USA - Figurative Prints

Contributors to Gerlach & Schenk’s publications valued design and innovation in the graphic arts just as much as they examined allegories as subject matter for exploration. Here, Gus...

Artist: Andy Warhol Title: Untitled (Plate 15) Portfolio: 1956 In the Bottom of My Garden Medium: Offset lithograph and watercolor on paper Date: 1956 Frame Size: 15 3/4" x 18 3/8" ...

Kehinde Wiley Passing/Posing, Paintings Faux Chapel (suite of 18 separate prints), 2004 Portfolio of 18 Separate Color offset lithographs in original black paste board portfoli...

This exquisite heliogravure after Henri Matisse (1869–1954), titled La Nageuse dans l'aquarium (The Swimmer in the Aquarium), from Henri Matisse, Jazz, originates from the 1983 secon...

Original United Air Lines Hawaii vintage travel poster. Archival linen backed in excellent condition, ready to frame. The images shown are of the ...

"Marche a la Volaille, a Gisors" is an original etching by Camille Pissarro. It depicts a dense crowd in black and white. This is edition 34/43 from Loys Delteil 98, 2nd State. 14" ...

Original Italy bicycling travel poster. Archival linen backed in excellent condition, ready to frame. The images shown are of the exact poster you ...

Linda Stein, Gloria 449 - Signed Limited Edition Feminist Contemporary Art Print Linda Stein considers her Women of Courage Mood Portraits ser...

Mana (Girl), Hopi Kachina lithograph by Dan Namingha black and white hand pulled color lithograph signed and numbered by the artist unframed

Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The Limited Editions Club, New York; printed by Studio Heinrici, Ltd., New York, under the direction of Alexander Heinrici, New York, 1996. Excerpted from the album, CC examples of this album have been printed by Daniel Keleher at Wild Carrot Letterpress. This edition was designed and set in Bodoni types by Dan Cart and Julia Ferrari at Golgonooza Letter Foundry. The silkscreen prints were made by Alexander Heinrici at Studio Heinrici. LOIS MAILOU JONES (1905-1998) was an African American artist and educator, often associated with the Harlem Renaissance. Jones was raised in Boston by working-class parents who emphasized the importance of education and hard work. After graduating from Boston’s School of the Museum of Fine Arts, Jones began designing textiles for several New York firms. She left in 1928 to take a teaching position at Palmer Memorial Institute in North Carolina. At Palmer, Jones founded the art department, coached basketball, taught folk dancing, and played the piano for Sunday services. Two years later, she was recruited by Howard University in Washington, D.C., to join its art department. From 1930–77, Jones trained several generations of African American artists, including David Driskell, Elizabeth Catlett, and Sylvia Snowden...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 133-134, 1962. Published by...

SERENATA DE GUITARRA by the South American artist Jorge Dumas(1928-1985), is an original hand drawn lithograph hand proofed and printed using traditional lithography techniques on ar...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

The present hand-colored lithograph was produced as part of the funeral and mourning culture in the United States during the 19th century. Before the printmaking boom of the 1830s, however, such inexpensive memorial images were not widely available. These prints became popular as ways of remembering loved ones, an alternative to portraiture of the deceased or to meticulous hand-embroidered memorials often made by female academy students. In the image, the urn-topped monument contains a space where a family could inscribe the name and death dates of a deceased loved one, though this example was never used. In the variations of this image type produced by the Kellogg...

Kabuki actor Nakamura Shikan II by Utagawa Kunisada Japanese Woodblock Print Wonderful portrait of Nakamura Shikan II, a prominent kabuki actor, in the role of Kisen Hoshi Toyokuni ...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Femme a la meche (Woman with the Lock of Hair), from the folio Les Bleus de Barcelone, 12 aquarelles et ...

Artist: Tracey Emin Title: Curled Up Year: 2022 Medium: Screenprint on Rives BFK paper, deckled edges Edition: 100; signed, titled, dated and numbered in pencil Sheet: 23 3/5 × 30 i...

Shepard Fairey Jasper Johns (White), 2009 Silkscreen on wove paper 24 × 18 inches Edition 198/450 Pencil signed and numbered 198/450 on the front Unframed Shepard Fairey created this...

