Recognized Dealers Mixed Media

The Water, 2023 collage on paper 46 H x 37.5 W cm Signed on the right side down This artwork has also a text wrote by the artist. "Beyond the smooth surface of the water, silence ...

The Love, 2023 collage on paper 46 H x 37.5 W cm Signed on right side down The artist wrote a text regarding this artwork. "The table. On the table's glass, a hexagonal trace. The...

An everyday situation, from our memory, from the memory of childhood in a non-place, that is to say, an enigmatic ephemeral place, a space that is delimited and that grows, that mult...

This set of drawings has been like a Covid-19 diary of one woman and her domestic realm. Simone de Beauvoir, the century's most iconic feminist scholar, called the burden of women's ...

The artist is inspired by the relationships between the past and the present, creating works that function as archaeological finds. His pieces, which include floors and toys, reconst...

This set of drawings has been like a Covid-19 diary of one woman and her domestic realm. Simone de Beauvoir, the century's most iconic feminist scholar, called the burden of women's ...

Flow is the ability of liquids to continually move from one place to another. Also, It means accepting each situation as it is. The movement of the liquid comes from life, it is natu...

The Flower, 2023 collage on paper 46 H x 37.5 W cm Signed on right side down The artist wrote a text for this artwork. "Over the past few days, the shadows cast by the glass on th...

The Flight, 2023 collage on paper 46 H x 37.5 W cm Signed on right side down The artist wrote a text regarding this artwork. "Toward the horizon, a fix...

This set of drawings has been like a Covid-19 diary of one woman and her domestic realm. Simone de Beauvoir, the century's most iconic feminist scholar, called the burden of women's ...

An everyday situation, from our memory, from the memory of childhood in a non-place, that is to say, an enigmatic ephemeral place, a space that is delimited and that grows, that mult...

This set of drawings has been like a Covid-19 diary of one woman and her domestic realm. Simone de Beauvoir, the century's most iconic feminist scholar, called the burden of women's ...

This set of drawings has been like a Covid-19 diary of one woman and her domestic realm. Simone de Beauvoir, the century's most iconic feminist scholar, called the burden of women's ...

ERNST, Max. Rêve d'une Petite Fille qui voulut entrer au Carmel. 176 pp. Illustrated with reproductions of 79 collages by Max Ernst. 8vo., 265 x 200 mm, bound in original illustrated wrappers, slightly faded in a new light blue cloth folding box, gilt black leather spine label. Paris: Éditions du Carrefour, 1930. Ernst's rare second collage novel about an adolescent girl who loses her virginity on the day of her first communion and so commits herself to a religious vocation as a Carmelite nun. Ernst includes a line of ironically pretentious text with each image. This is number 232 of the edition of 1000 copies on Velin, inscribed by Paul...

In the mid-2000s, Ana Seggiaro made her first small-scale collage works on paper. Starting from pages of books, maps, and scores, she carries out the first series intervened through ...

In the mid-2000s, Ana Seggiaro made her first small-scale collage works on paper. Starting from pages of books, maps, and scores, she carries out the first series intervened through ...

In the mid-2000s, Ana Seggiaro made her first small-scale collage works on paper. Starting from pages of books, maps, and scores, she carries out the first series intervened through ...

Ana Seggiaro's training as an engraver awakened her fascination for the works of Durero and Piranesi. This leads her both to recover the language of engraving itself through other me...

"London Street" mixed media artwork by street artist Omar Hassan. Created from the artist's used spray paint cans in a plexi frame. Hand titled, s...

Julian Opie Bijou reclining. 4, 2010 Vinyl on wooden stretcher 95.3 x 280.8 cm (37 1/2 x 110 1/2 in.) Unique Julian Opie’s simple, graphic figurative portraits and landscapes gener...

Flow is the ability of liquids to continually move from one place to another. Also, It means accepting each situation as it is. The movement of the liquid comes from life, it is natu...

The Liquied series is inspired by transformation, the speed with which things change, and the material's ability to adapt to its environment. As Zygmunt Bauman describes, liquid life doesn't maintain its shape; it changes; it has no contained form, but rather everything seems to blend together. In her work, Rosario Briones...

Color Origami Spiral I and II, Diptych, 2010 by Efren Isaza Mixed Media Archival pigment print Overall size: 43 in. H x 58 in. W Individual size: 43 in. H x 29 in. W One of a kind m...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

This series of contemporary black acrylic and pencil on paper was created by Yvonne Lammerich. The masterful Canadian artist has spent decades exploring the nature of the human condi...

