USA - Figurative Prints

Namiko Prado Arai (Mexico, 1963) 'Untitled 5 (Buril)', 1998 engraving on paper Guarro Biblos 250g. 20.9 x 24.5 in. (53 x 62 cm.) ID: PRA-307 Hand-signed by author Unframed

Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The Limited Editions Club, New York; printed by Studio Heinrici, Ltd., New York, under the direction of Alexander Heinrici, New York, 1996. Excerpted from the album, CC examples of this album have been printed by Daniel Keleher at Wild Carrot Letterpress. This edition was designed and set in Bodoni types by Dan Cart and Julia Ferrari at Golgonooza Letter Foundry. The silkscreen prints were made by Alexander Heinrici at Studio Heinrici. LOIS MAILOU JONES (1905-1998) was an African American artist and educator, often associated with the Harlem Renaissance. Jones was raised in Boston by working-class parents who emphasized the importance of education and hard work. After graduating from Boston’s School of the Museum of Fine Arts, Jones began designing textiles for several New York firms. She left in 1928 to take a teaching position at Palmer Memorial Institute in North Carolina. At Palmer, Jones founded the art department, coached basketball, taught folk dancing, and played the piano for Sunday services. Two years later, she was recruited by Howard University in Washington, D.C., to join its art department. From 1930–77, Jones trained several generations of African American artists, including David Driskell, Elizabeth Catlett, and Sylvia Snowden...

Claes Oldenburg Rolling Collar and Tie (AXSOM/PLATZKER 259), 1995 Color lithograph on rice paper Pencil signed and numbered from the limited edition of only 52 on the front Measureme...

Artist: Raymond Loewy, American (1893 - 1986) Title: Hydrofoil Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 300 Image Size: 17 x 24 inches Size: 21 in. x 28 ...

MOISSON (harvest) Loterie Nationale original 1939 lithograph Artwork by Edgar Derouet (1910-2001) and Charles Lesacq (1909-1940). size 15" x 23", year 1939. Archival linen backed i...

Keep 'em Flying Hennies Bros Show original vintage military, carnival, and amusement park poster. Created during World War Two when entertainment and enj...

ARTIST: Salvador Dali TITLE: Memories of Surrealism Surrealist Gastronomy MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Transworld Art/ A & E Rich EDITION NUMBER: A 6/175 ME...

Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...

This exquisite four color process archival pigment print after George Condo (born 1957), titled Parallel Figures, from the folio George Condo, Drawing Paintings, originates from the ...

Lithograph on vélin pur Chiffon Moulin à papier Richard de Bas paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Tir à l'arc mis en lu...

An impression from the book of Marc Chagall's (Russian, 1887-1985) lithographs. Published in 1960 by Éditions André Sauret, Monte-Carlo. From 1960 to 1974 Chagall produced 28 lithogr...

This print was made for the American Abstract Artists Portfolio, 1937. All the images were lithographs made on zinc plates. Usually they were signed or initialed in the image -- on t...

Barbara Kruger Don't Be a Jerk skateboard, 2017 Screenprint on skate deck 31 × 8 inches From the Barbara Kruger "The Drop" show at Performa 17 in NYC. which sold out. An ironic play ...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Peineta de teja (Tile Comb), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Jean Cocte...

Woodcut on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, miró graveur 1. 1928- 1960, 1984. Published by Daniel Lelong, éditeur...

John Baldessari The Sprinters, 1982 Limited Edition Offset Lithograph on Parson's Diploma paper Signed in graphite pencil on the front. Accompanied by letter of authenticity from the publisher 36 x 24 inches Unframed Provenance: Acquired as part of the complete SIGNED 1984 Olympic Lithographic Print Portfolio Exhibition History: Olympic Museum in Lausanne, Switzerland, 2017 (different edition) Accompanied by a letter of authenticity from the publisher on Olympic Committee letterhead. This is one of 750 hand signed lithographic posters, published in 1982 to celebrate the 1984 Los Angeles Olympics...

