located in Darien, CT
Memory is at its most magical when it conjures up not the event, but its surrounding perceptual and emotional space. Flashes of reflected light, movement seen out of the corner of eye, bits of sound or feeling – these are what ignite memory, giving it form and bringing it to life.
Light both beams into and envelops you. Carol Salmanson started working with it in 2003 after painting for many years because of these singular spatial qualities. They enable herto build whole worlds with color and shape, ones that resonate with memory and experience. Painters have often talked about depicting light. Today’s technology allows me to use light as medium as well as subject.
Double Diamond is made with layers of light that beam onto reflective material; its two different configurations of diamonds are mounted on a strip that also layers light. The location in the beams creates a glowing frieze that radiates outwards, giving the viewer a first a sense of surprise, and then wonder.
Carol Salmanson is an artist working with light and reflective materials to create installations, sculptures, and wall pieces. She received a B.S. in Biological Psychology from Carnegie-Mellon University and an M.B.A. from the University of Chicago. She attended the Arts Students League, the School of Visual Arts as a Public Art Resident, and the National Academy of Fine Arts as an Abbey Mural Workshop Fellow.
Public art projects include Water Bubbles, an installation in twenty windows of the abandoned landmark Constructivist White Tower in Yekaterinburg, Russia. Other window installations include the venues Station Independent Projects, Time Equities’ Art-in-Buildings program, OK Harris Works of Art, 254 Park Avenue South, and Mixed Greens Gallery, all in New York. Her outdoor sculptures include Tri-Quadular Cone in Summit, NJ, and Lot’s Ex-Wife in Brooklyn. She will have an installation, Crown Colony, in the window at 266 W. 37th St, in September of this year.
Solo and two-person exhibition venues include SL Gallery (NY), Slag Contemporary (Brooklyn), Station Independent Projects (NY), Brian Morris...
Category
2010s Color-Field Tri-State Area - Abstract Sculptures
Materials
Plexiglass, Polyester, LED Light, Acrylic
Gil Scullion, Your Existence, 2017, 20 sheets of stacked hand-cut paper
By Gil Scullion
Located in Darien, CT
Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box
Gil Scullion’s conceptual text-based work has been featured in exhibi...
Category
2010s Conceptual Tri-State Area - Abstract Sculptures
Materials
Paper
polygon in space #25 - large geometric bright color wall sculpture
By Zin Helena Song
Located in New York, NY
Zin Helena Song was born in Seoul, South Korea in 1983 and completed her undergraduate studies there at the Kook Min University before traveling to New York, where she earned her MFA...
Category
21st Century and Contemporary Modern Tri-State Area - Abstract Sculptures
Materials
Wood, Acrylic
John Morton, Fever Songs, 2018, site specific sound installation
By John Morton
Located in Darien, CT
Fever Songs is an interactive public sound installation project that brings together the vocal traditions of many religions, creating an active sonic experience that explores spiritu...
Category
2010s Conceptual Tri-State Area - Abstract Sculptures
Materials
Metal
Jo Yarrington, Ghost Girls_Brushes, 2017, Organic Material, Found Objects, Pins
By Jo Yarrington
Located in Darien, CT
Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...
Category
2010s Conceptual Tri-State Area - Abstract Sculptures
Materials
Organic Material, Found Objects, Pins
Joseph Fucigna, Burning Bush, 2001, Plastic, Found Objects
By Joseph Fucigna
Located in Darien, CT
Joseph Fucigna is a multi-media artist whose work is rooted in process, play and the innate qualities of the materials used. Through experimentation, play and innovation he creates sculptures, paintings and drawings that are known for their power to transform materials, inventiveness and odd but suggestive subject matter. The ultimate goal is to create an artwork that is a perfect balance between suggestive content, and the formal qualities of the material that allow both to be active participants.
Joseph Fucigna received his Masters of Fine Arts degree from the School of Visual Arts in New York City. He also attended the Triangle Workshop in Pine Plains, NY and worked with the renowned sculptor Sir Anthony Caro and critic Clement Greenberg.
Fucigna is a full-time Professor of Art at Norwalk Community College and is the Chair of the Studio Arts Program. Fucigna has also taught in the Art Department at the State University of New York, Stony Brook. Presently, he resides and works in Weston, CT.
Fucigna has exhibited nationally including shows at the Fitchburg Art Museum in Massachusetts, Real Art Ways in Connecticut, the United Nations, Grounds for Sculpture in New Jersey, the Lyman Allyn Art Museum in Connecticut, the New York State Museum in Albany, NY and the Burchfield Art Center in Buffalo NY.
He has had one-person exhibitions at the Fred Giampietro Gallery, Sculpture Barn, Norwalk Community College Art Gallery, Artist Space New Haven and the Bannister...
Category
Early 2000s Arte Povera Tri-State Area - Abstract Sculptures
Materials
Plastic, Found Objects
Wall Sculpture:
Clustered #16
By Megan Klim
Located in New York, NY
Megan Klim's mixed media work juxtaposes several materials on one picture plane. She highlights their inherent qualities to create surface tension which sparks a conversation and in...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Ceramic, Mixed Media
"I Remember" Norma Minkowitz, Contemporary mixed media textile sculpture
By Norma Minkowitz
Located in Wilton, CT
This mixed media textile sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). The interlacing technique that Minkowitz uses as seen ...
Category
Early 2000s Contemporary Tri-State Area - Abstract Sculptures
Materials
Metal
