USA - Paintings

Unique Impressionist painting "Caribbean" in patinated and engraved bronze and pewter with enamel cloisonne in green, yellow, blue, and red with hand-brazed braided bronze frame by P...

Extra large abstract painting by contemporary French artist Pierre Malbec. The artist paints on a wooden board using acrylic paint. Pier...

Framed and Matted Watercolor "Streets Of Montmartre With the Sacré-Cœur Basilica". Appears to be a view of Rue Norvin. Trent Antiques has been a respe...

A set of four circa 1825 Chinese Export polychrome reverse glass paintings comprised of figural court views and battle scenes in original 'Chinese Chippendale' parcel-gilt aubergine lacquer frames and reverse backboards. A remarkable and exceptionally rare set of good size and condition. Provenance: Legendary fine English antiques...

Old Master John Linnell Landscape Collector Painting Oil on Canvas Museum Art. “The Barley Field” By John Linnell 1874 / Oil on Canvas / 1792-1882 / English . SIGNED and DATED at the...

The painter Iver Rose is best known for his work which brought attention to the plight of workers in Depression Era America. This painting of quarry workers in Rockport, Massachusett...

French Victorian (19/20th Cent) oil painting portrait of a lady and French poodle with blue bow in walnut and ebonized frame.

Large abstract expressionist oil on canvas titled "caldron" painted by Tom Lieber 1992 (American b. 1949). Signed, titled, and dated verso on canvas. Impressive size from an estate i...

Mark Palmer a native Buffalonian established his art career while a 20 year resident of Washington, DC. His vibrant abstract works ranging from watercolors to mixed-media often seek...

19th Century Nautical Maritime Seascape Sail Boat The Artist is Dutch painter Albert Hess signed lower right.

A dark-blue, red vintage Mid-Century Modern French abstract oil on wood painting of a color field, painted by Daniel Clesse in good condition. Signed on the lower right. Wear consist...

A framed portrait painting of a man in the nude on wood. With wonderful texture, and muted greens, beiges, and browns, this painting will be a...

Painted Pompeii fresco panel depicting scene VIII from the "Sala di Grande Dipinto" in the Villa de Misteri at Pompeii on canvas. This is in the style of painted on canvas. Measures ...

Enhance a study or office with this distinguished antique oil on canvas, painted in England circa 1890. The composition features three hunting dogs resting at the edge of a wooded cl...

A Beautiful Italian Still Life oil painting on old canvas of a brass urn holding a bouquet of assorted flowers set on a ledge. 18th or ...

A vintage French oil on canvas painting of Napoleon Bonaparte as Emperor in a hand carved original gilded wooden frame, painted by S. Chapin in good condition. The wall décor art pie...

A post modern abstract stain painting in the manner of Helen Frankenthaler or Kenneth Noland.This work on raw canvas is signed A. Cohen, and dated 1980.

Pair of early Swedish Rococo Folk Art wooden paintings or table tops.

Egyptian (Mid-Century) print of people serving a pharaoh with hieroglyphs and vases with tops resembling animal heads in gold and red trim frame

A wonderful French 18th century Oil on Canvas and Giltwood painting of a mother and son by Robert Le Vrac de Tournières. The painting is framed within a richly carved giltwood frame ...

Vintage folk art style oil painting by Trevor James depicting a young girl holding a posey basket. The young girl has a serene facial expression and there is a gentle and quiet still...

One of the most brilliantly-hued paintings by Albert Gleizes we have seen, this highly abstract Cubist work is a rotating knot of curving forms in periwinkle, carmen, olive green, sky blue, burnt sienna and grey flannel, as vivid now as when it was painted a hundred years ago. Early in his life he was influenced by Fernand Leger, Robert Delauney...

Copy of an oil painting by Spanish Impressionist Joaquin Sorolla y Bastida showing a young boy and a girl lying on wet sand on the beach

This charming oil on mahogany board depicts a portrait of a young woman in typical early 19th-century fashion surrounded by foliage while she sits on a rock tending to her shoe. Hous...

An Italian Rococo period framed still-life oil on canvas painting from the late 18th century, depicting a colorful bouquet. Created in Italy during the third quarter of the 18th cent...

French vintage (later 20th century) framed pastel portrait on ribbed kraft paper of two merchants in a farmer’s market with their crates of produce nearby. The artist has used a flui...

