Wisconsin

Scroll is a scarce, hand hammered heavy weight pattern designed by Johan Rohde in 1927. Johan Rohde is known for his innovative and unique style. While his patterns are elegant and c...

COURREGES c.1970's Hyperbole Black Sleeveless Belted Midi Fit n Flare Tea Dress Circa: 1970’s Label(s): Courreges Paris Hyperbole Designer: Andre Courreges Style: Fit n flare dress...

'Preoccupied' is an original black serpentine sculpture by the celebrated second generation Shona artist Colleen Madamombe. The sculpture presents a character common to Madamombe's w...

"Sea Wind" is an original bronze sculpture by Judye Frankowiak. The artist signed the piece. It depicts a woman with wind-swept hair. It is number 8 from an edition of 10. 8 1/2" x 6" x 7" art B.A. Michigan State University, East Lansing, Michigan Further study: Newark State College, Elizabeth N.J.: Education Summit Art Center, Summit, N.J.: Sculpture 1970-1978: Milwaukee Public Museum, Milwaukee, WI. Worked under contract in Exhibits and Graphics Dept. to create life-size human figures for exhibits and dioramas 1970 to Present: Provided exhibit and diorama sculpture...

GIVENCHY Demi Couture c.1990's Black Silk Satin Maxi Evening Sheath Dress Gown Circa: 1990’s Label(s): Boutique Givenchy Paris; Martha Designer: H...

Tiffany & Co. is one of the most prominent purveyors of luxury goods in the United States, and has long been an important arbiter of style in the design of diamond engagement rings. A young Franklin Delano Roosevelt proposed to his future wife, Eleanor, with a Tiffany ring in 1904. Vanderbilt's, Whitney's, Astor's and members of the Russian imperial family all wore Tiffany & Co. jewels. And Jacqueline Kennedy Onassis preferred Tiffany china for state dinners at the White House. Although synonymous with luxury today, the firm started out rather modestly. Charles Lewis Tiffany and John B. Young founded it in Connecticut as "a stationery and fancy goods emporium" in 1837, at a time when European imports still dominated the nascent American luxury market. In 1853, Charles Tiffany who in 1845 had launched the company's famed catalog, the Blue Book, and with it, the firm's signature robin's-egg blue, which he chose for the cover shifted the focus to fine jewelry. In 1868, Tiffany & Co. gained international recognition when it became the first U.S. firm to win an award for excellence in silverware at the Exposition Universelle in Paris. From then on, it belonged to the pantheon of American luxury brands. Dinner Size Broom Corn by Tiffany & Co. Sterling Silver Flatware set - 59 pieces. This set includes: 8 Dinner Size Knives with blunt silverplated blades, 10 1/2" 8 Dinner Size Forks, 7 1/2" 8 Luncheon/Dessert Forks, 7" 8 Teaspoons, 5 7/8" 8 Place Soup Spoons, 7" 8 Flat Handle Butter Spreaders, 6" 8 Dessert Knives, hollow handle all-sterling, 7 1/2" 1 Gravy Ladle with fluted bowl, 7 1/4" 1 Cold Meat Fork, fluted, 8 3/4" 1 Sugar Spoon, scalloped, gold-washed, 6" Includes bonus brand new storage chest - styles vary. Excellent condition, with no monograms. This set will be beautifully professionally polished and sealed in individual plastic sleeves prior to shipping. Exquisite Tiffany silverware...

This blue and cream wool Persian area rug with detailed textured patterns, sized 2' x 3', offers a cool, refreshing palette that adds a serene, calming touch to any space. The rug’s ...

COURREGES Hyperbole c.1970's Orange Hooded Belted Full-Length Coat Circa: 1970’s Label(s): Courreges Paris, Hyperbole Designer: Andre Courreges Style: Coat Color(s): Orange (exter...

GUCCI S/S 2017 Blue Green Pink Floral Wool Pointed Collar Blazer Jacket Brand / Manufacturer: Gucci Collection: S/S 2017 Designer: Alessandro Michele Style: Blazer Color(s): Shades ...

