United Kingdom - More Art

David Hockney, Hockney's Pool, Hollywood Hills, 2024 Ceramic ashtray 16.8 x 11.8 x 3 cm (6.61 x 4.64 x 1.18 in) Edition of 250 Ashtray released for David Hockney x Light Room exhib...

Blue & Gray By Mark Rothko 2015 Medium: Offset Lithograph Paper Size: 39.5 x 27.5 inches ( 100 x 70 cm ) Image Size: 27.5 x 25 inches ( 70 x 64 cm ) Edition Size: 800

Yellow, Blue, Orange (1955) By Mark Rothko 1988 Medium: Offset Lithograph Paper Size: 39 x 27.5 inches ( 99 x 70 cm ) Image Size: 27.5 x 18 inches ( 70 x 46 cm ) Edition Size: ...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Dove With Flowers By Pablo Picasso 1998 Medium: Offset Lithograph Paper Size: 19.5 x 15.75 inches ( 50 x 40 cm ) Image Size: 7 x 9 inches ( 18 x 23 cm ) Edition Size: Unknown

A2 Poster originally published via London based culture mag Sleazenation in March 2003. This is a very rare unfolded version. 2003 Medium: Offset Lithograph Edition: Unknown Size...

Big Nude By Helmut Newton 1992 Medium: Offset Lithograph Paper Size: 33 x 23.25 inches ( 84 x 59 cm ) Image Size: 25.5 x 19.75 inches ( 65 x 50 cm ) Edition Size: Unknown

A charming Georgian silk embroidery panel depicting a mother and child walking through the countryside, accompanied by their faithful dog. Exe...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Balloon Dog (Red) By Jeff Koons 2012 Medium: Offset Lithograph Paper Size: 50.25 x 35.25 inches ( 128 x 90 cm ) Image Size: 50.25 x 35.25 inches ( 128 x 90 cm ) Edition Size: 1000

1025 Colors (1025 Farben) By Gerhard Richter 2013 Medium: Offset Lithograph Paper Size: 48 x 46 inches ( 122 x 117 cm ) Image Size: 43.75 x 43.5 inches ( 111 x 110 cm ) Editio...

Ads: Rebel Without A Cause (James Dean) By Andy Warhol 1990 Medium: Offset Lithograph Paper Size: 15.75 x 12.25 inches ( 40 x 31 cm ) Image Size: 13.25 x 9.5 inches ( 34 x 24 c...

6.00 x 4.00 in (15.2 x 10.2 cm) Produced during Frieze 2021 week in London (for Air Mail) in a limited quantity (believed to be around 300). Sold in mint condition.

Romeo and Juliette By Marc Chagall 1964 Medium: Lithograph Paper Size: 25 x 39 inches ( 64 x 99 cm ) Image Size: 25 x 39 inches ( 64 x 99 cm ) Edition Size: 5000

Seductive Girl By Roy Lichtenstein 2007 Medium: Offset Lithograph Paper Size: 26.75 x 33.75 inches ( 68 x 86 cm ) Image Size: 23.25 x 33.75 inches ( 59 x 86 cm ) Edition Size: ...

Meditative Rose By Salvador Dali 2002 Medium: Offset Lithograph Paper Size: 36 x 24 inches ( 91 x 61 cm ) Image Size: 28 x 21 inches ( 71 x 53 cm ) Edition Size: Unknown

Carmen By Marc Chagall 1966 Medium: Lithograph Paper Size: 40 x 26 inches ( 102 x 66 cm ) Image Size: 40 x 26 inches ( 102 x 66 cm ) Edition Size: 3000

Portrait of a Lady in an White Silk Dress & Red Drapery Signed and Dated 1739 John Vanderbank (1694–1739) This is an exceptional, rare, and highly desirable late work by John Vander...

Untitled, 1969 By Mark Rothko 1998 Medium: Offset Lithograph Paper Size: 47.5 x 35.5 inches ( 121 x 90 cm ) Image Size: 41.25 x 32.25 inches ( 105 x 82 cm ) Edition Size: Unknown

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Flying Dutchman" by Roman Goss is an original abstract painti...

