Washington D.C.

Acrylic on canvas painting by Washington DC artist Joe Shannon (b.1933). The painting is titled "In Bad Spirits" and dated 1969. The painting was exhibit...

One of a kind painting by Noche Crist (1909- 2004). Noche Crist was an American artist born in Romania. Painting is on casein paint on plaster on board. Catalogue of a postumous retr...

Sculpture by Brazilian-born artist Elizabeth Freire. B&W photo is of Ms. Freire with renowned sculptor Etienne Martin at the Ecole Nationals des Beaux-Arts in Paris. Elizabeth Freire is a Brazilian-born, contemporary American artist. At the age of eighteen, she left Rio de Janeiro and moved to Paris to study sculpture at l’Ecole Nationale Superieure des Beaux-Arts, receiving her Diploma there in 1979 under the direction of Claude Viseux, Etienne Martin, and Cesar. During that time she worked as an apprentice at the Fonderie de France where she learned bronze technique and she also attended etching courses at l’Ecole de Montparnasse. In 1976, she won a commission to make three life-size figures representing the printing company, “Les Imprimeries de Boulogne,” at the International Printing Fair in Paris. She spent 1977 in Aix-en-Provence where she carved the local stone of Rogne. Returning to Paris, the painter Lutka Pink introduced her to Otero, Frans Krajcberg and Hajdu from whom she received valuable lessons. In 1978, she traveled to Brazil where she was invited to participate in the exhibit ‘A Century of Sculpture in Brazil’. She also met with the sculptor Sergio Camargo...

Ed Ruscha multiple published on the occasion of the Gala of the 30th Anniversary of the Museum of Contemporary Art in Los Angeles. Printed in an edition of approximately 1000 copies ...

Exceptional wood sculpture by Andrea De Zerega (1916-1990). Titled "Homage to Noland." Signed and dated 1968. Base is weighted for stability. Exhibit...

Painting titled "Window into Studio" and dated 2023 by Jeanne Cosimano. The painting is gouache on paper, frame is included. This work was recently included in a solo exhibition at Gallery 2112...

Vintage Hamadan Rug 4'6'' x 6'9''.

Slab with single dark Eye. Red-hearted robot struts Desert of shadows. :: Painting :: Modern :: This piece comes with an official certificate of authenticity signed by the artist ...

Shaggy Lola Rug 5'0" x 7'0".

Artist: Donald Sultan Title: Wallflower 26 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Frame Size: 29 3/8" x 26 3/4" Sheet Size: 24 1/4" x 21 1/2"...

Antique Persian Hajijalili Tabriz Rug 11’0" x 18’0". The well-woven to finely knotted 1890 to 1910 pieces woven in the eponymous workshop or its copyists, in Tabriz, in formats rang...

Tempore, Latin term denoting a temporary or provisional period. The starting point for the creative process of a collection of hand-knotted rugs made of Himalayan wool evoking a temp...

Extremely Fine Persian Tabriz 11’4" x 16’8”. The enormous output of carpets and scatters in virtually every style: medallion, centralized, directional or allover, trein a variety of ...

After Keith Haring Fully authorized by the Estate of Keith Haring. Estate seal on lower right

Superior Set of 3 skateboard decks

Beautiful ceramic vase by Tim Keenan. Condition is excellent. Signature to underside. Measures 10.25"H x 6"D.

Artist: Joan Miro Title: Plate XIII Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 19 3/4" x 17" Sheet Size: 12 1/2" x 10" Image Size: 12 1/2"...

Artist: Joan Miro Title: Plate VI Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 18 1/2" x 16" Sheet Size: 12 1/2" x 10" Image Size: 12 1/2" x...

Vintage Balouch Rug 3'2'' x 4'2''.

Painting titled "Ode to Angelo - Fall Sunflowers" by Maryanne Pollock. Mixed media on D'Arches paper, signed and dated 2022 on reverse. Measurements are 22" x 30". Maryanne Pollock...

French Aubusson Design Rug 8' x 10'. Usually English or French, often with repeating allover designs executed with wool cross-stitches. Larger carpets are workshop productions, small...

Sumak Rug 4'1'' x 6'1''. A technique rather than a specific type, in which warps are wrapped by colored wefts to create a pattern. Caucasian, Turkish, Persian and other types. Produc...

Artist: Yaacov Agam Title: Hommage to Mondrian (Silver) Medium: Screenprint in colors Year: 1976 Edition: 2/100 Sheet Size: 26 1/2" x 28" Frame size: 31 3/4" x 33 1/4" Signed: Hand ...

Artist: Marc Chagall Title: Woman Juggler Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 20 1/2" x 17 1/2" Image Size: 12 1/2" x 9 1/...

Extremely Fine/rare and unusual Antique Persian Silk Heriz Rug 4’0" x 5’4". The numerous rugs of the famous NW Persian weaving district, from small scatters to giant carpets and a fe...

Artist: Christo Title: The Museum of Modern Art, Wrapped (Front), Project for New York Portfolio: 1971 (Some) Not Realized Projects Medium: Offset lithograph on Rives BFK and Special...

Artist: Joan Miro Title: Plate I Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 18 1/2" x 16" Sheet Size: 12 1/2" x 10" Image Size: 12 1/2" x ...

Artist: Joan Miro Title: Plate III Portfolio: Lithographe III Medium: Lithograph Date: 1977 Edition: Unnumbered Frame Size: 19 5/8" x 16 3/4" Sheet Size: 13" x 10" Signature: Unsigne...

This beautiful print by George Condo was released as part of a portfolio in a limited edition of 400 on the occasion of his exhibition "Drawing Paintings" at Skarsketdt Gallery in 2011

This rare poster was produced in 1999, very early into KAWS's career with Tokion Magazine as part of a set of 4 high quality posters printed on thicker paper. It features a photo of ...

