USA - More Prints

Fred Fehlau is an American a Postwar & Contemporary artist. He was born in 1958. Known for his sculpture. EDUCATION ArtCenter College of Design MFA, with Honors 1986–1988 ArtCenter College of Design BFA, with Distinction 1976–1979 Educational Management Program Harvard Graduate School of Education, 2011 Selected Exhibitions: 2014 The Avant-Guard Collection, Orange County Museum of Art, Newport Beach, CA. Curated by Dan Cameron and Fatima Manalili. 2003 The Spirit of White, Beyeler Gallery, Basel, Switzerland. Curated by Urs Albrecht. 2000 New Acquisitions...

Red Angel, intensely and seductively colored: swooning purples and reds, ecstatic lemon yellows, and black construction paper. Jostling shapes, geometric and biomorphic, lyrical and ...

Kristen Martincic earned her BFA from Bowling Green State University and her MFA from the University of Nebraska-Lincoln. The artist, who currently lives and works in Columbia, Misso...

John Baldessari "John Baldessari: Double Bill (Part 2)" Margo Leavin Gallery, Los Angeles, 2012 Exhibition Poster 24 1/2 x 20 1/2 inches Unsigned

"I originally created this image in response to the terror attacks at the Bataclan and other parts of Paris in late 2015. At that terrible moment I wanted to create an image of suppo...

Cafe Dining Amos Yaskil Israeli (1935) Date: circa 1980 Lithograph, signed and numbered in pencil Edition of LXVI/CCCLXXV Image Size: 17.5 x 25 inches Size: 22 x 29.5 in. (55.88 x ...

Midcentury Modern Villa Architecture c. 1950 Architectural print "Elevation AA" Unknown edition 19 x 25.25 inches

Artist: Julian Opie Title: Ashley with Leather Jacket Portfolio: 26 Portraits Medium: Lithograph Date: 2006 Edition: 250 Frame Size: 20" x 17" Sheet Size: 13" x 10" Signature: Unsigned

Banging the Drum DETAILS 27 x 17 inches (unframed), 2020 Offset lithograph 80# Classic Linen Solar White Cover

Signed and numbered from an edition of 50. Playful gay pride play on a Cheerios box. The text is "Queerios - Love Your Heart so you can be who you are". D...

Published by Grey Matter Art Halloween Regular Edition by Tyler Stout 24” x 36” Screen Print - (4/Color on French Speckletone Madero Beach) Hand-Numbered ...

Artist: Donald Baechler Title: Thistle Medium: Lithograph Year: 1999 Edition: 67/75 Sheet Size: 45 1/2" x 22" Signed: Hand signed and numbered in pencil

Joan Miró (1893-1983) Maravillas con variaciones acrósticas En El Jardín de Miró (1975) Lithograph Size: 29.5 x 23.25 in (75 x 59 cm) Frame size: 38.5 x 30 in (97.94 x 76.05 cm) Fr...

Artist: Jamie Wyeth Title: Untitled Portfolio: Inaugural Impressions Medium: Lithograph in colors Date: 1977 Edition: 63/100 Sheet Size: 23" x 20" Framed Size: 30" x 27" Signature: H...

Gears of Justice Screen print on thick cream Speckletone paper Released on February 1, 2024 Signed and dated to lower right Edition 152/550 Published by Obey Giant, Los Angeles 18 x ...

This letterpress set in collaboration with photographer Dennis Morris commemorates the 40th anniversary of Bob Marley's passing. The series represents the amazing breadth of Marley's...

Josef Albers Homage to the Square: Dedicated 1956 Silkscreen in brilliant Colors on Paper after Oil on Masonite, 1950-1956 From "Josef Albers - Paintings, Prints, Projects", 1956 Im...

Robert Indiana’s "Book of Love" is a multifaceted portfolio that pairs twelve vibrant screenprints with twelve accompanying poems, forming a deeply personal meditation on the nature ...

Fermin Rocker (1907-2004) original pencil signed lithograph. The subject is a very atmospheric rendering of the Brooklyn Heights area of New York. The image measures 11 x 14 and rest...

