Wisconsin

DESCRIPTION: CHLOE S/S 2001 Gold Asymmetrical Wire Frame Shield Sunglasses 76S Brand / Manufacturer: Chloe Collection: Spring / Summer 2001 Designer: Stella McCartney Style: Shiel...

10K yellow gold round locket with diamond on chain. The Victorian locket measures just over 1 3/8" long with bail by 1 1/8" diameter. There is a small round earth mined diamond accen...

DESCRIPTION: IPPOLITA "Classico" Hammered Sterling Silver Ball Necklace & Stud Earrings Set Brand / Manufacturer: Ippolita Collection: Classico ...

Vintage Emilio Pucci c.1960's op art signature print one piece bathing suit. Multicolor op art signature print mesh lycra in shades of green, yellow, orange...

Rare High-End Antique Rug Dated C. 1895, Pink & Beige Tribal Nomadic Masterpiece About this rug: These pieces are So difficult to get your hands on. They are always kept in wealthy...

The traditional curves and contours of Legato are restrained by a modern touch emphasizing the graceful handle of this pattern. The rich and precise ornamentation on the edges of Legato will please the most discriminating eye. Bring refinement and sophistication to your table. Legato by Towle...

"Lake Michigan Shore" is an original oil painting on board by Francesco Spicuzza. The artist shows the impact of Impressionism in his landscapes from around 1930. "Lake Michigan Shor...

Rattail Antique by Reed & Barton/Dominick and Haff sterling silver flatware set with fabulous pistol-grip handle knives - 59 pieces. This set includes: 8 Regular Knives, pistol-gri...

This abstract blue and cream Persian rug, measuring 4' x 6', is part of Orley Shabahang’s celebrated Abstract Collection and is titled Calli...

ALEXANDER McQUEEN A/W 2009 Army Green Suede Leather Cargo Pant Fold Over Joggers Brand / Manufacturer: Alexander McQueen Collection: A/W 2009 Style: Cargo Joggers Color(s): Shades...

Fall/Winter 1983 New Old Stock Gianni Versace gold and black silk floral lame skirt. Full pleated skirt. Quilted waistband. Black trim at hem. Two pockets. Hook/eye and button closur...

ALEXANDER McQUEEN A/W 1995 “Highland Rape” Multicolor Pattern Sleeveless Sweater Brand / Manufacturer: Alexander McQueen Collection: A/W 1995 Designer:...

Eight dinner size knives 9 3/4", 8 dinner size forks 7 3/4", Eight salad forks 6 3/8", 8 teaspoons 6 1/8", Eight hollow handle butter spreaders all-sterling 6", Eight cocktail fork...

R. C. Gorman is better known for his images of colorful and elegant Navajo figures. This pair of prints, however, offers a view into his personal life. The pair of nude figures in th...

The beauty of classic tradition is captured in Internationals Grecian motif Wedgwood pattern. The delicate scrolled relief border gracefully encloses a detailed Grecian urn with intr...

Valentino Boutique Autumn/Winter 2000 black metallic sequin knit scoop neck top designed by Valentino Garavani. Black semi-sheer knit with all over sequin clusters. 3/4 length sleeve...

Monumental Dinner Size Palladio AKA Fiddle Thread Italy 925 Sterling Silver Flatware set - 140 pieces. This set was originally purchased a...

Rare handmade ornamental #19 by Georg Jensen sterling silver flatware set with superb pierced Art Nouveau grapes motif - 129 pieces. Early "GI" hallmark for 1910-1925. This set includes: 12 dinner size knives, 9 1/2", 12 dinner size forks, 8 1/4", 12 salad forks, 6 7/8", 12 place soup spoons, 7 1/4", 12 iced tea spoons, 7", 12 pastry forks, 3-tine, 6", 12 serving spoons, 8 3/8", eight luncheon knives, 7 5/8", eight teaspoons, 5 1/2", eight ice cream spoons, 6 1/2", ten luncheon forks, 7 1/8", ten hollow handle all-sterling butter...

Baronet aka Arvesolv #7 by Hans Hansen Danish sterling silver flatware set - 91 pieces. This set includes: 12 dinner knives, 9 1/4", 12 dinner forks, 7", 12 salad forks, 6 1/4", 12 teaspoons, 6", 12 cream soup spoons, 6 3/8", 12 hollow handle butter spreaders, all-sterling, 5 7/8", 12 cocktail forks, 5 1/2", one gravy ladle, with spout, 6 1/4", one cold meat fork, 9 1/8", one pickle fork, 6 7/8", one salad set, two-piece, 8", one berry spoon, 9 3/8", one tomato spoon...