This series of contemporary black acrylic and pencil on paper was created by Yvonne Lammerich. The masterful Canadian artist has spent decades exploring the nature of the human condi...

The central concept of Larios painting series KHLORIS is based on the idea of ​​the garden as a metaphorical space. Larios seeks to find a certain romantic beauty in the details of n...

Clemens Wolf declares himself a champion of sensuality: 'I'm really interested in the process of transforming something trivial into a sensual object. The guided coincidence plays a ...

Clemens Wolf declares himself a champion of sensuality: 'I'm really interested in the process of transforming something trivial into a sensual object. The guided coincidence plays a ...

DNA is genetic information, hidden and encrypted in body fluids. Veiled data that we load, that we do not know and that someone knows how to decipher. Such specifications characteriz...

M with Bra by Efren Isaza 37 in. H x 29.5 in. W Archival pigment print mounted on aluminum with ink and paint One of a kind ______________________________ Isaza, one of Colombia’s mo...

Although photography remains Arnone's primary form of expression, the artist begins to see certain limitations in this medium when it comes to adequately depicting his altered and of...

Nina Tichava's paintings are about relationships; she is interested in the interactions between materials and methods as well as the color and spatial relationships that naturally de...

This artwork was created by the artistic duo Hunter Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique cons...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

The Archangel, 2020 collage on paper 15 3/4 H x 11 13/16 W in. 40 H x 30 W cm The artist’s collages describe a series of faces composed of different materials – cardboards, textiles...

This artwork was created by the artistic duo Hunter Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique cons...

The Accounting Women, 2019 collage on paper 11 13/16 H x 15 3/4 w in 30 H x 40 W cm The artist’s collages describe a series of faces composed of different materials – cardboards, te...

The One Who Sold His Mind, 2020 collage on paper 15 3/4 H x 11 13/16 W in. 40 H x 30 W cm The artist’s collages describe a series of faces composed of different materials – cardboar...

The Origami Seller, 2019 collage on paper 15 3/4 H x 11 13/16 W in. 40 H x 30 W cm The artist’s collages describe a series of faces composed of different materials – cardboards, tex...

The Amateur, 2019 collage on paper 15 3/4 H x 11 13/16 W in 40 H x 30 W cm The artist’s collages describe a series of faces composed of different materials – cardboards, textiles, f...

The Poker Player, 2019 collage on paper 15 3/4 H x 11 13/16 W in. 40 H x 30 W cm The artist’s collages describe a series of faces composed of different materials – cardboards, texti...

This artwork was created by the artistic duo Hunter Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique cons...

The Cubist, 2019 collage on paper 11 13/16 H x 15 3/4 W in. 30 H x 40 W cm The artist’s collages describe a series of characters composed of different materials – cardboards, textil...

Animal, 2019 collage on paper 11 13/16 H x 15 3/4 W in. 30 H x 40 W cm The artist’s collages describe a series of characters composed of different materials – cardboards, textiles, ...

Las Cuatro Brujas Triptych, 2019 by Ana Seggiaro From the series "Durero" Embroidery on printed cloth Overall size: 120 cm H x 255 cm W (10 cm white border) Individual size: 120 cm H...

Untitled 02, 2015 - 2016 Mixed technique: oil paint, adhesive, silicone on metal sheet (Signed on reverse) 9 27/32 H x 7 7/8 W in 25 H x 20 W cm Zsolt Berszán’s work speaks of repul...

Untitled 02 [Dissecting the Unknown 02], 2015 Mixed technique: oil paint, adhesive on canvas (Signed on reverse) 9 29/64 H x 7 3/32 W in 24 H x 18 W cm Zsolt Berszán’s work speaks o...

This artwork was created by the artistic duo Hunter Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique cons...

Untitled 11 [Dissecting the Unknown 11], 2015 - 2016 Mixed technique: oil paint, adhesive, silicone on metal sheet (Signed on reverse) 9 27/32 H x 7 7/8 W in 25 H x 20 W cm Zsolt Be...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

This artwork was created by the artistic duo Hunter Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique cons...