Oil lithograph in colors on light card stock, 3 1/2 x 2 7/8 inches (88 x 72 mm), printed to the margins, as issued. Signed and titled in another hand in ink on the mat. The image sh...

Benton Spruance, 'From the Sea' also 'From the Sea — Pieta', lithograph, editions 30, 35, 1943. A superb, richly inked impression, on off-white wove paper; the full sheet, with decke...

Mayan Trio Lithograph, 1950 Signed in pencil lower right (see photo) Edition 250 for Associated American Artists Publsihed 1950 Reference: AAA Cat.: 1950‑05; 1958‑01 AAA Index 1087 Condition: Excellent Image size: 13 x 9 1/2 inches Francisco Dosamantes (b. October 4, 1911 - d. July 18.1986) was a Mexican artist and educator who is best known for is educational illustrations and graphic work against fascism. He was a founding member of the Taller de Gráfica Popular and the Salón de la Plástica Mexicana. Life Francisco Dosamantes was born in Mexico City on October 4, 1911. His father was Daniel Dosamantes who was a builder, interior decorator and painter. He was not registered into the civil registry until he was about twenty years old on March 6, 1939. His mother’s name is not listed on the certificate. As a child, he demonstrated a strong interest in drawing and color, influenced by his father and his uncle Juan. The Mexican Revolution occurred while he was a young child and he stated that he remembered events such as soldiers on horses charging as well as the execution of rural farm workers. He attended primary and high school in Mexico City but stated that his education was irregular and deficient. He then entered the Escuela Nacional de Artes Plásticas, where he studied for five years. Initially, however, he was disappointed with the inexperience of the young professors and he left for a short time to study on his own. During this time, some of the dissatisfied professors organized the 30 30 group against the academic system of the school and which whom he sympathized. The effort gained the attention of established artists such as Diego Rivera who intervened. He died on Mexico City on July 18, 1986 Career After he graduated, he worked with the cultural missions of the Secretaría de Educación Pública in Oaxaca, Michoacán, Guerrero, Colima, Coahuila and Chihuahua (state) from 1932 to 1937 then again from 1941 to 1945. He stated that this experience was vital to his conscience as he worked with rural farm workers and others he stated were worthy of dignity and respect, but victims of deceit and exploitation. When he returned to Mexico City, he gave classes in high schools from 1937 to 1941. In 1945 he founded and directed the Taller Escuela de Dibujo y Pintura “Joaquín Claussell” in Campeche, Campeche. Dosamantes was a politically and culturally active artist with most of his work and affiliations related to such. He was a member of the Liga de Escritores y Artistas Revolucionarios from 1934 to 1938. He was a founding member of the Taller de Gráfica Popular, serving as administrator in 1940 and remaining a member until his death except for one short hiatus. He created posters for conferences about fascism and Nazism such as Alemania bajo bayonetas (Germany under bayonets) in 1938. In 1940 he became the secretary general of the Sindicato de Maestros de Artes Plásticas. He was also a member of the Sociedad para el Impulso de las Artes Plásticas en 1948, a founding member of the Salón de la Plástica Mexicana in 1949 and a member of the Frente Nacional de Artes Plásticas from 1952. He painted a number of murals in rural areas of Mexico generally when he was there on cultural missions. His main mural is at the former home of José María Morelos in Carácuaro, Michoacán, but there are a number at various rural schools. These were all painted between 1941 and 1946. As a book illustrator he mostly worked for the Secretaría de Educación Pública working on books for literacy campaigns. He exhibited his works, which included engravings, oils, tempuras and lithographs in Mexico and abroad. His first individual exhibition was in 1930 at the Galeria de Arte Moderno in Mexico City. His major exhibitions include the Excelsior Gallery in Mexico City in 1932, various exhibitions in New York, Washington, Philadelphia and Los Angeles in 1937; the Nelson Gallery of Art in Kansas City, Missouri in late 1947, and the Gallery of Mexican Art in...

Lithograph on vélin paper. Paper size: 9.25 x 12.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...