Silver flutes by Towle sterling silver flatware set, 32 pieces. This set includes: eight knives, 9", eight forks, 7 3/8", eight salad forks,...

Vintage c.1960's Hobe crystal geometric statement pendant with gold-tone chain tassels and rope chain. Two large overlapped cut out diamond shaped pendants have two rows of prong set...

Mid-Century Modern Northern Lights by International glossy Sterling silver flatware set, 30 pieces. This set includes: 6 knives, 8 ...

Persian originated in 1872 when exotic lands were all in vogue (Japanese, Egyptian, Persian). It is absolutely striking with its ornate design. It is a beautiful example of the silve...

Pink steel patina 48 inches high and approx. 30 inches wide. Indoor or outdoor sculpture.

Brand / Manufacturer: Courreges Circa: 1960s Designer: Andre Courreges Style: Sweater top Color(s): Shades of black, silver Lined: No Marked Fabric Content: "74% polyamide, 24% poly...

This is an excellent example of the kind of portraiture produced by Castiglione during the early part of the 17th century. In the image, we see the visage of a man with a mustache, wearing a fur-lined hat topped with a feathery decoration. The image is reminiscent of the work of Rembrandt van Rijn, himself known for his portraits in the form of etchings. 4 x 3.5 inches, image 15.25 x 13.25 inches, frame Inscribed "GC" in the plate, lower left This impression is from the edition ca. 1825 from the original plate of ca. 1635. Unlike many Italian artists, Giovanni Benedetto Castiglione was profoundly influenced by foreigners. He first studied with local artists in his native Genoa, absorbing not only Tuscan Mannerism and Caravaggism but also the style of Peter Paul Rubens, who had worked in Genoa. From 1621 Castiglione also worked in Anthony van Dyck's Genoa studio. Early on, he was attracted to Flemish animal...

Brand / Manufacturer: Moschino Collection: Spring 2006 Designer: Rosella Jardini Style: Above-the-knee skirt Color(s): Shades of ivory, black, white Lined: Yes Marked Fabric Content:...

"Melody in G" is a painted steel sculpture by Ralph Wickstrom created in 2000. Wickstrom's portfolio is very diverse in form and shape, and yet this piece seems to stand out from the...

'Undefined' is an original acrylic painting on canvas by Alayna Rose, signed by the artist in the lower left. Working within the tradition of Abstract Expressionism, much of Rose's w...

OOAK Vintage 1900s-1910s Edwardian tan long coat. Large notched lapel with topstitching. Long sleeves with pintuck detail. 5 buttons on cuff. Center front...

DESCRIPTION: GUCCI A/W 2013 Black Channel Quilted Beaver Fur Trim Hooded Down Puffer Coat Estimated Retail: $3295 Brand / Manufacturer: Gucci Collection: Autumn / Winter 2013 Des...

ALEXANDER McQUEEN c.2007 Black Wool Geometric Paneled V-Neck Cocktail Dress Brand / Manufacturer: Alexander McQueen Designer: Alexander McQueen Collection: c.2007 Style: Sheath Dres...

"Green Meadow" is an original oil painting on wood by Robert Richter. The artist signed the piece on the back. This artwork features an expansive green landscape with yellow, brown, ...

Sterling silver sandwich tong / asparagus serving tong mechanical, gold washed, and pierced 9 1/8" in the pattern English King by Tiffany and Co. It is not monogrammed and is in exce...

Etro floral kaleidoscope gray ombre sleeveless shift cocktail dress; new with tags. Designed by Veronica Etro. Multi-color floral kaleidoscope print over top stone to charcoal gray o...

"Sierra Madre" is a color woodblock signed by Carol Summers. As suggested by the title, the print teeters the line between Summers' fanciful landscapes an...

Chrysanthemum by Tiffany Co. sterling silver bouillon cup with gold chrysanthemum liner. The cup is marked with #14782/4848, and has an "M" date mark that dates from 1873-91. I...

Gucci black jersey knit sleeveless draped shift cocktail dress. Crew neckline. Front crisscrossed drape detail with rectangular gold-toned metal brooch. Sleeveless. Shift style. Cen...

In the mid to late 1950's "space age silver" was all the rage. In 1957, the year of Sputnik, star-studded sterling flatware was continuing to be designed and released, which continued all through the 60's. President Kennedy's mission in 1961 to reach the moon culminated the successful voyage of the Apollo 11 spacecraft in 1969. It was an exciting time in space...

Framed 25.75 x 21.75 in No. 287 in the Catalogue Raisonne of Chagall's lithographs This lithograph came from "The Lithographs of Chagall: Volume I" by Fernand Mourlot and Marc Chag...

