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Item Ships From: United Kingdom
Cosmos III - Printed on Museum Glass, with Moon and Pink Gold leaf, Framed
Located in London, GB
Cosmos III, Moon and Pink Gold leaf on glass, 2019
Archival Pigment Print on Museum Glass, Hand Gilded by the Artist with Moon Gold and Pink Gold
31 x 31 cm/ 12.2 x 12.2 in. Framed
E...
Category
2010s Abstract United Kingdom - Abstract Prints
Materials
Gold, Gold Leaf
Diacross (Purple and Green) by Richard Allen, 1971
By Richard Allen
Located in Kingsclere, GB
Diacross (Purple and Green) by Richard Allen, 1971
Additional information:
Medium: screenprint
58 x 56 cm
22 7/8 x 22 1/8 in
signed, dated and numbered 3/35 in pencil
Richard Allen was an Abstract artist of the 20th century who worked across painting, graphic and technological media.
Allen was born in Worcester in 1933. Influenced by his father, he attended Shropshire Institute of Agriculture where he studied for a National Diploma. From there he became aware of what he considered his “irrational” yet unshakeable interest in art, since the College shared buildings with Worcester School of Art. Upon the advice of his window-cleaner Bob, Allen decided to apply to the School. Whilst in Worcester he attended Geoffrey Whiting...
Category
20th Century United Kingdom - Abstract Prints
Materials
Screen
Cheuelere Assigne, from Witness by Gerald Laing, 1968
By Gerald Laing
Located in Kingsclere, GB
Cheuelere Assigne, from Witness by Gerald Laing, 1968
Additional information:
Medium: screenprint in colours with Mylar collage on wove paper
23 1/8 x 29 in
58.5 x 73.5 cm
signed, d...
Category
20th Century United Kingdom - Abstract Prints
Materials
Screen
After Luke Howard, from ‘For John Constable’
By Howard Hodgkin
Located in London, GB
Lithograph from three zinc plates printed in two shades of blue, and sepia. On TH Saunders paper (250 gsm)
Signed and dated 76 in pencil, lower right
Published by Bernard Jacobson Lt...
Category
Late 20th Century Abstract United Kingdom - Abstract Prints
Materials
Color, Lithograph
Fiji Rose, Graphic Blue and Red Colour Print with Flower, 1973
By Philip Sutton
Located in Kingsclere, GB
Fiji Rose by Philip Sutton, 1973
Additional information:
Medium:lithograph
87 x 68 cm
34 1/4 x 26 3/4 in
signed, dated, titled and inscribed AP in pencil
Philip Sutton is a British...
Category
20th Century United Kingdom - Abstract Prints
Materials
Lithograph
Orbis by Paul Feiler, 1968
By Paul Feiler
Located in Kingsclere, GB
Orbis by Paul Feiler, 1968
Additional information:
Medium: aquatint on textured wove paper
5 3/4 x 4 in
14.6 x 10 cm
signed, dated and inscribed "AP" in pencil
Paul Feiler was a Ge...
Category
20th Century United Kingdom - Abstract Prints
Materials
Aquatint
II, from Thomas Suite by Robyn Denny, 1975
By Robyn Denny
Located in Kingsclere, GB
II, from Thomas Suite by Robyn Denny, 1975
Additional information:
Medium: screenprint
90 x 64 cm
35 3/8 x 25 1/4 in
signed, dated and numbered in pencil
Robyn Denny was one of a g...
Category
20th Century United Kingdom - Abstract Prints
Materials
Screen
Bicycle Shop, Black and White Linear Abstract Etching, 1937
By Julian Trevelyan
Located in Kingsclere, GB
Bicycle Shop by Julian Trevelyan, 1937
Additional information:
Medium: etching with hand colouring
28.5 x 38.5 cm
11 1/4 x 15 1/8 in
signed, titled, dated and numbered 19/25 in penc...
Category
20th Century United Kingdom - Abstract Prints
Materials
Etching
VI, from Thomas Suite by Robyn Denny, 1975
By Robyn Denny
Located in Kingsclere, GB
VI, from Thomas Suite by Robyn Denny, 1975
Additional information:
Medium: screenprint
90 x 64 cm
35 3/8 x 25 1/4 in
signed, dated and numbered in pencil
Robyn Denny was one of a g...
Category
20th Century United Kingdom - Abstract Prints
Materials
Screen
Trevor Frankland (1931-2011) - 20th Century Linoprint, Reflections
Located in Corsham, GB
Signed in graphite and numbered 4/75. On laid paper.
