United Kingdom - Animal Paintings

A wonderful abstract-expressionist study of two exotic birds in profile. Unsigned. Acquired with a collection of signed works. On canvas on stretchers.

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Michel Dureil (1929 - 2011) La Table du J...

Garth Bayley Garth Bayley. Out of the Gates -Horses Racing Original pen, watercolour and ink painting on watercolour paper Pen and ink on paper Image size: H24 cm x W32 cm x D 0.1cm ...

A striking and stylised 20th Century oil, showing a wide eyed black bird surrounded by fragmented towers, walls and strange blue and green plants. The artist has initialed and dated ...

A charming oil still life showing a bounty of fruit and a green glass decanter and. A spirited little sparrow is perched on a twig, staring curiously at the feast before him. The art...

Anima Surgens — “The Rose Soul” — ignites the canvas with unrelenting intensity and drama. A flamenco dancer, caught mid-twirl, commands the frame with an explosion of ochres, saffro...

In Spiritus Lucia — “Spirit of Light” — a burst of sunlit movement radiates across the canvas with effervescent energy. The figure, captured mid-leap, dissolves into dappled abstract...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. In Mickey and Minnie: A Magical Honeymoon in New York, Patrick...

A Run on the Beach by Gordon Hunt Original painting Image size: H 30cm x W 30 Sold Unframed (Please note that in situ images are purely an indication of how a piece may look). In 'A ...

Yellow Serval by Lucie Sheridan [2022] original and hand signed by the artist Acrylic on canvas Image size: H:76.2 cm x W:50.8 cm Complete Size of Unframed Work: H:50.8 x 76.2 cm x W:76.2 cm x D:50.8cm Frame Size: H:79.2 cm x W:53.8 cm x D:3.5cm Sold Framed Please note that insitu images are purely an indication of how a piece may look Yellow Serval is an original painting by artist and illustrator Lucie Sheridan. Her work is rooted in print making which shows in this series of graphic, illustrative and bold animal paintings. Using monochromatic colours palettes combined with a folk art style. Scaredy Cat...

These wonderful koi, I saw in a dream. To japan Fukushima and Ukraine Chernobyl. radiation has always been a fast evolutionary fuel, new species have been born through mutations. Pla...

'Portrait of a Woman and Her Horse', oil on board, French School (1988). Horses are majestic, strong and can display a broad range of emotions. Whether they're around humans or other...

This diptych painting captures a nostalgic view of Kyiv’s main street, Khreshchatyk, as it appeared 100 years ago. The passage, which was destroyed during World War II, is reimagined...

Sally-Ann Johns Love Birds Original Animal Drawing Oil Pastel on Dutch Metal Framed Size: H 31cm x W 31cm x D 10cm Sold Framed in a Deep White Circular Frame Please note that in situ...

Inspired by the highly decorative wallpapers of the Art Deco period. Painted to look like panels on a screen. The dividing lines are in fact trompe l’oeil, to trick the eye. Rich blu...

An original large oil on canvas/panel by Sir James Jebusa Shannon. The portrait dates to the Edwardian period and depicts a bold British Impressionist painting of his grandson Jeb Ke...

A superb, detailed and meticulous egg tempera oil on panel from around 1960 by Stuart Maxwell Armfield. The painting depicts a flock of seagulls in a bold, strong and surreal colouri...

Halcyon Evenings by Emma Reynolds [2021] limited_edition Screenprint Edition number 15 Image size: H:59.5 cm x W:74.5 cm Complete Size of Unframed Work:...

Title: Original French Anatomical Study of Horse's Head Artist: Robert Ladou (French, 1929-2014) Medium: Pen Size: 19.75 (Height) x 12.75 (Width) Signed: No Condition: Good, minor di...

Wild Flower Garden With Bees by Jan Rogers [2021] original Acrylic paint on canvas Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:0.1cm Sold ...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 22.25 INCHES x 18.25 INCHES** Edward Armfield British, (1857-1935) The Rat Trap & Under the Wheelbarrow Oil on canvas, pair...

A softened palette depicts carp in an aesthetically pleasing manner.Well presented in a molded silvered wood frame.Signed and dated. On wove.

Sir Alfred Munnings R.A. (1878 - 1959) 'Favourite Hound' Oil on Wood Framed 98 x 74 cm Sir Alfred Munnings R.A. was known as one of England's finest painters of animals and as an ou...

Derek Hirst (British, 1930-2006) La Mouche No.I (1952) Oil on canvas 20 x 24.1/4 in. (51 x 61.6 cm.) Provenance: Flowers East Gallery, Richmond Derek Hirst (b. in Doncaster, Y...

Richard Taylor Fine Art presents a collection of the works by Glyn Morgan. Many of the works have never been offered for sale before. A Welsh artist, he studied at Cardiff College of...

Charles Frederick Tunnicliffe, R.A. (1901-1979) The fashion parade signed ‘CF Tunnicliffe’ (lower right) oil on canvas 25 ⅛ x 30 ¼ in. (63.8 x 76.8 cm.) frame 30 ⅞ x 36 in. (78.4 x 9...

Oil Painting by Henry Garland "The Donkey Ride, Littlehampton" 1834 - 1913 Winchester Landscape painter who exhibited at the Royal Academy from 1854 to 1890 in several provincial mus...

A beautiful landscape in oil showing the expansive, rolling hills of the Antony Estate in Cornwall. The artist has captured the moment of sacred stillness one feels when encountering...

New Series - Over The Moon with Little British Birds. We are so blessed with such a variety of beautiful garden bird species within the UK. I feel inspired and 'Over The Moon' with ...