'New Orleans Streetscape" is an original watercolor painting by William Collins. It features a view of a street in New Orleans,. Tall houses with large...

18K yellow gold vintage ring with the original large smoky/champagne quartz stone. The quartz is a large emerald cut measuring about 15.5mm x 12mm with light golden tan color. The mo...

This geometric green and cream wool flatweave organic modern rug, measuring 2' x 4', is a stunning blend of simplicity and intricacy. The rug features a sophisticated geometric patte...

The present print is one of several examples produced for Nathaniel Currier by his longtime collaborator Frances F. "Fanny" Palmer. Harry T. Peters wrote of her: "There is no more interesting and appealing character among the group of artists who worked for Currier & Ives than Fanny Palmer. In an age when women, well-bred women in particular, did not generally work for a living Fanny Palmer for years did exacting, full-time work in order to support a large and dependent family ... Her work ... had great charm, homeliness, and a conscientious attention to detail." One of a series of four prints showing American country life in different seasons, the image presents the viewer with a picturesque view of a successful American farm. In the foreground, a gentleman rides a horse with a young boy before a respectable Italianate country house. Two women and a young girl pick flowers in the garden and several farm workers attend to their duties. Beyond are other homes and a city on the coast. 16.63 x 23.75 inches, artwork 28.13 x 33.38 inches, frame Entitled bottom center "American Country Life - May Morning" Signed in the stone, lower left "F.F. Palmer, Del." Signed in the stone, lower right "Lith. by N. Currier" Copyrighted lower center "Entered according to Act of Congress in the year 1855 by N. Currier in the Clerk's office of the Southern District of N.Y." Inscribed bottom center "New York, Published by N. Currier 152 Nassau Street" Framed to conservation standards using silk-lined 100 percent rag matting and Museum Glass with a gold gilded liner, all housed in a stained wood moulding. Nathaniel Currier was a tall introspective man with a melancholy nature. He could captivate people with his piercing stare or charm them with his sparkling blue eyes. Nathaniel was born in Roxbury, Massachusetts on March 27th, 1813, the second of four children. His parents, Nathaniel and Hannah Currier, were distant cousins who lived a humble yet spartan life. When Nathaniel was eight years old, tragedy struck. Nathaniel’s father unexpectedly passed away leaving Nathaniel and his eleven-year-old brother Lorenzo to provide for the family. In addition to their mother, Nathaniel and Lorenzo had to care for six-year-old sister Elizabeth and two-year-old brother Charles. Nathaniel worked a series of odd jobs to support the family, and at fifteen, he started what would become a life-long career when he apprenticed in the Boston lithography shop of William and John Pendleton. A Bavarian gentleman named Alois Senefelder invented lithography just 30 years prior to young Nat Currier’s apprenticeship. While under the employ of the brothers Pendleton, Nat was taught the art of lithography by the firm’s chief printer, a French national named Dubois, who brought the lithography trade to America. Lithography involves grinding a piece of limestone flat and smooth then drawing in mirror image on the stone with a special grease pencil. After the image is completed, the stone is etched with a solution of aqua fortis leaving the greased areas in slight relief. Water is then used to wet the stone and greased-ink is rolled onto the raised areas. Since grease and water do not mix, the greased-ink is repelled by the moisture on the stone and clings to the original grease pencil lines. The stone is then placed in a press and used as a printing block to impart black on white images to paper. In 1833, now twenty-years old and an accomplished lithographer, Nat Currier left Boston and moved to Philadelphia to do contract work for M.E.D. Brown, a noted engraver and printer. With the promise of good money, Currier hired on to help Brown prepare lithographic stones of scientific images for the American Journal of Sciences and Arts. When Nat completed