Artist: Bill Beckley, American (1946 - ) Title: Three Quarter Moon - Two Evening Stars Year: circa 1980 Medium: Lithograph, signed and numbered in pencil...

Medium: Lithograph on vélin d'Arches paper Year: 1969 Paper Size: 20 x 41.3 inches, with bifold, as issued Inscription: Signed in the plate and unnumbered, as issued Notes: From the ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie F, var. 2 (Series F, Variation 2), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

Artist: John Baldessari Title: Two Figures (One with Shadow) Year: 1986 Medium: Etching with aquatint on Rives B.F.K paper Sheet: 20 1/2 x 20 inches (52.07 x 50.8 cm) Edition: 35; si...

Andy Warhol (After) Warhol Unlimited, 2015 Silkscreen on thin linen canvas backing 63 × 47 inches Unframed This large, stunning silkscreen poster was published on the occasion of the...

Murakami's epic 'Of Chinese Lions, Peonies, Skulls and Fountains' is a large-format offset lithograph based on a painting from 2011 - image size 28 x 55.25 inches and framed size 41....

ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...

Artist: John Grillo, American (1917 - 2014) Title: Kaleidoscope I Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP 30 Image Size: 29.5 x 22 inches ...

Giclee on handmade cotton paper Year: 2016 Size: 19.68 x 24.01 inches (50 x 61cm) Edition: 75, not individually numbered Signed by hand COA provided Paul Indrek Kostabi (also known...

Banksy's Barely Legal is a set of six screen prints on paper named after the Barely Legal exhibition held in 2006 in a warehouse in Los Angeles. From the unsigned edition and each numbered 59/500 (there are also 17 artist's proofs). Published by Modern Multiples Fine Art Editions, Los Angeles, with Pictures on Walls and the publisher's blindstamp. Pest Control authentication certificates included. The Barely Legal Set includes the following: Grannies (22.05 x 29.92 inches) Sale Ends (22.05 x 29.92 inches) Applause (29.92 x 44.89 inches) Trolleys (22.05 x 29.92 inches) Festival (22.05 x 29.92 inches) Morons (22.05 x 29.92 inches) About the Artist: Banksy (British, born 1974) is a contemporary street artist and activist who, despite his international fame, has maintained an anonymous identity. Aimed as a form of cultural criticism, the artist often targets established social and political agendas with his witty illustrations produced with stencils and spray paint in cities such as New Orleans, New York, and Paris. “The art world is the biggest joke,” he said. “It’s a rest home of the over privileged, the pretentious, and the weak.” Although details of the artist’s life are largely unknown, it is thought that Banksy was born in Bristol, United Kingdom, c. 1974, starting his career as a graffiti artist in the city. Better Out Than In, Banksy’s month-long residency in New York during October 2013, featured a man hawking the artist’s paintings for $60 a piece outside Central Park. In 2015, Banksy opened Dismaland Bemusement Park, a temporary art exhibition that functioned as a theme park. After a 36-day run, its workers and materials were sent to the Calais migrant camp in France to build additional housing. Among the artist's most famous stunts include his shredded painting: When a painting by Banksy was sold at auction for $1.4 million in 2018, a mechanism was triggered to cause the artwork to partially destroy itself, resulting in a new piece titled Love in the Bin (2018). The ongoing question as to who Banksy is continued to reach the headlines when in 2017 Robert Del Naja...

Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...

This artwork "Un Vase de Fleurs II (Flowers in a Vase)" c.1980, is an original colors lithograph on watermarked Arches paper by noted French artist Frederic Menguy, 1927-2007. It is ...

“Dream and Refuge, 2020” by Michael Armitage (Kenyan, b. 1984) Rendered in richly layered hues - dominated by a saturated red ground that pulses with intensity - this work reveals a...