Original CAZALIS & PRATS since 1875. Artist: Emm. Gaillard. Size: 13" x 19.5". Professionally acid-free archival linen backed and ready to frame. Note that a small ink printing line ...

This exquisite lithograph by Marc Chagall (1887–1985), titled Job en priere (Job in Prayer), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, originates from the September 1956 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. This deeply spiritual composition portrays the biblical figure of Job in an act of humble prayer and endurance amidst suffering. Chagall captures the essence of faith and perseverance through lyrical lines and a luminous atmosphere, transforming human despair into a vision of redemption and divine grace. The figure of Job, rendered with quiet dignity, embodies Chagall’s enduring fascination with the resilience of the human spirit in dialogue with the divine. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Job en priere (Job in Prayer), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, September 1956 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustrations 117–46. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustrés. P. Cramer ed., 1995, illustration 25. Condition: Well preserved, consistent with age and medium Provenance: From Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, published by Editions de la revue Verve, Paris, 1956 Notes: Excerpted from the album (translated from French), This double issue of Verve is dedicated to the full reproduction in heliogravure of the one hundred-five plates etched by Marc Chagall, between 1930 and 1955, for the illustration of the Bible. The artist composed especially for the present work, sixteen lithographs in color and twelve in black, as well as the cover and the title page. This volume was completed and printed on September 10, 1956, by the Master Printers Draeger Freres for heliogravure, and by Mourlot Freres for lithography. About the Publication: Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. VIII, No. 33–34 in September 1956, represents one of the crowning achievements of Chagall’s lifelong dialogue with the sacred. Conceived and directed by the visionary publisher Teriade and printed by the master lithographers Mourlot Freres, the issue features thirty-four color lithographs and numerous black-and-white drawings inspired by biblical figures and stories. Chagall’s works for this edition unite text and image in a luminous meditation on divine creation, moral struggle, and spiritual renewal, imbued with his signature dreamlike symbolism and radiant color. Produced in postwar Paris, this landmark publication reaffirmed the enduring union of art and faith, establishing Dessins Pour La Bible as one of the most important illustrated works of the 20th century. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Job...

This exquisite heliogravure after Henri Matisse (1869–1954), titled A la memoire d'Auguste Lumiere (In Memory of Auguste Lumiere), from Verve, Revue Artistique et Litteraire, Vol. IV...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le visage d'Israel (The Face of Israel), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue...

THE DOOR OF JUSTICE is a rare poster edition lithograph printed in seven colors using traditional hand lithography techniques (not a photo reproduction or digital print) on heavyweig...

This advertising poster from the 1930s melds the meticulous detail of traditional Chinese painting with the craft of color lithography. These advertisements, influenced by the Art De...

ABOUT THIS PIECE: The cat is a photographic series shot in Milan for Vogue Bambini in January 2016. ABOUT THIS ARTIST: Carolina Mizrahi creates fantasy ...

PORTRAIT IMAGINAIRE is an original hand drawn limited edition lithograph printed using hand lithography techniques on archival paper 100% acid free by the Dutch artist known as CORNE...

THÉO TOBIASSE – "CANTATE 51 DE BACH POUR LES JOURS DE LUMIÈRE" ⚜ Lithograph on paper ⚜ Hand signed and numbered ⚜ Conservation framed SYMPHONIC FIGURATION FROM TOBIASSE’S FEMME SERI...

This is a hand-colored copper-plate engraving entitled "Gelsiminum Catalonicum, Mairana Latifollia, Euphasiaramosa Pratensis Flore Albo, Euphasia Minus Ramosa Flore Excereruleo Purpurascente", depicting flowering Jasmine, Mountain Laurel...

Original Passion Play Tercentenary Oberammergau, 300th-year anniversary poster (1634 - 1934). "Germany Invites You!" This archivally linen-backed poster is the English version. It fe...

Fritz Köthe “Untitled II” Color Offset Lithograph Signed and numbered by hand Edition: 100 Size: 27.3 × 23.4 on 30.6 × 26.1 inches COA provided The painter Fritz Köthe (1916-2005) i...