Category
20th Century United Kingdom - Abstract Prints
Materials
Screen
$265 Sale Price
20% Off
The Wormhole Boogie, Digital on Canvas
By Robert Reynolds
Located in Yardley, PA
This piece is a large acrylic art piece on canvas (40x30").My hope is that my art comforts and inspires those around me through my bold, colorful abstract art.During a near death exp...
Category
2010s Abstract United Kingdom - Abstract Prints
Materials
Digital
Tsillag
By Victor Vasarely
Located in London, GB
Hand-painted acrylic on wood three-dimensional multiple, 1990, signed and numbered from the edition of 175 in ink, 52.7 x 61 x 7.9 cm. (20 3/4 x 24 x 3 1/8 in.)
Category
1990s Op Art United Kingdom - Abstract Prints
Materials
Wood, Acrylic
$27,540
Square with Shadow, from: Nine Objects - German Realism
By Gerhard Richter
Located in London, GB
This offset lithograph is hand signed and dated in pencil by the artist "Richter, 1969" at the lower right margins.
It is hand numbered from the edition of 80 at the lower right marg...
Category
1960s Realist United Kingdom - Abstract Prints
Materials
Lithograph
In Between the Shadows
Located in London, GB
The series ‘In Between the Shadows’ consists of structural and geometric photographs that take their inspiration from the cubist movement.
The works aim to challenge the conventional perception of depth within the medium of photography by showing different viewpoints at the same time and within the same space. The chiaroscuro lighting embraces shadows and light as juxta- positional tools to deconstruct familiar objects and transform them into surreal compositions.
Sander Vos...
Category
2010s Cubist United Kingdom - Abstract Prints
Materials
Photographic Paper, Black and White, Archival Pigment
Blue Study, from: The Discourse on Method - Op Art Illusion Hungarian Descartes
By Victor Vasarely
Located in London, GB
This original screenprint in colours is hand signed in pencil by the artist “Vasarely” in the lower right margin.
It is also hand numbered in pencil from the edition of 138, at the l...
Category
1960s Op Art United Kingdom - Abstract Prints
Materials
Screen
#396, The Self Representation of Light, Unique Luminogram, Drawn by Light
Located in London, GB
#396, 2016
Silver Gelatin Luminogram Print, Framed (classic museum style white book mount board and black frame)
Image size: 40.6 x 30.5 cm
Framed: 58 x 49 cm
Unique
Series: The Self Representation of Light
Signed and dated in pen on verso
© Michael Jackson
The Luminograms are made from the most simple of procedures - directing light onto silver gelatin photo paper. However, it is that simplicity that allows Jackson to adapt his own way of thinking into the making of the finished piece. As he says, it's as close as he can get in photography to painting.
After moving to Wales in 2007, Michael Jackson spent the next eight years creating an extensive study of a single local beach - Poppit Sands. After years of examining the beach, he realised that in effect he was studying himself and his reaction to the beach - rather than the physical landscape. He then started looking at the beach as simply a way of dividing up the camera frame - the lines and curves and focal points. It was during the long period of producing Poppit Sands prints in the darkroom that he discovered how to start making luminograms.
"I feel strongly that the luminograms represent a form of moulded light. You use your process to direct and mould the light and the paper receives it in its own magical way and translates that into a form that seems fantastical but also it has one foot in reality. The piece itself so often seems like a photograph of a sculpture, when it fact it is neither. I imagine that I am taking something that you cannot feel and I am making it appear in a seemingly three dimensional form that is balanced and controlled. Just like sculpting clay." Michael G Jackson...
Category
2010s Abstract United Kingdom - Abstract Prints
Materials
Photographic Paper, Black and White, Photogram, Silver Gelatin
Areas Contrasted, from A Poem for Alexander, Brown and White Abstract Print 1972
By William Scott
Located in Kingsclere, GB
Areas Contrasted, from A Poem for Alexander by William Scott, 1972
Additional information:
Medium: screenprint
56.9 x 77.5 cm
22 3/8 x 30 1/2 in
signed, dated and inscribed A/P in p...
Category
20th Century United Kingdom - Abstract Prints
Materials
Screen
IV, from Thomas Suite by Robyn Denny, 1975
By Robyn Denny
Located in Kingsclere, GB
IV, from Thomas Suite by Robyn Denny, 1975
Additional information:
Medium: screenprint
90 x 64 cm
35 3/8 x 25 1/4 in
signed, dated and numbered in pencil
Robyn Denny was one of a g...