the contract work in 1834, he traveled to New York City to work once again for his mentor John Pendleton, who was now operating his own shop located at 137 Broadway. Soon after the reunion, Pendleton expressed an interest in returning to Boston and offered to sell his print shop to Currier. Young Nat did not have the financial resources to buy the shop, but being the resourceful type he found another local printer by the name of Stodart. Together they bought Pendleton’s business. The firm ‘Currier & Stodart’ specialized in "job" printing. They produced many different types of printed items, most notably music manuscripts for local publishers. By 1835, Stodart was frustrated that the business was not making enough money and he ended the partnership, taking his investment with him. With little more than some lithographic stones, and a talent for his trade, twenty-two year old Nat Currier set up shop in a temporary office at 1 Wall Street in New York City. He named his new enterprise ‘N. Currier, Lithographer’ Nathaniel continued as a job printer and duplicated everything from music sheets to architectural plans. He experimented with portraits, disaster scenes and memorial prints, and any thing that he could sell to the public from tables in front of his shop. During 1835 he produced a disaster print Ruins of the Planter's Hotel, New Orleans, which fell at two O’clock on the Morning of the 15th of May 1835, burying 50 persons, 40 of whom Escaped with their Lives. The public had a thirst for newsworthy events, and newspapers of the day did not include pictures. By producing this print, Nat gave the public a new way to “see” the news. The print sold reasonably well, an important fact that was not lost on Currier. Nat met and married Eliza Farnsworth in 1840. He also produced a print that same year titled Awful Conflagration of the Steamboat Lexington in Long Island Sound on Monday Evening, January 18, 1840, by which melancholy occurrence over One Hundred Persons Perished. This print sold out very quickly, and Currier was approached by an enterprising publication who contracted him to print a single sheet addition of their paper, the New York Sun. This single page paper is presumed to be the first illustrated newspaper ever published. The success of the Lexington print launched his career nationally and put him in a position to finally lift his family up. In 1841, Nat and Eliza had their first child, a son they named Edward West Currier. That same year Nat hired his twenty-one year old brother Charles and taught him the lithography trade, he also hired his artistically inclined brother Lorenzo to travel out west and make sketches of the new frontier as material for future prints. Charles worked for the firm on and off over the years, and invented a new type of lithographic crayon which he patented and named the Crayola. Lorenzo continued selling sketches to Nat for the next few years. In 1843, Nat and Eliza had a daughter, Eliza West Currier, but tragedy struck in early 1847 when their young daughter died from a prolonged illness. Nat and Eliza were grief stricken, and Eliza, driven by despair, gave up on life and passed away just four months after her daughter’s death. The subject of Nat Currier’s artwork changed following the death of his wife and daughter, and he produced many memorial prints and sentimental prints during the late 1840s. The memorial prints generally depicted grief stricken families posed by gravestones (the stones were left blank so the purchasers could fill in the names of the dearly departed). The sentimental prints usually depicted idealized portraits of women and children, titled with popular Christian names of the day. Late in 1847, Nat Currier married Lura Ormsbee, a friend of the family. Lura was a self-sufficient woman, and she immediately set out to help Nat raise six-year-old Edward and get their house in order. In 1849, Lura delivered a son, Walter Black Currier, but fate dealt them a blow when young Walter died one year later. While Nat and Lura were grieving the loss of their new son, word came from San Francisco that Nat’s brother Lorenzo had also passed away from a brief illness. Nat sank deeper into his natural quiet melancholy. Friends stopped by to console the couple, and