Portrait of Mary Hooper (née Davie) in a Blue Dress & Seated in a Parkland c. 1715–1725 Jonathan Richardson the Elder (1667–1745) This portrait, presented by Titan Fine Art, is of p...

Andy Mouse By Keith Haring 1990 Medium: Offset Lithograph Paper Size: 31.5 x 23.5 inches ( 80 x 60 cm ) Image Size: 22 x 22 inches ( 56 x 56 cm ) Edition Size: unknown

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. “Canadian Perennials” by Ann Goldberg is a masterful display o...

Untitled (1983) By Keith Haring 1992 Medium: Offset Lithograph Paper Size: 35.5 x 35.5 inches ( 90 x 90 cm ) Image Size: 35.5 x 35.5 inches ( 90 x 90 cm ) Edition Size: Unknown

A Bigger Splash By David Hockney David Hockney, a prominent British artist, is celebrated for his versatile and innovative contributions to 20th-century art. Known for his vivid us...

An exceptionally fine Georgian embroidery by Anne Salmon depicting 'Cheerful Voyagers' punting in the serene English countryside. Executed with rem...

A beautiful 1930s Carlton Ware Art Deco Garden pattern vase of shouldered ovoid form, decorated with iconic art deco shapes on a green, blue, yellow and beige background , pattern no...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Early Victorian Nineteenth Century Maritime Oil Painting of Shipping off the Coast of Teignmouth, Devon. A Signed and dated 1833 Oil Painting on Panel in ornate beautiful gold frame....