Category
20th Century United Kingdom - Abstract Prints
Materials
Screen
Mediterranean Light
By Robert Motherwell
Located in London, GB
Lithograph on white Tyler Graphics Ltd. (TGL) handmade paper
32 1/2 x 76 in. (82.6 x 193 cm)
Edition of 40
Category
1990s Abstract Expressionist United Kingdom - Abstract Prints
Materials
Color, Lithograph
Portrait Series A (5), screenprint by Robyn Denny
By Robyn Denny
Located in London, GB
Robyn Denny (1930-2014)
Portrait Series A (5)
Screenprint
80 x 58 cm
Signed to the bottom right and blind stamped
Numbered 23/30
‘No painting should reveal all it has to say ...
Category
1970s Abstract United Kingdom - Abstract Prints
Materials
Screen
Portrait Series A (2), screenprint by Robyn Denny
By Robyn Denny
Located in London, GB
Robyn Denny (1930-2014)
Portrait Series A (3)
Screenprint
80 x 58 cm
Signed to the bottom right and blind stamped
Numbered 27/30
‘No painting should reveal all it has to say ...
Category
1970s Abstract United Kingdom - Abstract Prints
Materials
Screen
III, from Thomas Suite by Robyn Denny, 1975
By Robyn Denny
Located in Kingsclere, GB
III, from Thomas Suite by Robyn Denny, 1975
Additional information:
Medium: screenprint
90 x 64 cm
35 3/8 x 25 1/4 in
signed, dated and numbered in pencil
Robyn Denny was one of a ...
Category
20th Century United Kingdom - Abstract Prints
Materials
Screen
Untitled IV, from Waddington Suite by Robyn Denny, 1968-9
By Robyn Denny
Located in Kingsclere, GB
Untitled IV, from Waddington Suite by Robyn Denny, 1968-9
Additional information:
Medium: screenprint
61 x 53.4 cm
24 1/8 x 21 1/8 in
signed and numbered 71/75 in pencil
Robyn Denn...
Category
21st Century and Contemporary United Kingdom - Abstract Prints
Materials
Screen
V by Kim Lim, 1991 - Minimalist Tonal Print, Beige, White, Neutral
By Kim Lim
Located in Kingsclere, GB
V by Kim Lim, 1991
Additional information:
Medium: woodcut on paper
36 x 32.5 cm
14 1/8 x 12 3/4 in
signed and dated in pencil verso
Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making.
On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...
Category
20th Century United Kingdom - Abstract Prints
Materials
Woodcut
Grey Centre by Breon O
Casey, 1998
By Breon O
Casey
Located in Kingsclere, GB
Grey Centre by Breon O'Casey, 1998
Additional information:
Medium: linocut
64 x 44 cm
25 1/4 x 17 3/8 in
signed, dated, titled and inscribed AP/1 in pencil
Born in London 1928, Bre...
Category
20th Century United Kingdom - Abstract Prints
Materials
Linocut
Mariposa Nocturna by Alan Reynolds, 1967
By Alan Reynolds
Located in Kingsclere, GB
Mariposa Nocturna by Alan Reynolds, 1967
Additional information:
Medium: etching and aquatint
57 x 45 cm
22 1/2 x 17 3/4 in
signed, dated, numbered and ...
Category
20th Century United Kingdom - Abstract Prints
Materials
Etching
Untitled (Coloured Squares) by Stephen Buckley, 1999
Located in Kingsclere, GB
Untitled (Coloured Squares) by Stephen Buckley, 1999
Additional information:
Medium: etching with aquatint
70 x 49.5 cm
27 1/2 x 19 1/2 in
signed, dated and numbered in pnecil
Stephen Buckley is a British abstract artist.
Buckley was born in Leicester. He studied Fine Art under Richard Hamilton at Kings College, Durham University (1962-1967), where he was involved in the reconstruction of Marcel Duchamp's "Large Glass", and then at the University of Reading (1967-1979) under Terry Frost and Claude Rodgers.
A group of notable commissions in the early 1970s, from clients including Leith's Restaurant, gave Buckley a strong start to his career. These were followed by a solo exhibtion in Milan in 1973 and another at Kettle's Yard the following year. Solo shows were subsequently held at the Museum of Modern Art, Oxford (1975), Waddington Galleries (1976), Arnolfini Gallery, Bristol (1977), and Arts Council of Northern Ireland (1985) among many others.
His teaching career began at Canterbury College of Art (1969-70), before heading to Leeds, The Royal College of Art, and nine years at the Chelsea School of Art (1971-80). He was Artist in Residence at Kings College, Cambridge from 1972-74. In 1994, Buckley was appointed Professor of Fine Art at the University of Reading and Professor Emeritus in 2009. A monograph on Buckley was published in 1989, written by Marco Livingstone. His work has been compared to that of Richard Smith.