Chiaroscuro woodcut on cream laid paper, printed from three blocks in black, olive-green, and yellow ochre, 8 3/16 x 6 1/4 inches (207 x 157 mm), thread margins. Some scattered light discoloration throughout, lightly backed with laid paper, however the sheet retains translucence when viewed through raking light. Trimmed at or near the margin. Archivally sound small repaired corner tear, upper right, with a very minor (1/4 inch) vertical edge split in the center top margin, above the figure's head. All condition issues are consistent with age, and present an exceptionally good example of this truly remarkable work. With the collector's stamp of Friedrich August II, King of Saxony, last King of Poland (1797-1854), Dresden, on the right corner, recto (Lugt 971). This work likely appeared in a well-known posthumous sale of Friedrich August II's private collection, which was handled by C.G. Boerner, and took place in Leipzig, on May 7-9, 1928, presumably this print was presented as lot 1551. [Stechow 16] Ludolph Busïnck was born at Hann, Germany around 1590. By about 1620 he was actively working as a printmaker in Paris, collaborating with publisher and celebrated cartographer Melchoir Tavernier. Busïnck may have studied printmaking in the Netherlands, evidenced by the influence of Dutch printmaker Hendrick Goltzius we see in the bold woodcuts he produced in France. Busïnck was the first printmaker to create chiaroscuro woodcuts in France, a technique originated by German artist Hans Burgkmair...

James Jean's "Descendent VI" is a captivating 22" x 20" multiprocess print, featuring intricate holographic and foil detailing, as well as sculptural enhancements. Originally create...

Etching with drypoint and aquatint on light cream wove paper, 5 1/2 x 5 inches (140 x 122 mm), full margins. Signed in pencil in the lower margin. One of a total of 400 signed impres...

"To Days of Childhood That are Still Unexplained". It depicts six female silhouette figures in long dresses or coats against a blue and pastel purple background. From the Rainier Ma...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Simeon, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by An...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Jeune femme en buste (Young Woman in Bust), from the album Les Lithographies de Renoir (The Lithographs of R...

This artwork titled "Old City Hall, Munich, Germany" c.1930 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil by the artist at the lower center. The plate mark (image) size is 13.25 x 11.15 inches, framed size is 24.75 x 21.75 inches. Custom framed in a wooden black and gold frame, with light grey matting and blue fillets. It is in excellent condition, slightly toned by age around the plate mark, see picture #7. The frame have a very small minor restoration, practically invisible. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna...

Luis Serrano Martínez (Spain, 1900-1970) 'Grutesco de tribaldos', 2001 silkscreen on canvas 9.9 x 32.7 in. (25 x 83 cm.) Edition of 75 ID: SER130...

Original WW1 poster: "Be Patriotic sign your country's pledge to save the food." U. S. Food Administration. Miss Liberty calls with outstretch...

Gary John has been a street artist since 1985, originally from Seattle Washington, then moving to Venice Beach selling his art on the boardwalk for 10 years before exploding onto the...

Artist: Itzchak Tarkay (1935-2012) Title: Blue Mood Year: 2000 Medium: Silkscreen on wove paper Size: 13.5 x 10.75 inches Edition: 178/750, plus 100 Remarques Condition: Excellent In...

Ed Ruscha Chicago International Art Exposition (Hand Signed by Ed Ruscha), 1983 Offset Lithograph. Pencil Signed and dated. Unframed. Signed and dated by Ed Ruscha in graphite pencil...