A Rare Jacobean Portrait of Lady Elizabeth Wheeler (née Cole), 1623 Attributed to Cornelius Johnson (1593–1661) This remarkably rare early oil on panel, presented by Titan Fine Art, has emerged as far more than an anonymous “Portrait of a Lady.” Preserved in outstanding condition—its surface retaining exceptional clarity in the lace and textiles—it has only recently been reunited with the identity of its sitter: Elizabeth Cole (1607–1670), later Lady Elizabeth Wheeler, a Westminster gentlewoman whose later life brought her into intimate royal service as laundress for His Majesty’s person. That combination—high quality, uncommon survival, a newly identified sitter, and a life that intersects directly with the last acts of Charles I—places this portrait in a category of genuine rarity. It is not simply a beautiful Jacobean likeness; it is a rediscovered historical document - legible and compelling. The sitter is presented half-length against a dark ground, enclosed within a painted sculpted oval surround that functions like an architectural frame. This device, fashionable in the 1620s, concentrates the viewer’s attention and heightens the sense of social presentation: the sitter appears both physically and symbolically “set apart,” as if viewed through a refined aperture. The portrait’s immediate power, however, lies in the costume—an ensemble of striking modernity for c. 1623 and rendered with a precision that survives with remarkable crispness. She wears a deep green gown—a fitted overgown with open sleeves—over a finely embroidered linen jacket (a stiffened bodice/waistcoat garment). The sleeves form pronounced “wings” at the shoulder, a structurally assertive fashion detail of the early 1620s that enlarges the silhouette and signals sophistication. Beneath the green overlayer, the white linen jacket is richly ornamented in gilt embroidery. The goldwork is arranged as scrolling foliate forms—looping, curling tendrils punctuated by seed-like stippling—organised into balanced compartments across the bodice and sleeves. The motifs read as stylised botanical forms with rounded fruit-like terminals and leaf elements: not literal naturalism, but controlled abundance. The technique is described with extraordinary intelligence, mimicking couched metallic thread through patterned, “stitched” marks, while tiny dots and short dashes create a lively tactile shimmer. This embroidered jacket sits above a newly fashionable high-waisted, sheer apron or overskirt. The translucent fabric falls in soft vertical folds and is articulated with narrow lace-edged bands, giving the skirt a crisp rhythm of alternating sheer and patterned strips. At the neck, a fine ruff frames the face: a disciplined structure of pleated linen finished with delicate lace. Draped diagonally across the torso are long gold chains, painted to suggest weight and metallic gleam; they function both as ornament and as a further signifier of status. The cumulative effect is controlled luxury: she is not overloaded with jewels, but clothed in textiles whose cost and craftsmanship speak unmistakably. The recent sitter’s identification rests on heraldic and genealogical analysis: the arms shown on the painting correspond to those recorded for several families in armorial sources, but when the lines of descent are tested against survival and chronology, the viable bearer by 1623 resolves to Cole, and—crucially—to the London branch. That resolution matters because it anchors the portrait to a very specific social world: London/Westminster civic gentry and Crown administration, the milieu in which portraiture served as both self-fashioning and social instrument. The recent identification of the sitter (the London Cole branch of the family) is not merely genealogical; it has direct implications for authorship. A London-based mercantile or civic-gentry family would have ready access to leading immigrant artists, familiarity with heraldic display conventions, and the means to commission oil on panel, still standard among Netherlandish-trained painters. In that context, the portrait’s age inscription and date become especially revealing. The painting states the sitter to be nineteen years of age. Yet Elizabeth Cole’s birth in 1607 suggests she would be younger if the portrait is dated as early as 1623. The key insight is that the “incorrect” age is best understood not as a mistake but as a deliberate social adjustment, a performative statement rather than a documentary one. The most persuasive explanation is strategic. Portraits of high-status unmarried women were frequently made in connection with marriage negotiations. In the early 1620s, Elizabeth’s future husband, William Wheeler, was resident abroad at Middelburg in Zeeland in the Dutch Republic. If a portrait was intended to support or facilitate a match with an educated, ambitious man—“a man of learning and letters,” —then presenting a seventeen-year-old as nineteen would subtly reposition her as more mature and more nearly a peer in age, Wheeler being around twenty-two. The portrait thus becomes an instrument of alliance, not merely a likeness: an image designed to persuade, reassure, and elevate. This reading aligns perfectly with the period’s wider conditions. The early 1620s in England were charged with anxiety and expectation: James I’s later reign was marked by court faction, diplomatic tension, and the pressures of European conflict. The so-called “art market” was inseparable from these dynamics. Portraiture flourished because it served multiple functions: it fixed lineage, advertised alliance, signalled readiness for marriage, and projected the stability of elite households in an uncertain world. For Westminster families whose power came through office, portraiture was also a declaration of belonging—proof that administrative elites possessed the cultural polish traditionally associated with older aristocratic rank. Elizabeth’s later life vindicates the portrait’s impression of steadiness. Although no record survives of her marriage ceremony to William Wheeler, wills suggest she had married him by the mid-1630s, and there are strong grounds—consistent with the portrait’s implications—for a union already in place by the early 1630s, possibly earlier. Wheeler himself rose rapidly. By 1639 he held a manor at Westbury Leigh in Wiltshire and sought letters of denization due to overseas birth, enabling him to stand as Member of Parliament for Westbury. He leased the principal manor of Westbury the following year, coinciding with his election. In government service he became Remembrancer of the Exchequer and held office across regime change, a testament to administrative skill and political pragmatism. It is Elizabeth, however, who makes this portrait exceptional. She became laundress for His Majesty’s person, responsible for the washing and oversight of the King’s personal linen—an office that, despite its domestic description, required unusual trust, discretion, and access. Her role becomes visible in 1643 when she was granted a warrant signed by the Speaker of the House of Commons to follow the King to Oxford with her servant after the outbreak of the Civil War. She continued to serve during the King’s captivity after 1646, and at Carisbrooke Castle in 1647 she and her maid were implicated in smuggling secret correspondence to and from Charles I, in service of escape plans. After the King’s failed attempt to escape in March 1648, she was removed—yet the King’s trust persisted: he was permitted to send her remaining jewels in an ivory casket...

Endangered Species: African Elephant By Andy Warhol 1992 Medium: Offset Lithograph Paper Size: 11.75 x 9.5 inches ( 30 x 24 cm ) Image Size: 8.25 x 8.25 inches ( 21 x 21 cm ) ...