The work of Buckley is part of public collections and museums worldwide, including the British Council, Government Art, Kettle's Yard, Aberdeen Gallery, Berwick-upon-Tweed Borough Museum and Art Gallery, BUPA House, City Art Gallery, Bristol, City Art Gallery, Huddersfield, Derby Museum and Art Gallery, Leicester Museum, National Art Gallery of Wales, Cardiff, Reading Museum, Southampton City Art Gallery, Swindon Museum and Art Gallery, Tate Britain, London, Victoria and Albert Museum, London, Walker Art Gallery, Liverpool, Whitworth Art Gallery, Manchester. His work is also part of international collections including The Metropolitan Museum of Art, New York, Miami Art Museum, Miami, Florida, Yale Center for British Art, New Haven, Connecticut; Museo de la Solidaridad Salvador Allende...
Category
20th Century United Kingdom - Abstract Prints
Materials
Etching
Shaded Grey by Kim Lim, 1993 - Minimalist Textural Print, White and Grey
By Kim Lim
Located in Kingsclere, GB
Shaded Grey by Kim Lim, 1993
Additional information:
Medium: lithograph
52.5 x 56 cm
20 5/8 x 22 1/8 in
signed, dated and numbered 20/20 in pencil
Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making.
On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...
Category
20th Century United Kingdom - Abstract Prints
Materials
Lithograph
Untitled V, from Waddington Suite by Robyn Denny, 1968-9
By Robyn Denny
Located in Kingsclere, GB
Untitled V, from Waddington Suite by Robyn Denny, 1968-9
Additional information:
Medium: screenprint
61 x 53.4 cm
24 1/8 x 21 1/8 in
signed and numbered 71/75 in pencil
Robyn Denny...
Category
21st Century and Contemporary United Kingdom - Abstract Prints
Materials
Screen
III by Kim Lim, 1991
By Kim Lim
Located in Kingsclere, GB
III by Kim Lim, 1991
Additional information:
Medium: woodcut on paper
36 x 32.5 cm
14 1/8 x 12 3/4 in
signed and dated in pencil verso
Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making.
On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...
Category
20th Century United Kingdom - Abstract Prints
Materials
Woodcut
Summer, from The Four Seasons, 1966 - Minimalist White Screen Print
By Richard Lin
Located in Kingsclere, GB
Summer, from The Four Seasons by Richard Lin, 1966
Additional information:
Medium: screenprint on TH Saunders paper
68.5 x 91 cm
27 x 35 7/8 in
signed, dated twice, titled and inscr...
Category
20th Century United Kingdom - Abstract Prints
Materials
Screen
Silo - Etching with Hand Colouring, Monochrome Abstract with Blue and Red, 1974
By Julian Trevelyan
Located in Kingsclere, GB
Silo by Julian Trevelyan, 1974
Additional information:
Medium: etching with hand-colouring
28 x 38 cm
11 x 15 in
signed, titled and numbered in pencil
Category
20th Century United Kingdom - Abstract Prints
Materials
Etching
I, from Thomas Suite by Robyn Denny, 1975
By Robyn Denny
Located in Kingsclere, GB
I, from Thomas Suite by Robyn Denny, 1975
Additional information:
Medium: screenprint
90 x 64 cm
35 3/8 x 25 1/4 in
signed, dated and numbered in pencil
Robyn Denny was one of a gr...
Category
20th Century United Kingdom - Abstract Prints
Materials
Screen
Relief by Kim Lim, 1993
By Kim Lim
Located in Kingsclere, GB
Relief by Kim Lim, 1993
Additional information:
Medium: lithograph
51.3 x 76 cm
20 1/4 x 29 7/8 in
signed, dated and numbered in pencil
Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making.
On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...
Category
20th Century United Kingdom - Abstract Prints
Materials
Lithograph
X (ENG7) by Richard Allen, 1971
By Richard Allen
Located in Kingsclere, GB
X (ENG7) by Richard Allen, 1971
Additional information:
Medium: screenprint
56 x 56 cm
22 x 22 in
signed, dated, titled and numbered 8/35 in pencil
Richard Allen was an Abstract ar...
Category
20th Century United Kingdom - Abstract Prints
Materials
Screen
Near the Church - abstract black and white landscape depicted in the Luminogram
Located in London, GB
NEAR THE CHURCH, 2016
Unique Luminogram Silver Gelatin Print, Framed; Framing options available, also can be shipped unframed if preferable
Framed; museum mount board, white metal fr...