Lura began to set an extra place at their table for these unexpected guests. She continued this tradition throughout their lives. In 1852, Charles introduced a friend, James Merritt Ives, to Nat and suggested he hire him as a bookkeeper. Jim Ives was a native New Yorker born in 1824 and raised on the grounds of Bellevue Hospital where his father was employed as superintendent. Jim was a self-trained artist and professional bookkeeper. He was also a plump and jovial man, presenting the exact opposite image of his new boss. Jim Ives met Charles Currier through Caroline Clark, the object of Jim’s affection. Caroline’s sister Elizabeth was married to Charles, and Caroline was a close friend of the Currier family. Jim eventually proposed marriage to Caroline and solicited an introduction to Nat Currier, through Charles, in hopes of securing a more stable income to support his future wife. Ives quickly set out to improve and modernize his new employer’s bookkeeping methods. He reorganized the firm’s sizable inventory, and used his artistic skills to streamline the firm’s production methods. By 1857, Nathaniel had become so dependent on Jims’ skills and initiative that he offered him a full partnership in the firm and appointed him general manager. The two men chose the name ‘Currier & Ives’ for the new partnership, and became close friends. Currier & Ives produced their prints in a building at 33 Spruce Street where they occupied the third, fourth and fifth floors. The third floor was devoted to the hand operated printing presses that were built by Nat's cousin, Cyrus Currier, at his shop Cyrus Currier & Sons in Newark, NJ. The fourth floor found the artists, lithographers and the stone grinders at work. The fifth floor housed the coloring department, and was one of the earliest production lines in the country. The colorists were generally immigrant girls, mostly German, who came to America with some formal artistic training. Each colorist was responsible for adding a single color to a print. As a colorist finished applying their color, the print was passed down the line to the next colorist to add their color. The colorists worked from a master print displayed above their table, which showed where the proper colors were to be placed. At the end of the table was a touch up artist who checked the prints for quality, touching-in areas that may have been missed as it passed down the line. During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production. Although most Currier & Ives prints were colored in house, some were sent out to contract artists. The rate Currier & Ives paid these artists for coloring work was one dollar per one hundred small folios (a penny a print) and one dollar per one dozen large folios. Currier & Ives also offered uncolored prints to dealers, with instructions (included on the price list) on how to 'prepare the prints for coloring.' In addition, schools could order uncolored prints from the firm’s catalogue to use in their painting classes. Nathaniel Currier and James Merritt Ives attracted a wide circle of friends during their years in business. Some of their more famous acquaintances included Horace Greeley, Phineas T. Barnum, and the outspoken abolitionists Rev. Henry Ward, and John Greenleaf Whittier (the latter being a cousin of Mr. Currier). Nat Currier and Jim Ives described their business as "Publishers of Cheap and Popular Pictures" and produced many categories of prints. These included Disaster Scenes, Sentimental Images, Sports, Humor, Hunting Scenes, Politics, Religion, City and Rural Scenes, Trains, Ships, Fire Fighters, Famous Race Horses, Historical Portraits, and just about any other topic that satisfied the general public's taste. In all, the firm produced in excess of 7500 different titles, totaling over one million prints produced from 1835 to 1907. Nat Currier retired in 1880, and signed over his share of the firm to his son Edward. Nat died eight years later at his summer home 'Lion’s Gate' in Amesbury, Massachusetts. Jim Ives remained active in the firm until his death in 1895, when his share of the firm passed to his eldest son, Chauncey. In 1902, faced will failing health from the ravages of Tuberculosis, Edward Currier sold his share of the firm to Chauncey Ives...