The academic nature in which designer Antione Heller looked to the past for inspiration also stems from the Beaux Arts movement. This multi-motif, figural pattern features French fig...

"Sketch Near Pittsfield" is an original etching signed by the artist Stephen Parrish. It depicts a small group of buildings next to a lake. A path runs next to them, and the entire s...

'Ava (1940s Art Deco Fashion Rendition)' is an original drawing by the American artist Jorge Ruiz-Martinez. The artist works in an art deco style, imagining graceful figures in histo...

Celeste by Gorham, circa 1956 sterling silver flatware set - 38 pieces. This pattern has a great 1950s look! This set includes: Eight regular knives,...

The present hand-colored lithograph was produced as part of the funeral and mourning culture in the United States during the 19th century. Images like this were popular as ways of remembering loved ones, an alternative to portraiture of the deceased. This lithograph shows a man, woman and child in morning clothes next to an urn-topped stone monument. Behind are additional putto-topped headstones beneath weeping willows, with a steepled church beyond. The monument contains a space where a family could inscribe the name and death dates of a deceased loved one. In this case, it has been inscribed to a young Civil War soldier: William W. Peabody Died at Fairfax Seminary, VA December 18th, 1864 Aged 18 years The young Mr. Peabody probably died in service for the Union during the American Civil War. Farifax Seminary was a Union hospital and military headquarters in Alexandria, Virginia. The hospital served nearly two thousand soldiers during the war time. Five hundred were also buried on the Seminary's grounds. 13.75 x 9.5 inches, artwork 23 x 19 inches, frame Published before 1864 Inscribed bottom center "Lith. & Pub. by N. Currier. 2 Spruce St. N.Y." Framed to conservation standards using 100 percent rag matting and TruVue Conservation Clear glass, housed in a gold gilded moulding. Nathaniel Currier was a tall introspective man with a melancholy nature. He could captivate people with his piercing stare or charm them with his sparkling blue eyes. Nathaniel was born in Roxbury, Massachusetts on March 27th, 1813, the second of four children. His parents, Nathaniel and Hannah Currier, were distant cousins who lived a humble yet spartan life. When Nathaniel was eight years old, tragedy struck. Nathaniel’s father unexpectedly passed away leaving Nathaniel and his eleven-year-old brother Lorenzo to provide for the family. In addition to their mother, Nathaniel and Lorenzo had to care for six-year-old sister Elizabeth and two-year-old brother Charles. Nathaniel worked a series of odd jobs to support the family, and at fifteen, he started what would become a life-long career when he apprenticed in the Boston lithography shop of William and John Pendleton. A Bavarian gentleman named Alois Senefelder invented lithography just 30 years prior to young Nat Currier’s apprenticeship. While under the employ of the brothers Pendleton, Nat was taught the art of lithography by the firm’s chief printer, a French national named Dubois, who brought the lithography trade to America. Lithography involves grinding a piece of limestone flat and smooth then drawing in mirror image on the stone with a special grease pencil. After the image is completed, the stone is etched with a solution of aqua fortis leaving the greased areas in slight relief. Water is then used to wet the stone and greased-ink is rolled onto the raised areas. Since grease and water do not mix, the greased-ink is repelled by the moisture on the stone and clings to the original grease pencil lines. The stone is then placed in a press and used as a printing block to impart black on white images to paper. In 1833, now twenty-years old and an accomplished lithographer, Nat Currier left Boston and moved to Philadelphia to do contract work for M.E.D. Brown, a noted engraver and printer. With the promise of good money, Currier hired on to help Brown prepare lithographic stones of scientific images for the American Journal of Sciences and Arts. When Nat completed the contract work in 1834, he traveled to New York City to work once again for his mentor John Pendleton, who was now operating his own shop located at 137 Broadway. Soon after the reunion, Pendleton expressed an interest in returning to Boston and offered to sell his print shop to Currier. Young Nat did not have the financial resources to buy the shop, but being the resourceful type he found another local printer by the name of Stodart. Together they bought Pendleton’s business. The firm ‘Currier & Stodart’ specialized in "job" printing. They produced many different types of printed items, most notably music manuscripts for local publishers. By 1835, Stodart was frustrated that the business was not making enough money and he ended the partnership, taking his investment with him. With little more than some lithographic stones, and a talent for his trade, twenty-two year old Nat Currier set up shop in a temporary office at 1 Wall Street in New York City. He named his new enterprise ‘N. Currier, Lithographer’ Nathaniel continued as a job printer and duplicated everything from music sheets to architectural plans. He experimented with portraits, disaster scenes and memorial prints, and any thing that he could sell to the public from tables in front of his shop. During 1835 he produced a disaster print Ruins of the Planter's Hotel, New Orleans, which fell at two O’clock on the Morning of the 15th of May 1835, burying 50 persons, 40 of whom Escaped with their Lives. The public had a thirst for newsworthy events, and newspapers of the day did not include pictures. By producing this print, Nat gave the public a new way to “see” the news. The print sold reasonably well, an important fact that was not lost on Currier. Nat met and married Eliza Farnsworth in 1840. He also produced a print that same year titled Awful Conflagration of the Steamboat Lexington in Long Island Sound on Monday Evening, January 18, 1840, by which melancholy occurrence over One Hundred Persons Perished. This print sold out very quickly, and Currier was approached by an enterprising publication who contracted him to print a single sheet addition of their paper, the New York Sun. This single page paper