Untitled 65 by IGAEL TUMARKIN (1933-2021) Mixed media on board 152 x 63 cm (59 ⅞ x 24 ¾ inches) Signed and dated lower left, Tumarkin 65 Numbered 'No6' on the reverse This work is from the most important period of Israeli artist Tumarkin during his time in Paris. Artist biography Peter Martin Gregor Heinrich Hellberg (later Yigal Tumarkin) was born in Dresden, Germany in 1933. His father, Martin Hellberg, was a German theatre actor and director. With his mother, Berta Gurevitch, and his stepfather, Herzl Tumarkin, Tumarkin immigrated to Mandate Palestine when he was two. He served in the Israeli Sea Corps and, after completing his military service, studied sculpture with Rudi Lehman in Ein Hod, a village of artists near Mount Carmel. In 1955, Tumarkin went to Berlin to work as a scenographer for Bertolt Brecht...

Untitled (Seascape at night) Tissue paper collage on Fabriano wove paper, 1964 Signed in ink lower left Annotated 42 in pencil on verso Condition: Excellent Image/Sheet size: 10 x 13 7/8 inches Part of a suite of collages created during the artist's sabatical leave from teaching, spent in Florence, Italy, studying at the Accademia D'Arte Firenze in 1963-1964. Ray H. French: The Evolution of an Artistic Innovator Printmaker, painter, and sculptor Ray H. French was born in Terre Haute, Indiana on May 16, 1919. Terre Haute was a cultural wasteland before the opening of the Sheldon Swope Art Museum in 1942. Thus, with a father as a coal miner and carpenter, art remained a luxury for Ray. Nevertheless, local art teachers Mabel Mikel Williams and Nola E. Williams helped to foster his creativity and unshakable drive to create things of beauty. After high school, Ray attended the John Herron School of Art in Indianapolis. His studies there were interrupted by the outbreak of World War II, during which he developed surveillance photographs for the Army Air Force. After the war, Ray transferred to the University of Iowa on the G.I. Bill, where he received both his BFA and MFA degrees. The University of Iowa during the 1940s was a cultural mecca with many major art historians and artists. While in Iowa, Ray played an important role in this culture by becoming a founding member of the Iowa Print Group under Mauricio Lasansky. Following his graduation in 1948, Ray experienced firsthand the rapid rise in creative printmaking in America. By 1949, he had exhibited at The Brooklyn Museum, the Walker Art Center, and MOMA New York. Ray’s early style of printmaking is characterized by pure line engraving on copper plates, a technique suited perfectly to his study of the beauty of animals. This charming and whimsical subject ran counter to the concurrent trends of Lasansky’s horrors of war and Hayter’s non-objectivity, but was equally effective in capturing the public’s attention. Walruses was purchased by the Victoria and Albert Museum, exhibited at MOMA New York and received the Arthur D. Allen Memorial Purchase Prize for its “skillful and economic use of line.” Shortly thereafter, Ray’s treatment of animals developed further into larger format mixed intaglio prints utilizing hard ground, soft ground, etching, and engraving, as exemplified in The Swan. By the late 1950s, Ray’s style evolved into organic non-objectivity, in which he incorporated personal autobiographical vignettes and symbolism. His work during this time was further characterized by a departure from the traditional squared compositional format to his cutting and rounding of the plate to accentuate organic shapes. Ray’s 1959 Enchantment remains particularly illustrative of his use of etching and soft ground intaglio. Enchantment was successfully exhibited at the Brooklyn Museum of Art for the 12th National Print Exhibition of The American Federation of the Arts and received the Pennell Purchase Prize from the Library of Congress in 1960. In the 1960s, Ray also started to focus on blind embossing, which he had first experimented with at the University of Iowa. He was extremely prolific and successful with this medium, selling hundreds of prints in small editions of 10 through the Associated American Artist Gallery in New York. In 1966, Ray built upon his mastery of embossing and began developing a shadow box presentation called a graphic construction that combined color, blind embossing, and multi-layered cutouts to revel intaglio compositions. Noted curator William Lieberman purchased Ray’s masterpiece graphic construction, Moon Rays...

Useful Object Cover, 2009 oil on canvas, plexiglass box, umbrella 47.24 H x 27.55 W x 11.81 D in 120 H x 70 W x 30 D cm In the "Useful Objects" series, the woman is identified with...

In Forgetting is so long, Daisy Patton collects abandoned, anonymous family photographs, enlarges them past their familiar size, and paints over them. She uses paint to disrupt, to r...

WOLF (Ulf) Collage on wood 22 H × 15 7/10 W in 55.8 H × 40 W cm Powerful colors seize the viewer, while the numerous individual pieces of the collages overlap each other to relate t...