ENGLISH KING (c. 1885) Patterns similar to our English King were first used in France and England late in the eighteenth century and have remained among the most popular styles for>flatware today, in both Europe and America. Tiffany & Co. first made its own version of English King in 1885. It harmonizes with any eighteenth-century-inspired style neo-Georgian, Colonial, Louis XVI, Sheraton, Chippendale, Adam or Hepplewhite. The rich, intricate decoration of Tiffany's English King pattern reflects the luxurious entertainments given during the latter part of the eighteenth century and will enhance and give a sense of occasion to present-day settings. Designed by Charles Grosjean (1841-1888). Grosjean worked in his family's firm which produced high end silverware to prominent New York City retailers, including Tiffany. Upon his father's death, Grosjean left his family firm to become superintendent of Tiffany's silver factory in 1868. He had great background in silver and was an artist and was referred to as "one of the best living decorators of silver". He was a teacher in the Tiffany School and designed a few full lines of sterling patterns...

GIVENCHY Couture A/W 1999 Alexander McQueen Black Gray Stripe Blazer Skirt Suit Brand / Manufacturer: Givenchy Couture Collection: A/W 1999 Designer: Alexander McQueen Style: Blaze...

Tiffany's luxurious Chrysanthemum silver was designed in 1880. With its flowing curves, swirling vegetation, meandering tendrils and exotic blossoming plants, Chrysanthemum is charac...

Fontainebleau by Gorham sterling silver flatware set, 73 pieces. This set includes: 8 dinner forks, 7 5/8" 8 knives, 9 3/8" 8 forks, 6 3/4" 8 fish/salad forks, 6 3/4" 16 teaspoons, ...

Platinum blue sapphire and diamond ring. The ring features a genuine earth mined asscher cut Ceylon sapphire. It measures about 5.8mm x 5.6mm and weighs .88cts. The sapphire has ligh...

ALEXANDER McQUEEN A/W 1997 Roman Print Old Masters Asymmetric Button Front Shirt Brand / Manufacturer: Alexander McQueen Collection: A/W 1997 Style: But...

Hand wrought Danish sterling silver flatware set by Copenhagen Silver Industry Ltd. - 46 pieces. This set includes: Bonus8 dinner forks, 7 7/8" 8 knives, 8 3/8" 8 dessert forks, 6 3...

A Large Nineteenth Century Zinc Buoy having bone pieces attached to its circumference. All attached on a metal stand. Fabulous piece of nautical folk art or found object.

Georg Jensen Sterling Silver “Parallel” AKA “Relief” flatware. Designed by Oscar Gunlach-Pedersen, for Georg Jensen's Silversmithy 1931. Gunlach-Pedersen trained as a sculptor and ar...

Craftsman by Towle sterling silver flatware set, 46 pieces. This set includes: 8 knives, 8 5/8" 8 forks, 7 3/8" 8 salad forks, 6 1/2" 8 teaspoons, ...

Brand / Manufacturer: Alexander McQueen Circa: F/W 2002 "Supercalifragilistic" Designer: Alexander McQueen Style: Mini Skirt Color(s): Shades of pink Lined: Yes Marked Fabric Content: "96% wool, 4% leather" Lining: "100% Rayon" Additional Details / Inclusions: Alexander McQueen c.2006 pink mini skirt...

Outstanding Choiseul by Puiforcat French sterling silver flatware set, 49 pieces. This set includes: 8 dinner knives, 10" 8 dinner forks, 8" 8 luncheon knives, 8 3/8" 8 luncheon forks, 6 3/4" 8 place soup spoons, 7" 1 gravy ladle, 6 1/2" 2 dinner spoons/small serving spoons, 7 7/8" 1 hollow handle master butter knife, 7 1/2" 1 pie server all-sterling, 9 3/8" 1 entree server, 8 3/8" 1 rice spoon...

Tiffany & Co. is one of the most prominent purveyors of luxury goods in the United States, and has long been an important arbiter of style in the design of diamond engagement rings. A young Franklin Delano Roosevelt proposed to his future wife, Eleanor, with a Tiffany ring in 1904. Vanderbilts, Whitneys, Astors and members of the Russian imperial family all wore Tiffany & Co. jewels. And Jacqueline Kennedy Onassis preferred Tiffany china...

Brand / Manufacturer: Alexander McQueen Collection: S/S 1996 "The Hunger" Designer: Alexander McQueen Style: Button Down Top Color(s): Shades of red, pink, green, white, orange Line...

Gran Paris by Camusso Exceptional Peruvian Gran Paris by Camusso 5-piece tea set with faux ivory handles and finials and griffin spouts. This set includes: 1 - Kettle on Stand:...

Vintage Couture c.1920's black silk georgette beaded flapper dress. Multicolor floral glass beaded embellishment along front, hemline, neckline, and cuffs. Scoop neckline. Short slee...

ALEXANDER McQUEEN S/S 2006 Taupe Silk Taffeta Pleated Waist Bow Pencil Skirt Brand / Manufacturer: Alexander McQueen Collection: S/S 2006 Style: Pencil Skirt Color(s): Shades if...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

ALEXANDER McQUEEN A/W 2010 “Angels & Demons” “Hells Angels” Leggings RARE Brand / Manufacturer: Alexander McQueen Collection: Autumn/ Winter 2010 "Ange...