Extremely Fine Persian Silk Tabriz Rug 6'0" x 8'3''. The enormous output of carpets and scatters in virtually every style: medallion, centralized, directional or allover, trein a var...

Fine Antique Persian Bakhtiari Rug 4'4'' x 6'8''. The delightfully abrashed green field is filled with randomly colored small rosettes, and hosts a red stepped medallion with giganti...

Antique Turkish Oushak Rug 6’0" x 8’8". Town in Western Anatolia, weaving mostly room sizes, in coarse to moderate weave, high pile. Antiques are all wool, changing to cotton foundat...

Artist: Henri Matisse (after) Title: Nus Bleus VI Portfolio: The Last Works of Henri Matisse Medium: Lithograph Year: 1958 Edition: 2000 Framed Size: 22" x 18" Sheet Size: 14" x 10 1...

Artist: Karel Appel Title: Innocent Cat Portfolio: 1978 Cats Medium: Lithograph in colors on Japon paper Date: 1978 Edition: XV/LXV Sheet Size: 24 3/4" x 32 1/4" Signature: Hand sign...

Artist: Henri Matisse Title: D'Apres Longus Portfolio: Poesies Antillaises Medium: Lithograph Year: 1972 Edition: 250 Sheet Size: 14 7/8" x 11 1/8" Image Size: 14 7/8" x 11 1/8" Sign...

Artist: Karel Appel Title: House Cat Portfolio: 1978 Cats Medium: Lithograph in colors on Japon paper Date: 1978 Edition: XV/LXV Sheet Size: 24 3/4" x 32 1/4" Signature: Hand signed ...

Antique Turkish Hereke Rug 6’10" x 10’0". The post-WWII, finely woven  (or better), primarily silk scatters and larger rugs woven in Persian styles, often in niche (prayer) or medall...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Fine Antique Persian Qashqai Rug 4’3" x 7’3". The best SW Persian, Fars Province nomadic rugs, mostly in scatter formats. Geometric Gabbehs, lion rugs, adapted Persian curvilinear st...

Artist: Francesco Scavullo (after) Title: Mick Jagger, 1973 Portfolio: A Photographic Retrospective, Volume I: Song Medium: Gelatin Silver Print Year: 2004 Edition: 99/150 Signed: Si...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Artist: Henri Matisse (after) Title: Nude With Oranges Portfolio: The Last Works of Henri Matisse Medium: Lithograph Year: 1958 Edition: 2000 Sheet Size: 14" x 10 1/2" Signature: Si...

Artist: Henri Matisse (after) Title: Acanthes Portfolio: The Last Works of Henri Matisse Medium: Lithograph Date: 1958 Edition: 2000 Sheet Size: 14" x 10 1/2" Signature: No Reference...

Tabriz Rug 9'0'' x 12'0''.

Original work by Mary Early. Work is graphite, wax crayon, and sumi ink on Arches paper, 12 1/4 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Fine Antique Persian Mohtasham Kashan Rug 6'11" x 10’0". The Revival Period rugs woven by two generations of Mohtashams, from 1880 to WWI, with imported Manchester-spun, Australian m...

Artist: Andy Warhol Title: Untitled (Plate 8) Portfolio: 1956 In the Bottom of My Garden Medium: Offset lithograph and watercolor on paper Date: 1956 Frame Size: 15 3/4" x 18 3/8" Sh...

Extremely Fine Vintage Turkish Hereke Silk & Metal Rug 6’11" x 10’3". The post-WWII, finely woven  (or better), primarily silk scatters and larger rugs woven in Persian styles, often...

Painting by Maryanne Pollock titled "Totem". Work is signed and dated 2018 on reverse. Maryanne Pollock received her BFA from Tyler School of Art in Philadelphia and Rome, Italy. She continued studying at the Pennsylvania Academy of Fine Arts, the Corcoran College of Art and Design and American...

Artist: Francesco Scavullo (after) Title: Ravi Skankar, 1977 Portfolio: A Photographic Retrospective, Volume I: Song Medium: Gelatin Silver Print Year: 2004 Edition: 106/150 Signed: ...

Artist: Marc Chagall Title: Ruth at the Feet of Boaz Portfolio: Drawings for the Bible Medium: Lithograph Year: 1960 Edition: Unnumbered Frame Size: 2...

Set of 5 skateboard decks Publisher: Estate of Jean Michel Basquiat in collaboration with Artestar Please see our other listings

This piece is a second version of an earlier painting (also available on Zatista). I completed it while doing my artist residency at Palette 22 Restaurant. What is special to me abou...

One of a kind painting by Noche Crist (1909- 2004). Noche Crist was an American artist born in Romania. Acrylic painting is made with plaster on wood, which gives the painting a wonderful texture and depth. Painting is signed and titled on reverse "La Ronde...

Antique Turkish Oushak Rug 14’2” x 20’6”. Town in Western Anatolia, weaving mostly room sizes, in coarse to moderate weave, high pile. Antiques are all wool, changing to cotton found...

Antique Chinese Rug 8'10'' x 11'4''. A generic term referring to any carpets made within the confines of the Middle Kingdom including: Ningxia (north central China), Peking (woven i...

Antique Kazak Rug 3'5'' x 4'0''.

Wonderful and one of a kind nude sculpture by Noche Crist (1909-2004). Sculpture is made from polyester resin. Catalogue of a postumous retrospective in 20...

Fine Antique Kazak Wool Rug 4'9" x 7’2". SW Caucasus/Armenia. Boldly patterned, strongly colored, totally geometric, all wool, coarse to moderate weave, medium to long pile, scatter ...