DANCING II is an original limited edition lithograph printed in black ink on white archival printmaking paper, 100% acid free, using hand lithography tec...

This exquisite lithograph by Maurice Utrillo (1883–1955), titled Rue Royale, La Madeleine (Rue Royale, La Madeleine), from the album Paris Capitale (Paris Capital), originates from t...

Robin Morris, American (1953 - ) - Twins, Year: circa 1990, Medium: Lithograph, signed and numbered in pencil lower right, Edition: 148/350, Image Size: 28 x 20 inches, Size: 29...

Artist: Ana Mercedes Hoyos, Colombian (b. 1942) Title: San Basillio II Year: 2005 Edition: 75 Medium: Lithograph, signed and numbered in pencil Size: 22 x 30 in. (55.88 x 76.2 cm)

The Hunchbacked Fiddler (3rd State), 1654 Etching 266 x 113 mm.; 6 1/2 x 4 7/16 inches Watermark: Fleur-de-lys in a Crowned Shield References: Godefroy 44 III/VI Hollstein 44 III/VI Pelletier, Adrian van Ostade...

Original American work incentive poster: ‘HE IS RISEN”. Artist: Willared Frederick Elmes. This isn't actually a war/propaganda poster per se, but it was produced by Mather & Co. Elmes was an artist similar to Mather in that they were both prolific with their morale + work incentive posters in the 1930s. Elmes also created other pieces done for the early railway posters. The poster with the stained-glass panel in the back and the ray of light shining in is the last Mather & Company poster printed (1930). All others were printed in 1929 and earlier. The very last in the Work Incentive Mather’s posters...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio Douze aquarelles de Auguste Rodin (Twelve Watercolors by Auguste...

This exquisite heliogravure by Joan Miro (1893–1983), titled Femme V/VI (Woman V/VI), from the folio Joan Miro, Femmes (Women), originates from the 1965 edition published and printed...

Jane Wooster Scott (American, b. 1920) Autumn in New York, c. 20th Century Lithograph Sight: 15 x 12 in. Framed: 27 3/4 x 23 3/4 x 1 in. Signed and titled lower right in plate: Autum...

Original World War 1 vintage poster: Food Will Wn the War. Arhival linen backed. PRINTER: Rusling Wood Litho., New York Bright and in good condition. There is some marks down the left side of the poster, possible ink from when the poster was printed. This poster calls on immigrants to do their part in the war effort. It depicts recent immigrants standing near a sailing ship with the Statue of Liberty and a rainbow stretched across the New York City skyline in the background. The text reads: You came here seeking Freedom. You must now help preserve it. Wheat is needed by the allies. Waste nothing. The generosity and compassion of the American people and the great agricultural resources of the North American continent would be called upon... Twenty million Americans signed pledges of membership in the Food Administration...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

Original Sabena trave to Brussels; Gateway to continental Europe -- where business and pleasure begin. Sabena Belgian World Airlines. Europe...