Monoprint & hand embellishment on paper. Naga Kanya, 2018, monoprint, fantasy, marbled rag paper, pink, purple, blue

Artist: John Maxon (American, born 1947) Title:: Dune line Year: 1994 Medium: Color lithograph Edition: Inscribed and numbered 15/20 Paper: Arches Image size: 21 x 33.5 inches Paper size: 29.25 x 41.5 inches Signature: Hand signed in pencil by the artist Condition: Excellent, has never been framed About the artist. Coming from a very western tradition in Wyoming, John Maxon developed an expansive view of nature. Moving eventually to the San Francisco Bay area, John's delight in the effects of light and color led him to the decision to become an artist at the young age of 15. His natural ability was encouraged, and at 16 he began figurative art classes with Howard Brodie, the artist well known for his WWII correspondence, drawings and the Watergate trial drawings. Education San Francisco Art Institute B.A., Painting, San Jose State University M.F.A., Painting, University of California, Davis Stanford University, Palo Alto, California Cabrillo College, Aptos, California Selected Solo Exhibitions 2018 Gallery Panza Verde – Antigua...

Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 8.27 x 6.69 inches Inscription: Unsigned and unnumbered, as issue...

Artist: Tom Wesselmann (1931 - 2004) Title: Olympische Spiele Muenchen (Foot) Year: 1972 Medium: Screenprint Poster mounted on linen Edition: 3000 Size: 40 in. x 25 in. (101.6 cm x 6...

"Large Head of Vincent" by Alex Katz - sugarlift aquatint on Arches Cover paper. Offered in simple white wooden frame. Print size: 61 x 35.5 inches Frame s...

Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur, 1948. Publ...

Paris: Gazette de Beaux Arts, 1907. Etching with aquatint on cream wove paper, 8 7/8 x 11 1/2 inches (225 x 292 mm), narrow lefthand margin, with a full margin with a deckle edge on ...

A superb, richly-inked impression of an early etching and drypoint. With burr throughout and crisp plate edges. First state (of 2). Edition of 100. Signed in pencil by Chagall. Print...