Category
2010s Abstract Geometric United Kingdom - Abstract Prints
Materials
Photographic Paper, Black and White, Photogram, Silver Gelatin
ATO
MIC #3, Unique Silver Luminogram Print, Warm toned black and white abstract
Located in London, GB
ATO
MIC #3, 2020
Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Custom Framed: museum mount-board with antireflective UV protective art glass in dark brown lacquered hardwood frame, /hand made in UK/
23 x 18 cm (image print)
40.5 x 36 cm (Framed)
Unique
Series: ATO
MIC
Signed and dated in pencil on verso
Provided with the Certificate of Authenticity
“The ATO
MIC work started as an attempt to replicate the idea behind still life painting - where you are trying to reproduce the image of solid looking things, things that could be on a shelf. So, I wanted to try doing that with just using light instead of paints - however I soon started to see the similarities with Harold Edgerton’s famous atomic explosion photos and how the scale of my work could be switched between small items on a shelf to enormous atomic explosions.
That is the reason behind the strange title ATO
MIC - where the “
” is a kind of link between larger and smaller scales, between the two influencing ideas.” – Mike G Jackson
The images (from the ATO
MIC series) may be reminiscent of the first milliseconds of atomic bomb explosions captured by Harold Edgerton's Rapatronic camera in the early 1950s but also visualise the thought of Maholy-Nagy’s bold visions in the Bauhaus’s movement toward the idea of the Gesamtkunstwerk, or “total work of art.”
The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down.
Or maybe the thin line is just the horizon, where the enormous atomic blast took place…?
Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works.
It’s up to the viewer to decide what they prefer to see and take with them.
As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.”
About the Artist:
Michael G Jackson...
Category
2010s Abstract United Kingdom - Abstract Prints
Materials
Glass, Wood, Archival Paper, Black and White, Bromoil, Silver Gelatin, T...
ATO
MIC #11, Unique Silver Luminogram Print, Two Spheres; Moon and Sun like...
Located in London, GB
ATO>MIC #11, 2020
Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Framed: custom made frame with anti-reflective art glass
Print size: 23 x 18 cm
Framed: 38 x 35.5 cm
Unique
Series: ATO>MIC
Signed and dated in pencil on print's verso
Certificate of Authenticity provided
"At first glance the viewer may only see geometric spherical shapes with added lines and rectangles on tea toned Silver Gelatin paper. "The supremacy of pure artistic feeling" rather than the visual depiction of objects assign to the art movement of Suprematism comes to one's mind. Similarly, like a giant of abstract art Kasimir Malevich, Jackson wants the viewer to look further, deeper than one might usually.
The feeling of 'sensation' of the ATO>MIC prints, the sharpness of the forms, the intensity defying its size to condensed 9 x 7 inches' paper, make it all the more dramatic to look at. It takes the viewer to another level of fantastical world of creation."
Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works.
It’s up to the viewer to decide what they prefer to see and take with them.
As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.”
About the Artist:
Michael G...
Category
2010s Suprematist United Kingdom - Abstract Prints
Materials
Archival Paper, Black and White, Photogram, Silver Gelatin
Florist, Mandala - Collage of Dead Flowers - Colour Print with Black Background
Located in London, GB
‘Florist’ originally called ‘dead flowers’, was created using the flowers from my girlfriends ‘Zoom’ backgrounds over the space of several months. Usually scanned the moment she considered them to be wilted.
About the series:
" 'Detritus' series was born from the twin frustrations of lockdown halting all planned projects, yet litter still somehow being dropped in abundance on my street.
With no idea of the final output, or indeed the hygiene implications, I started to collect, scan, and record what I found. When I realised these colourful misshapen objects could be turned into something beautiful, the frustrations left me and I began looking for other sources of Detritus.
Florist, 2020
Series: Detritus
Archival Pigment Print, Mounted on Dibond in custom made Frame;
with Black Stained Oak and antireflective UV protective museum standard Art Glass Print 45 x 45 cm / Framed: 50 x 50 cm/ 19.6 x 19.6 inches approx.
Edition of 8 + 2AP
About the Artist
George McLeod...
Category
2010s Abstract Geometric United Kingdom - Abstract Prints
Materials
Archival Pigment, Color, Photographic Paper, Archival Ink
Echos, Monoprint by Lizzie Wheeler, 2023
Located in Kingsclere, GB
Echos, Monoprint by Lizzie Wheeler B. 1996, 2023
Additional information:
Medium: Monoprint
Dimensions: 41 x 82 cm
16 1/8 x 32 1/4 in
Signed, titled, and numbered in pencil
Lizzie studied Graphic Communications at Bath Spa...
Category
21st Century and Contemporary United Kingdom - Abstract Prints
Materials
Monoprint
First Light
Located in London, GB
"As part of my daily routine I walk early during the winter/ spring months - and I often see the sunrise as I stand alone in the countryside. This event unexpectedly finds its way in...