is presumed to be the first illustrated newspaper ever published. The success of the Lexington print launched his career nationally and put him in a position to finally lift his family up. In 1841, Nat and Eliza had their first child, a son they named Edward West Currier. That same year Nat hired his twenty-one year old brother Charles and taught him the lithography trade, he also hired his artistically inclined brother Lorenzo to travel out west and make sketches of the new frontier as material for future prints. Charles worked for the firm on and off over the years, and invented a new type of lithographic crayon which he patented and named the Crayola. Lorenzo continued selling sketches to Nat for the next few years. In 1843, Nat and Eliza had a daughter, Eliza West Currier, but tragedy struck in early 1847 when their young daughter died from a prolonged illness. Nat and Eliza were grief stricken, and Eliza, driven by despair, gave up on life and passed away just four months after her daughter’s death. The subject of Nat Currier’s artwork changed following the death of his wife and daughter, and he produced many memorial prints and sentimental prints during the late 1840s. The memorial prints generally depicted grief stricken families posed by gravestones (the stones were left blank so the purchasers could fill in the names of the dearly departed). The sentimental prints usually depicted idealized portraits of women and children, titled with popular Christian names of the day. Late in 1847, Nat Currier married Lura Ormsbee, a friend of the family. Lura was a self-sufficient woman, and she immediately set out to help Nat raise six-year-old Edward and get their house in order. In 1849, Lura delivered a son, Walter Black Currier, but fate dealt them a blow when young Walter died one year later. While Nat and Lura were grieving the loss of their new son, word came from San Francisco that Nat’s brother Lorenzo had also passed away from a brief illness. Nat sank deeper into his natural quiet melancholy. Friends stopped by to console the couple, and Lura began to set an extra place at their table for these unexpected guests. She continued this tradition throughout their lives. In 1852, Charles introduced a friend, James Merritt Ives, to Nat and suggested he hire him as a bookkeeper. Jim Ives was a native New Yorker born in 1824 and raised on the grounds of Bellevue Hospital where his father was employed as superintendent. Jim was a self-trained artist and professional bookkeeper. He was also a plump and jovial man, presenting the exact opposite image of his new boss. Jim Ives met Charles Currier through Caroline Clark, the object of Jim’s affection. Caroline’s sister Elizabeth was married to Charles, and Caroline was a close friend of the Currier family. Jim eventually proposed marriage to Caroline and solicited an introduction to Nat Currier, through Charles, in hopes of securing a more stable income to support his future wife. Ives quickly set out to improve and modernize his new employer’s bookkeeping methods. He reorganized the firm’s sizable inventory, and used his artistic skills to streamline the firm’s production methods. By 1857, Nathaniel had become so dependent on Jims’ skills and initiative that he offered him a full partnership in the firm and appointed him general manager. The two men chose the name ‘Currier & Ives’ for the new partnership, and became close friends. Currier & Ives produced their prints in a building at 33 Spruce Street where they occupied the third, fourth and fifth floors. The third floor was devoted to the hand operated printing presses that were built by Nat's cousin, Cyrus Currier, at his shop Cyrus Currier & Sons in Newark, NJ. The fourth floor found the artists, lithographers and the stone grinders at work. The fifth floor housed the coloring department, and was one of the earliest production lines in the country. The colorists were generally immigrant girls, mostly German, who came to America with some formal artistic training. Each colorist was responsible for adding a single color to a print. As a colorist finished applying their color, the print was passed down the line to the next colorist to add their color. The colorists worked from a master print displayed above their table, which showed where the proper colors were to be placed. At the end of the table was a touch up artist who checked the prints for quality, touching-in areas that may have been missed as it passed down the line. During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production. Although most Currier & Ives prints were colored in house, some were sent out to contract artists. The rate Currier & Ives paid these artists for coloring work was one dollar per one hundred small folios (a penny a print) and one dollar per one dozen large folios. Currier & Ives also offered uncolored prints to dealers, with instructions (included on the price list) on how to 'prepare the prints for coloring.' In addition, schools could order uncolored prints from the firm’s catalogue to use in their painting classes. Nathaniel Currier and James Merritt Ives attracted a wide circle of friends during their years in business. Some of their more famous acquaintances included Horace Greeley, Phineas T. Barnum, and the outspoken abolitionists Rev. Henry Ward, and John Greenleaf Whittier (the latter being a cousin of Mr. Currier). Nat Currier and Jim Ives described their business as "Publishers of Cheap and Popular Pictures" and produced many categories of prints. These included Disaster Scenes, Sentimental Images, Sports, Humor, Hunting Scenes, Politics, Religion, City and Rural Scenes, Trains, Ships, Fire Fighters, Famous Race Horses, Historical Portraits, and just about any other topic that satisfied the general public's taste. In all, the firm produced in excess of 7500 different titles, totaling over one million prints produced from 1835 to 1907. Nat Currier retired in 1880, and signed over his share of the firm to his son Edward. Nat died eight years later at his summer home 'Lion’s Gate' in Amesbury, Massachusetts. Jim Ives remained active in the firm until his death in 1895, when his share of the firm passed to his eldest son, Chauncey. In 1902, faced will failing health from the ravages of Tuberculosis, Edward Currier sold his share of the firm to Chauncey Ives...