Reeded Edge - This timeless pattern was introduced by Tiffany in the year 1937 and features a classic Queen Anne design with a stamped reeded border. The pieces are large, heavy, and have great balance. Monumental Dinner and Luncheon Size "Reeded Edge" by Tiffany and Co. sterling silver Flatware set, 255 pieces. This set includes: 18 dinner size knives w/blunt stainless tiffany blades...

CHANEL c.1980's Vtg Black Satin Silver Barrette Large Bow Hair Clip Accessory Brand / Manufacturer: Chanel Collection: c.1980's Designer: Karl Lagerfeld Style: Hair barrette/clip Co...

A pair of 14K yellow gold garnet cabochon drop earrings. The large oval cabochon cut garnet stones measure about 12mm x 8mm and weigh 10.48 carats total. The smaller oval cabochon cu...

Allow this 9' x 12' abstract brown and cream wool Persian carpet to inspire you. Composed of all-natural, undyed shades of taupe, cream, and brown neutral wool, "Talons" by Orley Sha...

Brand / Manufacturer: Chanel Circa: 2000s Designer: Karl Lagerfeld Style: Jacket & top set Color(s): Shades of pink, green, white, purple, blue Lined: Yes Marked Fabric Content: "95% acrylic, 5% polyester" (primary fabric), "100% silk" (lining) Unmarked Fabric Content (feel of): Metal (hardware) Additional Details / Inclusions: Chanel circa 2000s jacket & tank top set. Structured material; little to no stretch or give to fabric. Rounded neckline to top. Small slit to side seams at each side of top. Silver-toned metal chanel logo plate sewn to bottom left corner of top. Contrasting multicolor dot patterned silk lining. Jewel neckline at top of jacket. Small slit in sleeve seams; allows for cuff to be flipped upward when worn. Green banding around interior neckline, cuffs, and down center front of jacket. Silver-toned metal Chanel name...

Modern Victorian by Lunt sterling silver Flatware set of 27 pieces. Great starter set! This set includes: Six knives, 8 3/4", six forks, 7 ...

The initial inspiration for the elemental top collection by Alvaro Uribe for Wooda was wooda’s iconic logo of a tree. We felt it captured the company’s synergy for working with wood ...

Beautiful, heirloom quality WEDGWOOD BY INTERNATIONAL Sterling Silver flatware set - 40 pieces. This set includes: 8 KNIVES w/French stainless blades, 9" 8 FORKS, 7 1/4" 8 SALAD FO...

"Red, Yellow, Blue & Green" is an original color woodcut by Carol Summers. The artist signed the piece in the lower left. This woodcut depicts four color fields. The edition number i...

This hand-knotted tribal Persian Shekarloo rug in naturally dyed wool, measuring 4' x 6', is a vibrant example of the Shekarloo weaving tradition. Crafted from handspun wool and dyed...

Outstanding Nouveau by Leroy & Cie / Piault, circa 1886-1897, French silver Flatware set - 102 pieces. This Art Nouveau pattern features a shaped terminal with cascading floral scroll work and wonderful pistol grip handles on the knives. This set includes: 12 dinner size knives, pistol handles...

Scroll is a scarce, hand hammered heavy weight pattern designed by Johan Rohde in 1927. Johan Rohde is known for his innovative and unique style. While his patterns are elegant an...

With a dedication to perfection and quality, Christofle flatware creations unite craftsmanship and modern technique, resulting in flatware to be handed down through generations. Monumental Baguette / Fidelio by Christofle...

DESCRIPTION: GIVENCHY c.1990's Haute Couture Fuchsia Pink Leopard Print Velvet Evening Dress Circa: c.1990’s Label(s): Givenchy; 72310 (Haute Couture numb...

ALEXANDER McQUEEN S/S 1997 “La Poupée” Black Wool Illusion Cutout Cocktail Dress Brand / Manufacturer: Alexander McQueen Collection: S/S 1997 “La Poup...