Category
2010s Abstract United Kingdom - Abstract Prints
Materials
Archival Paper, Photographic Paper, Color, Photogram
Under and Above, New York City, Unique Black and White Abstract Luminogram Print
Located in London, GB
UNDER AND ABOVE, NEW YORK CITY, 2021
Unique Silver Gelatin Print, Selenium toned; This is a mixed process print using luminogram, photogram and other darkroom techniques – all cameraless, two unique prints mounted on Aluminium Dibond.
Currently, this piece is mounted only but will be framed further with hardwood black frame and finish with antireflective UV protective art glass - please see further images for referrals regarding the framing.
2 x Prints as One work of Art: 80 x 50 cm
Framed 82 x 52 cm approx./ 32 x 20.5 inches approx.
Unique Work
Series: New York City
Signed by the Artist on verso and provided with signed and stamped Certificate of Authenticity
© Michael G Jackson...
Category
2010s Art Deco United Kingdom - Abstract Prints
Materials
Glass, Wood, Photographic Paper, Black and White, Silver Gelatin, Photogram
Large Abstract Unique Luminogram Print of New York City Landscape, Custom Framed
Located in London, GB
“Far from being an exercise in nostalgia, this analogue technique offers Jackson, as it does other artists at the cutting edge of this art movement, a path to the future.” – The Financial Times
“Mike...
Category
2010s Abstract Expressionist United Kingdom - Abstract Prints
Materials
Metal, Silver
Machine I - Artist
s Proof Screenprint by Roger Nellens
Located in London, GB
Artist: Roger Nellens (born 1937)
Part of: Machine
Medium: Screenprint on paper
Collection: Tate
-
About the artist:
Roger Nellens is a self-taught...
Category
1970s Contemporary United Kingdom - Abstract Prints
Materials
Screen
Flowers, The Self Representation of Light, Unique Luminogram, Drawn by Light
Located in London, GB
#473 FLOWERS, 2016
Luminogram, Silver Gelatin Print
Print size: 30.5 x 40.6 cm
Framed: 49 x 58 cm
Frame with the classic museum style mount board and black frame/ Print can be shipped unframed - options available with more shipping prices available - please message us for more info/
This is a Unique piece
Series: The Self Representation of Light
Signed and dated in pen on verso, Certificate of Authenticity provided
The Luminograms are made from the most simple of procedures - directing light onto silver gelatin photo paper. However, it is that simplicity that allows Jackson to adapt his own way of thinking into the making of the finished piece. As he says, it's as close as he can get in photography to painting.
"I don't really see photography and pottery or painting or music to really be different to each other. Some are more immediate, some are more subtle. Music seems to be able to control emotions, photography seems to create a satisfying pleasure from just a tonal flat surface. Same with painting. One of the biggest mysteries for me is why all these things manage to control us in some way." - Michael G Jackson...
Category
2010s Abstract Geometric United Kingdom - Abstract Prints
Materials
Photographic Paper, Silver Gelatin, Photogram, Black and White, Archival...
ATO
MIC #10, Unique Silver Luminogram Print, Abstract geometry in warm tones
Located in London, GB
ATO
MIC #10, 2020
Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Framed: custom made frame with anti-reflective art glass
Print size: 23 x 18 cm
Framed: 38 x 35.5 cm
Unique
Series: ATO
MIC
Signed and dated in pencil on print's verso
Certificate of Authenticity provided
"At first glance the viewer may only see geometric spherical shapes with added lines and rectangles on tea toned Silver Gelatin paper. "The supremacy of pure artistic feeling" rather than the visual depiction of objects assign to the art movement of Suprematism comes to one's mind. Similarly, like a giant of abstract art Kasimir Malevich, Jackson wants the viewer to look further, deeper than one might usually.
The feeling of 'sensation' of the ATO
MIC prints, the sharpness of the forms, the intensity defying its size to condensed 9 x 7 inches' paper, make it all the more dramatic to look at. It takes the viewer to another level of fantastical world of creation."
Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works.
It’s up to the viewer to decide what they prefer to see and take with them.
As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.”
About the Artist:
Michael G...
Category
2010s Abstract Geometric United Kingdom - Abstract Prints
Materials
Archival Paper, Black and White, Silver Gelatin, Photogram
Untitled
By Sam Francis
Located in London, GB
Sam Francis
Untitled
1978
Lithograph, Edition of 15, 11 unique colour variants
This is one of the unique colour variants
129.7 x 129.9 cms (51.1 x 51.1 ins)
SF17881
Category
1970s Abstract Expressionist United Kingdom - Abstract Prints
Materials
Lithograph
$14,000
Damp
By Sam Francis
Located in London, GB
66 x 94 cms (26 x 37 ins)
Edition of 20
Rives BFK paper
Proofs: I BAT, 4 AP, 7 CTP, 9 XP
Signed lower left; numbered lower left; publisher's chop lower left.