This exquisite lithograph by Marc Chagall (1887–1985), titled Les Amoureux sous la Lune (The Lovers under the Moon), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogne, Bibliotheque de l'Arsenal (Ms. no. 5193) (Tales of Boccaccio, Paintings from the Manuscript of the Dukes of Burgundy, Library of the Arsenal), Lavis de Marc Chagall, from Verve, Revue Artistique et Litteraire, Vol. VI, No. 24, originates from the 1950 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Draeger Freres, Maitres-Imprimeurs, Paris, 1950. This tender and poetic composition exemplifies Chagall’s lifelong fascination with love, dream, and transcendence. Les Amoureux sous la Lune radiates intimacy and serenity, its nocturnal palette and floating forms capturing the timeless romance between lovers united under the moon’s luminous gaze. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches. Unsigned and unnumbered as issued. The edition exemplifies the exquisite craftsmanship of the Draeger Freres atelier, celebrated for its precision and tonal richness in printing fine artworks. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Les Amoureux sous la Lune (The Lovers under the Moon), from Contes de Boccace (Tales of Boccaccio), Verve, Revue Artistique et Litteraire, Vol. VI, No. 24, 1950 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches Inscription: Unsigned and unnumbered as issued Date: 1950 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Draeger Freres, Maitres-Imprimeurs, Paris Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. VI, No. 24, published by Editions de la revue Verve, Paris, 1950 Notes: Excerpted from the album (translated from French), This Verve issue contains the lavis that Marc Chagall composed to illustrate Tales of Boccaccio's Decameron and the paintings on the same theme of the Manuscript of the Dukes of Burgundy preserved in the Arsenal Library. Marc Chagall executed the cover of this work which was completed printing on April 20, 1950 on the presses of Maitres-Imprimeurs, the Draeger Freres. About the Publication: This 1950 issue of Verve, Revue Artistique et Litteraire, titled Contes de Boccace (Tales of Boccaccio), was devoted to the great Italian humanist Giovanni Boccaccio and illuminated manuscripts from the 15th century, interpreted and revived through the eyes of modern artists. Under the artistic direction of Teriade, Marc Chagall contributed a series of lyrical paintings and lavis that reimagined these Renaissance themes with his signature dreamlike color, tenderness, and spiritual symbolism. The issue juxtaposed Chagall’s contemporary vision with the rich heritage of medieval illumination, bridging centuries of artistic imagination. Printed by the master craftsmen of Draeger Freres, the publication stands as a testament to Verve’s tradition of uniting art, literature, and history in one luxurious volume that celebrates the continuity of human creativity from the Middle Ages to modernity. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Les...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

Anton Schutz, 'Delaware Bridge' (Delaware, New Jersey), etching, c. 1927. Signed in pencil. A superb, richly-inked impression, with skillfully wiped plate tone, on BFK Rives, cream wove paper, the full sheet with margins (1 1/2 to 2 1/8 inches), in excellent condition. Archivally matted to museum standards, unframed. Image size 11 7/8 x 8 7/8 inches (302 x 225 mm); sheet size 15 7/8 x 12 1/4 inches (403 x 311 mm). ABOUT THIS IMAGE The Benjamin Franklin Bridge, originally named the Delaware River...

This exquisite lithograph by Richard Lindner (1901–1978), titled Femme avec oiseau (Woman with Bird), from the album XXe Siecle, Nouvelle serie, XXXVIe Annee, No. 42, Juin 1974, orig...

Joan Miró "Untitled" (one plate from "Maitres-Graveurs Contemporains" - Berggruen & Cie, 1970) Color lithograph Year: 1970 Size: 9.0 × 9.8 on 9.4 × 11.1 inches Catalogue raisonné: C...

Shusaku Arakawa (Japan, 1936-2010) 'Galerie Maeght', 1977 Original poster from exhibition of 1977 lithograph on paper 23.7 x 17.8 in. (60 x 45 cm.) Unframed Ref: ARA100-201 Shusaku ...

"4 - U proof" - 1976 Surrealist Lithograph on Paper 1976 surrealist lithograph on paper titled "4 - U proof" by Jim Crabb (American, b. 1947). This piece resembles a narrow, surreal...

This artwork "Woman with Three Goats" c.1960 is an original linocut on thin fiber paper by noted Turkish artist Nevzat Akoral, 1926-2016 It is signed in the plate as issue. The image...

Letterpress printing on spécialement fabriqué Curtis Rag vélin paper. Paper Size: 12.5 x 9.1875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, A Best...

Serigraph by Mexican painter Rafael Coronel. Edition of 100. Certificate of authenticity included.

Andy Warhol, Double Self-Portrait — Louisiana Museum, 1978 Original Danish exhibition poster; linen-backed; Very Fine (Grade A) Striking vintage exhibition poster created by the Lo...

This exquisite lithograph after Henri Matisse (1869–1954), titled Autoportrait au maillot raye (Self-Portrait in a Striped Shirt), from the album Portraits par Henri Matisse (Portrai...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Interrogation (Questioning), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Jean Cocte...

Printed for Galerie Kammer’s 1981 David Hockney exhibition “Drawings and Prints”, this beautiful poster reproduces Hockney’s drawing Celia in a Black Dress and Red Stockings 1973. Fa...