Eight dinner size knives, 9 3/4" Eight dinner size forks, 7 3/4" Eight salad forks, 6 3/8" Eight teaspoons, 6 1/8" Eight hollow handle butter spreaders all-sterling, 6" Eight cocktai...

BALENCIAGA S/S 2015 Navy Blue Asymmetrical Slit Tank Top Brand / Manufacturer: Balenciaga Collection: Spring / Summer 2015 Style: Tank top Color(s): Navy blue Lined: No Marked Fa...

A signed oil painting representing the portrait of a woman in the bath. Contemporary painting. Height 40" x 28" Length

'Famine' is an original springstone sculpture signed by the Zimbabwean artist Rangarirai Makunde. The sculpture presents a solitary figure who stands facing directly forward. He hold...

Brand / Manufacturer: Hermes Circa: 1970s Style: Midi Dress Color(s): Shades of green, white Lined: No Unmarked Fabric Content (feel of): Jersey knit (primary fabric) Additional Deta...

ALEXANDER McQUEEN S/S 2000 "Eye" White Herringbone Illusion Bell Sleeve Top NWT - Runway Look #56 Brand / Manufacturer: Alexander McQueen Collection: Spring / Summer 2000 “Eye” Des...

Vintage c.1960's Emilio Pucci off white silk jersey sheath dress. Kaleidoscope multicolor floral motif. V-neckline with decorative border detail. 3...

Vintage Jean Patou late 1960's yellow and silver diamond brocade halter cocktail dress. Yellow and silver lurex diamond patterned brocade. Mandarin coll...

"La Phalène des Isles de la Mer" or "The Moth of the Islands of the Sea" is an original color lithograph by Franz Melchers. This piece was published in L'Estampe Moderne I, an Art No...

18K white gold filigree ring with diamonds. There are 13 round diamonds weighing about .75cts total. There is some hand engraved detail on the band. The natural earth mined diamonds ...

EMILIO PUCCI c.1970's Aqua Teal Printed Cotton Shirt & Pleated Skirt Dress Set Circa: c.1970's Label(s): Emilio Pucci; Saks Fifth Avenue Emilio Pucci Boutique Designer: Emilio Pucci...

"Pajaro Caballo (Bird House)" is an original acrylic painting on canvas by Miguel-Castro Lenero. Abstract representations of animals are rendered in thick acrylic paint in dark paste...

Scarce Louis XV by Birks (Canada) sterling silver Flatware set, 60 pieces. This set includes: 8 Knives, 8 5/8" 8 Forks, 7" 8 Pastry Forks w/bar, 6" 8 Small Teaspoons, 5 1/2" 8 Hollo...

ALEXANDER McQUEEN S/S 1998 “Golden Shower” Metallic Sheer Mesh Panel Knit Top Brand / Manufacturer: Alexander McQueen Collection: S/S 1998 “Golden Showe...

John Hallett is a Wisconsin-based veterinarian-turned-artist. Edition 2/50. Signed left side.