Published by Tama...
Category
1960s Abstract Expressionist United Kingdom - Abstract Prints
Materials
Color, Lithograph
$7,500
Etching No. 118
By Zao Wou-Ki
Located in London, GB
ZAO WOU-KI 1921- 2013
Beijing 1921 -2013 Switzerland (Chinese)
Title: Etching No. 118, 1959
Technique: Original Hand Signed, Numbered and Dated Etching and Aquatint in Colours on W...
Category
1950s Abstract United Kingdom - Abstract Prints
Materials
Lithograph
One Plate, from The Sister Troop portfolio
By Gary Hume
Located in London, GB
Screenprint in colours with collage on brushed aluminium card, 2009, on Somerset Satin paper, signed in pencil and dated, from edition of 60 (including eight artist's proofs), publis...
Category
Early 2000s Abstract United Kingdom - Abstract Prints
Materials
Screen
Stoneness of Stone
By Robert Motherwell
Located in London, GB
Robert Motherwell
The Stoneness of the Stone
Edition 75
1974
Lithograph on light gray Twinrocker handmade paper laminated to medium gray Twinrocker handmade paper
104.1 x 76.2 cms (4...
Category
1980s Abstract Expressionist United Kingdom - Abstract Prints
Materials
Lithograph
Object on a Table, from Nine Objects - German Realism
By Gerhard Richter
Located in London, GB
This Offset Lithographs is Hand Signed and Dated by the artist "Richter, 1969" in pencil at the lower right margins.
It was co-published by Galerie Heiner Friedrich and Verlag G. v....
Category
1960s Realist United Kingdom - Abstract Prints
Materials
Lithograph
The World and Its Surroundings, from the Global Editions Series
By Ed Ruscha
Located in London, GB
Lithograph on Rives BFK paper, torn and deckle edges
Category
Late 20th Century Pop Art United Kingdom - Abstract Prints
Materials
Lithograph
Paper Weight
By Sam Francis
Located in London, GB
Lithograph in colors on wove paper
43.2 x 55.9 cms (17 x 22 ins)
Edition of 38
Category
1970s Abstract United Kingdom - Abstract Prints
Materials
Lithograph
Eternal Flame III - Koi Carp - Print on Museum Glass with Gold and Silver leaf
Located in London, GB
"The bottomless depths of a private koi pond in a Sussex garden. Dancing light, rhythmic flow and a coloured whirl of so many flashing fins, all help to convey the dark mystery of a life below the surface"
ETERNAL FLAME III, 2017
Printed on museum glass, hand finished with White Gold and Silver leaf
30 x 30 cm image glass size/ 31 x 31 cm/ 12.2 x 12.2 inches (Framed)
From edition of 5
Series: Southern Song
Each piece is individually hand finished by the artist with White Gold and Silver leaf giving the piece its own unique style.
Larger dimensions available from limited edition of 5 also available and made upon order.
The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print.
"I am primarily driven by an exploration of colour and form. My objective is to bring an emotional element and aesthetic balance to my work. I try to depict the subtleties of the landscape and am happiest making images from the smallest, most insignificant detail - the challenge being to portray the essence of what is about my subject matter that has taken my eye." - Valda Bailey...
Category
2010s Abstract Impressionist United Kingdom - Abstract Prints
Materials
Gold, Silver, Gold Leaf
Abstract fauna of Akule Hawaiian Fish, Hand Printed Silver Gelatin Luminograms
Located in London, GB
"The play of water and light has fascinated me for years. From childhood I have found sunlight underwater mesmerising - be it a Cornish rock pool or The Red Sea, the movement and diffraction of light excites me. Add to that the thrill of schools of fish - specifically Akule, which are found in seas off Hawaii. I spent some time wanting to make a series of prints that captured the play of light on these fast moving fish - creating flowing abstract forms and textures." - Mike G Jackson
The goal isn't to replicate the real world - it is to show where the real world and the process meet - sometimes pushing towards the real world, sometimes pushing towards the process - but never completely at either extreme. - Michael G Jackson
Michael Jackson (b.1966) is an experimental photographer based in North Dorset, England. He studied art at West Dean College in Sussex, then apprenticed under landscape painter Christopher W Baker and later discovered his passion for photography. He moved away from working with traditional camera techniques in 2015 and is currently progressing the Luminogram process into new directions in which he has become regarded as a leading practitioner.
His work has been exhibited internationally and is part of various private and museum collections including The National Art Gallery in Washington, USA.