(1912-1978). Oil on canvas. 24” x 30”. Well framed. Son of a cowboy, Powell was raised in Apgar, MT, on the south side of Lake McDonald. His father was a stable boss, guide and tracker for Glacier National Park. As a boy, he watched Charles Russell paint in the Bull's Head Lodge in Apgar. Lonely Warriors astride horses riding through cold nights past warm dimly lit cabins are often depicted in Ace Powell...

Modernist Mexican oil on stretched canvas of San Miguel de Allende hillside community. Signed lower right in white, P. Garcia. The painting is an impressionistic colorful rendering o...

Acrylic painting on canvas of a tropical scene with palm trees, houses, and boats executed with bold strokes and vivid colors, signed Hawk and presented...

18th C. Portrait of a Lawyer Circle of Jacques Aved French School Oil on Canvas . Circle of Jacques-Andre-Joseph-Camelot Aved Portrait of a lawyer 1702-1766 French school mid-18th c...

Large Rare Vintage 1940’s Artist Ruben Kupur Oil painting of Art Deco Tropical scene with herons within a scene of lush tropical orchids. Ruben Kupur was born In the Russian Federation...

An Italian mid-19th century oil on board representing a "Mother and Child". The Renaissance revival style painting in the manner of a Raphaelite Madonna and Child, of a seated young ...

Ugo Sterpini (Italian, 1927-2000)''La Lotta Sulla Duna" (The Battle On The Dune). Mixed media on canvas, signed and dated ''58'' lower right, signed, titl...

These charming antique paintings were created in France, circa 1870. Set in the original gilt frames, both artworks are painted on board and depicts indoor scenes; a dinner setting w...

Beautiful antique painting of "Pious Maidens" attributed to British Artist Francis Philip Stephanoff (1787-1860). Masterfully painted of two...

A true Art Deco masterpiece, painted as a final study for one of a series of large murals for the National Elks Memorial in Chicago, finished in 1926, this large gold-hued scene depi...

This is an original painting by Damien Hirst, created with public collaboration at the Damien Hirst Spin Workshop to celebrate the opening of Requiem at the PinchukArt Centre, Ukrain...

A dramatic and colorful Oil on Board in a custom Gilt wood frame. Figures on a monumental staircase. Signed lower right, labelled and dedicated on verso. In a fine gilt frame. Panel ...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Oil on canvas, signed and inscribed in the lower left. This is a wonderful scene of Westminster Abbey in London with sunlight beaming down from above. The Impressionist Frank Mye...

Large painting by James Brewer titled Woman at Cafe, depicting a standing female figure rendered in layered tones of green, gold, and violet. The composition combines abstracted form...

Donald K Ryan’s work spans mostly from the 80s to the early 2000s. Throughout his career he was juried into more than 40 local, regional, national, and international shows. He also p...

Very large and impressive oil on linen landscape painting depicting a scene of orange autumn trees before a backdrop of hazy mountains under a soft blue sky. Signed Rhui in lower rig...

WWII, how are you? Private Theater: Gay American Soldier in Reflection, Original WWII-Era Gouache, Signed CSG A highly nuanced, emotionally layered, and visually accomplished original painting in gouache and watercolor on Whatman drawing board, signed CSG lower right. This rare mid-20th-century work portrays a seated U.S. Army Air Forces officer—smiling faintly, cigarette in hand, and with a small black-bound diary resting on his lap—lost in reverie as smoke from his cigarette rises and transforms into the visages of three idealized male figures. Rendered in an illustrative realist style with tonal sensitivity and surreal suggestion, the composition invites interpretation as an interior portrait of desire, intimacy, and memory—quietly coded, emotionally sincere, and possibly autobiographical. The figure wears a regulation-issue A-2 leather flight jacket, iconic of U.S. Army Air Forces personnel during WWII. The jacket is detailed with a personalized, hand-painted circular patch depicting a lion rampant in a blue roundel—a heraldic symbol of power, pride, and possibly self-invention. An American flag patch is affixed to the left shoulder. The jacket, traditionally worn by bomber crews, officers, and pilots, functions here not only as a marker of military identity but as a gendered and cultural signifier—suggesting the complex intersection of duty, masculinity, and private identity. The slightly open collar, relaxed posture, and cigarette suggest the officer is off-duty—physically grounded but mentally elsewhere. The seated figure’s companions—summoned in smoke—appear above and behind him in a dreamlike procession: a helmeted infantryman, a pilot in goggles, and a hat-wearing civilian (?) man posed in pin-up style. Each face is rendered with tenderness and idealization, not as ghosts or casualties, but as romantic or erotic conquests: remembered lovers, fleeting encounters, or imagined partners. Their expressions, softly lit and emotionally present, reflect a form of desire neither tormented nor tragic. This is not a meditation on loss but on intimacy remembered, perhaps treasured. On the table beside him rests a small bronze Buddha...