The Elusive Truth-Two Pills By Damien Hirst 2006 Medium: Offset Lithograph Paper Size: 39 x 27.5 inches ( 99 x 70 cm ) Image Size: 30 x 20 inches ( 76 x 51 cm ) Edition Size: ...

Julia Adams The Cloister Garden Original Architectural Painting Mixed Media with Acrylic Inks on Canvas Board in painted white wood frame Canvas Size: H ...

Portrait of a Gentleman in a Red Coat and Periwig, c.1715-1725 Studio of Sir Godfrey Kneller (1646–1723) This portrait of a gentleman, presented by Titan Fine Art, is a fine and wel...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Timeless No. 2" by Cat Tesla is a captivating exploration of ...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Portrait of a Gentleman with Periwig and Blue Cloak c.1695-1710 Attributed to Thomas Murray (1663–1734) This accomplished oil-on-canvas portrait, presented by Titan Fine Art, was al...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. “Sunkissed Peaches” by Ann Goldberg is a radiant example of co...

Antique Chinese Four-Panel Lacquer Screen with Scenic Landscape Description: This exquisite antique Chinese four-panel lacquer screen is a remarkable example of traditional craftsma...

Victorian Marine 19th Century Oil Painting on Canvas on stretchers, with Shipping off the Coast in a stiff breeze and stormy seas. Another fabulous maritime painting from William Web...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

KAWS KAWS BFF Black (KAWS BFF Companion), 2017 Vinyl and cast resin sculpture
 Signature to feet Presented in original box, and accompanied by unique ho...

Modern Impressionist Landscape Marine Oil painting of Boats in a Marina on a Misty Morning. Beautiful softly lit Oil On Board, signed and housed in a sympathetic handmade frame. Boy...

Slide is a work by British artist Patricia Volk. Dimensions are 32 × 50 × 7 cm (12.6 × 19.7 × 2.8 in). It is a unique signed piece and comes with a certificate of authenticity signe...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...

Pumpkin sculpture with holes By Yayoi Kusama Yayoi Kusama is a Japanese contemporary artist known for her avant-garde and immersive installations, often featuring polka dots and mi...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. In "Azure Tempest," Lia Madsen presents a breathtaking vista o...

Wonderful World Blossom By Damien Hirst 2021 Medium: Offset Lithograph Paper Size: 31.75 x 23.75 inches ( 81 x 60 cm ) Image Size: 22.75 x 22.5 inches ( 58 x 57 cm ) Edition Si...

Wood Sculpture 4.70 x 7.10 x 0.14 in 11.9 x 18.0 x 0.4 cm This edition is authorised by Pest Control / Banksy and was created for the British Museum as part of the iObject exhibit...

Painted cast vinyl Edition of 500 (unnumbered, reported) Stamped on the underside of foot Figure in excellent condition, with minor markings. Some minor imperfections may exist given...

Portrait of Barbara Herbert, Countess of Pembroke c.1708 Charles d’Agar (1669-1723) This magnificent large-scale portrait, presented by Titan Fine Art, depicts the British court of...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Portrait of a Gentleman in Blue Coat Standing by Curtain c.1695 Attributed to Constantyn Netscher (c.1668-c.1723), not signed The gentleman in this portrait has been depicted standi...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...

Modern Impressionist Ballet Scene of Three Dancers Backstage in Tutus a Signed Oil Painting on Canvas, mounted on stretchers and framed in bespoke handmade Frame. This is a large Oil...

Mastry By Kerry James Marshall 2016 Medium: Offset Lithograph Paper Size: 26.5 x 32.75 inches ( 67 x 83 cm ) Image Size: 21 x 30.75 inches ( 53 x 78 cm ) Edition Size: Unknown

Composition Fond Bleu By Henri Matisse 1996 Medium: Offset Lithograph Paper Size: 39.25 x 27.5 inches ( 100 x 70 cm ) Image Size: 34.5 x 21.75 inches ( 88 x 55 cm ) Edition Si...