ALEXANDER McQUEEN S/S 2009 Iconic Blue Crystal Kaleidoscope Natural Dis-tinction Blazer Brand / Manufacturer: Alexander McQueen Collection: Spring / Summer 2009 Style: Blazer Co...

Alexander McQueen S/S 2003 Silk Nude Eagle Tattoo Print Tank Top Brand / Manufacturer: Alexander McQueen Collection: S/S 2003 Style: Tank top Color(s): Shades of nude, red, pink, ...

Lenox by Durgin Sterling Silver Flatware set - 48 pieces. This set includes: 12 Knives with blunt stainless blades, 8 1/2" 12 Forks, 7 1/4" 12 Salad Forks, 6 1/8" 12 Small Teaspoons...

Rare vintage Germaine Monteil c.1930's black silk velvet belted floral lace evening gown. Long dolman sleeves with six covered button detail and four ...

"Requiem" is an original etching and aquatint by Joan Snyder. The artist signed the piece, and the edition is of 120. This piece features abstract, expressionist text and an striking portrait of a woman with red lipstick on a pink background. 25 5/8" x 20" art 32" x 26" frame Joan Snyder was born on April 16, 1940, in Highland Park, New Jersey. She received her AB from Douglass College in New Brunswick, New Jersey (1962), and an MFA from Rutgers University in New Brunswick, New Jersey (1966). She was the recipient of a National Endowment for the Arts Fellowship (1974) and a John Simon Guggenheim Memorial Fellowship (1983). Snyder lives in Brooklyn and Woodstock, New York. Although Snyder’s paintings are often placed under various art-movement umbrellas—Abstract...

EMILIO PUCCI c.1960's Orange Geometric Op Art Signature Print Silk Empire Dress Circa: 1960’s Label(s): Emilio Pucci; Made of Lord & Taylor Designer: Emilio Pucci Style: Empire dre...

Vintage Courreges Couture Future c.1960's navy blue wool sleeveless tie waist shift dress. Designed by Andre Courreges. Slit neckline. Sleeveless. Center front 1/2 zip closure. Draw ...

This hand-knotted wool carpet, 9' x 12', features a refined allover lattice pattern framed by a layered geometric border, creating a composition that feels both structured and quietl...

Lovely Silver Rose by Oneida sterling silver flatware set of 80 pieces. This set includes: 12 knives, 8 5/8" 12 forks, 7 1/2" 12 salad, 6 5/8" 1...

"La Carnival XX-9" is an original mixed media piece by John Baughman. This piece is reminiscent of many color field abstract expressionists like Mark Rothko, and contains rough fields of red and beige. Various brightly-colored marks interject throughout the fields of more regular color. 21 1/2" x 13 1/2" art 31 1/2" x 24" frame John grew up in western Michigan, the oldest of five children. He was interested in art from a young age, and although there were no artists in his family, as a child he received what became valuable encouragement from a neighbor, who worked in the art business. Of his art, John says, "Art is the core of my life." Like life, John's art is unexpectedly diverse and complicated. He often uses oil paints, but constantly experiments with new mediums, feeling that it is important for an artist to be willing to take risks. John says his largest influence is his wife Janet, but also loves the work of Mark Rothko and Conrad Marcarelli...

Brand / Manufacturer: Alexander McQueen Collection: S/S 2010 "Plato's Atlantis" Designer: Alexander McQueen Style: Long sleeve knee-length dress Color(s): Shades of blue, white, blac...

Castilian by Tiffany & Co. sterling silver flatware set, 48 pieces. This set includes: 6 knives, pistol-grip handles, 9 1/8" 6 forks, 7" 6 salad forks, 6 3/4" 6 teaspoons, 6" 6 flat...

This minimalist, Post Modern modern table in the manner of Milo Baughman would look great in a Modern or Mid-Century decor. This table is versatile and holds many books or magazines, and has a very sleek aesthetic. It features classic chic bent chrome...