The limited edition lithograph BOSTON PUBLIC GARDEN is a stylized Boston park landscape scene that combines the real and the surreal. Created in 1990 by the Iowa born artist Jim Buck...

Johnny Friedlaender (26 December 1912 – 18 June 1992) was a leading 20th-century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Gotthard Johnny Friedlaender was born in Pless (Pszczyna), Prussian Silesia, as the son of a pharmacist. He was graduated from the Breslau (Wrocław) high school in 1922 and then attended the Academy of Arts (Akademie der Bildenden Kunste) in Breslau, where he studied under Otto Mueller. He graduated from the Academy as a master student in 1928. In 1930 he moved to Dresden where he held exhibitions at the J. Sandel Gallery and at the Dresden Art Museum. He was in Berlin for part of 1933, and then journeyed to Paris. After two years in a Nazi concentration camp, he emigrated to Czechoslovakia, where he settled in Ostrava, where he held the first one-man show of his etchings. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L ‘Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947 he produced the work Reves Cosmiques and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Staël and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951 and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968 Friedlaender was travelling to Puerto Rico, New York City and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth-century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain...

Beautiful etching by John Marin (1870-1953) created 1921. Title: Downtown, The El (From the New Republic Set) Medium: Etching Size: 6 7/8 x 8 5/8. Sheet: 10 3/4 x 14. Mat: 16 x 17 3...

"Deux Voiliers" is a Limited Edition Lithograph, E/A by Marcel Mouly. The print is pencil-signed by the artist. It measures 22.5 x 31.5 inches. The date of creation is unknown, but i...

rtist: John Baeder Title: Vista Mar Inn Medium: Screenprint Signed: Hand Signed Edition: From the edition of 250 Measurements: 22" x 30" Note: This piece is sold UNFRAMED Condi...

Du, du liegst mir im Herzen. [Musicians of Bremen.] This brightly colored large-scale color lithograph was published by C. Burckardt, Deponirt "Druck u.Verlag v. C. Burckardt's Na...

Artist: Pablo Picasso Title: Oval Head of Man Looking Straight (Plate XXIII) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18" She...

Artist: Robert Indiana, American (1928 - 2018) Title: The President from the American Dream Portfolio Year: 1961 (1997) Medium: Screenprint Edition Size: 395 Image Size: 17 x 14 inch...

Shepard Fairey Post-Punk Flower (Black) Letterpress on Cream Cotton Paper with Hand-deckled Edges Year: 2022 Size: 18 x 12 inches (45.72 × 30.48 cm) Edition: 375 Signed, dated and nu...

Vitraux in Four Sheets, Puzzle of Life, 1974, by Salvador Dali (1904-1989) Lithograph on paper 52 ¼ x 55 ½ inches unframed (132.715 x 140.97 cm) 53 ½ x ...

Artist: Robert Indiana, American (1928 - 2018) Title: The New Glory Penny from the American Dream Portfolio Year: 1963 (1997) Medium: Screenprint (unsigned) Edition size: 395 Image S...

Signed, numbered, and titled by the artist from the edition of 200. Winter scene of cottonwoods in a field with a dusting of snow. Smith-Harrision's work very often features architectural elements, along with trees. This is one his largest prints, which took him two years to complete. The ornate imagery of spanish tile that borders the lower half of the print needs to be seen in person to be fully appreciated. The two palms are specific trees that Smith-Harrison encountered on a trip to Spain. David Smith...

Artist: Pablo Picasso Title: Oval Head of a Woman with Hair (Plate XIX) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 18 3/4" x 16 3/4" ...

This rare lithographic poster was printed in 1957 at the Atelier Mourlot in Paris. It was created to promote an exhibition of artworks by Kandinsky, on loan from the Guggenheim Museum to the National Museum of Modern in Paris. Certificate of Provenance: Each individual work of art carefully curated by Mourlot Editions comes with a Certificate of Provenance, signed, dated, stamped, and numbered by Eric Mourlot. This certificate guarantees the origin and authenticity of your personal lithograph. About the Artist: Kandinsky was a painter and art theorist, one of the first creators of pure abstraction in modern painting. After successful avant-garde exhibitions, he founded the influential Munich group Der Blaue...