This exquisite etching after Alberto Giacometti (1901–1966), titled Nu de Profil (Nude in Profile), from the folio Derriere le miroir, 10 Ans d'Edition 1946-1956, No. 92-93, originates from the 1956 edition published by Maeght Editeur, Paris, and printed by Atelier Crommelynck, Paris, 1956. This work exemplifies Giacometti’s mastery of line and existential sensitivity, capturing the fragility, grace, and introspection that define his vision of the human form. Executed as an etching, cuivre rayé apres tirage on velin paper, this work measures 15 x 11 inches overall; 12.2 x 2.17 inches image size. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Atelier Crommelynck, Paris. Artwork Details: Artist: After Alberto Giacometti (1901–1966) Title: Nu de Profil (Nude in Profile), from the folio Derriere le miroir, 10 Ans d'Edition 1946-1956, No. 92-93 Medium: Etching, cuivre rayé apres tirage on velin paper Dimensions: 15 x 11 inches, overall; 12.2 x 2.17 inches, image size (38.1 x 27.94 cm; 31 x 5.5 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Maeght Editeur, Paris Printer: Atelier Crommelynck, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, 10 Ans d'Edition 1946-1956, No. 92-93, published by Maeght Editeur, Paris; printed by Atelier Crommelynck, Paris, 1956 Notes: Excerpted from the folio (translated from French), This catalogue, forming a special issue of Derriere le miroir, was completed in October 1956 on the presses of Draeger Freres on behalf of Aime Maeght, Editeur. The original lithographs of Miro, Chagall and Bazaine were shot by Mourlot Freres. The eaux-fortes rayees of Miro and Giacometti were shot by Crommelynck. Raoul Ubac composed and pulled the engraved wood from the cover. The photographs of Braque's reproduced works are by Mr. Routhier. Those of the other artists of Y. Hervochon. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght's belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Alberto Giacometti (1901–1966) was a Swiss sculptor, painter, and draughtsman whose hauntingly elongated figures and existential vision redefined modern art and made him one of the most influential artists of the 20th century. Born in Borgonovo, Switzerland, into an artistic family—his father, Giovanni Giacometti, was a noted Post-Impressionist—he was immersed in art from an early age before studying in Geneva and moving to Paris in 1922, where he became part of the city’s avant-garde alongside Pablo Picasso, Alexander Calder, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which reflected the influence of Dali, Duchamp, and Man Ray. By the 1940s, he abandoned Surrealism to pursue a deeply personal exploration of the human condition, developing his iconic attenuated figures that embodied both fragility and resilience. His signature sculptures—L’Homme qui marche I (Walking Man I), Femme debout, and Le Chariot—expressed the isolation, endurance, and vulnerability of modern existence, echoing the existential philosophy of Jean-Paul Sartre and Simone de Beauvoir. Giacometti’s figures, stripped of mass yet monumental in spirit, symbolized humanity’s search for meaning in a postwar world, while his paintings and drawings—portraits of his brother Diego, his wife Annette, and his friends—captured the psychological depth of perception with trembling, repetitive lines that blurred the boundary between body and soul. His friendships with Picasso, Calder, Miro, and Kandinsky shaped his understanding of form, motion, and space, while his philosophical engagement with Duchamp and Man Ray deepened his inquiry into the nature of reality and perception. Working obsessively in his modest Montparnasse studio, Giacometti pursued art as an existential act—destroying and rebuilding his figures in an endless search for truth. His influence on postwar art was immense, shaping the work of Henry Moore, Francis Bacon, Louise Bourgeois, Lucian Freud, and later contemporary sculptors such as Antony Gormley and Anselm Kiefer. His aesthetic also resonated beyond sculpture, influencing fashion, photography, and architecture through his vision of form, isolation, and proportion. Giacometti’s work is represented in major museum collections including MoMA, the Tate Modern, and the Centre Pompidou, and continues to inspire artists, collectors, and thinkers worldwide. Standing alongside Pablo Picasso, Alexander Calder, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Giacometti remains a towering figure in modern art—a sculptor-philosopher who transformed the human form into a universal symbol of resilience and reflection. His highest auction record was achieved by L’Homme qui marche I (Walking Man I), which sold for 141.3 million USD at Sotheby’s, London, on February 3, 2010, reaffirming Alberto Giacometti’s enduring legacy as one of the most visionary, profound, and collectible artists in the history of modern art. After Alberto Giacometti Nu de Profil 1956, Giacometti Derriere le miroir No. 92-93, Giacometti etching...

Pugin, Augustus Charles & Rowlandson, Thomas (after). College of Physicians, from Ackermann's "Microcosm of London." London: Rudolph Ackermann, 1808. Hand-colored lithograph, 9 1/4 ...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Francoise Rabelais (Francois Rabelais), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), o...

Hand signed, numbered, and dated by Keith Haring. Screenprint in colors, on wove paper, with full margins, Image size 10.5 x 13.375 inches.. Sheet size 12 x 15 inches. Frame size a...

This piece titled "Jake Yeager Untitled 6" is an original artwork by Jake Yeager and is made from spray paint and screenprint. This piece measures 24”h x 18”w. Founded in 1997 at 10...

Linda Stein, Elizabeth Cady Stanton 800 - Signed Limited Edition Feminist Contemporary Art Print Linda Stein considers her Women of Courage Moo...

This exquisite lithograph by Marc Chagall (1887–1985), titled La Maison de Mon Village (The House of My Village), from the album The Lithographs of Chagall, Volume I, originates from...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie L, var. 10 (Series L, Variation 10), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Th...

KURT SELIGMANN (1900–1962 American, born in Switzerland,) LA SORCIERE - (The Witch) 1934 Etching and aquatint, unsigned ? possibly a proof aside from The ...

Woodcut on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Émile Bernard, 1962. Published by Editions d'Art Ma...

"Eduardo ¨Choco¨ Roca Salazar (Cuba, 1949) 'Resumen de noticias', 2004 collagraph on paper Velin Arches 300 g. 35.9 x 47.7 in. (91 x 121 cm.) ID: CHO-115"