American Victorian gilt framed oil painting of 5 deer crossing stream.

An oil on canvas, signed in the lower left corner and present in a period, if not the original, frame measuring 26.75" x 24" (frame included) featuring boat in the harbor of Venice, ...

FOR SALE: Stunning Folk Art Oil Painting – Andean Woman & Child with Birds Bring color and culture into your space with this marvelous folk art (outsider art) oil painting on a wood...

A Large Continental Oil on Canvas "The Prohibited Reading " after Karel Ooms (Belgium, 1845-1900). This beautiful executed painting depicts a historical scene of an old man and a young woman who are huddled over a bible. The pair is gazing in apparent concern or alarm, over the old man's shoulder, towards something outside of the picture. The scene is likely set in the 16th or 17th century when Protestants were prosecuted, amongst others, for reading the bible in the vernacular, a practice prohibited by the Catholic Church at the time. Signed (l/r) A. Ribas 15-12-913. Within a giltwood carved frame. circa: Probably Belgium, 1913. Karel Ooms was born in Dessel on January 27, 1845 as the youngest son of a large peasant family. At school his extraordinary talent for drawing was discovered. When he was twelve his hometown provided financial support which allowed him to study at the Antwerp Academy of fine Arts. One of his teachers at the Academy was Nicaise de Keyser, one of the key figures in the Belgian Romantic-historical school of painting and a painter of mainly history paintings and portraits. After graduating from the Academy 1865 Karel Ooms was welcomed with pomp in his home town Dessel. He painted two altarpieces for the local church Saint Nicolas, to express his gratitude to his city. Karel Ooms settled as an independent artist in Antwerp around 1871. He quickly established a reputation as a portrait painter. In addition, he received commissions for religious paintings and history paintings. He gained particular recognition with two large paintings...

José Sámano Torres (Mexican, B. 1942). Jose Torress has created remarkable work that blends the creative styles of cubism with the colorful abstrac...

Oil on panel. With MacConnal-Mason and Son, Ltd label on reverse. Featuring the 'kill' of an English fox hunt scene. Painting measures 7.25" x 15" an...

20th Century Chinese ancestor portrait painting on canvas. Depicts a Qing Dynasty male and female figure dressed as an emperor and empress in red red robes decorated with cranes, sea...

Continental Painted Porcelain Plaque of a Female Saint 19th Century, unmarked, probably German/Austrian, framed 7 by 5 in., overall 17 by 15 in.

Dramatically illustrating the legend that says that St. Martin of Tours used his sword to divide his cloak and share it with a naked beggar, this large and striking Art Deco painting depicts St. Martin riding a pale gray horse, with the beggar standing beside him, in the midst of a dark forest with starlit sky overhead. The two figures are accompanied by a running hound, and overhead a pair of geese...

Mid-Century 20th Century Oil Painting of Flowers in Vase by Gerald Cooper (1898-1975). Lovely painting of poppies, hibiscus, Nicotiana an...

This beautifully executed mixed-media painting by Boris Talberg (or Thalberg) was clearly executed in preparation for one of the artist's most famous works -- "The Gymnasts...

Signed lower left P. Fiordalisi (1904-?). Peter Fiordalisi was born in Union City, NJ and produced this fine abstract oil paint on canvas circa 1969. The artist uses segmented color,...

This painting by Libertad Gomez, 1983 is a breath of fresh air. We like the use of colors and the artist's rendition of an outside in environment. Frame...

Moody still life painting by Dutch artist Theo Swagemakers, featuring a white compote of fruit, a dark ewer, and a garlic bulb rendered in earthy tones. The work is signed lower left...

Selection of modernist art, circa 1950s. From left to right, they are: 1) SOLD Modernist nudes painting by Lillian Lent, American, circa 1950s. It is executed on board in it's original frame. It measures 14.5" H x 16.5" W. Lillian Lent lived and worked in the Woodstock Artist colony in New York. She attended the Tyler School of Fine Art in Philadelphia. In 1959, she was awarded first prize for one of her paintings from the Albany Museum. Among some of the galleries to exhibit her work were the Albright Gallery, the Norlyst Gallery, and The Creative Gallery. 2) Amedeo Modigliani lithograph...

French Louis XVI (18/19th Cent) portrait oil painting of young woman wearing a blue dress holding a pink ribbon with flowers in her hair in a gold carved frame (style of NATTIER)