Jonathan Winters "Hung up on Strange Fruit" Original Silkscreen Hand signed and titled in pencil Artist's Proof Image Size: 18 x 25 inches Paper size: ...

Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approximately Eugenio ...

This rare lithographic poster was printed in 1957 at the Atelier Mourlot in Paris. It was created to promote an exhibition of artworks by Kandinsky, on loan from the Guggenheim Museu...

Alphonse Mucha 1898 "JOB" poster. Printed by: “Imp. F Champenois 66 Boul, St Michel, Paris” in 1898 Very good (A-) condition with toning throughout and less under matting. Linen b...

Venus Sergio Gonzales-Tornero, Chilean (1927) Date: 1968 Etching with Aquatint, signed, numbered, dated and titled in pencil Edition of 36/100 Image Size: 24 x 15.75 inches Size: 30 ...

The Goonies: The Goonies is a 1985 American adventure comedy film co-produced and directed by Richard Donner from a screenplay by Chris Columbus, based on a story by executive producer Steven Spielberg. In the film, a band of kids who live in the "Goon Docks" neighborhood of Astoria, Oregon, attempt to save their homes from foreclosure and, in doing so, they discover an old treasure map that takes them on an adventure to unearth the long-lost fortune of One-Eyed Willy, a legendary 17th-century pirate. During the adventure, they are chased by a family of criminals who want the treasure for themselves. Artist: Struzan, Drew Edition Details: Year: 2020 Class: Cinema Status: Official Released: 10/08/20 Run: 725 Technique: Screen Print Size: 24 X 36 Markings: Signed & Numbered About Artist: Drew Struzan is an American artist, illustrator, and cover designer known for his more than 150 movie posters, which include The Shawshank Redemption...

A very good impression of this scarce lithograph on Arches buff paper. Signed, dated and numbered 17/60 in pencil by de Kooning. Printed by Hollander's Workshop, Inc., New York. Co-p...

Frank Benson made this drypoint in 1928. The second state of two. A scarce print with no recorded printings of the second state - presumably, at least two were printed. The image size is 4 7/8 x 5 7/8" (12.4 x 14.9 cm). #282 in the Frank W. Benson catalogue raisonne by Adam Paff. Frank Weston Benson (1862-1951), well known for his American impressionist paintings, produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. While a teenager his fascination with drawing and birding developed simultaneously and continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...

Engraved by Baron Dominique Vivant Denon. Etching on a large sheet of light cream wove paper, 3 1/2 x 2 3/8 inches (90 x 60 mm); sheet 15 1/4 x 11 3/4 (387 x 299 mm), full margins. I...

Artist: Keith Haring Title: Pop Shop I (3) Size: 12 × 15 in (30.5 × 38.1 cm) Medium: Silkscreen in colors on wove paper Edition: 151 of 200 Year: 1987 Notes: Hand signed, numbered, a...

“Columbines Pl. 162” A Weinmann, Johann, Wilhelm Mezzotint Engraving With Some Hand Coloring from Johan Wilhelm Weinmann’s ( 1683-1741 ) Phytanthoza Iconographia, a comprehensive sci...

A superb impression of this color engraving, soft-ground etching, scorper and screenprint on Japan paper. Fifth state (of 5). Signed, titled, dated and numbered 1/50 in pencil, lower...

This colorful lithographic was printed at the Atelier Mourlot in 1984 after Miro's 'Personnage et Oiseua', 1969, depicting the abstract form of a head with birds. This print has been blind embossed with the Galerie Mourlot...

A very good impression of this large color lithograph on Arches. Signed and numbered 94/100 in pencil by Calder. Printed and published by Mourlot, Paris.

Original vintage poster: Aspen Winternational 1983 and Subaru World Cup Races, printed 1982 by artist Terry Rose. The ASPEN WINTER NATIONAL skiing poster...

Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures. The Athens National Museum of Contemporary Art, which was founded in 2000 and owns Chryssa's Cycladic Books, is in the process of converting the Fix Brewery into its permanent premises. Greek Exhibits, European Cultural Center of Delphi (Council of Europe). "Apollo's Heritage"(July 4, 2003 – July 30, 2003). Works by sixteen artists: Giorgio de Chirico, Salvador Dalí, Nikos Hadjikyriakos-Ghikas, Nikos Engonopoulos, Yannis Tsarouchis, Giorgos Sikeliotis, Takis, Arman, Fernando Botero, Chryssa, Dimitris Mytaras...

Robert Rauschenberg (1925-2008) Fest (1991) Four color lithograph Size: 26 x 21 in (66 x 53.3 cm) Frame size: 33.5 x 28.25 (85 x 71.7 cm) Edition of 51, this is 38/51 Hand signed an...

Artist: Pablo Picasso Title: Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Edition: Unnumbered Frame Size: 18 1/4" x 20 3/4" Sheet ...

Signed to the lower right Edition 40/50 Published by Obey Giant, Los Angeles We must fight the greed of the powerful and restore the basic fairness of our society and our democracy....

Color lithograph, Edition 30 Last Rays is an intensely colorful image that evokes the play of light and reflections caused by the late rays of the evening sun as they rake low acr...

Artist: Jean Helion Title: Untitled Portfolio: XXe Siecle No. 4 Medium: Linocut Date: 1938 Edition: Unnumbered Frame Size: 19 3/4" x 16 3/4" Sheet Size: 12 5/8" x 9 5/8" Signature: U...

"Taxi Pretzel" lithograph by Red Grooms from 1971 "No Gas" portfolio. Hand-signed Red Grooms AP on bottom of shoe on lower right corner. Image size: 27 1/4 x 21 1/2 inches.

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Color 3-D lithograph in Plexiglas box, Edition 50 Red Grooms revisits the rich subject matter of his New York City neighborhood in his new three-dimensional lithograph “Extra! Ext...

Henriette Wyeth-Hurd Hand signed, Collotype, Limited Edition of 490 Image Size: 20" x 26" framed 28.5 X 34.5 Provenance: printed at Triton Press and has their certificate of authenticity verso. Henriette Wyeth Hurd (1907 – 1997) was an American artist noted for her portraits and still life paintings. The eldest daughter of illustrator N.C. Wyeth, she studied painting with her father and brother Andrew Wyeth at their home and studio in Chadds Ford, Pennsylvania. Henrietta Wyeth was born in Wilmington, Delaware, into an artistic family. Wyeth was the eldest of the five children of noted illustrator N.C. Wyeth and his wife Carolyn Bockius. Her siblings Carolyn and Andrew also became artists, and all three studied with their father. Andrew Wyeth became the most well-known artist of this family. Henriette contracted polio at age 3, which altered her health and use of her right hand. As a result, she learned to draw with her left hand and paint with her right. She grew up on the family farm in Chadds Ford, Pennsylvania, and attended local Quaker schools. She and her siblings were eventually homeschooled because their father distrusted the public school system. She began formal art lessons with her father at age 11, making charcoal studies and geometric shapes. A child prodigy, at age 13 Wyeth was enrolled in the Normal Arts School in Boston, Massachusetts. The next year, in 1921, she entered the Boston Museum of Art Academy. Two years later she moved to Philadelphia to study painting at the Pennsylvania Academy of Fine Arts. By age 16, she was well known as a portraitist and received commissions for paintings of Wilmington residents. Deeply influenced by her father's unique realistic style, she rejected early 20th-century painting styles such as Impressionism and Cubism. She was also socially and politically conservative. As a result, later in life she rejected the progressive movements of the 1960s and 1970s, including the women's movement. She often criticized television and modern culture. At age 21, in 1929 Wyeth married artist Peter Hurd, a fellow student at the Pennsylvania Academy and her father's apprentice. The couple had three children together: Peter Jr., Carolyn, and Michael Hurd...

"L'oiseau de sables" ("Bird of the Sands") is an original signed lithograph by Georges Braque executed in 1962. It is 37 of an edition of 125. The work is one of five lithographs cre...

This elegant mezzotint print, entitled, "Nature morte au coquetier", was realized by the esteemed artist Mario Avanti in France, 1962. It depicts a stylized rendition of a dove as a ...