Selected Press:
“Mike Jackson...
Category
2010s Abstract United Kingdom - Abstract Prints
Materials
Silver
Black and white abstract psychedelic Luminogram of New York City and the Hudson
Located in London, GB
The goal isn't to replicate the real world - it is to show where the real world and the process meet - sometimes pushing towards the real world, sometimes pushing towards the process - but never completely at either extreme. - (the Artist: Mike G Jackson)
NEW YORK CITY AND THE HUDSON 2020
"After spending time in New York and producing work that showed the city from the viewpoint of being on the inside, I wanted to show the city from the outside looking in. I wanted to try and capture the city and water using bold shapes - building up the scene piece by piece. Making the sky and sea from rectangles to make them a whole with the city structures." - Mike G Jackson
Unique 4 x Prints, Selenium toned Silver Gelatine Luminogram Print, Hand printed in the darkroom, Framed Dimensions: 32 x 24 inches (82 x 62 cm approx including frame); can be framed separately or in one frame upon request
Frame: Mounted on aluminium Dibond, custom made hardwood frame (framing options available upon request; colour and various material options) finish with antireflective UV protective AR Art Glass
Mounting and framing of this work will be done after the purchase so the framing options like framing colour for example can be made according to specifications of the client; matt or gloss, black, white, metallic etc . Please allow 2-4 weeks for mounting and framing - we will keep you updated
About the Artist:
Michael Jackson (b.1966) is an experimental photographer based in North Dorset, England. He studied art at West Dean College in Sussex, then apprenticed under landscape painter Christopher W Baker and later discovered his passion for photography. He moved away from working with traditional camera techniques in 2015 and is currently progressing the Luminogram process into new directions in which he has become regarded as a leading practitioner.
Past awards and accolades include being named a Finalist for the Hasselblad Masters Award (2008, 2009, 2010) and winner of the 2013 Chris Beetles Award. His work has been exhibited internationally and is part of various private and public art and photography collections including The National Art Gallery in Washington, USA.
Michael Jackson’s Luminograms are a very special piece of photographic art. Not a photograph in itself but a creative medium of its own. Each one is meticulously crafted by Michael in his darkroom. There are many structured stages to go through before the photographic paper can be hand developed and permanently fixed. Once Michael is happy with a finished Luminogram print it’s then toned in Selenium, which not only intensifies the prints tonality, but also increases the prints archival quality. Traditional photographic darkroom printing techniques have an unquestionable pedigree when it comes to the life expectancy of a photograph.
Each Luminogram is unique and only one Silver Gelatin Print is produced of each image. The images reveal themselves with a 3D quality; viewed in the flesh the abstracted surreal forms within the paper come alive to the viewer.
Michael Jackson’s Luminograms were exhibited for the first time at MMX Gallery in 2016; The Self Representation of Light exhibition and the following year at Photo London 2017 as well as next Photo London editions. The Luminogram work was also paired with theologian Edwin A. Abbott in a book published by 21st Editions, titled after the author’s famous work ‘FLATLAND’ and premiered in November at the Grand Palais in Paris, for Paris Photo 2017. Other recent group exhibitions include Light + Metal, PhotoEye Gallery, (USA) and Unbound 7, Candela Gallery, (USA), ATO
MIC, MMX Gallery, London 2022.
“Mike Jackson...
Category
2010s Abstract Expressionist United Kingdom - Abstract Prints
Materials
Photographic Paper, Photogram, Silver Gelatin, Glass, Wood Panel, Archiv...
20th Century Abstract Signed Lithograph by Mary Anne Rose - Colour Composition
Located in Bristol, GB
COLOUR COMPOSITION
Sheet size: 38 x 30 cm
Image size: 31 x 23.5 cm
Lithograph on paper
A 20th century limited edition (111/230) coloured lithograph by Mary Anne Rose.
It is signed ...
Category
20th Century Abstract United Kingdom - Abstract Prints
Materials
Lithograph
After Lunch
By Howard Hodgkin
Located in London, GB
Soft-ground etching and aquatint from one copper plate printed in black, with hand colouring in black gouache. On buff Velin Arches mould-made paper
Signed with initials and dated 1980 in red crayon...
Category
Late 20th Century Abstract United Kingdom - Abstract Prints
Materials
Etching, Aquatint
Long horizontal Patmos
By Ben Nicholson
Located in London, GB
34 x 48 cms ( 13.38 x 18.89 ins)
Edition of 50
Etching with hand colouring
Signed and dated (recto)
Inscribed "Jean + Norman 73 BN" (verso)
Category
1960s Abstract United Kingdom - Abstract Prints
Materials
Etching
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