Both pictures unsigned. Presented in period water-gilded Watts-style frames, these two works are highly decorative and full of character, and excellent examples of Edward Aistrop's ...

This superb vibrant Post Impressionist African landscape oil painting is by noted British artist Gerald Spencer Pryse. It was painted about 1925 when Pryse was visiting Morocco and N...

Portrait of Laddy an English Golden Spaniel, circa 1930 by Francis Mabel Hollams (1877-1963) Large circa 1930 portrait of Laddy, an English Golden Spaniel, oil on panel by Francis ...

Sheep making their way, Cleeve hill By Georgie Dowling [2021] original Oil paint on canvas Image size: H:30 cm x W:45 cm Complete Size of Unframed Work: H:30 cm x W:45 cm x D:2cm ...

Oil Painting by Louis - Eugene Lambert "Kittens Chasing A Butterfly" 1825 - 1900 Lambert was afashionable animal painter from Paris studied under Delecr...

"The Charge" depicts a Bull Elephant charging towards the front of the painting, displacing rocks and dust adding to the atmosheric scene. Painted in water colour and acrylic mixed m...

This contemporary still-life depicts a two juicy sardines with a slice of lemon on blue and white Mediterranean tiles. This box canvas is part of my MINI Tiles series, and is ready t...

Grazers on the Motte and Bailey is an original oil painting by Lucy Pratt. It depicts a beautiful landscape of green hills with cows grazing and tall trees and blue skies in the back...

The Argument French School, 19th century oil on board, framed framed: 20 x 16.5 inches board: 18 x 14 inches provenance: private collection, France condition: very good and sound con...

Wonderful signed oil on panel cattle and figures in landscape by French impressionist painter Jean-Francois Raffaelli. The work depicts oxen being loaded onto ships in Honfleur, France en route to England. Signature: Signed lower right Dimensions: Framed: 18"x16" Unframed: 9"x8" Provenance: Exhibition Jean Francois Raffaélli held at Galerie Simonson, 19 Rue Caumartin Paris - October 1929 (number 44) Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

Farmyard Chickens signed by Y. Blanchon, French 1950's Impressionist watercolour on artist paper, unframed painting: 16.5 x 13 inches provenance: from a large private collection of ...

Village Church signed by Y. Blanchon, French 1950's Impressionist artist gouache on artist paper, unframed painting: 12.5 x 16.5 inches provenance: from a large private collection o...

Meadow Landscape signed by Y. Blanchon, French 1950's Impressionist artist oil on artist paper, unframed painting: 16.5 x 13 inches provenance: from a large private collection of th...

French School, circa 1970's oil painting on card, unframed size: 25.5 x 18 inches condition: overall very good, a very few light markings to the surface but nothing detrimental to ...

This is a diptych of Two Prawns & Lemon Wedge and Scallop on Tiles. Both paintings are same size. This contemporary still-life depicts two vibrant and juicy prawns with a lemon we...

Keng Wai Lee is a painter trained to a high level. Keng Wai Lee’s gorgeously rich nature impressions are a synergy of decorative tableaux and depiction in paint on canvas of his memo...

Oil Painting of Horses Farmer in the English Countryside by 20th Century Modern British Artist, James Wright Art measures 24 x 18 inches Frame measures 29 x 23 inches Pres...

APOSTOLOS CHANTZARAS b. Agrinio, Greece, 1977 Apostolos Chantzaras, continues to develop his own visual and entertaining world, without fear for bold line, form and saturated colour...

Pheasants in Snow with Winter Trees in the English Countryside by 20th Century Modern British Artist, James Wright Art measures 24 x 18 inches Frame measures 29 x 23 inches Pres...

Scottish by Ben George Powell, British contemporary artist signed acrylic on canvas, unframed canvas: 16 x 20 inches provenance: private collection of this artists work, UK The paint...

Kate Knott: Unicorn This original oil painting of an old and wise Unicorn is traditional yet quirky. It is an oil on primed paper and is framed behind glass. Size: H:45 cm x W:50 cm

Thomas Kennedy (1900-1982) Two salukis - Mazuri Malaki 'Dullah' and Mazuri-Mahboub-Ali 'Mali' each signed and dated 'Thomas. Kennedy. 1960' (lower right and lower left respectively...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. Size: painting: 12 x 20 inche...

Oil on canvas Canvas size: 12 x 18 inches Framed size: 15.75 x 21.75 inches Signed lower right

Serenade By Gerard Tunney [2021] Gerard Tunney Serenade Original Surrealist Painting Acrylic Paint on Canvas Canvas Size: H 30cm x W 40cm x D 2cm Serenade is an original animal painting by Gerard Tunney. A dog busks on the street, 'singing for its supper'. The painting uses allegory to describe the problems that a stray experiences in its struggle to survive. in front is the collection plate and a small...

Sally-Ann Johns’ striking work often depicts everyday birds and animals, sometimes portraits, displayed in a unique and exciting way. Set into a gold lined box, they conjure images o...

Caspar von Reth (1858-1913) The Home Guard signed and dated ‘C. v. Reth/ 1905’ (lower right) oil on canvas, laid on board 13 ¾ x 19 ½ in. (34.9 x 49.5 cm.)

Portrait Of "Sucre" a Standard Poodle, 19th Century Frances Mabel HOLLAMS (1877-1963) Large 19th Century English portrait of Sucre a Standard ...

Bird with chicks by Ben George Powell, British contemporary artist signed acrylic on canvas, unframed canvas: 12 x 16 inches provenance: private collection of this artists work, UK T...

Abstract painting on canvas, blue, extra-large, XXL, large oil on canvas painting, abstract expressionism. The painting will be shipped rolled without stretcher bars, unframed. or...